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              <text>Ito, Masayoshi.</text>
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              <text>John Gower, The Medieval Poet (Tokyo: Shinozaki Shorin, 1976), pp. 101-18.</text>
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              <text>mea; 2/13/2026</text>
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              <text>1976&#13;
1971</text>
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              <text>John Gower, The Medieval Poet</text>
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                <text>Gower and Rime Royal.</text>
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            <description>An account of the resource</description>
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                <text>Compares Gower's art and skill in using rhyme royal stanzas with Chaucer's, arguing that Chaucer's are superior and more flexibly adapted to narrative, largely because the "fetters of the ballade stanza" constrain Gower's dexterity. Originally published in Japanese: Gower and Rime Royal. Bulletin of College of General Education, Tohoku University 12 (1971), pp. 47-65.</text>
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              <text>Ito, Masayoshi.</text>
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              <text>John Gower, The Medieval Poet (Tokyo: Shinozaki Shorin, 1976), pp. 80-100.</text>
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              <text>John Gower, The Medieval Poet</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Legend of Good Women</text>
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              <text>mea; 2/13/2026</text>
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              <text>1976&#13;
1974</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Jason and Medea"--A Story of Golden Love.</text>
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            <description>An account of the resource</description>
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                <text>Explores Gower's development of his Tale of Jason and Medea in light of its sources and multiple analogues, emphasizing its success as a "beautiful love story." Includes points of comparison with Chaucer's version in LGW. Originally published in Japanese: John Gower's Jason and Medea--A Story of Golden Love. Bulletin of the Faculty of Education (Shizuoka University) 25 (1974): 78-89.</text>
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              <text>Farrell, Thomas J.</text>
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              <text>Reeve and His Tale&#13;
Language and Word Studies&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; 1/25/2026</text>
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        <element elementId="114">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2854134">
                <text>The Scribal Transmission of Northern Dialect in the Reeve's Tale.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2854135">
                <text>Analyzes the textual record of RvT and identifies nineteen witnesses "committed to accurate transmission" of its northernisms whereas others translate northern dialect features or fail to recognize them (e.g., "sal" for "shall"). Discusses the "widely-discussed 'fading' of the northern dialect near the end of the tale," and shows that Oxford, Christ Church MS 152 "perfectly epitomizes the multiple processes" involved in the erosion of "Chaucer's original intention" regarding dialect in the Tale.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2854128">
              <text>Conlee, John.</text>
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              <text>[n.p.]: Pale Horse, 2020.</text>
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              <text>326 pp. </text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 1/22/2026</text>
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            <elementText elementTextId="2854133">
              <text>2020</text>
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            <name>Title</name>
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              <elementText elementTextId="2854126">
                <text>The Chaucer Codex: A Literary Mystery.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2854127">
                <text>Item not seen. WorldCat records indicate that "No libraries with WorldCat.org subscription hold this item." Publisher's website reports that this is a detective mystery in which a young medievalist pursues a mysterious manuscript that may contain an unknown poem by Chaucer.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Zhou, Yue.</text>
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        <element elementId="98">
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              <text>Hiroshima Studies in English Language and Literature 67 (2023): 19-35.</text>
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              <text>Hiroshima Studies in English Language and Literature 67 (2023)</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde&#13;
Language and Word Studies&#13;
Style and Versification</text>
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              <text>SAC 47:209</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2854034">
              <text>2023</text>
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                <text>A Study on Chaucer's Description of Nature in "Troilus and Criseyde" from the Perspective of Adjectives.</text>
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                <text>Analyzes nature-related adjectives in TC. Key findings include Chaucer's enhancement of Venus's role, symbolic natural imagery reflecting Criseyde's betrayal, and a sympathetic tone toward her in descriptions of animals and plants.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Stinson, Timothy.</text>
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          <name>Published</name>
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            <elementText elementTextId="2854022">
              <text>Chaucer Review 58, no. 1 (2023): 1-34.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2854023">
              <text>Chaucer Review 58 (2023)</text>
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        <element elementId="102">
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            <elementText elementTextId="2854024">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification&#13;
</text>
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              <text>SAC 47:206</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854026">
              <text>2023</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2854019">
                <text>"Al for some conclusioun": Trinitarian Structure and the Final Stanza of Chaucer's "Troilus"</text>
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            <description>An account of the resource</description>
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                <text>Examines the last stanza of TC, the first three lines of which are translated almost verbatim from Dante''s "Paradiso" (14.28-30), and argues that the ending not only affirms Chaucer's debt to Dante, but is crucial for an understanding of the poem. Contends that TC, while a cohesive whole, "is divided into thirds, even as it is divided in half," which has "important implications for interpretive cruxes surrounding the poem."</text>
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              <text>Shupe, Deirdra M.</text>
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              <text>Ph.D. dissertation (Florida State University, 2021), Dissertation Abstracts International A 82.12(E). Abstract available via ProQuest Dissertations &amp; Theses Global (accessed February 2, 2025).</text>
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              <text>Dissertation Abstracts International 82 (E).</text>
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Chaucer's Influence and Later Allusion</text>
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        <element elementId="114">
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              <text>2021</text>
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                <text>Textually Transmitted Diseases: Narrative Contact Tracing in Depictions of Ancient Troy.</text>
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                <text>Argues that the "use of ill bodies in storytelling acts as a virus" so that, when familiar narratives are retold, "the image of ailing bodies will spread to future versions," often mutating. Links lovesickness in TC to leprosy in Henryson's "Testament of Cresseid" and to venereal syphilis in Shakespeare's "Troilus and Cressida."</text>
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              <text>Sanok, Catherine.</text>
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              <text>Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 34 (2022): 252-59.</text>
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        <element elementId="114">
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                <text>Crisis and Ambivalent Futures in Middle English Romance.</text>
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                <text>Explores relations among "crisis, ambivalence, and futurity," focusing on TC and "Amis and Amiloun," "assessing Criseyde''s ambivalence about returning to Troy as "an affective correlative of crisis" and Amis's ambivalence about the sacrificial killing of his children for ways that it "eludes the putatively determinative logics of moral causality and biological inheritance."</text>
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              <text>Niebrzydowski, Sue.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 52–69.</text>
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              <text>Troilus and Criseyde&#13;
Miller and His Tale&#13;
Merchant and His Tale</text>
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        <element elementId="114">
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            <elementText elementTextId="2854002">
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2024</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2853995">
                <text>"Ther was som epistel hem bitwene": Love Letters and Love Lyrics in "Troilus and Criseyde," and "The Canterbury Tales."</text>
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              <elementText elementTextId="2854091">
                <text>Focuses on Troilus's love letters in TC, and on Absolon''sin MilT and Damyan's in MerT, reading them in light of courtly conventions and placing them "in dialogue with the impact of love missives as recorded in manuscripts that circulated in the households of the wealthy.": In Chaucer, such letters effect "no lasting relationship."</text>
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  <item itemId="277561" public="1" featured="0">
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              <name>Title</name>
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              <text>Lochrie, Karma.</text>
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              <text>Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 34 (2022): 267-73.</text>
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              <text>Exemplaria 34 (2022)</text>
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Language and Word Studies</text>
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        <element elementId="114">
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            <elementText elementTextId="2853994">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853987">
                <text>No Future, Perhaps.</text>
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            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854090">
                <text>Points to Chaucer's coinage of the English word "future" in his translation of Boethius in Bo, and considers Criseyde's use of it in TC (5.746) and her concern with her future reputation (5.1058–64). Aligns the poem's themes of "human futurity" and poetic reception with Boethian "hap" and Derridean "perhaps" as contingent, "precarious," and "fraught-with-possibility."</text>
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              <name>Title</name>
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              <text>Hindley, Katherine Storm.</text>
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        <element elementId="98">
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 4 (2023): 54-63.</text>
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            <elementText elementTextId="2853983">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 4 (2023)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2853984">
              <text>Troilus and Criseyde</text>
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              <text>SAC 47:199</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853986">
              <text>2023</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853979">
                <text>Student Retellings: Adapting Middle English Literature in Singapore.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2853980">
                <text>Introduces a cross-cultural classroom "assignment in which students make their own adaptations of Middle English texts," discussing three samples of undergraduate student projects as examples--on "Sir Orfeo," "Sir Gowther," and TC respectively. The TC project engages the theme of fate in the poem through puppeteering.</text>
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  <item itemId="277559" public="1" featured="0">
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              <text>Heor, Woo Ree.</text>
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        <element elementId="98">
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              <text>Ph.D. dissertation (City University of New York, 2023), Dissertation Abstracts International A84.11(E). Freely accessible at https://academicworks.cuny.edu/gc_etds/5372 (accessed January 31, 2025).</text>
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            <elementText elementTextId="2853974">
              <text>viii, 158 pp.</text>
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          <elementTextContainer>
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              <text>Dissertation Abstracts International 84 (E).</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>SAC 47:198</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853978">
              <text>2023</text>
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                <text>Haunting at Troy: Troy Narratives, Trauma, and Desire for the Past in Late Medieval English Literature.</text>
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              <elementText elementTextId="2853971">
                <text>Identifies a "dichotomy of fascination and revulsion towards Troy" in several Middle English narratives, and argues that in TC and Henryson's "Testament of Cresseid," Criseyde "signifies the repeated theme of loss and treachery inherent in the medieval concept of Trojanness."</text>
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              <name>Title</name>
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              <text>Fruoco, Jonathan, ed. and trans., with Barry Windeatt.</text>
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              <text>Paris: Classiques Garnier, 2023.</text>
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              <text>530 pp.</text>
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        <element elementId="104">
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          <elementTextContainer>
            <elementText elementTextId="2853965">
              <text>Chaucer: OEuvres Complètes, Tome II.</text>
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              <text>Windeatt, Barry.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2853967">
              <text>Troilus and Criseyde&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2853968">
              <text>SAC 47:197</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853969">
              <text>2023</text>
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              <elementText elementTextId="2853960">
                <text>Troïlus and Criseyde.</text>
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            <description>An account of the resource</description>
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                <text>Middle English text and French translation of TC, with introduction and commentary in French. Includes a chronology of Chaucer's life; a bibliography; and indices of names, places, and works.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Correia, Eduardo.</text>
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              <text>Ph.D. dissertation (King's College London, 2022), Dissertation Abstracts International C84.01(E). Abstract available via ProQuest Dissertations &amp; Theses Global (accessed January 30, 2025).</text>
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            <elementText elementTextId="2853956">
              <text>issertation Abstracts International 84 (E)</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 47:195</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2853959">
              <text>2022</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853952">
                <text>Beyond the Lines: Materiality and Non-Linear Time in Medieval English Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853953">
                <text>Uses "mostly . . . a phenomenological approach" to explore "how objects in Medieval English Literature disrupt individual linear time." Addresses various texts and, in a chapter on TC, argues that "Criseyde is representative of Freudian melancholia" and "that she embodies the revolt of the Lemnian women ("Thebaid" 5) . . . extracting what for her is the truth content" of the episode.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853938">
              <text>Contzen, Eva von.</text>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853939">
              <text>Archiv für das Studium der neueren Sprachen und Literaturen 175 (2023): 62-81.</text>
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              <text>Archiv für das Studium der neueren Sprachen und Literaturen 175 (2023)</text>
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              <text>Troilus and Criseyde&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2853943">
              <text>2023</text>
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            <name>Title</name>
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                <text>Sir Francis Kynaston Translating Chaucer: The Untimely "Troilus."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2854125">
                <text>Argues that Kynaston's Latin translation of Books I and II of TC, published in 1635, exemplifies "heterochrony"--a "temporal counter-site located in the present and indicative of alternative modernities." Addresses the "perceived outdatedness of Chaucer's English," the "timelessness" of Latin, Kynaston's effort to "ensure Chaucer's relevance," and the translator's "engagement with the various layers of pasts" in TC.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Confer, Shayne.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Kentucky Philological Review 37 (2023): 19-25.</text>
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          <elementTextContainer>
            <elementText elementTextId="2853932">
              <text>Kentucky Philological Review 37 (2023)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2853933">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 47:193</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853935">
              <text>2023</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853928">
                <text>"Good Traders in the Flesh": Pandarus and the Audience.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853929">
                <text>Focuses on the scene of "intimacy" between Pandarus and Criseyde in TC and its excision from Shakespeare's "Troilus and Cressida," arguing that Chaucer's expansion/embellishment of the original in Boccaccio's "Filostrato" compels the audience to identify with Pandarus and share the narrator's voyeuristic enjoyment. Shakespeare's play effects similar audience identification in Pandarus's Epilogue, implicating the audience in Pandarus's ongoing "reduction of sexuality to commodification."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <description/>
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            <elementText elementTextId="2853922">
              <text>Sharp, David.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853923">
              <text>Philological Quarterly 102 (2023): 285-94.</text>
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          </elementTextContainer>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2853924">
              <text>Philological Quarterly 102 (2023)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853925">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853926">
              <text>SAC 47:192</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853927">
              <text>2023</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853921">
                <text>Centers on LGW, 212-18, where Alceste, the Queen of Love, has an appearance similar to a daisy, and suggests that a source for this could be Remigius of Auxerre's "Commentum in Martianum Capellam."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854089">
                <text>Chaucer's Mythology of the Daisy and the Remigian .</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277552" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853913">
              <text>Garcia, Anca Olguta Giorgiana.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853914">
              <text>Ph.D. dissertation (University of South Florida, 2023), Dissertation Abstracts International A85.01 (E). Accessible via ProQuest Dissertations &amp; Theses Global (accessed January 1, 2025).</text>
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          </elementTextContainer>
        </element>
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          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853915">
              <text>iv, 308 pp</text>
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        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853916">
              <text>Dissertation Abstracts International 85 (E).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853917">
              <text>Legend of Good Women</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853918">
              <text>SAC 47:191</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853919">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853911">
                <text>Reading Suffering between the Lines: Trauma and Witnessing in Old and Middle English Literature.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853912">
                <text>Applies modern trauma theory to medieval English texts: "Beowulf," "Dream of the Rood," "Pearl," and LGW. Addresses sexual abuse and the witnessing of such abuse in LGW, focusing on "tropes of indirection, silence, and repetition."</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853904">
              <text>Dumitrescu, Irina.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853905">
              <text>Uwe Baumann, Marc Laureys, and Konrad Vössing, eds. Heroinnen und Heldinnen in Geschichte, Kunst und Literatur (Göttingen: V&amp;R unipress; Bonn University Press, 2022), pp. 357-74.</text>
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          <name>Contributor</name>
          <description/>
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            <elementText elementTextId="2853906">
              <text>Baumann, Uwe, ed.&#13;
Laureys, Marc, ed. &#13;
Vössing, Konrad, ed.</text>
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              <text>Heroinnen und Heldinnen in Geschichte, Kunst und Literatur</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853908">
              <text>Legend of Good Women</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853909">
              <text>SAC 47:190</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853910">
              <text>2022</text>
            </elementText>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853902">
                <text>Charismatic Heroines in Chaucer's "Legend of Good Women."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854118">
                <text>Argues that the female protagonists of LGW are heroic in their combinations of strength and suffering, and, "adapting a notion of charisma from Joseph Roach," characterizes their heroism as "charismatic.""The "extraordinary virtues and qualities" of these women combine with their vulnerabilities and pathos-laden suffering to produce "a complex, specifically feminine charisma"--aligned with the rhetorical tradition of "ethopoeia" and with the practices of affective piety.</text>
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              <text>Mendes, Fernanda Pereira.</text>
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              <text>302 pp. </text>
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              <text>Dissertation Abstracts International 86 (E).</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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          <name>Source</name>
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              <text>SAC 47:188</text>
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        <element elementId="114">
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              <text>From Al Andalus to Dante Alighieri: The Reception of the "Book of the Ladder of Muhammad," by Alfonso X, in Europe.</text>
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                <text>Do Al Andalus a Dante Alighieri: A Receção do "Livro da Escada de Maomé," de Afonso X, na Europa [From Al Andalus to Dante Alighieri: The Reception of the "Book of the Ladder of Muhammad," by Alfonso X, in Europe].</text>
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                <text>Surveys "the wide influence exerted by the Islamic eschatological narrative known as 'Mohamme's Ladder' on European literary production until the 17th century." Discusses the possibility that Chaucer knew the work, and assesses correspondences between the "Escada" and HF (also "Pearl" and "Paradise Lost"), perhaps mediated by Dante's "Commedia." In Portuguese,&#13;
with an abstract in English.</text>
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              <text>Lawrence, Ryan Wesley.</text>
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              <text>175 pp.</text>
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          <elementTextContainer>
            <elementText elementTextId="2853888">
              <text>Dissertation Abstracts International 84 (E).</text>
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              <text>House of Fame&#13;
Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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          <elementTextContainer>
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              <text>SAC 47:187</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2853891">
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                <text>Writing with the Grain: Form, Flow, and the Environment in Late Medieval Poetry.</text>
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          <element elementId="41">
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              <elementText elementTextId="2853884">
                <text>Argues that "late medieval poets envisioned the environment as a participant in the production of poetry," reading HF for the ways that it represents "creativity born within the whirl of the Aristotelian world of fluctuation." Also assesses Henryson's "Testament of Cresseid" "alongside" TC, disclosing "a view of poetic production characterized by human-environmental correspondences, where poets follow forms that are latent in the environment itself."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
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              <text>Fonzo, Kimberly.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Toronto: University of Toronto Press, 2022.</text>
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          <elementTextContainer>
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              <text>viii, 187 pp.</text>
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          <elementTextContainer>
            <elementText elementTextId="2853881">
              <text>SAC 47:186</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853882">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853875">
                <text>Retrospective Prophecy and Medieval English Authorship.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Examines how Langland, Gower, and Chaucer--who approached Ricardian prophetic discourse in different ways--were later co-opted as prophets of various events and outlooks: Langland foretelling the English Reformation, Gower predicting the deposition of Richard II, and Chaucer anticipating "modern rational scepticism." Chapter 4 focuses on how, in HF, Chaucer's adaptation of the dream-vision form and the Dantesque role of biblical prophet underlies understanding of him as harbinger of skepticism and how "various editorial missteps and . . . deceptions" led to the apocryphal "Chaucer's Prophecy" being considered evidence that the poet was "ahead of his time."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853868">
              <text>Yee, Pamela M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2853869">
              <text>Ph.D. dissertation (University of Rochester, 2022), Dissertation Abstracts In ternational A84.04(E). xi, 270 pp. Fully accessible via http://hdl.handle.net/1802/37031 (accessed January 12, 2026).</text>
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          </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="2853870">
              <text> xi, 270 pp.</text>
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          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853871">
              <text>Dissertation Abstracts In ternational 84 (E)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853872">
              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853873">
              <text>SAC 47:184</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853874">
              <text>2022</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853866">
                <text>Words of the Wounded: Traumatic Grief and Narrative Therapy in Middle English Dream Visions.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853867">
                <text>Uses "the frameworks of illness narrative, narrative medicine, and trauma theory" along with the model found in Boethius's "Consolation of Philosophy" to "examine the doctor–patient relationship" in BD, Gower's "Confessio Amantis," and "Pearl," "assessing how well each therapist-figure attends to his or her patient." Investigates therapeutical versus penitential confession in BD.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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  <item itemId="277546" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853860">
              <text>Taylor, Andrew.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853861">
              <text>Florilegium 36 (2019): 88-101.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853862">
              <text>Florilegium 36 (2019)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853863">
              <text>Book of the Duchess</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853864">
              <text>SAC 47:182</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853865">
              <text>2019</text>
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          </elementTextContainer>
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      </elementContainer>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853858">
                <text>Driving the Night Away: Early Chapters in the History of Reading.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853859">
                <text>Discusses the history of silent reading and commercial manuscript production for private reading, starting with Chaucer's BD and including considerations of the Auchinleck manuscript and British Library, MS Harley 978, to suggest that meditative consideration of conscience and silent reading may have been linked social practices. A revised address to the Canadian Society of Medievalists delivered in 2004;</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="277545" public="1" featured="0">
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853851">
              <text>McCarter, Christina.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853852">
              <text>Ph.D. dissertation (Purdue University, 2021), Dissertation Abstracts International A85.01 (E). Fully accessible at https://hammer.purdue.edu/articles/thesis/HINGED_BOUND_COVERED_THE_SIGNIFYING_POTENTIAL_OF_THE_MATERIAL_CODEX/15057483?file=28992765 (accessed January 31, 2025).</text>
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          </elementTextContainer>
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          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853853">
              <text> 181 pp. </text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853854">
              <text>Dissertation Abstracts International 85 (E). </text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853855">
              <text>Book of the Duchess&#13;
Parliament of Fowls</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853856">
              <text>SAC 47:180</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853857">
              <text>2021</text>
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      </elementContainer>
    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853849">
                <text>Hinged, Bound, Covered: The Signifying Potential of the Material Codex.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853850">
                <text>Explores how the material book is a "metaphorically rich signifier" in contemporary culture and in a selection of English narratives, including BD and PF--where the narrators' books, serving as portals to the dream experience, result in "poetic output" and reveal how books Aallow such creative thinking" as a "byproduct of physically grounded reading."</text>
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          </element>
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