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              <text>Pike, David L.</text>
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                <text>Maps out Dante's depiction of the infernal city and traces the "infernal mode of representation of urban experience," by suggesting that Dante describes the city&#13;
with an "urban variation on the vertical cosmos of the Last Judgment." Documents the influence of this depiction of the infernal city on Boccaccio, Chaucer, François Villon, and Christine de Pizan.</text>
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Sources, Analogues, and Literary Relations</text>
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Troilus and Criseyde&#13;
Clerk and His Tale&#13;
Monk and His Tale</text>
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            <description>An account of the resource</description>
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                <text>Traces the connections between Petrarch and Dante for Chaucer, while simultaneously showing the depth of Petrarch's influence on Chaucer's verse. Discusses fame and Petrarch in ClT, MkT, and TC.</text>
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                <text>Chaucer's Petrarch: "enlumyned ben they."</text>
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              <text>Johnson, Eleanor.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 426-39.</text>
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Troilus and Criseyde</text>
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                <text>The Poetics of Trespass and Duress: Chaucer and the Fifth Inn of Court.</text>
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                <text>Discusses the "the rise and coalescence of trespass law, both as a theory of legal relationality and a practice of litigation." Traces the effect of trespass law on other forms of English law and demonstrates the effect of this law on poetry. Emphasizes TC and its relationship to Boccaccio's "Filostrato," highlighting how the former can be viewed through the evolution of English law.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press), pp. 440-55.</text>
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                <text>Examines the influence of Dominican friar Henry Daniel, and his efforts, along with other English scientists, "to appropriate into their language the scientific learning available in Latin, and to lay the foundations for future development." Demonstrates how Daniel's appropriation of Latin scientific language applies to Chaucer's own verse.</text>
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                <text>Treats Boccaccio's romances, concentrating on "Filostrato" and "Teseida," "as if they were intralingual translations,' by analyzing the collusion and contravention of the narratives' aims by their own prologues. These prologues, apparently unknown or ignored by Chaucer, "nevertheless produced poems that are [Walter] Benjamin-like translations of them."</text>
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          <name>Chaucer Subject</name>
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              <text>Sources, Analogues, and Literary Relations</text>
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          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2839550">
              <text>mea; SAC 44:45</text>
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          </elementTextContainer>
        </element>
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          <description/>
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              <elementText elementTextId="2839544">
                <text>Ovid: Artistic Identity and Intertextuality.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839545">
                <text>Traces connections between Ovid and Chaucer and asserts that "Chaucer emerges not simply as a conveyor of or apprentice to Ovid, but as a 'collaborator' in an Ovidian poetic, one who necessarily and wilfully transforms Ovid's 'book' into his own." In the sections that follow an introduction of Chaucerian and Ovidian resonances, makes a case for viewing Chaucer as Ovid's "dynamic partner and active contributor to Ovidian intertextuality."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2839538">
              <text>Eisner, Martin.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2839539">
              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 286-302.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2839540">
              <text>Oxford Handbook of Chaucer</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2839542">
              <text>mea; SAC 44:44</text>
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        <element elementId="114">
          <name>Date</name>
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          <element elementId="50">
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              <elementText elementTextId="2839536">
                <text>Dante and the Author of the "Decameron."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2839537">
                <text>Argues "that far from being occasional, accidental, or haphazard, Boccaccio's engagement with Dante structures the authorial interventions in the frame of the "'Decameron/." Traces Boccaccio's use of Dante to demonstrate how Chaucer uses Boccaccio in similar ways.</text>
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              <name>Title</name>
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              <text>Desmond, Marilyn.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2839531">
              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford Handbook of Chaucer), pp. 238-51.</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2839532">
              <text> Oxford Handbook of Chaucer</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839533">
              <text>Sources, Analogues, and Literary Relations&#13;
Book of the Duchess&#13;
Troilus and Criseyde</text>
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          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2839534">
              <text>mea; SAC 44:43</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839535">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2839528">
                <text>Chaucer and the Textualities of Troy.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839529">
                <text>Surveys some of the sources of and connections among the various texts that predate Chaucer and that describe Troy and its fall. Discusses a range of Chaucerian engagements with Troy, including BD and TC.</text>
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  </item>
  <item itemId="275918" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839522">
              <text>Bale, Anthony.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839523">
              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 580-600.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839524">
              <text>Oxford Handbook of Chaucer</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839525">
              <text>Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Life</text>
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            <elementText elementTextId="2839526">
              <text>mea; SAC 44:40</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>2020</text>
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              <elementText elementTextId="2839520">
                <text>Lydgate's Chaucer.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850891">
                <text>Examines connections between Chaucer and Lydgate, tracing "some of the ways in which Lydgate received and (re)constructed Chaucer's poetry." Concentrating on "The Mumming at Bishopswood," the "Siege of Thebes," and the patronage between Lydgate and the Chaucer family, demonstrates how "Lydgate's use of Chaucer finds new meanings for Chaucer's poetry."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2839514">
              <text>Akbari, Suzanne Conklin.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2839515">
              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 368-85.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2839516">
              <text>Oxford Handbook of Chaucer</text>
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        </element>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Sources, Analogues, and Literary Relations&#13;
Man of Law and His Tale</text>
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              <text>mea; SAC 44:38</text>
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        <element elementId="114">
          <name>Date</name>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851109">
                <text>Considers Nicholas Trevet's Anglo-Norman chronicle and discusses "the ways in which Trevet's larger vision of history is reflected in Chaucer's writing." Catalogues the various models for history available to and used by Chaucer, including Geoffrey of Monmouth, Ranulf Higden, and Orosius, before moving on to "moments of intensification in Chaucer that correspond to moments of intensification . . . in Trevet."</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Historiography: Nicholas Trevet's Transnational History.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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            <elementText elementTextId="2839506">
              <text>Rust, Martha.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839507">
              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 98-125.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2839508">
              <text>Oxford Handbook of Chaucer</text>
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          </elementTextContainer>
        </element>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Manuscripts and Textual Studies</text>
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          <name>Source</name>
          <description/>
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            <elementText elementTextId="2839510">
              <text>mea; SAC 44:34</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839511">
              <text>2020</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2839504">
                <text>The Role of the Scribe: Genius of the Book.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851859">
                <text>Uses the figure of Genius from Alan of Lille's "De planctu Naturae" to flesh out the role of the scribe for Chaucer and his works. Focuses on the role of the scribe not only in Chaucer's work and manuscripts, but also in contemporary scholarship, and claims that, similarly to Genius, "these scribes function at times as a mirror or other self of the author whose work they produce."</text>
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  <item itemId="275915" public="1" featured="0">
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              <description>A name given to the resource</description>
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            <elementText elementTextId="2839498">
              <text>Hsy, Jonathan</text>
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        <element elementId="98">
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 43-62. "This chapter also appears in a modified and expanded form in Jonathan Hsy, Trading Tongues: Merchants, Multilingualism, and Medieval Literature (Columbus, OH: Ohio State University Press, 2013), 27–57," where the title is "Chaucer's Polyglot Dwellings: Home and the Customs House."</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839500">
              <text>Oxford Handbook of. Chaucer&#13;
Chaucer's Polyglot Dwellings: Home and the Customs House.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839501">
              <text>Chaucer's Life&#13;
Language and Word Studies&#13;
House of Fame&#13;
Shipman and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839502">
              <text>mea; SAC 44:6</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839503">
              <text>2020</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839496">
                <text>At Home and in the "Counter-Hous": Chaucer's Polyglot Dwellings.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850892">
                <text>Examines the way connections of polyglot London and England trace how "London's polyglot character informs Chaucer's fictive portrayal of urban living" in HF and ShT. Connects Chaucer's work at the customs house and his house in Aldgate with HF and highlights the "shared urban contexts" by mapping out the complex linguistic interplay in HF and ShT.</text>
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                <text>Challenges the traditional "misleading" explanation of a Chaucer life-record, particularly the uses of the name Malin/a, reopening "the question of the Malin branch of Chaucer's ancestry." Observes that the name is used in RvT</text>
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            <description>An account of the resource</description>
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                <text>Presents over 600 entries on texts, critical debates, methodologies, cultural and historical contexts, and terminology on British literature from the fifth to the sixteenth century. Represents all medieval literatures, including Chaucer, and presents a "multilingual and intercultural approach"" that reflects the latest scholarship for use as reference for teaching and studying medieval British literature.</text>
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              <text>Amsel, Stephanie.</text>
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              <text>Studies in the Age of Chaucer 42 (2020): 469-540.</text>
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                <text>An Annotated Chaucer Bibliography, 2018.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2839444">
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              <text>Ph.D. Dissertation, University of Oregon, 2014. Fully accessible at https://scholarsbank.uoregon.edu/xmlui/handle/1794/18728; accessed November 22, 2022. </text>
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Sources, Analogues, and Literary Relations</text>
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              <text>mea; 11/22/2022</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839442">
              <text>2014</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839435">
                <text>The Phenomenology of Frames in Chaucer, Dante and Boccaccio.</text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2839436">
                <text>Argues that frame narratives make "language both a represented object and a representing agent" and "thus perfectly mimetic." Following both Dante and Boccaccio in using the device, Chaucer unsettles "easy assignations of identity" for his pilgrim-tellers in CT and thus "makes the temporality within his Tales strange and poignant in a way that fully mimics our own experience of extra-narrative time."</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2839427">
              <text>Toswell, M. J. </text>
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        <element elementId="98">
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              <text>Year's Work in Medievalism 23 (2009): 62-72. </text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2839429">
              <text>Year's Work in Medievalism 23 (2009)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2839430">
              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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              <text>mea; 11/14/2022</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2839432">
              <text>2009</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2839425">
                <text>Earle Birney: Medievalist Bard of British Columbia.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2839426">
                <text>Includes comments on Earle Birney's use of Chaucerian motifs in his poetry and his writing about Chaucer's irony.</text>
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          </element>
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  <item itemId="275905" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2839418">
              <text>Clements, Pamela.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839419">
              <text>Richard Utz and Elizabeth Emery, eds. Makers of the Middle Ages: Essays in Honor of William Calin (Kalamazoo: Western Michigan University, 2011), pp. 55-59.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2839420">
              <text>Utz, Richard, ed. &#13;
Emery, Elizabeth, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2839421">
              <text>Makers of the Middle Ages: Essays in Honor of William Calin.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2839422">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2839423">
              <text>mea; 11/11/2022</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2839424">
              <text>2011</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2839416">
                <text>Margaret Atwood and Chaucer: Truth and Lies.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839417">
                <text>Identifies parallels between CT and Margaret Atwood's "The Handmaid's Tale," found particularly in the fictional "Historical Notes" that follow the main text of the novel. Notes the echo of Chaucer in Atwood's title and a single reference to Chaucer in her work, but focuses on textual complexity and "the problem of language as a vehicle for meaning" in both texts.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="275904" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2839409">
              <text>Steiner, Emily.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839410">
              <text>Mary C. Flannery and Katie C. Walter, eds. The Culture of Inquisition in Medieval England (Cambridge: Brewer, 2013), pp. 164-72.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2839411">
              <text>Flannery, Mary C. Flannery, ed.&#13;
Walter, Katie C., ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839412">
              <text>The Culture of Inquisition in Medieval England.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839413">
              <text>Legend of Good Women&#13;
Chaucer's Retraction&#13;
Background and General Criticism</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2839414">
              <text>mea; 11/08/2022; also SAC 37: 158 and 67</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839415">
              <text>2013</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839407">
                <text>Response Essay: Chaucer's Inquisition.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839408">
                <text>Responds to the nine essays in this volume, exploring relations among inquisition, innovation, creativity, and imagination. Discusses LGWP as a poem that "seeks its inventiveness in law at the same time that it invites its readers to enjoy the inquisition of the poet" and thereby "generates an authorship that feels modern, rather than pre-modern." Parallels the inquisitorial list of Chaucer's works in LGWP with the confessional one in Ret.</text>
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  </item>
  <item itemId="275903" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2839400">
              <text>Baghdikian, Sonia.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839401">
              <text>In Graham Nixon and John Honey, eds. An Historic Tongue: Studies in English Linguistics in Memory of Barbara Strang (New York: Routledge, 1988), pp. 41-48.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2839402">
              <text>Nixon, Graham, ed.&#13;
Honey, John ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2839403">
              <text>An Historic Tongue: Studies in English Linguistics in Memory of Barbara Strang.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839404">
              <text>Language and Word Studies&#13;
Boece</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839405">
              <text>mea; 10/23/2022</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839406">
              <text>1988</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2839398">
                <text>Ambiguous Negations in Chaucer and Queen Elizabeth.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851855">
                <text>Draws examples from Bo and Elizabeth I's translation of Boethius ("noght," "nowt," "nothing," etc.) to show that the ambiguity of morphological negation disappears between Middle and Early Modern English while that of syntactical negation survives.</text>
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  <item itemId="275902" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839392">
              <text>Figg, Kristen Mossler.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839393">
              <text>New York and London: Garland, 1994.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839394">
              <text>ix, 293 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2839395">
              <text>Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839396">
              <text>mea; 10/23/2022</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839397">
              <text>1994</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839390">
                <text>The Short Lyric Poems of Jean Froissart: Fixed Forms and the Expression of the Courtly Ideal.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839391">
                <text>Assesses the nature and quality of Froissart's short poems: lays, chansons royales, pastourelles, ballades, virelays, and rondeaux, providing texts and commentary. The Introduction includes a survey of scholarship about Froissart's influence on Chaucer, and comments further about his possible influence on Chaucer's verse and style.</text>
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          </element>
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