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              <text>Crosson, Chad G.</text>
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              <text>Studies in Philology 115 (2018): 242-66</text>
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              <text>Studies in Philology 115 (2018)</text>
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              <text>Tale of Melibee&#13;
Canterbury Tales--General</text>
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              <text>SAC 43:209</text>
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            <description>An account of the resource</description>
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                <text>Explores the recursive demands of grammatical emendation ("emendatio") and penitential reform--the accumulative and ongoing need for correction of error that creates or prompts more need for correction--as the aesthetic that underlies Mel, and CT more generally. Inspired by such models as grammatical exercises and Aristotelian prologues, Prudence's correction of Melibee is not successful, fulfilling, or complete, but it indicates the value of revision, revisiting, and adjustment of genres and ideas in the Canterbury fiction.</text>
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                <text>Chaucer's Corrective Form: The Tale of Melibee and the Poetics of Emendation.</text>
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              <text>Kennedy, Edward Donald.</text>
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              <text>Arthuriana 28.3 (2018): 51-65.</text>
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              <text>Arthuriana 28 (2018)</text>
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              <text>Tale of Sir Thopas&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 43:207</text>
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              <text>2018</text>
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                <text>Malory, the Stanzaic "Morte Arthur," the Alliterative "Morte Arthure," and Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Argues that Malory downplayed his uses of the Stanzaic "Morte Arthur" and the Alliterative "Morte Arthure" in his "Le Morte Darthur" because the cultural prestige of native English romances was low--an attitude popularized by Chaucer in Th and elsewhere.</text>
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              <text>Edmondson, George.</text>
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              <text>Studies in the Age of Chaucer 41 (2019): 73-105.</text>
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              <text>Studies in the Age of Chaucer 41 (2019)</text>
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              <text>Tale of Sir Thopas</text>
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                <text>Chaucerian Humor.</text>
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                <text>Reads the prologue to Th (Prioress-Thopas Link) psychoanalytically as a comic enactment of the internal economy of the self in which the ego (Chaucer) absorbs the "attentions" of the superego (the Host) "so thoroughly as to arrest them" and deflect "unpleasure." In turn, Th "deauthorize[s] the idea of superegoic power at the very site of its origin." Transformative Chaucerian humor resists suffering by deflating the power of the superego, the tyrant, and the "regimes of affective governance."</text>
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              <text>Wong, Jessica.</text>
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              <text>Open access Ph.D. Dissertation. University of Illinois, 2017.&#13;
Available at https://www.ideals.illinois.edu/handle/2142/99240. Accessed February 6, 2021.</text>
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              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Reading in the Animal Vernacular: The Bestiary as Lay Genre in Medieval England.</text>
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            <description>An account of the resource</description>
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                <text>Includes discussion of "Chaucer's use of the bestiary to create his character of the Pardoner," relying on "the reader's association of animal features with morality to convey its meaning" and structuring PardPT to incorporate "the generic components of the bestiary, sermon, and exemplum to create something wholly new."</text>
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              <text>Tracy, Larissa.</text>
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              <text>Medieval Feminist Forum 54.2 (2018): 64-108.</text>
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              <text>Medieval Feminist Forum 54 (2018)</text>
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              <text>Pardoner and His Tale</text>
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                <text>Chaucer's Pardoner: The Medieval Culture of Cross-Dressing&#13;
and Problems of Religious Authority.</text>
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                <text>Explores the implications of reading the Pardoner as a cross-dressing female, arguing that Chaucer leaves "her" characterization ambiguous, plays on "cultural associations of cross-dressing," and "legitimiz[es] the rhetorical power of female preaching." Examines PardPT, the GP description of the Pardoner, and the Pardoner's exchange with the Host, along with aspects of "Roman de silence," the legend of Pope Joan, Rutebeuf's "De Freire Denise Cordelier," and several lives of female transvestite saints.</text>
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              <text>Swortzell, Lowell.</text>
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              <text>Plays: The Drama Magazine for Young People 74.5 (2015): 23-28, 64.</text>
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              <text>Plays: The Drama Magazine for Young People 74 (2015)</text>
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              <text>Pardoner and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 43:198</text>
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            <description>An account of the resource</description>
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                <text>One-act play for eight child actors adapted from PardT, with Chaucer speaking directly to the Pardoner at the opening and closing of the plot. Production notes indicate a running time of approximately 20 minutes.</text>
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                <text>The Pardoner's Tale: Three Greedy Thieves Learn the Hard Way that Money Is the Root of All Evil . . . Adapted from Geoffrey Chaucer's "Canterbury Tales."</text>
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              <text>Sugito, Hisashi.</text>
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              <text>Bulletin of the Society for Chaucer Studies 7 (2019): 3-12.</text>
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              <text>Bulletin of the Society for Chaucer Studies 07 (2019)</text>
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              <text>Pardoner and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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            <description>An account of the resource</description>
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                <text>Points out thematic parallels between Hoccleve's "Male regle" and PardT, such as "riot and repentance" and "misreading" of "the material and the spiritual," and argues that Hoccleve succeeds in taking in Chaucerian literary resources to make his original literary achievement with unique autobiographical inclination.</text>
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                <text>Hoccleve's Tale: "La male regle" and the "Canterbury Tales."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Open access Ph.D. dissertation. McGill University, 2019.&#13;
Available at https://escholarship.mcgill.ca/. Accessed January 28, 2021.</text>
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                <text>Sacramental Signification: Eucharistic Poetics from Chaucer to Milton.</text>
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                <text>Argues "that in early modern England the primary theoretical models by which poets understood how language means what it means were applications of&#13;
eucharistic theology." Opens with discussion of PardT, SumT, and Pearl "in the context of the debate between nominalists and realists," focusing on their "playful and creative eucharistic poetics" as precursors to early modern examples.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Murphy, Kevin M.</text>
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              <text>Dissertation Abstracts International A80.01(E) (2018): n.p.</text>
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              <text>Dissertation Abstracts International 80 (2018)</text>
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              <text>Pardoner and His Tale</text>
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              <text>SAC 43:195</text>
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              <text>2018</text>
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            <name>Title</name>
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                <text>Vile Affections: Medieval Literature in "Reprobum sensus traditus."</text>
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            <description>An account of the resource</description>
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                <text>Includes discussion of how Chaucer "lays bare . . . [h]ow language and other signs may be adopted to obscure the patently obvious," arguing that the Pardoner's "constant insistence on corporeal language and imagery always returns the reader to the source and site of sexual disgust: the Pardoner's anomalous body."</text>
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              <name>Title</name>
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              <text>Lee, Sun Young.</text>
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              <text>Dissertation Abstracts International A79.09 (2018): n.p.</text>
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              <text>Dissertation Abstracts International 79 (2018)</text>
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              <text>Pardoner and His Tale&#13;
Summoner and His Tale</text>
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            <name>Title</name>
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                <text>Refiguring Moderation in Eating and Drinking in Late Fourteenth-and Fifteenth-Century Middle English Literature.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Includes discussion of "Chaucer's critique of the rhetoric of moderation in the speech of the Pardoner and the Friar John [in SumT] . . . , who attempted to assert their clerical superiority and cover up their gluttony by preaching moderation."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837492">
              <text>Kennedy, James. Acorns</text>
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        <element elementId="98">
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              <text>Bloomington: AuthorHouse, 2016.</text>
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        <element elementId="99">
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              <text>278 pp.</text>
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              <text>Pardoner and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 43:192</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2837497">
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              <elementText elementTextId="2837490">
                <text>Acorns and Other Stories: Portrayals of Everyday Life.</text>
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          <element elementId="41">
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              <elementText elementTextId="2851841">
                <text>Includes a prose retelling of PardT entitled "Three Rioters: The Pardoner's Tale," which closes with a return to the "eternal journey" of the Old Man.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fruoco, Jonathan.</text>
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        <element elementId="98">
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              <text>Mélanges de Science Religieuses, 76.4 (2019): 5-18.</text>
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              <text>Mélanges de Science Religieuses, 76 (2019)</text>
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              <text>Pardoner and His Tale&#13;
General Prologue to the Canterbury Tales</text>
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        <element elementId="114">
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                <text>"Si l'or doit rouiller, que deviendra le fer?": Chaucer et les représentations du Pardonneur dans les "Contes de Canterbury."</text>
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                <text>Examines the depiction of the Pardoner in PardT as a reflection of Chaucer's own ideas about spirituality. Contends that Chaucer's portraits of the religious pilgrims in GP showcase several types of spirituality and argues that the poet seems to enjoy detailing both the vices and the virtues of members of the clergy.</text>
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              <text>Spearing, A. C.</text>
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        <element elementId="98">
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              <text>Chaucer Review 54.1 (2019): 1–34.</text>
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        <element elementId="102">
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              <text>Physician and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Narration in Two Versions of "Virginius and Virginia."</text>
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              <elementText elementTextId="2837475">
                <text>Compares Chaucer's and Gower's versions of the story of Virginia, her rape, and death, remarking upon their various similarities and differences. Building upon that comparison, offers correctives for how a narrator might be used for old texts in general, and these tales in particular, by arguing that Chaucer's PhyT is not told by an unreliable narrator, but by Chaucer himself.</text>
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              <text>Houlik-Ritchey, Emily.</text>
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Language and Word Studies</text>
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                <text>Dwelling with Humans and Nonhumans: Neighboring Ethics in "The Franklin's Tale."</text>
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                <text>Proposes a "theoretical conjunction" between "an ecological love for the non-identical and ethical theories of love for the neighbor," exploring in light of neighbor theory Dorigen's relationships in FranT with Arveragus, with Aurelius, and with the black rocks, and commenting on the implications of to "dwellen," strangeness, Dorigen being "astonied," ecocriticism, new materialism, and posthumanist ontologies.</text>
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                <text>Love's (and Law's) Illusions in Chaucer's "Franklin's Tale."</text>
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                <text>Examines the concept of intent and the illusion that is the marriage between Dorigen and Arveragus in order to argue that the message is one not of equality in marriage but of the happiness gained when the woman submits to her husband's authority. When put in its legal context, the concept of mercy also proves to be an illusion.</text>
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Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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                <text>Traces the history and implications of the rhetorical analogy between the effects of "persistent speech" and water eroding or imprinting stone, from Ovid through medieval erotodidactic and religious writing to Boccaccio's Tale of Menedon and FranT, focusing on how "familiar wisdom might unfold new meanings in time." Chaucer's "sustained engagement" with the image in FranT complicates traditional uses by showing how Dorigen learns the "rewards and satisfactions of complaint" while Aurelius fails to "abandon the fantasy of 'emprentyng' his desires on Dorigen."</text>
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                <text>"The emprentyng of hire consolacioun": Engraving, Erosion, and Persistent Speech in "The Franklin's Tale."</text>
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              <text>Thomas, Reena, and Ethan K. Smilie.</text>
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Style and Versification</text>
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                <text>"Vitium curiositatis" and Stereotypes in Chaucer's "Squire's Tale."</text>
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                <text>Looks at how SqT frames the East as stereotypically strange and familiar in order to explore the corrupting effects of "vitium curiositatis" (the vice of curiosity) and the beneficial possibilities of wonder. Argues that Chaucer embraces fragmented and partial knowledge, critiquing "curiositatis" through the Squire's narrative gaps and abrupt ending, and implying that, though wonderful and mysterious, the East can be known.</text>
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              <text>Elmes, Melissa Ridley.</text>
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              <text>Medieval Feminist Forum 54.1 (2018): 50-64.</text>
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              <text>Squire and His Tale</text>
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                <text>"Compassion and benignytee": A Reassessment of the Relationship between Canacee and the Falcon in Geoffrey Chaucer's "Squire's Tale."</text>
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                <text>Reviews the scholarship concerning the bond between Canacee and the falcon in SqT and argues that this posthumanist bond "derives from their femaleness, which for the tale-teller transcends species in favor of a gendered sameness borne of similar experiences; in particular, female experiences with figures of the opposite sex."</text>
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              <text>Walling, Amanda.</text>
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        <element elementId="98">
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              <text>Studies in Philology 115 (2018): 1-24.</text>
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              <text>Merchant and His Tale&#13;
Tale of Melibee&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Placebo Effects: Flattery and Antifeminism in Chaucer's "Merchant's Tale" and the "Tale of Melibee."</text>
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                <text>With Albertanus of Brescia's "Liber de consolationis et consilii" as a common source, Mel and MerT both confront issues of counsel, gender, and lordship. MerT offers a skeptical, antifeminist, homosocial reassessment of the relatively optimistic "Albertanian doctrines of counsel" found in Mel, which also offers a positive view of femininity. In differing ways, each tale suggests that "antifeminism and flattery pose special dangers to the masculine self."</text>
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              <text>Olson, Donald W.</text>
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              <text>Cham: Springer, 2018.</text>
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              <text>xiv, 334 pp.; b&amp;w and color illus.</text>
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              <text>Merchant and His Tale&#13;
Style and Versification</text>
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              <text>SAC 43:181</text>
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                <text>Further Adventures of the Celestial Sleuth: Using Astronomy to Solve More Mysteries in Art, History, and Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837418">
                <text>Includes discussion of MerT that explains Chaucer's precision in using astronomical data for poetic purposes. Suggests that Chaucer used Alfonsine tables, and aligns the astronomical details and imagery of MerT with celestial events that occurred in April, May, and June of 1389.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fruoco, Jonathan.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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              <text>Iris 39 (2019): n.p. &#13;
Available at http://ouvroir-litt-arts.univ-grenoble-alpes.fr/revues/actalittarts/553-geoffrey-chaucer-the-merchant-s-tale-et-la-dialectique-de-l-elevation. Accessed January 12, 2021.</text>
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          <elementTextContainer>
            <elementText elementTextId="2837413">
              <text>Iris 39 (2019)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2837414">
              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837415">
              <text>SAC 43:180</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837416">
              <text>2019</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837410">
                <text>Explores the implications of ascent and descent in MerT, focusing on the significance of the tale's vacillations between courtliness and the fabliau genre in comparison with several analogous narratives that include fruit-tree episodes. In French, with an English abstract.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851128">
                <text>Geoffrey Chaucer, "The Merchant's Tale" et la dialectique de l'élévation.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837402">
              <text>Barbaccia, Holly, Bethany Packard, and Jane Wanniger.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837403">
              <text>Merry Wiesner, ed. Gendered Temporalities in the Early Modern World (Amsterdam: Amsterdam University Press, 2018), pp. 213-34.</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837404">
              <text>Packard, Bethany.&#13;
Wanniger, Jane.&#13;
Weisner, Merry, ed.</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837405">
              <text>Gendered Temporalities in the Early Modern World.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837406">
              <text>Merchant and His Tale&#13;
Troilus and Criseyde</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837407">
              <text>SAC 43:179</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837408">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837400">
                <text>Maybe Baby: Pregnant Possibilities in Medieval and Early Modern Literature.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851663">
                <text>Explores how the "unfulfilled outcomes" of characters who are possibly mothers or possibly pregnant in TC, MerT, Shakespeare's "All's Well that Ends Well," and John Webster's "The Duchess of Malfi" "simultaneously enable author, character, and audience to revise the past, conjure the future, and conceptualize a dynamic present." The "maternal possibility" of both Criseyde and May resonates "with medieval theories of interpretation" so that "the reader emerges as bearing responsibility for producing textual meaning."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837394">
              <text>Willis, Katherine E. C.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837395">
              <text>Arthuriana 18.1 (2018): 3-19.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837396">
              <text>Arthuriana 18 (2018)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837397">
              <text>Clerk and His Tale&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837398">
              <text>SAC 43:178</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837399">
              <text>2018</text>
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          </elementTextContainer>
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      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837392">
                <text>Interpretive Reading and Medieval Hunting Treatises in "The Once &amp; Future King."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851129">
                <text>Argues that the "interpretive reading" underlying T. H. White's uses of William Twiti's "The Art of Hunting" as a source in "The Once and Future King" is similar to medieval rhetorical techniques of amplification. Exemplifies similar kinds of creative interpretation in Bernard of Clairvaux's Sermons, Thomas Malory's "Le Morte Darthur," and ClT, where the narrator's "exclamatory interjections are a means of amplification to address a perceived absence or fault in the affective qualities of the source material."</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837385">
              <text>Wright, Monica L.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837386">
              <text>Sarah-Grace Heller, ed. A Cultural History of Dress and Fashion in the Medieval Age (London: Bloomsbury, 2017), pp. 159-72.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
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              <text>Heller, Sarah-Grace, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837388">
              <text> A Cultural History of Dress and Fashion in the Medieval Age.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837389">
              <text>Wife of Bath and Her Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837390">
              <text>SAC 43:176</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837391">
              <text>2017</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837383">
                <text>Literary Representations.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837384">
                <text>Explores medieval literary representations of clothing, nudity, and fashion. Includes discussion (pp. 160-63) of how the Wife of Bath's clothing indicates her "personality" and "the crisis of legibility in the fashion system in England"; reproduces the Ellesmere illustration of the Wife.</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837377">
              <text>Rotkiewicz, Vincent.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837378">
              <text>Postmedieval 9 (2018): 88-99.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837379">
              <text>Postmedieval 09 (2018)</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837380">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837381">
              <text>SAC 43:174</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837382">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837375">
                <text>Reimagining Revolt: 1381, Feminine Authority, and the Wife of Bath.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851130">
                <text>Reads the Peasants' Revolt of 1381 as an inspiration for the relationship between textual authority, bibliophobia, and violence in WBPT. Compares Alisoun to rioters who destroyed writings they deemed threatened their personal rights. Argues that the Wife's tale shows how to resolve similar conflicts nonviolently.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
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