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              <text>Kikuchi, Shigeo.</text>
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              <text>Hiroshima Studies in English Language and Literature 32 (1987): 44-53.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>jules SAC 12 (130)</text>
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                <text>A Text-Linguistic Pilgrimage to Chaucer's 'The Canterbury Tales'--The World of Symmetry</text>
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                <text>Argues that a semiotic analysis of oppositions in the narrative structure of CT yields a better understanding of Chaucer's perception of the nature of reality.</text>
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              <text>Tokunaga, Satoko.</text>
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              <text>Jacob Thaisen and Hanna Rutkowska, eds. Scribes, Printers, and the Accidentals of Their Texts (Frankfurt am Main: Peter Lang, 2011), pp. 157-76.</text>
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Manuscripts and Textual Studies</text>
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              <text>2011</text>
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                <text>A Textual Analysis of the Overlooked Tales in DeWorde's "Canterbury Tales."</text>
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                <text>Tabulates, compares, and analyzes the "collation results" of understudied sections of Wynkyn de Worde's edition of CT and Caxton's second edition, comparing them with variants in manuscripts, and arguing that while De Worde's editorial practice was not modern, he did shape the text of the CT for his audience and sought to complete the work Caxton began.</text>
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              <text>Chaganti, Seeta.</text>
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              <text>Notes and Queries 240 (1995): 26-27.</text>
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              <text>Manciple and His Tale.</text>
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              <text>jules. SAC 19 (1996) -274.</text>
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                <text>A Thai Analogue to 'The Manciple's Tale'</text>
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                <text>Discusses a Thai analogue to ManT, similar in structure and moral.</text>
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              <text>Ebi, Hisato.</text>
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              <text>Eigo Seinen (Tokyo) 137:7 (1991): 345-50.</text>
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              <text>1991</text>
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            <elementText elementTextId="2693230">
              <text>"Shi no gekijōgaku: Chōsā no higeki."</text>
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              <text>Language and Word Studies.</text>
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              <text>mea</text>
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                <text>A Theatre Image in Poetry: Chaucer's Tragedy</text>
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                <text>Confronting the Latin world, Chaucer established his own theory of tragedy, which had not developed completely in the English vernacular.  Ebi explores the meanings of "dite," "theatrum," and "scene," concluding that Chaucer used theater imagery to invent his own narrative technique. In Japanese.</text>
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              <text>Phelan, Walter S.</text>
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              <text>Journal of the Association for Literary and Linguistic Computing 6 (1985): 39-54.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>jules SAC 10 (36)</text>
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                <text>A Thesaurus Proprius for Chaucer's Narrative Vocabulary in 'The Canterbury Tales'</text>
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                <text>Part 1:  Semantic categories of vocabulary are useful in tracing Chaucer's macrostructure for CT.  Using a computerized morpheme dictionary, Phelan traces medieval static macrostructures such as the seven deadly sins--a deductive approach to his recommended thesaurus construction. </text>
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                <text>Part 2:  Using techniques borrowed from information science and linking vocabulary to scenes and tale sections, he presents an actual thesaurus for PardT.</text>
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              <text>Phelan, Walter S.</text>
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              <text>Chaucer Newsletter 8:2 (1986): 3, 7.</text>
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              <text>1986</text>
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              <text>Chaucer Newsletter 08 (1986)</text>
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              <text>jules SAC 11 (52)</text>
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                <text>A Thesaurus Proprius for The Canterbury Tales</text>
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                <text>A report in progress of a tale-by-tale thesaurus of the entire CT.</text>
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              <text>Juby, W. H.</text>
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              <text>ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 1 (1988): 123-25.</text>
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              <text>Legend of Good Women.</text>
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                <text>A Theves Dede: A Case of Chaucer's Borrowing from Gower</text>
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                <text>A proverb in LGW (LGWPF 464-65) may in fact be a (translated) borrowing from a line in Gower's "Vox clamantis."  If so, this is clear evidence of the argument raised by John Fisher that Chaucer was "substantially influenced by the older poet."</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789761">
              <text>Barlow, Gania.</text>
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              <text>Chaucer Review 44 (2010): 397-420.</text>
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              <text>Chaucer Review 44 (2010).</text>
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          <description/>
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              <text>vxl sac 34:205</text>
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              <elementText elementTextId="2789760">
                <text>A Thrifty Tale: Narrative Authority and the Competing Values of the Man of Law's Tale</text>
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                <text>Through its several nested narratorial performances, each of which includes its own disavowals and subtle appropriations of authority, MLT renegotiates the relative power of spiritual and secular domains to control the interpretation and transmission of texts.</text>
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              <text>Mukherji, Sajni.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Supriya Chaudhuri and Sukanta Chaudhuri, eds. Writing Over: Medieval to Renaissance (Calcutta: Allied, in collaboration with the Department of English, Jadavpur University, 1996), pp. 1-10.</text>
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          <name>Date</name>
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          <description/>
          <elementTextContainer>
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              <text>Troilus and Criseyde.</text>
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          <description/>
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              <text>vxl sac 26: 300</text>
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            <description>A name given to the resource</description>
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                <text>A Thyng Impertinent: Dreaming Women in Chaucer</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762365">
                <text>Reads the dreams of Criseyde and of the Wife of Bath as "counter discourse" to the male dominant discourse of prophetic dreaming. The dreams of the women are more complex and without clear directives.</text>
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              <name>Title</name>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781910">
              <text>Bishop, Louise M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781911">
              <text>Martha W. Driver and Sid Ray, eds. Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings (Jefferson, N. C.: McFarland, 2009), pp. 232-44.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781912">
              <text>2009</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781913">
              <text>Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781915">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2781916">
              <text>Tale of Melibee</text>
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            <elementText elementTextId="2781917">
              <text>Facsimiles, Editions, and Translations</text>
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          <elementTextContainer>
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              <text>vxl sac 33:32</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2781909">
                <text>A Touch of Chaucer in 'The Winter's Tale'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2781914">
                <text>Bishop argues that Paulina's "female eloquence" reflects the influence of Chaucer's Mel on Shakespeare's "The Winter's Tale," commenting on the fact that the folio editions of Chaucer present Mel as "The Tale of Chaucer" and observing how Richard Greene's comments on Chaucer and Gower in "Greene's Vision" may also have influenced Shakespeare's characterization.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793312">
              <text>Doherty, P. C.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>New York: St. Martin's; London: Headline, 1996.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793314">
              <text>1996</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793315">
              <text>249 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793317">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2793318">
              <text>Franklin and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793319">
              <text>mea 8/5/2013 No SAC</text>
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      </elementContainer>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2793311">
                <text>A Tournament of Murders: The Franklin's Tale of Mystery and Murder as He Goes on Pilgrimage from London to Canterbury</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2793316">
                <text>Historical gothic detective fiction set in the frame of the CT, in which a franklin, modeled on Chaucer's Franklin, tells a story to the rest of the pilgrims about a mysterious murder linked to the battle of Poitiers and the parentage of one of the participants.</text>
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                <elementText elementTextId="521447">
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814402">
              <text>DeCelle, Timothy W.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814403">
              <text>Comitatus 45 (2014): 149-68.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814404">
              <text>2014</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814406">
              <text>Clerk and His Tale</text>
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            <elementText elementTextId="2814407">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
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            <elementText elementTextId="2814408">
              <text>Comitatus 45 (2014)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814409">
              <text>mea; 3/03/2017 sac 38:146</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2814401">
                <text>A Transcendent Excess: Examining Griselda's Assent in Chaucer's 'Clerk's Tale' through Georges Bataille's Atheological Mysticism</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2814405">
                <text>Suggests that Griselda's excesses of bodily humiliation, self-sacrifice, and assent to contractual obligations, in response to her husband's rational program of complete control, actually represent a mystical negation of the self as subject that in turn negates the imposition  of boundaries typical of an "economy of use."  Emphasizes how Chaucer's chief addition to his Petrarchan source--the narrating clerk devoted to logic--amplifies this reading of the Tale.</text>
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              <description>A name given to the resource</description>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726944">
              <text>Hutmacher, William Frederick.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726945">
              <text>Dissertation Abstracts International 38 (1977): 779A.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726946">
              <text>1977</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2726948">
              <text>Facsimiles, Editions, and Translations.</text>
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            <elementText elementTextId="2726949">
              <text>Manuscripts and Textual Studies.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2726950">
              <text>Dissertation Abstracts International 38 (1977)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2726951">
              <text>jules SAC 02 (15)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2726943">
                <text>A Transcription and Collation of Wynkyn de Worde's 1498 Edition of 'The Canterbury Tales' with CX2, 'The General Prologue' through 'The Franklin's Tale.' (Volumes I-III)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2726947">
                <text>De Worde's 1498 edition of CT uses no other source than CX2.  The many variants between the two texts result from his attempts to correct the CX2 edition and his adherence to common practices of early printers.  One significant variant in de Worde's edition is the omission of 180 lines from RvT.</text>
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              <text>jules SAC 08 (90)</text>
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                <text>A Typology of Guides in Medieval literature</text>
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                <text>In medieval pilgrimage literature, guides appear as "escort, comforter and healer, lawgiver and authority, and friend," as in HF, TC, and CT.</text>
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          <name>Date</name>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2821397">
                <text>A V or not a V? Transcribing Abbreviations in Seventeen Manuscripts of the "Man of Law's Tale" for a Digital Edition</text>
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              <elementText elementTextId="2821398">
                <text>Identifies several difficulties in representing manuscript abbreviations digitally, focusing on graphic subscription and superscription, and drawing data from manuscripts of MLT transcribed for the "Canterbury Tales" Project.</text>
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              <text>Beckwith, Sarah.</text>
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          <elementTextContainer>
            <elementText elementTextId="2711598">
              <text>David Aers, ed. Medieval Literature (New York: St. Martin's Press, 1986), pp. 34-57.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2711599">
              <text>1986</text>
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            <elementText elementTextId="2711600">
              <text>Medieval Literature: Criticism, Ideology, and History.</text>
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          <name>Source</name>
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              <text>jules SAC 10 (43)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2711596">
                <text>A Very Material Mysticism of Margery Kempe</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2711601">
                <text>Drawing on Lacan and feminist criticism, Beckwith examines female mysticism as the only public expression permitted women in the Middle Ages and discusses the Otherness of the female and of God.</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2841218">
              <text>Sydorenko, Sergiy.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2841219">
              <text>Babel: Revue internationale de la traduction/International Journal of Translation 65, no. 2 (2019): 200-221.</text>
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              <text>Babel: Revue internationale de la traduction/International Journal of Translation 65 (2019)</text>
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              <text>Miller and His Tale&#13;
Facsimiles, Editions, and Translations&#13;
Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea; SAC 44:204</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2841223">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2841216">
                <text>A Victim of Prudishness: Chaucer's "Miller's Tale" Retold over the Centuries.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841217">
                <text>Reviews translations of MilT from the eighteenth century forward, and offers a "translatological analysis" of four twentieth-and twenty-first-century versions, focusing on the sexual attitudes and activities in the plot and on the lexicons used by Chaucer and his translators, suggesting that amelioration and expurgation have been excessive.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2810316">
              <text>Smyser, Hamilton M.</text>
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        <element elementId="98">
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              <text>Speculum 45 (1970): 359-73.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2810318">
              <text>1970</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Chaucer's Life</text>
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              <text>Parliament of Fowls</text>
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              <text>Complaint of Mars</text>
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            <elementText elementTextId="2810324">
              <text>Troilus and Criseyde</text>
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              <text>Miller and His Tale</text>
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          <elementTextContainer>
            <elementText elementTextId="2810326">
              <text>Speculum 45 (1970)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2810327">
              <text>mea ; 8/02/2016 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2810315">
                <text>A View of Chaucer's Astronomy</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2810319">
                <text>Contrasts Chaucer's familiarity with and uses of astronomy and astrology with those of other Middle English authors, particularly John Gower. Indicates that 1380 is a turning point in Chaucer's uses of astral sciences, suggesting that he accepted the predictive value of astrology, and that astrology and astronomy can help to establish the dates and meanings of many of his works, particularly PF, Mars, TC, and MLT.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2835473">
              <text>Robb, Candace.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2835474">
              <text>New York: Diversion, 2008.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
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              <text>276 pp.</text>
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            <elementText elementTextId="2835476">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2835477">
              <text>mea; 11/28/2021</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2835478">
              <text>2008</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835479">
              <text>Owen Archer Series, no. 10.</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2835471">
                <text>A Vigil of Spies.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2835472">
                <text>Murder mystery set against the backdrop of political uncertainty over the impending death of Archbishop Thoresby of York and investigated by Owen Archer, aided by his confidante Geoffrey Chaucer, recently appointed chamber squire to Edward III. Other historical figures include Joan, Princess of Wales, and Lewis Clifford.</text>
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