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              <text>Chang, Tuan Jung.</text>
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              <text>Open access Ph.D. dissertation. University of Georgia, 2018. &#13;
Available at https://getd.libs.uga.edu/pdfs/chang_tuan-jung_201812_phd.pdf&#13;
Accessed February 5, 2021.</text>
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              <text>SAC 43:238</text>
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                <text>Beyond Misogyny: Individuality in Three Medieval Writers' Portrayals of Women.</text>
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                <text>Treats Boccaccio's "Famous Women," LGW, and Christine de Pizan's "The Book of the City of Ladies," reading Chaucer's "faithful women" in LGW "as metaphors [of] the relationship between authorship and readership, trying to define his own position [as] both a translator and a writer."</text>
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              <text>Smith, D. Vance.</text>
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              <text>C. M. Woolgar, ed. The Elite Household in England, 1100–1550: Proceedings of the 2016 Harlaxton Symposium (Donington: Shaun Tyas, 2018), pp. 110-28.</text>
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              <text>Woolgar, C. M., ed.</text>
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              <text>The Elite Household in England, 1100–1550: Proceedings of the 2016 Harlaxton Symposium.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Nun's Priest and His Tale</text>
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              <text>SAC 43:237</text>
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                <text>The National Allegory of the Household: "Domus" and "Lingua" in John Gower's "Vox clamantis" and Geoffrey Chaucer's "House of Fame."</text>
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                <text>Unpacks allegorical aspects of "domus" (household, community, regulation, tradition, order) and "lingua" (speech, noise, murmuring, poetry, vernacularity) in Gower's "Vox clamantis" and in HF, using Fredric Jameson's notion of "national allegory" to explore complex relations between private and public levels of meaning, and clarifying Ovidian models that underlie the two poems. Also comments on the dynamics of household and language in NPT.</text>
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              <text>Robison, Katherine Ann.</text>
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              <text>Dissertation Abstracts International A77.11 (2017): n.p.</text>
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              <text>Dissertation Abstracts International 77 (2017)</text>
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              <text>SAC 43:236</text>
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                <text>The Path to Wholeness: The Therapeutic Potential of Bodily Writing in Late Medieval Dream Visions.</text>
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                <text>Argues that "late medieval dream poets viewed writing as a serious means of therapy, capable of healing both psychological and physiological ailments." Includes discussion of HF where Chaucer combines "performative humor" and "strong sensory imagery" to foster "an ethical reading experience that activates Geffrey's memory so that he can first recognize and then treat his brainsickness."</text>
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              <text>Keller, Wolfgang.</text>
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              <text>Zeitsprünge: Forschungen zur frühen Neuzeit 21, nos. 3-4 (2017): 339-59; abstract in English, pp. 413-14.</text>
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              <text>Zeitsprünge: Forschungen zur frühen Neuzeit 21 (2017)</text>
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              <text>House of Fame&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>Eingebildetes Wissen: Imaginationstheorie, Haushalt und Kommerz in spätmittelalterlichen britischen Traumvisionen.</text>
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                <text>Clarifies the late medieval shift from household economics to usurious commerce, and argues that HF, John Lydgate's "Temple of Glass," and Gavin Douglas's "Palice of Honour" depict the "dissolution" of traditional households entailed in this shift. As well, the poems' buildings and spaces represent the "mental ventricles of imagination, logic and memory" and reflect a new "chresmatistic" poetics in which the "usurious multiplication and arbitrary evaluation of images" is aligned with a "desirous imagination."</text>
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              <text>Johnstone, Boyda.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A78.07 (2018): n.p.</text>
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              <text>Dissertation Abstracts International 78 (2018)</text>
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              <text>House of Fame&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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              <text>SAC 43:234</text>
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        <element elementId="114">
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            <elementText elementTextId="2837748">
              <text>2018</text>
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            <name>Title</name>
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                <text>Immersive Reading: Dreamers and Their Books in Late Medieval England.</text>
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            <description>An account of the resource</description>
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                <text>Argues that fourteenth-and fifteenth-century dream visions "challenged routine modes of thinking about and being in the world." Chapter 4 includes discussion of stained glass in HF and John Lydgate's "Temple of Glass."</text>
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              <text>Farina, Lara.</text>
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        <element elementId="98">
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              <text>Postmedieval 9 (2018): 420-31.</text>
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              <text>Postmedieval 09 (2018)</text>
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              <text>SAC 43:233</text>
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        <element elementId="114">
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                <text>Vegetal Continuity and the Naming of Species.</text>
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                <text>Considers the "floral atmosphere" of the House of Rumor in HF and sees it as a "place of production [that] appears as entwining, encircling vegetation."</text>
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              <text>Contzen, Eva von.</text>
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              <text>Jan Alber and Greta Olson, eds. How to Do Things with Narrative: Cognitive and Diachronic Perspectives (Boston, Mass.: De Gruyter, 2018), pp. 79-92.</text>
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Olson, Greta, ed.</text>
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              <text>House of Fame&#13;
Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Assesses the characterizations of Dido in HF, LGW, and William Caxton's "Eneydos," analyzing their direct discourse and representations of mental state as examples of how premodern authors present well-known figures from the literary past. Chaucer's Dido is "far less outspoken and verbose" than Virgil's or Caxton's character, but, influenced by Ovid's "Heroides," her "direct discourse cannot be controlled . . . because her story itself speaks louder than the narrator's voice."</text>
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              <text>Bickley, John.</text>
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              <text>xxiii, 129 pp.</text>
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                <text>Dreams, Visions, and the Rhetoric of Authority.</text>
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                <text>Considers the "authoritative weight" of dreams and visions in literature, focusing on their connections with other forms of prophetic or revelatory texts and offering a taxonomy of varieties. Includes chapters on the biblical Book of Daniel, Macrobius's "Commentary on the Dream of Scipio," Julian of Norwich's "Revelations of Love," and HF, with references to many other works. Argues that HF, in step with aspects of the growing skepticism of later fourteenth-century thought, ironically undercuts its own claims to authority.</text>
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              <text>Dissertation Abstracts International A79.05 (2017): n.p.</text>
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              <text>SAC 43:230</text>
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                <text>Visions of Unity: Philosophical Realism in Late Fourteenth-Century English Dream-Vision Poetry.</text>
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                <text>Discusses nominalism, realism, and idealism in "Pearl," "Piers Plowman," and HF, arguing that in the latter nominalism leads to realism.</text>
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              <text>Tracy, Kisha G.</text>
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              <text>Kisha G. Tracy. Memory and Confession in Middle English Literature (Cham: Palgrave Macmillan, 2017), pp. 67-92.</text>
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              <text>Memory and Confession in Middle English Literature.</text>
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Troilus and Criseyde&#13;
Man of Law and His Tale</text>
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              <text>SAC 43:229</text>
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        <element elementId="114">
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                <text>Chaucer: Romances and the Temporality of Confession.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837700">
                <text>Explores the language and operation of confession--especially the importance of remembered transgressions--in Chaucer's depictions of love in TC, BD, and MLT, with Troilus, the Black Knight, and Alla as transgressors, and Pandarus, the BD narrator, and Custance as confessors. In varying ways and degrees, the transgressors in these works undergo transformation through penitential processes, exemplifying Chaucer's way of deepening the psychology of love.</text>
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              <text>Saunders, Corrine.</text>
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              <text>Arthur Rose, Stefanie Heine, Naya Tsentourou, Corrine Saunders, and Peter Garratt, Reading Breath in Literature ([Cham]: Palgrave Macmillan, 2018), pp. 17-39.</text>
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              <text>Rose, Arthur, ed.&#13;
Heine, Stefanie, ed. &#13;
Tsentourou, Naya, ed.&#13;
Saunders, Corrine, ed.&#13;
Garratt, Peter, ed.</text>
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              <text>Reading Breath in Literature.</text>
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              <text>Book of the Duchess&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Knight and His Tale&#13;
Man of Law and His ale</text>
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              <text>SAC 43:228</text>
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        <element elementId="114">
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          <element elementId="50">
            <name>Title</name>
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                <text>The Play of Breath: Chaucer's Narratives of Feeling.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850929">
                <text>Treats the connections between "mind, body and affect" in BD, KnT, TC, MLT, LGW, and elsewhere, describing classical and medieval theories of breathing, sighing, and swooning as physiological movements of vital spirits. Playing a key role in Chaucer's depiction of emotions, "particularly love and grief," this "physiological emphasis creates narratives of feeling that are deeply embodied" and convey virtues and agency.</text>
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              <text>Hill, Michelle Queen.</text>
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        <element elementId="98">
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              <text>Open access Ph.D. dissertation University of Georgia, 2016.&#13;
Available at https://www.libs.uga.edu/. &#13;
Accessed February 7, 2021.</text>
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Knight and His Tale</text>
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              <text>SAC 43:227</text>
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        <element elementId="114">
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            <elementText elementTextId="2837689">
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              <elementText elementTextId="2837683">
                <text>The Invention and Reinvention of the Middle Ages: Writers, Readers, and the Composition of Text.</text>
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            <description>An account of the resource</description>
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                <text>Explores how genre conventions and expectations vary between the Middle Ages and the nineteenth century and produce different views of history. Includes discussion of BD and KnT for the ways that Chaucer reshapes their conventional genres (dream vision and romance respectively), which are later reshaped by William Morris in "A Dream of John Ball" and "News from Nowhere."</text>
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              <text>Harper, Elizabeth.</text>
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              <text>Jane Beal and Mark Bradshaw Busbee, eds. Approaches to Teaching the Middle English "Pearl" (New York: Modern Language Association of America, 2018), pp. 148-55.</text>
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Busbee, Mark Bradshaw, ed.</text>
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              <text> Approaches to Teaching the Middle English "Pearl."</text>
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              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 43:226</text>
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                <text>"Pearl" as a Gateway into Middle English Poetry: Comparative Approaches.</text>
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                <text>Clarifies how students' experiences with grief or loss can be useful in overcoming modern resistance to reading "Pearl," and suggests comparative study of the poem with other texts in Middle English, including BD. Offers discussion questions for comparing such poems: for BD, comparing Pearl and Blanche, the Pearl-dreamer and the Black Knight, and the descriptive and narrative techniques of the two works.</text>
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              <text>Barootes, Benjamin S. W.</text>
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              <text>Open access Ph.D. dissertation. McGill University, 2016.&#13;
Available at https://escholarship.mcgill.ca/. &#13;
Accessed February 7, 2021.</text>
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              <text>SAC 43:224</text>
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        <element elementId="114">
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                <text>The Poetics of the Elegiac Dream Vision in Middle English Literature.</text>
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                <text>Examines "how Middle English poets deployed the dream vision genre and the elegiac mode to explore the limitations of language and interrogate the art of poetry." Includes discussion of how in BD the Black Knight's "move from the closed circle of repetitive grief to the vital progress of narrative . . . parallels the poet's own literary movement from courtly lyrics to sustained narrative poetry."</text>
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              <name>Title</name>
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              <text>Anderson, Miranda, and Stefan Iversen.</text>
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              <text>Poetics Today 39 (2018): 569-95.</text>
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              <text>Iversen, Stefan.</text>
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              <text>Poetics Today 39 (2018)</text>
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              <text>Book of the Duchess</text>
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              <text>SAC 43:223</text>
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        <element elementId="114">
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            <elementText elementTextId="2837666">
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                <text>Immersion and Defamiliarization: Experiencing Literature and World.</text>
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                <text>Describes "the concept of immersion as seen from cognitive narratology" and the "concept of defamiliarization as seen from unnatural narratology," applying these theoretical constructs to BD, Jorge Luis Borges's "The Circular Ruin," and Franz Kafka's "The Country Doctor, focusing on dreaming and grieving, and exploring how the narratological processes of these works encourage, inflect, disrupt, and represent the reading experience.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Nielsen, Melinda.</text>
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              <text>Chaucer Review 54.4 (2019): 441-63.</text>
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              <text>Boece&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 43:221</text>
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                <text>Putting Boethius into Chaucer's "Boece": The Ethics of Authorship in the "Boke of Coumfort."</text>
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            <description>An account of the resource</description>
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                <text>Discusses the silence of Chaucer on the life of Boethius in Bo, then moves to examine a fifteenth-century translation of Boethius, based on Bo, that expands and adds to Chaucer's text, including material focused on Boethius himself. Traces and identifies the material that this translator uses to augment Bo.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Ariza-Barile, Raúl.</text>
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        <element elementId="98">
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              <text>Open access Ph.D. dissertation. University of Texas at Austin, 2017. &#13;
Available at https://repositories.lib.utexas.edu/handle/2152/63016 &#13;
Accessed January 28, 2021.</text>
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              <text>Treatise on the Astrolabe</text>
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              <text>SAC 43:219</text>
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            <elementText elementTextId="2837649">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837644">
                <text>Chapter 2 comprises discussion of how "astronomy travelled from Spain to England" and speculation about "how Chaucer might have benefitted [sic] from this collaboration in order to produce" Astr.</text>
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              <elementText elementTextId="2851121">
                <text>England's Spain: An Invisible Romance.</text>
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            </elementTextContainer>
          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Teramura, Misha.</text>
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              <text>Postmedieval 10 (2019): 50-67.</text>
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              <text>Postmedieval 10 (2019)</text>
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              <text>Anelida and Arcite&#13;
Facsimiles, Editions, and Translations&#13;
Chaucerian Apocrypha&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="114">
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                <text>Prophecy and Emendation: Merlin, Chaucer, Lear's Fool.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851228">
                <text>Summarizes the attribution and reception of Anel in the early modern period and views the six-line poem appended to Caxton's edition of Anel, known as&#13;
"Chaucer's Prophecy," as a source for the Fool's speech in Shakespeare's "King Lear."</text>
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              <text>Roger, Euan Cameron.</text>
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              <text>Chaucer Review 54.4 (2019): 464-81.</text>
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              <text>Chaucer Review 54 (2019)</text>
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              <text>Canon's Yeoman and His Tale&#13;
Chaucer's Life</text>
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              <text>SAC 43:217</text>
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        <element elementId="114">
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            <elementText elementTextId="2837634">
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            <description>An account of the resource</description>
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                <text>Presents a new interpretation of the historical basis of the canon from "Pars secunda" of CYT, while emphasizing Chaucer's own historical context of being at &#13;
 the center of a network of connections at court and elsewhere.</text>
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              <elementText elementTextId="2850939">
                <text>Chaucer's "Pars secunda" Canon: A New Identification.</text>
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              <text>Aers, David.</text>
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              <text>Graham D. Caie and Michael D. C. Drout, eds.  Transitional States: Change, Tradition, and Memory in Medieval Literature and Culture (Tempe: Arizona Center for Medieval and Renaissance Studies, 2018), pp. 235-48.</text>
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Drout, Michael D. C., ed.</text>
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              <text>Transitional States: Change, Tradition, and Memory in Medieval Literature and Culture.</text>
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          <name>Date</name>
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                <text>Chaucer's "Lyf of Seinte Cecile": Theology and Politics.</text>
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                <text>Treats the concerns of "faith, miracle, and conversion" in SNT, separating the tale from its "putative and absent narrator" and emphasizing its orthodoxy in the relation between faith and understanding, sexuality and marriage, and female deference to male sacerdotal authority, especially in the administration of baptism. Discusses Almachius as a "figure of the teleology of Wyclif's political vision and its ecclesiology" and Cecile's "last will and testament" as the "foundation of the Church's extensive temporalities."</text>
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              <text>Tracy, Larissa, ed.</text>
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              <text>Cambridge: Boydell Press, 2018.</text>
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              <text>"Mordre wol out": Murder and Justice in Chaucer.</text>
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              <text>Nun's Priest and His Tale&#13;
Canterbury Tales--General</text>
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              <text>500 pp.</text>
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            <name>Title</name>
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                <text>Medieval and Early Modern Murder: Legal, Literary and Historical Contexts.</text>
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            <description>An account of the resource</description>
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                <text>Analyzes legal, hermeneutic, and social ramifications of murder and murderers in the Middle Ages. Includes Tracy's own essay entitled "'Mordre wol out': Murder and Justice in Chaucer," which focuses on Chaucer's treatment of murder in CT, particularly Chaunticleer's dreams of murder in NPT.</text>
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              <text>Pattison, Andrew John.</text>
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        <element elementId="98">
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              <text>Chaucer Review 54.2 (2019): 141-61.</text>
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              <text>Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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            <elementText elementTextId="2837608">
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2837601">
                <text>Ironic Imitations: Parody, Mockery, and the Barnyard Chase in the "Nun's Priest's Tale."</text>
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          <element elementId="41">
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                <text>Contextualizes the barnyard chase scene of NPT alongside late medieval hunting treatises, and questions the juxtaposition between the chase and the medieval noble hunt. The parody of this hunt offers multiple layers of meaning, from criticism of the noble hunt itself to the failure of someone trying to seem noble.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Oerlemans, Onno.</text>
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        <element elementId="98">
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              <text>New York: Columbia University Press, 2018.</text>
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              <text>xii, 238 pp.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2837600">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2837593">
                <text>Poetry and Animals: Blurring the Boundaries with the Human.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837594">
                <text>Explores the range of representations of animals in English poetry for the ways poems can generate knowledge of animal life and sympathy for it, analyzing animal fables, poems that treat animals generally, species poems, poems about individual animals, and transformations and hybridities. Includes discussion of NPT as perhaps "the most complex animal fable poem in English," focusing on the "moments in the poem where the normal human and animal hierarchy is inverted or the categories blended so that we see humans as animals too."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Johnson, Eleanor.</text>
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        <element elementId="98">
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              <text>Journal of Medieval and Early Modern Studies 49.1 (2019): 7-31.</text>
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              <text>Journal of Medieval and Early Modern Studies 49 (2019)</text>
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        <element elementId="102">
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              <text>Monk and His Tale</text>
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              <text>SAC 43:211</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2837592">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2837585">
                <text>Tragic Nihilism in "The Canterbury Tales": The Monk as Literary Theorist</text>
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            <description>An account of the resource</description>
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                <text>Argues that in MkT, the Monk proves himself to be not only a reader and interpreter of tragedy, but also a critic of the concept itself.</text>
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  <item itemId="275681" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2837578">
              <text>Taylor, Candace Hull.</text>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837579">
              <text>Mark Cruse, ed. Performance and Theatricality in the Middle Ages and the Renaissance ([Turnhout]: Brepols, 2018), pp. 17-34.</text>
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              <text>Cruse, Mark ed.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837581">
              <text> Performance and Theatricality in the Middle Ages and the Renaissance.</text>
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              <text>Tale of Melibee</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2837583">
              <text>SAC 43:210</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2837584">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2837576">
                <text>Performing Prudence in "Sawles Warde" and Chaucer's "Tale of Melibee."</text>
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              <elementText elementTextId="2851122">
                <text>Considers the performative aspects of Prudence as an allegorical figure in "Sawles Warde," where she functions as a dramatic "expositor," and in Mel, where she offers "commentary . . . on reading, misreading, and the limits of wisdom when it is severed from the divine," dimly understood by Melibee as audience. Comments on Prudence as one of the traditional four cardinal virtues and on the Host's response to Mel.</text>
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