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              <text>Beichner, Paul E.</text>
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              <text>Richard J. Schoeck and Jerome Taylor, eds. Chaucer Criticism, Volume I: "The Canterbury Tales" (Notre Dame, IN: University of Notre Dame Press, 1960), pp. 117-29.</text>
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              <text>Scheock, Richard J., ed.&#13;
Taylor, Jerome, ed. </text>
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              <text>Chaucer Criticism, Volume I: "The Canterbury Tales"</text>
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              <text>Miller and His Tale</text>
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              <text>mea; 3/15/22</text>
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              <text>1960</text>
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                <text>Characterization in the "Miller's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Praises the "high organic unity" of MilT, attributing it to effective characterization of the major actors:  "by making him 'hende' in one sense or another, Chaucer has motivated each incident of the plot involving Nicholas; and similarly, he has made the action involving Alisoun and Absolon flow from the fact that she is an earthy girl and he is an effeminate fastidious dandy." They are "perfect characters for the various roles in the little farce."</text>
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              <text>Bayley, John.</text>
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              <text>John Bayley. The Characters of Love: A Study in the Literature of Personality (London: Constable, 1960), pp. 51-123.</text>
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              <text>The Characters of Love: A Study in the Literature of Personality.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Knight and His Tale</text>
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              <text>mea; 3/15/22</text>
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        <element elementId="114">
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              <text>1960</text>
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                <text>Love and the Code: "Troilus and Criseyde."</text>
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            <description>An account of the resource</description>
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                <text>Explores the characterizations in TC of Troilus, Pandarus, and, most extensively, Criseyde, explaining how Chaucer modifies their antecedents in Boccaccio's "Filostrato" by adapting the conventions and rhetoric of courtly love and creates rich personalities, comparable to those of Shakespearean drama and modern novels. Though he "neither analyses nor moralizes," Chaucer depicts the "random circumstances of love and living" as well as awareness of psychology. Includes comments on the relations between characterization and the theme of love in LGW, PF, and KnT.</text>
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              <text>Baugh, Albert C.</text>
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              <text>Wolfgang Iser and Hans Schabram, eds. Britannica: Festschrift für Hermann M. Flasdieck (Heidelberg: Carl Winter, 1960), pp. 51-61.</text>
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        <element elementId="112">
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              <text>Iser, Wolfgang, ed.&#13;
Schabram, Hans, ed. </text>
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              <text>Britannica: Festschrift für Hermann M. Flasdieck.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/15/22</text>
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              <text>1960</text>
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                <text>Chaucer and the "Panthère d'Amours."</text>
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            <description>An account of the resource</description>
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                <text>Reviews discussions that consider Nicole de Margival's "La Panthère d'Amous" to be a source of HF, challenging most of them for lack of specificity or because shared details are conventional. Only two brief passages evince Margival's influence and neither is conclusive.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Baker, Donald C.</text>
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              <text>University of Mississippi Studies in English 1 (1960): 97-104.</text>
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              <text>University of Mississippi Studies in English 1 (1960)</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/15/22</text>
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            <elementText elementTextId="2838166">
              <text>1960</text>
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                <text>Recent Interpretations of Chaucer's "House of Fame" and a New Suggestion.</text>
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                <text>Argues that "the role of the artist as purveyor of Fame" is the fundamental unifying theme of HF and suggests that Chaucer may have intended to resolve tensions between Dantean and Boethian views of the poet (as teacher and misleader, respectively) at the completion of the poem, perhaps having the man of great authority offer perspective on "the responsibility of a poet in society."</text>
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              <name>Title</name>
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              <text>Hira, Toshinori.</text>
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        <element elementId="98">
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              <text>Bulletin of the Faculty of Liberal Arts, Nagasaki University, Humanities 18 (1978): 59-78.</text>
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              <text>Bulletin of the Faculty of Liberal Arts, Nagasaki University, Humanities 18 (1978)</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General</text>
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              <text>mea; 3/5/22</text>
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                <text>Chaucer's Pilgrimage Device of the Fabliau Tales.</text>
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            <description>An account of the resource</description>
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                <text>Considers the techniques of characterization in CT, with particular attention to the range of social classes and the assigning of fabliaux to particular tellers. Comments on the gender of individual tellers and on the likelihood of class and gender variety and hierarchy in his contemporary audience and in his works.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hira, Toshinori.</text>
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          <name>Published</name>
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              <text>In [Anonymous ed.,] Essays in English and American Literature: In Commemoration of Professor Takejiro Nakayama's Sixty-First Birthday (Tokyo: Shohakuska, 1961), pp. 31-44. </text>
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            <elementText elementTextId="2838147">
              <text>Essays in English and American Literature: In Commemoration of Professor Takejiro Nakayama's Sixty-First Birthday</text>
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              <text>Background and General Criticism&#13;
General Prologue to the Canterbury Tales</text>
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              <text>mea; 3/5/22</text>
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                <text>Chaucer's Gentry in the Historical Background.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838144">
                <text>Offers historical context for and commentary on the characterizations of the pilgrims in the CT who may be considered "gentry," both those of traditional gentle birth and those on the rise as a class of new gentry.</text>
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              <text>Avellino: Sinestesie, 2014. Open access ebook at https://en.calameo.com/read/005864328fc7b606cf080; accessed March 3, 2022.</text>
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              <text>Biblioteca di Sinestesie, no. 24.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Background and General Criticism</text>
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              <text>mea; 3/2/22</text>
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                <text>Il Poema Onirico: Boccaccio e Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838134">
                <text>Studies Chaucer's and Boccaccio's dream vision narratives and their references to dreaming in light of the history of the genre, focusing on the secularization of the genre, the rising importance of the poet as dreamer-viator, and aesthetic successes of the poets in expanding the range and uses of the dream vision. Considers HF at greatest length among Chaucer's works.</text>
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              <text>Cercles 32 (2014): 90-107. Open access journal; available at http://www.cercles.com/n32/yvernault.pdf. Accessed February 10, 2022.</text>
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              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838132">
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                <text>Entendre des Voix: Réception et Perception dans Deux Lais Bretons Moyen-Englais ("Lay le Freine," "Sir Orfeo") et le "Franklin's Tale" de Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838126">
                <text>Explores relations among voice, genre, music, orality, and memorial transmission in "Lay le Freine," "Sir Orfeo," and FranT, including assessment of the ambiguities and Bahktinian polyphony of voices in the GP description of the Franklin's oral associations with food and in Sq-FranL and FranP.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838120">
              <text>Trigg, Stephanie.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838121">
              <text>Swiss Papers in English Language and Literature 30 (2014): 51-66. </text>
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          <elementTextContainer>
            <elementText elementTextId="2838122">
              <text>Swiss Papers in English Language and Literature 30 (2014)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838123">
              <text>Chaucer's Influence and Later Allusion&#13;
Language and Word Studies</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838124">
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            <name>Title</name>
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              <elementText elementTextId="2838118">
                <text>Delicious, Tender Chaucer: Coleridge, Emotion and Affect.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838119">
                <text>Explores relations between the reception of Chaucer and the "study of the history of emotion," focusing on the "symbolic capital" of Samuel Taylor Coleridge's brief comments on Chaucer in "Table Talk," the "social context" in which the comments were practiced, distinctions between "emotional" and "affective" responses that may be observed in the comments, and the " emotional work performed" by them. Includes comments on Chaucer's uses of "tender."</text>
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              <description>A name given to the resource</description>
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          <description/>
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              <text>Sadlek, Gregory M.</text>
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              <text>Monika Fludernik and Miriam Nandi, eds. Idleness, Indolence and Leisure in English Literature (New York: Palgrave Macmillan, 2014), pp. 17-39. </text>
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        <element elementId="112">
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          <elementTextContainer>
            <elementText elementTextId="2838113">
              <text>Fludernik, Monika, ed.&#13;
Nandi, Miriam, ed.</text>
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              <text> Idleness, Indolence and Leisure in English Literature.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838115">
              <text>Troilus and Criseyde&#13;
Legend of Good Women&#13;
General Prologue to the Canterbury Tales&#13;
Second Nun and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838116">
              <text>mea; 2/23/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838117">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2838109">
                <text>"Otium," "Negotium," and the Fear of "Acedia" in the Writings of England's Late Medieval Ricardian Poets.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838110">
                <text>Offers background to late-medieval English literary notion of "otium" (idleness) and explores tensions between leisure and productivity in works by Chaucer, Gower, Langland, and the "Gawain" poet, particularly their representations of the morality of leisure and labor in aristocratic love (treating LGWP and TC) and in the daily lives of clerics and seculars (treating GP and SNP).</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
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              <text>Wilkinson, Anouska.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838104">
              <text>Seventeenth Century 29 (2014): 381-402.</text>
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          <elementTextContainer>
            <elementText elementTextId="2838105">
              <text>Seventeenth Century 29 (2014)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2838106">
              <text>Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838107">
              <text>mea: 2/22/22</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838108">
              <text>2014</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838102">
                <text>Discloses John Dryden's "profound interest in the rich cultural history of natural law philosophy" through close comparisons of his translations/adaptations of KnT and WBT with their Chaucerian originals, as well as through similar examinations of his translations of two tales by Boccaccio.</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851117">
                <text>Natural Law in Dryden's Translations of Chaucer and Boccaccio.</text>
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        </elementContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
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              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838095">
              <text>Son, Byung-Yong.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838096">
              <text>Medieval and Early Modern English Studies 23.1 (2015): 61-81.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838097">
              <text>Medieval and Early Modern English Studies 23 (2015)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2838098">
              <text>Knight and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2838099">
              <text>mea: 2/22/22</text>
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          </elementTextContainer>
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          <name>Date</name>
          <description/>
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            <elementText elementTextId="2838100">
              <text>2015</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838093">
                <text>The Political Nature of Romance: Focusing on Knight's Tale.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2838094">
                <text>Argues that Chaucer's alterations of the conventions of romance in KnT indicate the poet's political caution in giving advice to his king, advising him in the figure of Theseus to deal with political trouble by valuing Parliament. In Korean with an abstract in English.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838086">
              <text>Siewers, Alfred K.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Louise Westling, ed. The Cambridge Companion to Literature and the Environment (New York: Cambridge University Press, 2014), pp. 31-44.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
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              <text>Westling, Louise, ed.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
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              <text>The Cambridge Companion to Literature and the Environment</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2838090">
              <text>General Prologue to the Canterbury Tales</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838091">
              <text>mea: 2/22/22</text>
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            <description>A name given to the resource</description>
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                <text>The Green Otherworlds of Early Medieval Literature.</text>
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                <text>Assesses the ecopoetics of the Celtic underworld in the "Immram Brain," "Tochmarc Étaíne," and the "Mabinogi" as background to green-world concerns in "Sir Gawain and the Green Knight." Closes with commentary on parallel concerns in the opening of GP and several aspects of CT.</text>
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              <text>Knoetze, Retha.</text>
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              <text>Scrutiny 2: Issues in English Studies in Southern Africa 20.2 (2015): 34-53.</text>
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              <text>Wife of Bath and Her Tale&#13;
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Sources, Analogues, and Literary Relations</text>
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                <text>The Wife of Bath's Ideal Marriage and Late Medieval Ideas about the Domestic Sphere.</text>
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                <text>Argues that WBPT provides "a serious defence of women," claiming that the Wife's ideas about "about mutuality and domestic partnership" in marriage "coincide with ideas which were developing in Chaucer's society as a result of social and economic changes." Also shows that similar ideas were "expressed in marriage sermons from the late thirteenth to the sixteenth century." Connects the queen in WBT with Prudence in Mel.</text>
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              <text>Johnston, Alexandra F.</text>
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              <text>English: The Journal of the English Association 64, no. 244 (2015): 5-26.</text>
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              <text>English: The Journal of the English Association 64 (2015)</text>
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              <text>mea; 2/22/22</text>
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              <text>Miller and His Tale&#13;
Wife of Bath and Her Tale</text>
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                <text>Pleyes of Myracles.</text>
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                <text>Explores the meanings and dating of "miracle play" / "miraculum" as descriptors for medieval drama, discussing a range of historical records and offering WBP (3.543-59) and details from MilT as evidence of fourteenth-century dramatic activities in England.</text>
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              <text>Crawforth, Hannah.</text>
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              <text>Gordon McMullan, Lena Cowen Orlin, and Virginia Mason Vaughn, eds. Women Making Shakespeare: Text, Reception, Performance (New York: Bloomsbury Arden Shakespeare, 2014), pp. 25-34. </text>
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              <text>McMullan, Gordon, ed.&#13;
Orlin, Lena Cowen, ed.&#13;
Vaughn, Virginia Mason, ed.</text>
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              <text>Women Making Shakespeare: Text, Reception, Performance.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations&#13;
Knight and His Tale</text>
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              <text>mea; 2/22/22</text>
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            <elementText elementTextId="2838067">
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              <elementText elementTextId="2838059">
                <text>"Bride-habited but maiden-hearted": Language and Gender in "The Two Noble Kinsmen."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838060">
                <text>Explores aspects of the diction of "The Two Noble Kinsmen," focusing on nuances derived from the glossaries in Thomas Speght's editions of Chaucer's Works, with particular attention to KnT, the source of "Kinsmen," and to issues of gender identity.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
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          <elementTextContainer>
            <elementText elementTextId="2838053">
              <text>Choi, Jiyeon.</text>
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              <text>Medieval and Early Modern English Studies 23.2 (2015): 145-59.</text>
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            <elementText elementTextId="2838055">
              <text>Medieval and Early Modern English Studies 23 (2015)</text>
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              <text>Miller and His Tale&#13;
Wife of Bath and Her Tale</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2838057">
              <text>mea; 2/22/22</text>
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          <elementTextContainer>
            <elementText elementTextId="2838058">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2838051">
                <text>Re-reading Chaucer's Women: Focusing on Fabliau and Clothing.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838052">
                <text>Focuses on the clothing of Alisoun of MilT and the Wife of Bath, with attention to color, stereotyping, and economic conditions. In Korean, with an abstract in English (pp. 158-59).</text>
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  <item itemId="275738" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lalla, Barbara.</text>
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        <element elementId="98">
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              <text>Jamaica: University of West Indies Press, 2008.</text>
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          <elementTextContainer>
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              <text>xvi, 439 pp.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2838048">
              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Pardoner and His Tale</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2838049">
              <text>mea; 2/22/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838050">
              <text>2008</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2838043">
                <text>Postcolonialisms: Caribbean Rereadings of Medieval English Discourse.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851851">
                <text>Examines Old and Middle English language and literature in light of postcolonial conditions and theories, particularly those of Caribbean studies, considering issues of cultural contact, vernacularity, competing discourses, power, transgression, and the social and psychological reflexes of the colonized. Includes numerous references to Chaucer and his works, with commentary on masquerade, carnival, and authority in CT, along with extended analysis of the Pardoner as a "discontinuous identity" and a trickster disclosed, with PardPT as "discourse of sliding genres," shifting lexicons, and "Chaucerian gap-filled contemplation of finite humanity" that "deconstructs" the Pardoner's "bogus authority."</text>
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          <elementTextContainer>
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              <text>Spyra, Piotr.</text>
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              <text>Multicultural Shakespeare: Translation, Appropriation and Performance 12 (27) (2015): 113-24.</text>
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            <elementText elementTextId="2838039">
              <text>Multicultural Shakespeare 12 (2015)</text>
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          <elementTextContainer>
            <elementText elementTextId="2838040">
              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
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              <text>mea; 2/7/22</text>
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            <elementText elementTextId="2838042">
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              <elementText elementTextId="2838035">
                <text>Chaucer and His Bastard Child: Social Disjunction and Metaliterariness in "The Two Noble Kinsmen."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838036">
                <text>Revisits the "authorship question" of "The Two Noble Kinsmen," exploring not what was composed by Shakespeare or by Fletcher, but rather the social tensions between characters found in KnT, the play's source, and those nameless ones of the "Jailer's group" introduced into the plot. Suggests that the disjunctions of the play be understood "as a metanarrative of the creative process in the shadow of a great precursor poet," Chaucer.</text>
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              <text>Studies in Philology 112 (2015): 415-52.</text>
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              <text>Language and Word Studies</text>
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                <text>Language Barriers.</text>
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            <description>An account of the resource</description>
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                <text>Comments on a wide variety of examples--comic and/or serious--of boundaries and sutures between languages in the late medieval literature, exploring issues of translation, including biblical translation; perceived contrasts between "supposedly fixed languages such as Latin and ever-changing vernaculars"; Latin as a vernacular; the relations between vernaculars, especially English and French; animal and human language; and gendered language. Includes many instances drawn from Chaucer.</text>
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              <text>xii, 275 pp.</text>
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              <text>English Poetry.</text>
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              <text>Background and General Criticism&#13;
Bibliographies, Reports, and Reference</text>
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            <elementText elementTextId="2838027">
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                <text>The Routledge Anthology of Poets on Poetry: Poetic Responses to English Poetry from Chaucer to Yeats.</text>
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                <text>An anthology of "English poets' commentary on their English peers," with a "selection of the poets' more general reflections on their art." The section on Chaucer (pp. 72-82) includes comments from Hoccleve through Wordsworth, and the volume's topical indexes includes numerous citations to Chaucer on poetry and to Chaucerian reception. Originally published by Routledge in 1990 under the title "English Poetry."</text>
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              <text>Trudeau, Lawrence.</text>
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              <text>Lawrence Trudeau, ed. Literature and Criticism from 1400 to 1800. Volume 56 (Farmington, Mich.: Gale, 2000), pp. 1-117.</text>
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              <text>Background and General Criticism</text>
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            <elementText elementTextId="2838018">
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                <text>Geoffrey Chaucer: 1340?-1400.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838012">
                <text>Anthologizes nine critical essays or excerpts from books published between 1970 and 1997 on issues of gender and sexuality in Chaucer's works, with a brief introduction.</text>
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              <text>Person, James E.</text>
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              <text>James E. Person, ed. Literature and Criticism from 1400 to 1800. Volume 17 (Farmington, Mich.: Gale, 1991), pp. 42-247.</text>
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              <text> Literature and Criticism from 1400 to 1800.</text>
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Bibliographies, Reports, and Reference</text>
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              <text>1991</text>
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              <elementText elementTextId="2838003">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838004">
                <text>Reprints forty-eight examples of critical commentary on Chaucer and his poetry, from Deschamps, Gower, and Caxton to 1989, some excerpted and some complete essays, with an annotated list of suggestions for further reading. The Introduction (pp. 42-44) comments on Chaucer's life and principal works, with a chronological listing of editions. For updates and additions, search for Literature Criticism from 1400 to 1800 under Alternative Title.</text>
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              <text>Ludwig, Jenny.</text>
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              <text>Lawrence Trudeau, ed. Literature Criticism from 1400 to 1800. Volume 210 (Farmington, Mich.: Gale, 2012), pp. 37-228. </text>
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              <text>Literature Criticism from 1400 to 1800.</text>
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              <text>House of Fame&#13;
Bibliographies, Reports, and Reference&#13;
Background and General Criticism</text>
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                <text>The House of Fame: Geoffrey Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837995">
                <text>Reprints twenty essays on HF published between 1896 and 2006. The introduction by Ludwig (pp. 37-39) summarizes the plot and characters of HF, and comments on its plot and sources, major themes, and critical reception. Includes a selected bibliography of Chaucer's works and editions, and annotated suggestions for further reading about HF.</text>
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              <text>Literature Criticism from 1400 to 1800.</text>
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              <text>Book of the Duchess&#13;
Bibliographies, Reports, and Reference&#13;
Background and General Criticism</text>
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            <elementText elementTextId="2837993">
              <text>2013</text>
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                <text>The Book of the Duchess: Geoffrey Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837986">
                <text>Reprints twelve essays on BD published between 1934 and 2007. The introduction by Ludwig (pp. 1-4) summarizes the plot and characters of BD, and comments on its plot and sources, major themes, and critical reception. Includes a selected bibliography of Chaucer's works and editions, and annotated suggestions for further reading about BD.</text>
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