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                  <text>Chaucer Bibliography Online</text>
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              <text>Minnis, A. J.</text>
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              <text>Marianne Børch, ed. Text and Voice: The Rhetoric of Authority in the Middle Ages (Odense : University Press of Southern Denmark, 2004), pp. 138-67.</text>
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              <text>2004</text>
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              <text>Text and Voice:  The Rhetoric of Authority in the Middle Ages</text>
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              <text>Background and General Criticism.</text>
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              <text>vxl sac 28:81</text>
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                <text>Absent Glosses : A Crisis of Vernacular Hermeneutics in Late-Medieval England</text>
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                <text>Considers the lack of extensive glosses and commentaries on late Middle English literature, including Chaucer, arguing that in England, unlike on the Continent, the concern with "translatio studii" (transferring the authority of the ancients to the present) was "tainted by the Lollards" and their promotion of the vernacular.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Scala, Elizabeth.</text>
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              <text>Houndmills, Basingstoke; and New York: Palgrave/Macmillan, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2002</text>
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              <text>xx, 284 pp.</text>
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              <text>Book of the Duchess.</text>
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              <text>Knight and His Tale.</text>
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              <text>Squire and His Tale.</text>
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              <text>Anelida and Arcite.</text>
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              <text>vxl sac 26:150</text>
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                <text>Absent Narratives, Manuscript Textuality, and Literary Structure in Late Medieval England</text>
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                <text>Scala studies absence as a structural feature of late-medieval English narratives, arguing that absence reflects the manuscript culture in which the narratives are preserved and that it is reflected in the critical and theoretical responses to these narratives. She focuses on BD, Sir Gawain and the Green Knight, SqT, KnT, Gower's Confessio Amantis, and Malory's Morte Darthur, seeking "to analyze late medieval narrative across generic divides" and to track the development of the "self-conscious medieval narrator" by examining what is left out.</text>
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                <text>The incomplete stories alluded to in BD mirror the poem's textual uncertainties and the inauguration of Chaucer's poetic career. The absences and leaps of SqT echo out from MLE and reflect into Anel and KnT, epitomizing the reception of SqT and Chaucer's narrative technique. KnT is in several ways like SqT. KnT and SqT, the only father-son pairing of CT, embody an Oedipal story that is lacking in both CT and its origination.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Scala, Elizabeth Doreen.</text>
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              <text>Dissertation Abstracts International 56 (1995): 187A.</text>
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        <element elementId="114">
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              <text>1995</text>
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            <elementText elementTextId="2738225">
              <text>Background and General Criticism.</text>
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              <text>Dissertation Abstracts International 56 (1995)</text>
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              <text>jules SAC 19 (1997) - 122</text>
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              <elementText elementTextId="2738220">
                <text>Absent Narratives: Medieval Literature and Textual Repression</text>
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                <text>Later medieval literature (as represented by Chaucer and others) demonstrates "cultural anxiety," manifested through marginal glosses, commentary, and illumination that make each manuscript unique, unlike modern printings.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>MacDonald, Angus.</text>
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              <text>Neophilologus 48 (1964): 235-37.</text>
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              <text>Neophilologus 48 (1964)</text>
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              <text>Miller and His Tale&#13;
Language and Word Studies</text>
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              <text>mea; 9/12/2019</text>
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              <text>1964</text>
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                <text>Absolon and St. Neot.</text>
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                <text>Explores the background and implications of the reference to "seinte Note" (St. Neot) and the possibility of punning in "viritoot" in MilT 1.3770-71.</text>
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  <item itemId="267813" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Walls, Kathryn.</text>
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              <text>Chaucer Review 35: 391-98,   2001.</text>
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              <text>2001</text>
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              <text>Miller and His Tale.</text>
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              <text>Chaucer Review 35 (2001)</text>
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              <text>jules SAC 25 (183)</text>
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                <text>Absolon as Barber-Surgeon</text>
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                <text>Absolon's profession is reflected in his elaborate hairstyle (rather than tonsure); in his red, white, and blue clothing; and in his choice of the cultour as a tool for revenge. With cutting blade in hand, Absolon takes his "patient" by surprise, striking with "unerring accuracy" the part of the anatomy most familiar to medieval surgeons.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hatton, Thomas J.</text>
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        <element elementId="98">
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            <elementText elementTextId="2808395">
              <text>Papers on Language and Literature 7 (1971): 72-75.</text>
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              <text>1971</text>
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              <text>Miller and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Papers on Language and Literature 07 (1971)</text>
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              <text>mea; 03/24/2016 No SAC</text>
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                <text>Absolon, Taste, and Odor in 'The Miller's Tale'</text>
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                <text>Summarizes the Scriptural tradition in which spiritual fame is associated with sweet tastes and good odors, and suggests that Absolon's association with their opposites in MilT reinforces his humiliation and his concern with "fame among men."</text>
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              <text>Novelli, Cornelius.</text>
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              <text>Neophilologus 52 (1968): 65-69.</text>
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                <text>Absolon's "freend so deere": A Pivotal Point in the Miller's Tale.</text>
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                <text>Explains how the scene that involves Gerveys the smith (1.3772-89) is "structurally crucial" to MilT by creating an effective lull between "two bits of explosive comedy," helping to characterize Absolon, and gathering the threads of several important motifs of the Tale.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Boenig, Robert.</text>
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        <element elementId="98">
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              <text>jules SAC 14 (164)</text>
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                <text>Absolon's Musical Instruments</text>
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                <text>Medieval convention and iconography support the view that the rebec is associated with the female voice (and thus suited to Absolon's effeminate character).  It is implied that Absolon neither sings nor plays very well.</text>
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              <text>Morse, Ruth.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>Poetica: An International Journal of Linguistic Literary Studies 38 (1993)</text>
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              <text>vxl sac 26:147</text>
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                <text>Absolute Tragedy: Allusions and Avoidances</text>
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              <elementText elementTextId="2760974">
                <text>Contemplates the possible range of meanings of tragedy for Chaucer, observing how consistently he associates it with misunderstanding and how he alludes to or invokes Boethius to defer explanation or certainty. Christian notions of grace disallow "Absolute Tragedy," and Chaucer explores the comic potential of tragic misunderstanding. Discusses TC, For, KnT, MkT, FranT, and NPT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McGregor, Francine.</text>
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            <elementText elementTextId="2801513">
              <text>ChauR 46.1-2 (2011): 60-73.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2801514">
              <text>2011</text>
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              <text>Man of Law and His Tale</text>
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              <text>Chaucer Review 46 (2011)</text>
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          <name>Source</name>
          <description/>
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            <elementText elementTextId="2801518">
              <text>mea SAC 36:149</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2801511">
                <text>Abstraction and Particularity in Chaucer's 'Man of Law's Tale'</text>
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          <element elementId="41">
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              <elementText elementTextId="2801515">
                <text>Assesses the relations between universality and particularity as epistemological modes in MLT, exploring allegory and individuality, realism and nominalism, and generalization and specification in the characterization of Custance and how she is perceived by the other characters. The Tale offers no "unified theory of perception," suggesting instead that perception is "layered."</text>
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  <item itemId="270218" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2783558">
              <text>Dane, Joseph A.</text>
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        <element elementId="98">
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              <text>Burlington, Vt.: Ashgate, 2009.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2783560">
              <text>2009</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2783561">
              <text>176 pp.</text>
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            <elementText elementTextId="2783563">
              <text>Legend of Good Women</text>
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              <text>Manuscripts and Textual Studies</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2783565">
              <text>vxl sac 33:188</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2783557">
                <text>Abstractions of Evidence in the Study of Manuscripts and Early Printed Books</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2783562">
                <text>Includes a study that details the bibliographical and physical instability of two variants of the 1542 Chaucer edition--the Reynes imprint and the Bonham imprint--as they exist in the Hoe, the Chew, and the Hagen-Clark copies, paying particular attention to the title pages. Dane argues, with George Kane and against Skeat and Robinson, that the Cambridge MS Gg LGWP is a variant of the F version, rather than an authorial revision. Unlike Kane, Dane attributes radical textual variation to catastrophic manuscript damage rather than to ordinary scribal practice.</text>
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  <item itemId="261877" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2699343">
              <text>Justman, Stewart Martin.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699344">
              <text>Dissertation Abstracts International 37 (1976): 3607A.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2699345">
              <text>1976</text>
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              <text>Canterbury Tales--General.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2699348">
              <text>Dissertation Abstracts International 37 (1976)</text>
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        <element elementId="109">
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            <elementText elementTextId="2699349">
              <text>jules - 23/9/94 SAC 1 (77)</text>
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                <text>Abuse of Authority in Chaucer</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2699346">
                <text>Theoretical "auctoritee" and "auctoritee" as misunderstood by characters in Chaucer are worlds apart.  Chaucer was more interested in the violability than in the inviolability of "auctoritee."  Many of the Canterbury Tales depend on cases which jeopardize formal social arrangements.</text>
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  <item itemId="262174" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2702235">
              <text>O'Brien, Dennis.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702236">
              <text>CEA Critic 52:4 (1990): 2-9.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2702237">
              <text>1990</text>
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          <elementTextContainer>
            <elementText elementTextId="2702238">
              <text>"What if the Wife of Bath Had Read Harold Bloom?"</text>
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            <elementText elementTextId="2702240">
              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2702241">
              <text>CEA Critic 52 (1990)</text>
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            <elementText elementTextId="2702242">
              <text>jules SAC 14 (185)</text>
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                <text>Academic Study in a Deconstructive Age, or What if the Wife of Bath Had Read Harold Bloom?</text>
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                <text>Argues that writers or works or periods can offer alternatives to modern critical theory.  O'Brien's view that Chaucer presents union (in particular, love and marriage) as an overarching theme of CT encourages us to see that views other than deconstruction may provide a new way of looking at the great tradition of literature.</text>
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              <text>Bryant, Brantley L.</text>
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              <text>Reeve and His Tale</text>
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                <text>Argues that RvT reworks its fabliau sources alongside then-contemporary texts about manorial control and operation such as "Walter of Henley," and traces this depiction of an "affective economy." Analysis helps to foreground how the Reeve's manorial background can help illuminate the affective workings of his tale.</text>
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              <text>O'Neill, Rosemary.</text>
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              <text>DAI A71.04 (2010): n.p.</text>
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              <text>2010</text>
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              <text>Chaucer's Retraction.</text>
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              <text>Dissertation Abstracts International 71 (2010).</text>
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              <text>vxl sac 34:271</text>
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                <text>Accounting for Salvation in Middle English Literature</text>
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                <text>Discussing fiscal metaphors for the state of the soul in the Middle English period, O'Neill suggests that Ret is Chaucer's effort to escape "the imperatives of stewardship," evoking instead "a relationship of mutual intercession with his readers."</text>
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            <elementText elementTextId="2751242">
              <text>Parker, R. H.</text>
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        <element elementId="98">
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              <text>Accounting, Auditing &amp; Accountability Journal 12.1: 92-112,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751244">
              <text>1999</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Reeve and His Tale.</text>
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              <text>Merchant and His Tale.</text>
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              <text>jules SAC 23 (141)</text>
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                <text>Accounting in Chaucer's Canterbury Tales</text>
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                <text>Documents Chaucer's knowledge of medieval accounting practice, explaining the principal-agent relation of the Reeve and his lord in GP and discussing debt in the description of the Merchant. Examines the role of accounting in ShT and demonstrates that, though Chaucer probably was not familiar with double-entry accounting, the Tale "can be read as a series of transactions expressible in terms of debits and credits." Provides a chart of these transactions.</text>
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              <description>A name given to the resource</description>
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          <elementTextContainer>
            <elementText elementTextId="2778113">
              <text>Lee, Noh Kyung</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2778114">
              <text>Medieval and Early Modern English Studies 15 (2007): 271-87.</text>
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        <element elementId="114">
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            <elementText elementTextId="2778115">
              <text>2007</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2778119">
              <text>Medieval and Early Modern English Studies 15 (2007).</text>
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              <text>vxl SAC 31:318</text>
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                <text>Acedia as a Motive in Troilus' Tragedy</text>
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            <description>An account of the resource</description>
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                <text>In Korean, with English abstract.</text>
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                <text>Inactivity is Troilus's "tragic flaw," but it is also what makes his love noble and "ideal." His inactivity is contrasted by the "practical" and ignoble activity of both Pandarus and Diomedes.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>León Sendra, Antonio R.</text>
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              <text>Alfinge: Revista de Filología 8 (1997): 151-62.</text>
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              <text>Alfinge: Revista de Filología 08 (1997)</text>
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              <text>House of Fame</text>
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              <text>SAC 40:288</text>
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                <text>Acerca de Chaucer's "House of Fame."</text>
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                <text>Presents HF as a poetic and rhetoric reflection, as well as a reaction to the desire to have (versus the desire to be) and the belief in popular opinion (versus the belief in truth).</text>
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              <text>Forni, Kathleen&#13;
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              <text>Studies in Medieval and Renaissance Teaching 23 (2016): 107-14.</text>
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Canterbury Tales--General</text>
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                <text>Utilizes Peter Ackroyd's "'The Canterbury Tales': A Retelling" and argues that modern English prose translations of CT are valuable teaching tools for contemporary students.</text>
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Facsimiles, Editions, and Translations</text>
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                <text>Acorns and Other Stories: Portrayals of Everyday Life.</text>
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                <text>Includes a prose retelling of PardT entitled "Three Rioters: The Pardoner's Tale," which closes with a return to the "eternal journey" of the Old Man.</text>
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              <text>Anlezark, Daniel.</text>
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              <text>Canterbury Tales--General</text>
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              <text>Miller and His Tale</text>
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              <text>vxl sac 34:111</text>
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                <text>Acquiring Wisdom: Teaching Texts and the Lore of the People</text>
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                <text>Explores differences between traditional "wisdom" literature and popular lore in Old and Middle English, discussing clashes between the "worlds of book learning and popular wisdom" in CT, especially in WBP and MilT.</text>
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              <text>Nolan, Maura.</text>
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              <text>Emily Steiner and Candace Barrington, eds. The Letter of the Law: Legal Practice and Literary Production in Medieval England (New York: Cornell University Press, 2002), pp. 136.53</text>
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              <text>2002</text>
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              <text>The Letter of the Law: Legal Practice and Literary Production in Medieval England.</text>
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              <text>Man of Law  and His Tale.</text>
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              <text>mea SAC 27-210</text>
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                <text>Acquiteth Yow Now: Textual Contradiction and Legal Discourse in the Man of Law's Introduction</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>MLP "stages a confrontation" between the legal and the poetic that reveals the "degree of Chaucer's investment in the latter as well as his need for the former." The textual uncertainties of MLE and the Host's appropriation of legal language reflect Chaucer's ambiguous fusion of legal and poetic concerns, as well as his anxieties about the discursive power of the law.</text>
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              <text>Read, Lee.</text>
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              <text>Once and Future Classroom 15, no. 1 (2019): 96-106.</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General</text>
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              <text>mea; SAC 44:185</text>
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            <elementText elementTextId="2841109">
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                <text>Across Time and Space: Teaching Chaucer in a Modern Classroom.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841103">
                <text>Explores relations between word and deed, deception and truth in CT as examples of how fiction can help high-school students learn "critical thinking skills, self-reflection, perseverance, the value and danger of duplicity, and the power of language."</text>
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              <text>Friedman, William F., and Elizebeth S. Freidman.</text>
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              <text>Philological Quarterly 38 (1959): 1-20.</text>
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              <text>Philological Quarterly 38 (1959)</text>
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              <text>Style and Versification&#13;
Parliament of Fowls&#13;
Complaint of Chaucer to His Purse</text>
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              <text>mea; 10/27/2023</text>
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              <text>1959</text>
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                <text>Acrostics, Anagrams, and Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2843360">
                <text>Introduces literary acrostics and anagrams as examples of "unkeyed" transposition ciphers, clarifying some terminology of cryptography, and applying technical analysis to invalidate Ethel Seaton's claims (1957) about "so-called double acrostic anagrams" in PF and Purse.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Blanchot, Jean-Jacques, and Claude Graf, eds.</text>
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              <text>Strassburg: Universite de Strasbourg, 1978.</text>
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              <text>Background and General Criticism.</text>
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              <text>mea</text>
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                <text>Actes du 2e Colloque de langue et de litterature ecossaises (moyen age et renaissance)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2728486">
                <text>Search for the  title of this volume under Alternative Title for individual essays that pertain to Chaucer.</text>
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