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              <text>Küçükboyaci, Uğur E.</text>
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              <text>Evrim Doğan Adanur, ed. IDEA: Studies in English (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 272-83.</text>
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              <text>IDEA: Studies in English.</text>
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              <text>Canterbury Tales--General&#13;
Style and Versification</text>
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              <text>SAC 40:191</text>
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              <text>2011</text>
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                <text>A Postmodern Chaucer or a Postmodern Coloring? "The Canterbury Tales."</text>
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                <text>Surveys commentary on Chaucer's uses of postmodern techniques in CT, focusing on his experimentation and evasiveness, and his concern with meaning and with the possibilities whereby literature may or may not be considered literal. Discusses metafictive aspects of CT as "a cavalcade of language users."</text>
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              <text>McClellan, William.</text>
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              <text>James J. Paxson, Lawrence M. Clopper, and Sylvia Tomasch, eds. The Performance of Middle English Culture: Essays on Chaucer and the Drama in Honor of Martin Stevens (Cambridge: D. S. Brewer, 1998), pp. 183-96.</text>
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              <text>1998</text>
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              <text>The Performance of Middle English Culture: Essays on Chaucer and the Drama in Honor of Martin Stevens.</text>
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              <text>Clerk and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 22 - 235.</text>
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                <text>A Postmodern Performance: Counter-Reading Chaucer's Clerk's Tale and Maxine Hong Kingston's 'No Name Woman'</text>
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                <text>Both ClT and Kingston's "No Name Woman" reveal how patriarchal culture operates to disguise male complicity in women's repression, and both connect issues of knowledge and power with the construction of subjectivity, showing how these are intimately tied up with the construction of sexual difference.</text>
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                <text>The Clerk takes issue with Petrarch's religious moral that erases gender, and argues that clerks-the class that controls knowledge-choose not to tell of women's suffering and forbearance. Kingston tells the story despite familial collusion in her father's desire to erase her aunt's existence.</text>
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              <text>Schaar, Claes.</text>
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              <text>English Studies 42 (1961): 153-56.</text>
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              <text>English Studies 42 (1961)</text>
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              <text>Background and General Criticism</text>
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              <text>mea; 9/11/21</text>
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              <text>1961</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2835226">
                <text>A Postscript to Chaucer Studies.</text>
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                <text>Responds to critiques of two books previously published by the author--"Some Types of Narrative in Chaucer's Poetry" (1954) and "The Golden Mirror: Studies on Chaucer's Descriptive Technique and Its Literary Background" (1955)--seeking to clarify goals and emphases and to justify methodologies.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fernandez Cuesta, Julia</text>
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              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 3 (1993): 103-16.</text>
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              <text>1993</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 03 (1993)</text>
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              <text>jules SAC 18 (1996) - 184</text>
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                <text>A Pragmatic Approach to the Wife of Bath's Tale</text>
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                <text>Pragmatic analysis suggests that the Wife of Bath in WBP and the loathly lady in WBT flout the "Quality and Quantity maxims of the Cooperative Principle" and the "maxims of Tact" of the "Politeness Principle."  Targets of Chaucer's satire, the two characters seek to "manipulate rather than cooperate."</text>
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              <text>Robertson, D. W., Jr.</text>
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              <text>Princeton, N.J.: Princeton University Press, 1962.</text>
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              <text>xvii, 518 pp.; 118 b&amp;w illus.</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; 4/26/21</text>
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                <text>A Preface to Chaucer: Studies in Medieval Perspectives.</text>
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                <text>Articulates an allegorical approach to medieval literature (also called patristic, exegetical, Augustinian, historical, or iconographical criticism), clarifying its assumptions and methods and applying them to Chaucer's works and to works that precede or influenced him by Boethius, Jean de Meun, Alain de Lille, Andreas Capellanus, and others. Provides methodological background and source material for allegorical interpretations derived from Scripture, scriptural and classical commentaries, visual arts, medieval literary and aesthetic theories, and "doctrines" of love. Assesses the Christian meanings of most of Chaucer's works, with the most sustained attention given to TC, KnT, MilT, and WBP.</text>
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              <text>Eagleton, Catherine.</text>
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              <text>Journal of the Early Book Society 06: 161-73, 2003.</text>
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              <text>Treatise on the Astrolabe.</text>
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              <text>vxl SAC 27:34</text>
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                <text>A Previously Unnoticed Fragment of Chaucer's Treatise on the Astrolabe</text>
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                <text>Eagleton identifies a fragment of Astr washed from MS 358 in the Royal College of Physicians, London. Reproduces the explicit that names Chaucer as author; six photographs; and two tables.</text>
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              <text>Laird, Edgar [S.]</text>
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                <text>A Previously Unnoticed Manuscript of Chaucer's Treatise on the Astrolabe</text>
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              <text>Nakao, Yoshiyuki, Akiyuki Jimura, and Masatsugu Matsuo.</text>
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                <text>A Project for a Comprehensive Collation of the Hengwrt and Ellesmere Manuscripts of The Canterbury Tales : The General Prologue</text>
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                <text>A Project for a Comprehensive Collation of the Two Manuscripts (Hengwrt and Ellesmere) and the Two Editions (Blake [1980] and Benson [1987]) of the Canterbury Tales</text>
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              <text>Higuchi, Masayuki.</text>
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              <text>Hiroshima Studies in English Language and Literature 35 (1990): 26-36.</text>
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              <text>Boece.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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                <text>A Proposal for Textual Emendation of Chaucer's 'Boece'</text>
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              <elementText elementTextId="2701736">
                <text>The text of Bo ("The Riverside Chaucer") retains inadequate punctuation marks from previous editions and leaves several passages quite difficult to understand, though the edition shows a number of lexical improvements.  The article emends punctuation by considering syntax and content of the philosophical work.</text>
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              <text>Sprunger, David.</text>
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            <elementText elementTextId="2797958">
              <text>Enarratio 15 (2011 for 2008): 100-123.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea SAC 35:166.</text>
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                <text>A Pseudo-'Canterbury Tale': Chaucer in the Seventeenth Century</text>
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                <text>Comments on Chaucer's reputation as a Wycliffite reformer or Lollard that resulted from his depictions of clergymen (especially the Parson) and from apocryphal tales attributed to him. Edits and assesses a 1641 pamphlet that includes two poetic texts: 1) a tale of a "Potent Peer of Calidon" attributed to Chaucer and 2) the "Scots Pedlar" that is analogous to the "Pardoner's Confession."</text>
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              <text>Collins, Terence George.</text>
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        <element elementId="98">
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              <text>Prioress and Her Tale</text>
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              <text>Dissertation Abstracts International 37 (1976)</text>
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            <elementText elementTextId="2785008">
              <text>mea 1/18/2013 No SAC</text>
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              <elementText elementTextId="2785005">
                <text>Includes discussion of Chaucer's PrT as well as Aeschylus's "Suppliants" and works by Phillis Wheatley, Richard Wright, and James Baldwin.</text>
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            <elementText elementTextId="2700063">
              <text>Pearcy, Roy J.</text>
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          <elementTextContainer>
            <elementText elementTextId="2700064">
              <text>Notes and Queries 220 (1975): 198.</text>
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          <elementTextContainer>
            <elementText elementTextId="2700065">
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              <text>Language and Word Studies.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2700069">
              <text>Notes and Queries 220 (1975)</text>
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              <text>jules - 26/9/94 SAC 1 (152)</text>
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                <text>A Pun in 'The Franklin's Tale' 942: 'Withouten coppe he drank al his penaunce'</text>
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                <text>The word coppe may derive from L. "culpa," "guilt," rather than from "cuppa," "cup."</text>
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              <text>Canterbury Tales--General&#13;
Man of Law and His Tale&#13;
Wife of Bath and Her Tale&#13;
Shipman and His Tale&#13;
Manuscripts and Textual Studies</text>
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                <text>A Question of Order in the "Canterbury Tales."</text>
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                <text>Challenges arguments which assert that the MLE should be followed by ShT in the order of the CT, and argues that, in "light of both external and internal evidence," the Ellesmere order is the best order, with WBPT after MLT, and an emended version of MLE included between them. This arrangement, Cox suggests, best accommodates available manuscript evidence and scribal practice, Chaucer's reassignment of the ShT from Wife of Bath to Shipman, thematic interaction between MLT and WBPT, and the drama of the CT, especially considering the characterization of the Wife of Bath.</text>
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              <text>Meaning Through Language Contrast. 2 vols.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>vxl sac 29:13</text>
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                <text>A Question of Time? Question Types and Speech Act Shifts from a Historical-Contrastive Perspective: Some Examples from Old Spanish and Middle English</text>
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                <text>Combines historical pragmatics and translation studies, using them to clarify issues fundamental to both. Examines translations of questions in "Cantar de mio Cid" and translations of lines from WBP (ll.1-3 and 149-51), assessing in the latter case how Modern English and Modern German translations change the illocution of the lines.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Scott-Macnab, David.</text>
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        <element elementId="98">
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              <text>Medium AEvum 56 (1987): 183-99.</text>
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              <text>1987</text>
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              <text>Book of the Duchess.</text>
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              <text>Medium AEvum 56 (1987)</text>
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              <text>jules SAC 11 (232)</text>
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              <elementText elementTextId="2710860">
                <text>A Re-Examination of Octovyen's Hunt in 'The Book of the Duchess'</text>
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                <text>Discusses the meaning of some important words used in the hunting scene and corrects Emerson's interpretation in some points.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Griffiths, J. J.</text>
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        <element elementId="98">
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              <text>Archiv 219 (1982): 381-88.</text>
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              <text>1982</text>
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            <elementText elementTextId="2784697">
              <text>Manuscripts and Textual Studies.</text>
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              <text>Archiv für das Studium der neueren Sprachen und Literaturen 219 (1982).</text>
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              <text>mea No SAC</text>
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          <element elementId="50">
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              <elementText elementTextId="2784692">
                <text>A Re-examination of Oxford, Bodleian Library, MS Rawlinson C.86</text>
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            <description>An account of the resource</description>
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                <text>Using evidence of paleography, orthography, watermarks, and indications of provenance, dates booklet 1 of Oxford, Bodleian Library MS Rawlinson C.86, as the second quarter of the fifteenth century; dates booklets 2-4 as early sixteenth century.</text>
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              <text>Benson, L[arry] D.</text>
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              <text>Derek Brewer, ed. Geoffrey Chaucer. Writers and their Background (London: G. Bell, 1974), pp. 321-51.</text>
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              <text>Geoffrey Chaucer. Writers and their Background.</text>
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              <text>Bibliographies, Reports, and Reference</text>
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              <text>mea 02/06/2013 No SAC</text>
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              <elementText elementTextId="2785859">
                <text>A Reader's Guide to Chaucer</text>
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            <description>An account of the resource</description>
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                <text>Descriptive survey of major developments in Chaucer criticism and scholarship, treated historically and sub-divided into eight categories:  1) canon, 2) texts, 3) language and versification, 4) biography, 5) learning, 6) sources, 7) fourteenth-century life and culture, and 8) interpretative criticism.</text>
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              <text>Bowen, Muriel.</text>
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              <text>Background and General Criticism&#13;
Chaucer's Life</text>
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            <elementText elementTextId="2826564">
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                <text>A Reader's Guide to Geoffrey Chaucer.</text>
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                <text>Introduces Chaucer's life and works to "those who are new readers" of the poet, evoking a sense of late-medieval life, especially London, Chaucer's court life, and international contexts. Explicates the tales and tellers of CT in thematic chapters, with emphasis on chivalry and courtliness, religion and philosophy (ecclesiastical offices, Lollards, pilgrimage, sexuality, Providence, fortune, and free will), science (astronomy and astrology, alchemy, physiology, and dream theory), social practice (trade, clothing, food and drink, status, manor and village life, entertainments), and literary forms. Describes more briefly similar concerns in BD, HF, PF, LGWP, and TC, closing with a brief glossary of Middle English, a bibliography, and an index.</text>
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              <text>Sutton, Jonathan Wayne.</text>
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              <text>Legend of Good Women.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>A Reading of Chaucer's 'Legend of Good Women' Based on its Ovidian Sources</text>
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                <text>The stories in LGW represent a first attempt by Chaucer in a series of framed stories to deal with the relation between experience, authority, and ideal sentiment.  Comparison with their Ovidian sources and close reading reveals that even though Cupid severely limits the "matere" of these stories, the variety of Chaucer's treatment is remarkable.</text>
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              <text>Fujimoto, Masashi.</text>
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              <text>Franklin and His Tale.</text>
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                <text>A Reading of Chaucer's 'The Franklin's Tale;'</text>
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                <text>Chaucer's view of "gentilesse" sharply contrasts with that of the teller of FranT.  High comedy develops in the course of the Franklin's performance.</text>
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              <text>Friedman, John Block.</text>
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              <text>Chaucer Review 2.1 (1967): 8-19.</text>
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              <text>Reeve and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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                <text>A Reading of Chaucer's "Reeve's Tale."</text>
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                <text>Examines animal, costume, and color imagery in RvT to show that Chaucer adapted his source by increasing and specifying such imagery, lending moral dimension to the fabliau plot and offering an exemplary illustration of the "sins of pride, wrath and lust."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Saito, Isamu.</text>
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              <text>Hisao Tsuru, ed. Fiction and Truth: Essays on Fourteenth-Century English Literature (Tokyo: Kirihara Shoten, 2000), pp. 61-78 (in Japanese), pp. 61-78.</text>
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              <text>Monk and His Tale.</text>
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                <text>A Reading of Chaucer's Ambiguity : An Image of the Monk in the General Prologue</text>
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                <text>Explores the double meanings of "outrider," "venerie," and "prikasour," focusing on the Monk in The General Prologue.</text>
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                <text>In Japanese.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Noji, Kaoru.</text>
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              <text>Bulletin of Yamamura Women's Junior College 3 (1991): 245-62.</text>
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              <text>1991</text>
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          <elementTextContainer>
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              <text>Bulletin of Yamamura Women's Junior College 03 (1991).</text>
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              <text>vxl SAC 32:236.</text>
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                <text>Explicates FranT, focusing on the characterization of Dorigen and how it reveals the "social compromises which women are conditioned to make." The "cracks in mutual understanding" between Dorigen and Arveragus also reveal how the values of women and men differ.</text>
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              <text>Watanabe, Seiji.</text>
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              <text>Hisayuki Sasamoto et al., eds. Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday (Osaka: Osaka Kyoiku Tosho, 1999), pp. 525-43 (in Japanese).</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>A Reading of Chaucer's Troilus and Criseyde</text>
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                <text>Describes the Italian influence on TC, the double sorrow of Troilus, his gaze upon Criseyde, the role of Pandarus, and the narrator's message of love.</text>
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