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                  <text>Chaucer Bibliography Online</text>
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              <text>David, Alfred.</text>
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              <text>PMLA 75 (1960): 333-39.</text>
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              <text>PMLA 75 (1960)</text>
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              <text>House of Fame</text>
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              <text>3/30/22</text>
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              <text>1960</text>
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                <text>Literary Satire in the "House of Fame."</text>
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                <text>Examines HF as a literary satire, a comic send-up of the love vision genre, evident in the naiveté of the narrator and his failure to attain love or information about it. The poem's "central structural idea" is "comic disillusionment," underscored by the narrator's sentimentality, his befuddlement, and the ironic replacement of the "traditional court of Love" by the "palace of Fame and the house of rumor."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Boyd, Beverly</text>
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        <element elementId="98">
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              <text>Radford Review 14 (1960): 1-5.</text>
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              <text>Radford Review 14 (1960)</text>
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              <text>Prioress and Her Tale</text>
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              <text>mea; 3/30/22</text>
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              <text>1960</text>
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                <text>Young Hugh of Lincoln and Chaucer's "The Prioress's Tale."</text>
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                <text>Discusses unity in PrP, PrT, and the GP description of the Prioress, focusing on their liturgical references and allusions: the canonical hours, the Prioress's "service dyvyne" (1.122), and the plea for aid from Hugh of Lincoln at the end of the tale (7.684-90).</text>
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              <text>Birney, Earle.</text>
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              <text>Anglia 78 (1960): 204-18.</text>
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              <text>Anglia 78 (1960)</text>
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              <text>Summoner and His Tale&#13;
Style and Versification</text>
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              <text>1960</text>
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                <text>Structural Irony within the "Summoner's Tale."</text>
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                <text>Examines "ironic foreshadowings, ambiguities and reversals" in SumT, arguing that they give it "a subtle and satisfying unity." Focuses on overturned expectations, dramatic ironies, and poetic justice in the plot, in the friar's lecture to Thomas, and the squire's solution to the problem of the wheel.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Danby, John F.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Critical Quarterly 2 (1960): 28-32.</text>
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        <element elementId="100">
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              <text>Critical Quarterly 2 (1960)</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Language and Word Studies&#13;
Style and Versification</text>
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              <text>mea; 3/15/22</text>
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        <element elementId="114">
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            <elementText elementTextId="2838370">
              <text>1960</text>
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              <elementText elementTextId="2838363">
                <text>Eighteen Lines of Chaucer's "Prologue."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838364">
                <text>Comments on stylistic and tonal aspects of GP 1.1-18, focusing on their harmonious energy and "generalized vocabulary." Also comments Chaucer's sympathetic irony elsewhere in GP.</text>
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  <item itemId="275776" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Daiches, David.</text>
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        <element elementId="98">
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              <text>New York: Ronald; London: Secker &amp; Warburg 1960.</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Style and Versification&#13;
Language and Word Studies</text>
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              <text>mea; 3/15/22</text>
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        <element elementId="114">
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            <elementText elementTextId="2838362">
              <text>1960</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2838356">
                <text>A Critical History of English Literature.</text>
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            <description>An account of the resource</description>
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                <text>Describes Chaucer as the "brilliant culmination of Middle English literature," commending his "metrical craftsmanship" in English, his "European consciousness," and his "relaxed, quizzical attitude that let him contemplate the varieties of human nature with a combination of sympathy, irony, and amusement, together with the good fortune to have opportunities to know men in all ranks of society." Chapter 4 ("Chaucer, Gower, Piers Plowman"), summarizes and discusses Chaucer's major works at much greater length than those of Gower and Langland; his innovations, influence, and relative excellence are mentioned elsewhere in this comprehensive literary history.</text>
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              <text>Curry, Walter Clyde.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>New York: Barnes &amp; Noble, 1960.</text>
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              <text>xxvi, 367 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Bibliographies, Reports, and Reference</text>
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              <text>mea; 3/15/22</text>
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              <text>1960</text>
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                <text>Chaucer and the Mediaeval Sciences.</text>
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              <elementText elementTextId="2838349">
                <text>Revises slightly the author's 1926 study of the same title (Oxford University Press), here adding two essays, also previously published: "Destiny in Troilus and Criseyde" (1930) and "Arcite's Intellect" (1930). The enlarged edition also updates the Selected Bibliography of the original.</text>
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              <text>Coghill, Nevill, and Norman Davis, readers.</text>
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              <text>[n.p.]: Spoken Arts, 1960s.</text>
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              <text>Recordings and Films&#13;
General Prologue to the Canterbury Tales&#13;
Pardoner and His Tale</text>
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              <text>mea; 3/15/22</text>
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            <elementText elementTextId="2838347">
              <text>1960s</text>
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                <text>Beowulf and Selections from the Canterbury Tales.</text>
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              <elementText elementTextId="2838340">
                <text>Item not seen. WorldCat records indicate that this spoken-word recording includes "Beowulf's speech to Hrothgar, the Dragon Flight and the Funeral of Beowulf" in Old English (20.02 min.) and GP and PardT in Middle English (29.16 min.).</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Coghill, Nevill.</text>
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              <text>Herbert Davies, and Helen Gardner, eds. Elizabethan and Jacobean Studies: Presented to Percy Wilson in Honour of His Seventieth Birthday (Oxford: Clarendon, 1959), pp. 86-99.</text>
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              <text>Elizabethan and Jacobean Studies: Presented to Percy Wilson in Honour of His Seventieth Birthday.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 3/15/22; rev. mea 2/19/2023</text>
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              <text>1959</text>
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                <text>Shakespeare's Reading in Chaucer.</text>
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                <text>Tallies a number of images, expressions, and "notional similarities" that evince Chaucer's influence on Shakespeare, reviewing previous scholarship, adding several examples, and arguing that the influence is strongest when Shakespeare was about thirty years old. Dissuades arguments that Shakespeare used Chaucer's plots. </text>
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              <text>Carter, Thomas H.</text>
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              <text>Shenandoah: The Washington &amp; Lee University Review 11.3 (1960): 48-60.</text>
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              <text>Shenandoah: The Washington &amp; Lee University Review 11 (1960)</text>
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              <text>Lyrics and Short Poems&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/15/22</text>
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            <elementText elementTextId="2838330">
              <text>1960</text>
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                <text>The Shorter Poems of Geoffrey Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838324">
                <text>Offers impressionistic appreciation of ways that Chaucer "naturalized and made his own the continental traditions," with particular attention to the conventions of courtly love. Comments on a range of short poems: ABC, Mars, Ros, FormAge, Scog, Buk, and Purse.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2838316">
              <text>Bronson, Bertrand H.</text>
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              <text>Toronto: University of Toronto Press, 1960.</text>
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            <elementText elementTextId="2838318">
              <text>ix, 117 pp.</text>
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              <text>The Alexander Lectures.</text>
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              <text>Background and General Criticism&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Monk and His Tale&#13;
Pardoner and His Tale</text>
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              <text>mea; 3/15/22</text>
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            <elementText elementTextId="2838322">
              <text>1960</text>
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          <element elementId="50">
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                <text>In Search of Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838315">
                <text>Engages several critical approaches to Chaucer works and incorporates them into appreciative commentaries, with particular attention to the poet's "habit of working" or process of composition, his narrative techniques (not inorganic, but accumulative), themes (the status of poetry and the value of reading), stylistic/rhetorical variety (especially allegory and naturalism), and poet-audience relations.  Organizes the discussions in three groups, i.e., Chaucer's "spheres of interest": the dream world, mundane existence, and "imagined life through reading," emphasizing how Chaucer may have created the works and how they mean. Discusses PF, LGWP, MkT, and PardPT in greatest detail, but treats all major works.</text>
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              <text>Brewer, D. R., ed.</text>
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              <text>London and Edinburgh: Nelson, 1960.&#13;
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            <elementText elementTextId="2838309">
              <text>vii, 168 pp.</text>
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              <text>Nelson's Medieval and Renaissance Library.</text>
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              <text>Parliament of Fowls&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; 3/15/22</text>
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            <elementText elementTextId="2838313">
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                <text>The Parlement of Foulys.</text>
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                <text>An edition of PF based on University of Cambridge Library MS Gg.4.27, with end-of-text textual and explanatory notes, modern punctuation, and original spelling. The Introduction (pp. 1-68) presents the poem as the "best of Chaucer's shorter poems," commenting on date and relative chronology, courtly love, structural and thematic concerns, mythological backgrounds, the birds as natural history and social representations, sources, rhetoric, style, versification, the manuscripts, and a select bibliography. A comprehensive glossary follows five appendices which offer contextualizing source and analogue materials. Re-issued in 1972 by Manchester University Press and by Barnes &amp; Noble.</text>
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            <elementText elementTextId="2838299">
              <text>Bradley, D. R.</text>
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            <elementText elementTextId="2838300">
              <text>Philological Quarterly 39 (1960): 122-25.</text>
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              <text>Philological Quarterly 39 (1960)</text>
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              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/15/22</text>
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            <elementText elementTextId="2838304">
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                <text>Fals Eneas and Sely Dido.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Adduces details and emphases in Virgil's "Aeneid" to suggest that Chaucer used it directly in composing his Dido legend in LGW, though perhaps in combination with parallel sources.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2838291">
              <text>Bowers, R. H.</text>
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            <elementText elementTextId="2838292">
              <text>Notes and Queries 205 (1960): 370-71.</text>
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        <element elementId="100">
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            <elementText elementTextId="2838293">
              <text>Notes and Queries 205 (1960)</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; 3/15/22</text>
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        <element elementId="114">
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            <elementText elementTextId="2838296">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2838289">
                <text>Chaucer's "Troilus" as an Elizabethan "Wanton Book."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838290">
                <text>Identifies several sixteenth-century statements of censorship of romances (one that mentions TC) and describes several early modern "justifications" for the "perennial itch to censor."</text>
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Sources, Analogues, and Literary Relations</text>
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Book of the Duchess&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Gentilesse</text>
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                <text>Chaucer and Dante.</text>
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                <text>Advocates a "contextual" approach to source study, arguing that several discussions of Dante's influence on Chaucer depend upon weak correspondences, better treated as shared tradition than direct influence. Discusses the lists of lovers in PF and BD, the treatment of Jason in LGW, and the "firste stok" and treatment of gentility in Gent.</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Friar and His Tale&#13;
Knight and His Tale</text>
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                <text>Summarizes theories and meanings of conventional mythographic images and allusions in medieval literature, derived from classical fables and allegorized in late-classical and medieval commentaries on such fables. Includes comments on the allusion to Virgil's and Dante's descents into hell in FrT (3.1513-20) and the resonances in KnT of Theseus as an exemplary figure of the noble life and the rational soul.</text>
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              <text>Dorothy Bethurum, ed. Critical Approaches to Medieval Literature: Selected Papers from the English Institute, 1958-59 (New York: Columbia University Press, 1960), pp. 83-109.</text>
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              <text> Critical Approaches to Medieval Literature.</text>
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                <text>Examines critical opinions about the presence of mythic, folkloric, and ritualistic images and allusions in medieval English literature, commenting on various works and critical views of them: "Beowulf," "Sir Gawain and the Green Knight," accounts of Robin Hood, drama, and several of Chaucer's works (TC, KnT, MerT, and PardT), observing generally that Chaucer's poems have resisted or escaped such analysis.</text>
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              <text>In Dorothy Bethurum, ed. Critical Approaches to Medieval Literature: Selected Papers from the English Institute, 1958-59 (New York: Columbia University Press, 1960), pp. 27-60. </text>
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              <text>Critical Approaches to Medieval Literature.</text>
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Summoner and His Tale&#13;
Miller and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Patristic Exegesis in the Criticism of Medieval Literature: The Defense.</text>
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            <description>An account of the resource</description>
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                <text>Exemplifies the wide-ranging importance of "exegetical tradition" in explicating images and allusions in medieval literature, drawing examples from "Piers Plowman," from the Summoner's taste for garlic, onions, and leeks (GP 1.634), and from various echoes of the biblical Canticle of Canticles in the characterizations and relationship of Absolon and Alisoun in MilT. Argues that greater familiarity with such exegetical details is necessary for broader understanding the value of patristic criticism. See E. Talbot Donaldson, " Patristic Exegesis in the Criticism of Medieval Literature: The Opposition."</text>
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              <text>Dorothy Bethurum, ed. Critical Approaches to Medieval Literature: Selected Papers from the English Institute, 1958-59 (New York: Columbia University Press, 1960), pp. 1-26.</text>
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              <text>Critical Approaches to Medieval Literature.</text>
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              <text>Background and General Criticism&#13;
Nun's Priest and His Tale</text>
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                <text>Patristic Exegesis in the Criticism of Medieval Literature: The Opposition.</text>
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                <text>Challenges patristic criticism for its claim that medieval literature is univocally concerned with asserting Christian "caritas" allegorically, arguing instead that poetry has a right to "say what it means and mean what it says." Illustrates the pitfalls of the critical method by analyzing patristic or exegetical readings of the opening of "Piers Plowman," "Maiden in the Moor Lay," and NPT, maintaining in the case of the latter that its meaning derives from its rhetorical elaborations rather than despite them. See R. E. Kaske, "The Defense."</text>
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              <text>ix, 171 p.</text>
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                <text>Critical Approaches to Medieval Literature: Selected Papers from the English Institute, 1958-59.</text>
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                <text>Six essays by various authors and a summary Introduction by the editor. For five essays that pertain to Chaucer, search for Critical Approaches to Medieval Literature under Alternative Title.</text>
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