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                  <text>Chaucer Bibliography Online</text>
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              <text>Southworth, James G.</text>
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              <text>Oxford: Basil Blackwell, 1962.</text>
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              <text>xii, 96 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Style and Versification&#13;
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Manuscripts and Textual Studies&#13;
Pardoner and His Tale</text>
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              <text>mea; 5/27/26</text>
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                <text>The Prosody of Chaucer and His Followers: Supplementary Chapters to "Verses of Cadence."</text>
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                <text>Supplements "Verses of Cadence" (1954) to reinforce arguments that Chaucer's prosody was rhythmic, not metrical, and that final -e should not be pronounced in reading Chaucer. Considers the influence on Chaucer's rhythms--in prose as well as poetry--of Ciceronian tradition, ecclesiastical oration, and the "genius of native English speech." Contrasts examples of punctuation of modern editorial punctuation of CT with manuscript markings (especially PhyT, Phy-PardL, and PardPT), and suggests that rhythmic analysis can help to clarify the chronological sequence of the composition of Chaucer's poetry.</text>
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              <text>Kuskin, William.</text>
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              <text>Notre Dame, IN: Notre Dame University Press, 2013.</text>
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              <text>xv, 278 pp.; 24 b&amp;w illus.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
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Boece&#13;
Facsimiles, Editions, and Translations&#13;
Troilus and Criseyde&#13;
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              <text>mea; 5/27/26</text>
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                <text>Recursive Origins: Writing at the Transition to Modernity.</text>
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                <text>Theorizes "recursivity"--an alternative to "originality"--as a trope in fifteenth- and sixteenth-century English literary history, arguing that much often considered to be "original" or "revolutionary" in modernity is better understood as remaking and reasserting literary forms that came before, especially codicological forms. Recurrent attention to Chaucer's influence, including discussion of the role of Bo in the embedded philosophy of Caxton's "Boecius," the cultural impact of sixteenth-century editions of Chaucer's works (single or collected), and intertextualities among Spenser, Lydgate, and Chaucer, particularly invocations to the book (TC 5.1786-92) and lodestar imagery (TC 5.1392 and KnT 1.2059).</text>
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              <text>Bazire, Joyce.</text>
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              <text>Year's Work in English Studies 34 (1955): 57-74.</text>
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              <text>Year's Work in English Studies 34 (1955)</text>
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              <text>Bibliographies, Reports, and Reference</text>
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              <text>mea; 5/22/26</text>
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                <text>Middle English I: Chaucer.</text>
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                <text>A discursive review of Chaucerian scholarship and research published in 1953.</text>
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              <text>Barnouw, Adriaan J., trans.</text>
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              <text>Haarlem: H. D. Tjeenk Willink &amp; Zoon, 1955.</text>
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              <text>xvi, 304 pp.</text>
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              <text>Troilus and Criseyde&#13;
Facsimiles, Editions, and YTranslations</text>
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              <text>mea; 5/7/2026</text>
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              <elementText elementTextId="2854693">
                <text>Troilus en Criseyde: Gedicht door Geoffrey Chaucer omstreeks 1385.</text>
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                <text>Translation of TC into Dutch verse, with notes and introduction.</text>
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              <text>Yildiz, Nazan.</text>
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              <text>Frances Davies and Laura González, Madness, Women and the Power of Art (Oxford: Inter-Disciplinary Press, 2013), pp. 117-35. </text>
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              <text>Davies, Frances, ed.&#13;
González, Laura, ed.</text>
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              <text>Madness, Women and the Power of Art</text>
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              <text>mea; 5/6/2026</text>
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                <text>A Medieval Madwoman in the Attic: Chaucer's Wife of Bath in "The Canterbury Tales."</text>
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                <text>Argues that in "attempting the pen" by telling her own story, the Wife of Bath rebels against patriarchal strictures and escapes suggestions of madness that beset such rebellious women in late medieval England.</text>
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              <text>Yildiz, Nazan.</text>
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              <text>Ph.D. Dissertation. Hacettepe University, 2015. Fully accessible via https://www.academia.edu/71798123/Hybridity_in_Geoffrey_Chaucer_S_the_Canterbury_Tales_Reconstructing_Estate_Boundaries (accessed May 5, 2026).</text>
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              <text>ix, 287 pp.</text>
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                <text>Hybridity in Geoffrey Chaucer's "The Canterbury Tales": Reconstructing Estate Boundaries.</text>
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                <text>Describes the "large scale social mobility" of late medieval England and argues that its modifications of traditional estates categories are reflected in CT. Uses Homi Bhabha's "postcolonial concepts of hybridity, in-betweenness, third space and mimicry" to explore the flexibility of the social estates of the Knight, Monk, Prioress, Franklin, and Miller. In English, with an abstract in Turkish.</text>
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            <elementText elementTextId="2854663">
              <text>Hiroshima, 1955. </text>
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            <elementText elementTextId="2854664">
              <text>82 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854665">
              <text>Bibliographies, Reports, and Reference&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854666">
              <text>mea; 5/4/2026</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2854667">
              <text>1955</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854660">
                <text>A Complete Rime-index to Manly &amp; Rickert's Text of "The Canterbury Tales." Part One, A.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854661">
                <text>Item not seen. Information derived from WorldCat record.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="277630" public="1" featured="0">
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854654">
              <text>Hamilton, Theresa.</text>
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        <element elementId="98">
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              <text>Newcastle upon Tyne, Cambridge Scholars, 2013.&#13;
</text>
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              <text>[ix], 329 pp.; illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2854657">
              <text>Style and Versification&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Summoner and His Tale&#13;
Merchant and His Tale&#13;
Shipman and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2854658">
              <text>mea; 5/2/2026</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854652">
                <text>Humorous Structures of English Narratives, 1200-1600.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854653">
                <text>Tests several theories of humor--especially Victor Raskin and Salvatore Attardo's "General Theory of Verbal Humor" (1985) and Thomas D. Cooke's "Comic Climax" (1978)--for their value in analyzing Elizabethan jests and medieval fabliaux, parodies, and—as counter examples—tragedies. Focuses on narratological structures and stylistic devices in a number of texts, including Chaucer's fabliaux--MilT, RvT, SumT, MerT, and ShT--exploring how, if, and to what extent they are funny and how useful the theories are in explaining their humor.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="277629" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854646">
              <text>Wurtele, Douglas James. </text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854647">
              <text>Ph.D. McGill University, 1968. Fully accessible via https://escholarship.mcgill.ca/downloads/mg74qp76z.pdf (accessed April 24, 2026).</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2854648">
              <text>241 pp.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854649">
              <text>Style and Versification&#13;
Man of Law and His Tale&#13;
Clerk and His Tale&#13;
Wife of Bath and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854650">
              <text>mea; 4/24/2026</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854651">
              <text>1968</text>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854644">
                <text>Chaucer’s Man of Law and Clerk as Rhetoricians: Narrative and Dramatic Levels of Decorum.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854645">
                <text>Shows how MLT and ClT "prove Chaucer's functional use of rhetoric for purposes of decorum," considering the characterizations of the narrators', their uses of rhetoric, and their intentions. Considers source materials, comments on the Wife of Bath, and argues for Chaucer's "hitherto unrecognized achievement in decorum."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277628" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854638">
              <text>Wawn, Andrew Nicholas, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854639">
              <text>D.Phil. Dissertation. University of Birmingham, 1969. Fully accessible via http://etheses.bham.ac.uk//id/eprint/4469/ (accessed April 24, 2026).</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854640">
              <text>iii, 602 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854641">
              <text>Chaucerian Apocrypha&#13;
Facsimiles, Editions, and Translations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854642">
              <text>mea; 4/24/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854643">
              <text>1969</text>
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          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854636">
                <text>The Plowman's Tale.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854637">
                <text>A critical edition of the "Plowman's Tale," with notes, glossary, and extensive critical commentary, including discussion of it as an example of Chaucerian apocrypha. Also includes discussion of its relation to "Piers Plowman," the "Pilgrim's Tale," Lollardy, and the English Reformation.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277627" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854630">
              <text>Rowland, Beryl. </text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854631">
              <text>Ph.D. University of British Columbia, 1962. Fully accessible via https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/831/items/1.0105748 (accessed April 24, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854632">
              <text>ii, 288 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854633">
              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854634">
              <text>mea; 4/24/2026</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854635">
              <text>1962</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854628">
                <text>"Blyndes Bestes": Aspects of Chaucer's Animal World.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854629">
                <text>Explores the sources and meanings of Chaucer's "analogies" between animals and humans, focusing on hares, dogs, horses, wolves, and sheep, arguing that, generally, Chaucer uses them to indicate the need for humans to control their "natural passions."</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="277626" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854622">
              <text>Northcut, Mary Neal.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854623">
              <text>Ph.D. Dissertation. Texas Christian University, 1967. Abstract accessible via https://repository.tcu.edu/handle/116099117/32557 (accessed April 21, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854624">
              <text>vi, 222 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854625">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854626">
              <text>mea; 4/24/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854627">
              <text>1967</text>
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      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854620">
                <text>Concepts of Love in Dante and Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854621">
                <text>Describes the hierarchical, mystical, Italianate view of love that emphasizes the gentle heart, epitomized in Dante, exploring its influence on Chaucer in TC, comparing and contrasting Chaucer's lovers with Paolo and Francesca as well as Dante and Beatrice.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="277625" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854614">
              <text>Long, Clarence Edward.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854615">
              <text>Ph.D. Dissertation. University of New Mexico, 1957. Fully accessible via https://digitalrepository.unm.edu/engl_etds/248 (accessed April 24, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854616">
              <text>v, 294 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854617">
              <text>Wife of Bath and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854618">
              <text>mea; 4/24/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854619">
              <text>1957</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854612">
                <text>Shapeshifting and Associated Phenomena as Conventions of the Middle English Metrical Romances.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854613">
                <text>Traces the "shapeshifting motif" in English literature from "Beowulf" to the late-medieval metrical romances, focusing on the latter. Chapter five includes attention to WBT as an example of the "human-to-human type of shapeshift," along with seven other romances.</text>
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              <text>viii, 276 pp.</text>
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                <text>Assesses Chaucer's uses of various kinds of similes and similetic comparisons--Homeric, epic similes; biblical "similitudes"; proverbial comparisons, Ovidian and Dantean comparisons; and more--demonstrating his variety, borrowings, and adaptations. Assesses Chaucer's techniques across various genres throughout his corpus, both poetry and prose.</text>
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                <text>Comments on Senecan material in several of the CT (MkT; ManT, WBP, and Mel) and on Chaucer’s access to Senecan sources.</text>
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              <text>Zhou, Yue.</text>
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              <text>A Comparative Study of Scansion in Chaucer's Troilus and Criseyde and Canterbury Tales. ERA: The Bulletin of the English Research Association of Hiroshima 34 (2017): 1-16.</text>
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              <text>ERA: The Bulletin of the English Research Association of Hiroshima 34 (2017)</text>
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Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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              <text>Daigaku Kyoiku Ronso / Bulletin of University Education Center, Fukuyama University 4 (2018): 123-34.</text>
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Bulletin of University Education Center, Fukuyama University 04 (2018)</text>
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              <text>Troilus and Criseyde&#13;
Language and Word Studies</text>
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              <text>Zhou, Yue.</text>
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Style and Versification&#13;
Troilus and Criseyde&#13;
</text>
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            <description>An account of the resource</description>
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                <text>Assesses the characterization of Criseyde in TC in light of the adjectives she uses and those used of her by the narrator, Troilus, and Pandarus, helping to characterize them as well. Includes comparable data from Boccaccio's "Filostrato."</text>
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Canterbury Tales--General&#13;
Wife of Bath and Her Tale&#13;
Summoner and His Tale&#13;
Pardoner and His Tale&#13;
Nun's Priest and His Tale&#13;
Parson and His Tale&#13;
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                <text>Offers "close analysis of the use of 'sententiae' and narrative 'exempla'," exploring NPT, WBT, PardT, SumT, and ParsT in light of "traditional and late medieval sermon theory and practice" evident in the "artes praedicandi" and in medieval "conceptions of the Christian preacher and the sermon." Argues that ParsT "provides the orthodox answer to the false preaching of those who have preceded him."</text>
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              <text>viii, 424 pp.</text>
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Parliament of Fowls&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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              <text>1978</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854541">
                <text>Chaucer the Love Poet: A Study in Historical Criticism.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854542">
                <text>Separates medieval ideas of love (primarily Ovidian and Augustianian) from Romantic and post-Romantic ideas, and argues that Chaucer "was unquestionably a man of his time--an orthodox member of the Church and a firm follower of the teachings of St. Augustine in matters of art as in ethics." In matters of love (especially in PF, TC, and KnT), he " consistently subscribes to Augustinian doctrines of nature, grace, and sexual morality."</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854517">
              <text>Kendall, Elliot.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854518">
              <text>Ph.D. Dissertation.  University of Oxford, 2003. Dissertation Abstracts International C70.36. Abstract accessible via ProQuest Dissertations &amp; Theses (accessed April 7, 2026).</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2854519">
              <text>Dissertation Abstracts International C70.36. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854520">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854521">
              <text>mea; 4/7/2026</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854522">
              <text>2003</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854515">
                <text>The Landowner's Book of Courtly Love: Languages of Lordship and the "Confessio amantis."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854516">
                <text>Item not seen. Kendall's abstract indicates that the "vision poetry" of both Chaucer and Sir John Clanvowe share "discursive territory" with Gower's "Confessio Amantis," particularly "concepts of the late fourteenth-century aristocratic household and the social structures it supported,"</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="277614" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854510">
              <text>Matthews, Kathleen Douglas.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854511">
              <text>Ph.D. Dissertation. University of New Hampshire, 1982. Fully accessible via https://scholars.unh.edu/dissertation/1321 (accessed April 7, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854512">
              <text>Chaucer's Influence</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854513">
              <text>mea; 4/7/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854514">
              <text>1982</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854523">
              <text>vii, 448 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854508">
                <text>The Comic Dimension: A New Reading of William Carlos Williams' Long Poem "Paterson."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854509">
                <text>Explores aspects of Williams' development of his poetic identity, including the importance of Chaucer as a model, emphasizing the modern poet's knowledge of Chaucer and Chaucer criticism and his emulation in "Paterson" of Chaucer's comic techniques.</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
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  <item itemId="277613" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854502">
              <text>Hamilton, Edward Patrick, Jr.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854503">
              <text>Ph.D. Dissertation. University of Tennessee Knoxville, 1997. Fully accessible via https://trace.tennessee.edu/entities/publication/c41f444d-cfb0-4602-bf9d-5862c1bf404e (accessed April 6, 2026).</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854504">
              <text>vi, 255 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854505">
              <text>Sources, Analogues, and Literary Relations&#13;
Parliament of Fowls&#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Wife of Bath and Her Tale&#13;
Pardoner and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854506">
              <text>mea; 4/7/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854507">
              <text>1997</text>
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          </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854500">
                <text>Loves Hete Celestial: Earthly and Divine Love in Chaucer's Poetry.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854501">
                <text>Clarifies the interdependence of romantic love and the ascent of the mind to God in medieval theology, philosophy, and Chaucer's works, especially HF, PF, LGW, and portions of CT. Argues that many of Chaucer's characters "with specious critical reputations, such as the Wife of Bath, the Pardoner, Pandarus and Criseyde, may have more benevolent, Christian inclinations than previously supposed."</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277612" public="1" featured="0">
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        <elementSet elementSetId="1">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854494">
              <text>Marsh, Henry Edward.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854495">
              <text>Ph.D. Dissertation. University of Glasgow, 1999. Fully accessible via https://theses.gla.ac.uk/944/ (accessed April 6, 2023).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854496">
              <text>286 pp.; illus</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854497">
              <text>Background and General Criticism&#13;
Franklin and His Tale&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854498">
              <text>mea; 4/7/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854499">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854492">
                <text>A Study of the Modes of Imagination.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854493">
                <text>Contemplates "fantasy, identification, and the imagination itself" as response modes in the process of reading, exploring their "distinctive epistemological implications and significance for identity." Includes comments on works by Chaucer (especially FranT) and Franz Kafka to exemplify how irony can deflect or disrupt "the natural impulse to identify ourselves with a narrator" and "blind us to his or her unreliability."</text>
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          </element>
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    </elementSetContainer>
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  <item itemId="277611" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854486">
              <text>Carpenter, Garth Chivalle.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854487">
              <text>Ph.D. Dissertation.  Victoria University of Wellington, 1997. Fully accessible via https://openaccess.wgtn.ac.nz/articles/thesis/Chaucer_s_Solar_Pageant_an_Astrological_Reading_of_the_Canterbury_Tales/16959343?file=31374472 (accessed April 6, 2026).</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854488">
              <text>iv, 499 pp.; illus.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854489">
              <text>Canterbury Tale--General&#13;
Treatise on the Astrolabe</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854490">
              <text>mea; 4/6/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854491">
              <text>1997</text>
            </elementText>
          </elementTextContainer>
        </element>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854484">
                <text>Chaucer's Solar Pageant: An Astrological Reading of the Canterbury Tales.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854485">
                <text>Correlates the "twenty-four 'Canterbury Tales'" with the twelve signs of the zodiac, observing two binary oppositions of the zodiacal signs in the "main characters" of each tale as they "symbolize parts of the body in the "astrological medical melothesia." Proposes a revision to the order of the parts of the CT (with Part 2 separating Parts 4 and 5 in the Ellesmere order), and suggests that Chaucer intended CT to be the "fifth part" of Astr.</text>
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          </element>
        </elementContainer>
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