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                  <text>Chaucer Bibliography Online</text>
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              <text>Sutton, Jonathan Wayne.</text>
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              <text>Dissertation Abstracts International 40 (1979): 2052A.</text>
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              <text>1979</text>
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              <text>Legend of Good Women.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Dissertation Abstracts International 40 (1979)</text>
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              <text>jules SAC 03 (209)</text>
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                <text>A Reading of Chaucer's 'Legend of Good Women' Based on its Ovidian Sources</text>
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                <text>The stories in LGW represent a first attempt by Chaucer in a series of framed stories to deal with the relation between experience, authority, and ideal sentiment.  Comparison with their Ovidian sources and close reading reveals that even though Cupid severely limits the "matere" of these stories, the variety of Chaucer's treatment is remarkable.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fujimoto, Masashi.</text>
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        <element elementId="98">
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              <text>The Bulletin of Faculty of Literature of Tokai University 32 (1980): 123-42.</text>
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        <element elementId="114">
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              <text>1980</text>
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              <text>Franklin and His Tale.</text>
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              <text>The Bulletin of Faculty of Literature of Tokai University 32 (1980)</text>
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              <text>jules SAC 04 (92)</text>
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                <text>A Reading of Chaucer's 'The Franklin's Tale;'</text>
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                <text>Chaucer's view of "gentilesse" sharply contrasts with that of the teller of FranT.  High comedy develops in the course of the Franklin's performance.</text>
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              <text>Friedman, John Block.</text>
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        <element elementId="98">
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              <text>Chaucer Review 2.1 (1967): 8-19.</text>
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              <text>Reeve and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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              <text>mea; 3/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1967</text>
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                <text>A Reading of Chaucer's "Reeve's Tale."</text>
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                <text>Examines animal, costume, and color imagery in RvT to show that Chaucer adapted his source by increasing and specifying such imagery, lending moral dimension to the fabliau plot and offering an exemplary illustration of the "sins of pride, wrath and lust."</text>
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              <text>Saito, Isamu.</text>
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              <text>Hisao Tsuru, ed. Fiction and Truth: Essays on Fourteenth-Century English Literature (Tokyo: Kirihara Shoten, 2000), pp. 61-78 (in Japanese), pp. 61-78.</text>
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        <element elementId="114">
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              <text>2000</text>
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              <text>Fiction and Truth: Essays on Fourteenth-Century English Literature.</text>
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        <element elementId="102">
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            <elementText elementTextId="2753672">
              <text>Monk and His Tale.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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        <element elementId="109">
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              <text>jules SAC 24 (316)</text>
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              <elementText elementTextId="2753665">
                <text>A Reading of Chaucer's Ambiguity : An Image of the Monk in the General Prologue</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753670">
                <text>Explores the double meanings of "outrider," "venerie," and "prikasour," focusing on the Monk in The General Prologue.</text>
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                <text>In Japanese.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Noji, Kaoru.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Bulletin of Yamamura Women's Junior College 3 (1991): 245-62.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780635">
              <text>1991</text>
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              <text>Franklin and His Tale</text>
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          <elementTextContainer>
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              <text>Bulletin of Yamamura Women's Junior College 03 (1991).</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>vxl SAC 32:236.</text>
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                <text>A Reading of Chaucer's Franklin's Tale: The Different Understanding of 'Trouthe' in Ideal Marriage</text>
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                <text>Explicates FranT, focusing on the characterization of Dorigen and how it reveals the "social compromises which women are conditioned to make." The "cracks in mutual understanding" between Dorigen and Arveragus also reveal how the values of women and men differ.</text>
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              <text>Watanabe, Seiji.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Hisayuki Sasamoto et al., eds. Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday (Osaka: Osaka Kyoiku Tosho, 1999), pp. 525-43 (in Japanese).</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2750008">
              <text>1999</text>
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              <text>Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 23 (265)</text>
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                <text>A Reading of Chaucer's Troilus and Criseyde</text>
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                <text>In Japanese.</text>
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                <text>Describes the Italian influence on TC, the double sorrow of Troilus, his gaze upon Criseyde, the role of Pandarus, and the narrator's message of love.</text>
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              <text>Olson, Glending.</text>
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        <element elementId="98">
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              <text>Chaucer Review 10 (1975): 147-53.</text>
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          <name>Date</name>
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              <text>Tale of Sir Thopas.</text>
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              <text>jules - 6/10/94 SAC 1 (166)</text>
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                <text>A Reading of the 'Thopas-Melibee' Link</text>
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                <text>Chaucer's statements in the "Thopas-Melibee" link, which critics have interpreted in at least three different ways, are significant only as a continuation of the Pilgrim Chaucer's pose of literary innocence.  They serve to indicate a switch from "murthe" to "doctrine," and are purposely belabored, as is Mel itself.</text>
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              <text>Cambridge: Cambridge University Press, 1968.</text>
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        <element elementId="99">
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            <elementText elementTextId="2816217">
              <text>309 pp.</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde</text>
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                <text>A Reading of the "Canterbury Tales."</text>
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                <text>Interpretive, evaluative, tale-by-tale reading of CT, focusing on how Chaucer's "mingling" of various styles, tones, genres, conventions, source materials, and world views come together as a unifying perspective that supersedes any one perspective . Considers several tales as pairings (FrT and SumT, Th and Mel, ManT and ParsT), and offers opinions of how and where individual tales succeed or fail, often gauged in light of recurrent themes presented as timeless concerns. The Introduction (pp. 1-53) justifies appreciative criticism, remarks on Chaucer's other works (especially TC), comments on questions of unity in CT, and praises the vitality and spirituality of GP.</text>
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              <text>Huppé, Bernard F.</text>
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        <element elementId="98">
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              <text>Albany: State University of New York, 1964.</text>
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              <text>x, 245 pp.</text>
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Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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              <elementText elementTextId="2826671">
                <text>A Reading of the "Canterbury Tales."</text>
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              <elementText elementTextId="2826672">
                <text>Reads CT as a thematic engagement with the need for humans to pursue spiritual pilgrimage, considering allegorical and symbolic imagery and focusing on charity, "caritas," and contempt for engagement with the world ("contemptus mundi"). Explores springtime, pilgrimage, and the narrative persona in GP and ParsP, counterpoises the spiritual idealism of KnT with the realism of MilT, and investigates the symbolic values of marriage and worldly activism in MLT, WBPT, ClT, MerT, FranT, and NPT. Treats "ecclesiastical corruption" as a worldly danger in SumT, FrT, and PardPT, and the need for stalwart faith and penance in ShT, PrT, MkT, SNT, and ParsPT. Includes recurrent attention to source material and exegetical commentary on biblical references and echoes.</text>
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            <elementText elementTextId="2701770">
              <text>Reames, Sherry L.</text>
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              <text>Modern Philology 87 (1990): 337-61.</text>
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        <element elementId="114">
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              <text>1990</text>
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              <text>Second Nun and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
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              <text>Modern Philology 87 (1990).</text>
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              <text>jules SAC 14 (232)</text>
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                <text>A Recent Discovery Concerning the Sources of Chaucer's 'Second Nun's Tale'</text>
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            <description>An account of the resource</description>
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                <text>A "Franciscan abridgment" of the Saint Cecilia legend, extant in two complete copies and numerous fragments, explains verbal details of SNT as well as omissions of episodes found in the "Legenda aurea" and Bosio's edition of "Passion S. Caeciliae."</text>
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                <text>All known manuscripts of the abridgment are described; the version closest to Chaucer's is appended.  The abridgment should restore "Chaucer's due credit as a translator" and "help us reach a better understanding of his intentions."</text>
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          <elementTextContainer>
            <elementText elementTextId="2725527">
              <text>Heffernan, Carol Falvo.</text>
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        <element elementId="98">
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            <elementText elementTextId="2725528">
              <text>Chaucer Review 15 (1980): 37-43.</text>
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        <element elementId="114">
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              <text>1980</text>
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            <elementText elementTextId="2725531">
              <text>Reeve and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2725532">
              <text>Chaucer Review 15 (1980)</text>
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              <text>jules SAC 04 (72)</text>
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                <text>A Reconsideration of the Cask Figure in the 'Reeve's Prologue'</text>
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                <text>The cask figure combines religious and sexual symbols in the reference to wine and baptism and to the phallic spout.  These connect to the tale with the fear of impotence and the careless oaths, suggesting that the Reeve misses the hidden religious solution to old age in his own words.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2694376">
              <text>Hodges, Laura F.</text>
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        <element elementId="98">
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              <text>Chaucer Review 26 (1991): 133-46.</text>
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        <element elementId="114">
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            <elementText elementTextId="2694378">
              <text>1991</text>
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            <elementText elementTextId="2694380">
              <text>General Prologue to the Canterbury Tales.</text>
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            <elementText elementTextId="2694381">
              <text>Monk and His Tale</text>
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          <elementTextContainer>
            <elementText elementTextId="2694382">
              <text>Chaucer Review 26 (1991)</text>
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                <text>A Reconsideration of the Monk's Costume</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2694379">
                <text>Places the Monk in the mainstream of medieval monastic modes of dress; his "grys," his boots, and his gold pin are not excessive in comparison to clerical fashions and practices of the period.</text>
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            <elementText elementTextId="2810032">
              <text>Von Kreisler, Nicholai.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2810033">
              <text>Modern Philology 68 (1970): 62-64.</text>
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              <text>1970</text>
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              <text>Knight and His Tale</text>
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            <elementText elementTextId="2810040">
              <text>Modern Philology 68 (1970)</text>
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              <text>mea; 07/15/2016 No SAC</text>
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                <text>A Recurrent Expression of Devotion in Chaucer's 'Book of the Duchess,' 'Parliament of Fowls,' and 'Knight's Tale'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2810035">
                <text>Explores Chaucer's intensification of emotion through his uses of variations on loving "with good wille, body, hert, and all," echoes of a biblical injunction.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2846433">
              <text>Allen, Robert J.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 55 (1956): 393-405.</text>
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            <elementText elementTextId="2846435">
              <text>Journal of English and Germanic Philology 55 (1956)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>House of Fame</text>
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              <text>mea; 12/5/2024</text>
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            <elementText elementTextId="2846438">
              <text>1956</text>
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              <elementText elementTextId="2846431">
                <text>A Recurring Motif in Chaucer's "House of Fame."</text>
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              <elementText elementTextId="2846432">
                <text>Argues that themes of the "nature of literary art" and "the material with which the literary artist deals" unify the HF: the opening of the poem focuses on how "literary artist's imagination finds expression"; the eagle articulates an intellectual perspective in contrast to the artistic one; the House of Fame reflects the artist's role in conveying reputation, and the House of Rumor makes clear that truth or falsity are not essential concerns of art.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2732684">
              <text>Konas, Gary.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2732685">
              <text>Thalia: Studies in Literary Humor 13 (1993): 50-55.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2732686">
              <text>1993</text>
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            <elementText elementTextId="2732688">
              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2732689">
              <text>Thalia: Studies in Literary Humor 13 (1993)</text>
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        <element elementId="109">
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            <elementText elementTextId="2732690">
              <text>jules SAC 17 (158)</text>
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          <element elementId="50">
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              <elementText elementTextId="2732683">
                <text>A Red-Hot Irony in 'The Miller's Tale'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2732687">
                <text>Argues that MilT is a "farce," using the definition of Eric Bentley in "The Life of the Drama" (1967).  Academic criticism of MilT has not confronted its farcical elements.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2843993">
              <text>Edwards, A. S. G.</text>
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        <element elementId="98">
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            <elementText elementTextId="2843994">
              <text>Notes and Queries 266, no. 1 (2021): 25.</text>
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            <elementText elementTextId="2843995">
              <text>Notes and Queries 266 (2021)</text>
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            <elementText elementTextId="2843996">
              <text>Manuscripts and Textual Studies&#13;
Boece</text>
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              <text>SAC 45:16</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2843998">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850754">
                <text>A Reference to a Manuscript of Chaucer's "Boece."</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851903">
                <text>Contends that Cambridge, Pembroke College, MS 215 may be the manuscript referred to as "7574 Boethius's Consolat.of Philosophy, translated by Chaucer, 'imperfect,' 2s 6d" in the 1770 sale catalogue of London bookseller Thomas Payne, since it is incomplete and its pre-nineteenth-century provenance is "unclear." Suggests that this reference may be to "a hitherto unrecorded copy" of Chaucer's work.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2821968">
              <text>Leighton, H. Vernon.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2821969">
              <text>Notes on Contemporary Literature 42.1 (2012): 11-12.</text>
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          <elementTextContainer>
            <elementText elementTextId="2821970">
              <text>Notes on Contemporary Literature 42 (2012)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2821971">
              <text>Chaucer's Influence and Later Allusion</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821972">
              <text>SAC 40:102</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821973">
              <text>2012</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821966">
                <text>A Refutation of Robert Byrne: John Kennedy Toole's "A Confederacy of Dunces," Chaucer and Boethius.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821967">
                <text>Provides evidence that much of John Kennedy Toole's knowledge of Boethius, important to his novel "A Confederacy of Dunces," came through the Chaucer class that he took from Robert Lumiansky.</text>
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  <item itemId="271505" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797234">
              <text>Liu, Sophia Y.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797235">
              <text>DAI A72.10 (2012): n.p.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797236">
              <text>2012</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797238">
              <text>Background and General Criticism</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797239">
              <text>Dissertation Abstracts International 72 (2012).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797240">
              <text>mea sac 35:65.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2797233">
                <text>A Regnal Genealogy in Trouble: The Trojan Myth as a Traumatic National Historiography in Medieval England</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2797237">
                <text>Deploys Chaucer as part of an examination of the use of the Trojan/Brutus myth in British national historiography.</text>
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  <item itemId="267965" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760510">
              <text>Cable, Thomas.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760511">
              <text>Donka Minkova and Robert Stockwell, eds. Studies in the History of the English Language: A Millennial Perspective (Berlin: Mouton de Gruyter, 2002), pp. 177-82.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760512">
              <text>2002</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760513">
              <text>Studies in the History of the English Language: A Millennial Perspective.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760515">
              <text>Style and Versification.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760516">
              <text>vxl sac 26: 94</text>
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        <elementContainer>
          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2760509">
                <text>A Rejoinder to Youmans and Li</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2760514">
                <text>Critiques Youmans and Li's assessment of Chaucer's verse (in this same volume, pp. 153-75), urging metricists to avoid "importing phonological analyses" into theory of meter.</text>
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  <item itemId="264553" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725383">
              <text>Shikii, Kumiko.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725384">
              <text>Sella (March 10, 1980): 28-32.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725385">
              <text>1980</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2725387">
              <text>Canterbury Tales--General.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2725388">
              <text>Sella (March 10, 1980)</text>
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        <element elementId="109">
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            <elementText elementTextId="2725389">
              <text>jules SAC 04 (57)</text>
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                <text>A Religious Approach to 'The Canterbury Tales'</text>
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                <text>CT is basically religious in spite of its various secular elements.  The religious connotation depends rather on Chaucer's Catholic views of life than on the outward signs. All the characters and their tales, both sacred and secular, are equally important to present an ideal image of human society.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2778409">
              <text>Harbus, Antonina.</text>
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        <element elementId="98">
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            <elementText elementTextId="2778410">
              <text>RES 59 (2008):  342-56.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2778411">
              <text>2008</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2778413">
              <text>Facsimiles, Editions, and Translations</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2778414">
              <text>Review of English Studies 59 (2008)</text>
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        <element elementId="109">
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              <text>vxl SAC 32:22.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2778408">
                <text>A Renaissance Reader's English Annotations to Thynne's 1532 Edition of Chaucer's Works</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2778412">
                <text>The heavily annotated copy of Thynne held by the Beinecke Rare Book and Manuscript Library at Yale University shows what a sixteenth-century reader found of interest in Chaucer's story-telling, language, and moral vision.</text>
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  <item itemId="264337" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2723285">
              <text>Ridley, Florence H.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2723286">
              <text>Donald M. Rose, ed.  New Perspectives in Chaucer Criticism (Norman Okla.: Pilgrim Books, 1981), pp. 37-51.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2723287">
              <text>1981</text>
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            <elementText elementTextId="2723288">
              <text>New Perspectives in Chaucer Criticism.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2723291">
              <text>Background and General Criticism.</text>
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              <text>jules SAC 05 (99)</text>
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                <text>A Response to 'Contemporary Literary Theory and Chaucer'</text>
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                <text>Descriptive rather than interpretative approaches are preferred for Chaucer literary studies, according to Bloomfield, but we need to know "how" the poet constructed his work; thus semantics, the philosophy of speech acts, sociology, etc., are central to literary study.</text>
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                <text>A response to Morton Bloomfield, "Contemporary Literary Theory and Chaucer," in the same volume.</text>
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  <item itemId="270692" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2788586">
              <text>Sponsler, Claire.</text>
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        <element elementId="98">
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            <elementText elementTextId="2788587">
              <text>American Literary History 22 (2010): 831-37.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2788588">
              <text>2010</text>
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            <elementText elementTextId="2788590">
              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2788591">
              <text>American Literary History 22 (2010).</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>vxl sac 34:82</text>
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                <text>A Response to Candace Barrington</text>
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                <text>Sponsler comments on the "appropriation theory" underlying Candace Barrington's analysis of a Chaucer-themed Mardi Gras pageant of 1914, raising broader questions about the ideology, methodology, and disciplinary implications of "American medievalism." See Barrington, "'Forget what you have learned': The Mistick Krewe's 1914 Mardi Gras Chaucer."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2789192">
              <text>Michelson, Bruce.</text>
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        <element elementId="98">
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            <elementText elementTextId="2789193">
              <text>American Literary History 22 (2010): 773-80.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2789194">
              <text>2010</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2789196">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2789197">
              <text>American Literary History 22 (2010).</text>
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              <text>vxl sac 34:143</text>
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                <text>A Response to David Matthews</text>
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            <description>An account of the resource</description>
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                <text>Explores the intensity of America's involvement in the Chaucer Society discussed by Matthews in "Chaucer's American Accent," focusing on the rise of British national tourism and the Gothic Revival, as well as on American romantic notions of Chaucerian pastoralism and democracy.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2793756">
              <text>Mullinger, Alyssa.</text>
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        <element elementId="98">
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              <text>Young Scholars in Writing: Undergraduate Research in Writing and Rhetoric 6 (2009): 138-40. [Electronic  publication.]</text>
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            <elementText elementTextId="2793758">
              <text>2009</text>
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              <text>Prioress and Her Tale</text>
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            <elementText elementTextId="2793761">
              <text>Young Scholars in Writing: Undergraduate Research in Writing and Rhetoric 06 (2009)</text>
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              <text>mea; 9/30/2013 No SAC</text>
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                <text>A Response to Rachel Shore</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2793759">
                <text>Extends Rachel Shore's claim that features of the GP description of the Prioress conflict with her tale and undermine her ethos.</text>
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