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              <text>Burt, Cameron Bryce.</text>
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              <text>Open access Ph.D. dissertation (University of Manitoba, 2019). Available at https://mspace.lib.umanitoba.ca/xmlui/handle/1993/33853 (accessed November 14, 2021).</text>
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              <text>mea; SAC 44:13</text>
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                <text>Early Modern Editors and the Value of Middle English Literature.</text>
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                <text>Argues that "the increasing alterity of Middle English texts in the early modern period compelled editorial interventions designed to make the texts accessible as well as to identify, to emphasize, or to establish the texts/ relevance to contemporary audiences." Includes discussion of Thomas Speght's editing of Chaucer.</text>
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              <text>Boje, Johannes Gerhardus.</text>
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              <text>Open access Ph.D. dissertation (University of Pretoria, 2019). Available at https://repository.up.ac.za/handle/2263/74353 (accessed December 1, 2021).</text>
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              <text>mea; SAC 44:12</text>
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                <text>"Save oure tonges difference": Reflections on Translating Chaucer's "Canterbury Tales" into Afrikaans.</text>
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                <text>Reflects on "the process and outcome of an Afrikaans translation" of CT and includes a complete translation in an appendix, matching Chaucer's verse and prose, completed over the course of sixty years. The study explores translation theory and practical application and concludes that, drawing on the "vast resources of the target language," translation "throws new light on the source text."</text>
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              <text>Wislocka Breit, Bozena.</text>
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              <text>Miguel Ibáñez Rodríguez, ed. Enotradulengua: Vino, lengua y traducción (Berlin: Peter Lang, 2020), pp. 151-68.</text>
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              <text>Chaucer's Life&#13;
Pardoner and His Tale</text>
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              <text>mea; SAC 44:11</text>
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                <text>Studies the presence of Spanish wine in England through literary references, starting with a brief survey of Chaucer. Contends that Chaucer's familiarity with Spanish wines such as sherry in PardT is attributable both to his father's business and to his travels as a diplomat.</text>
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                <text>Los nombres de los vinos españoles en la literatura inglesa: Una panorámica desde Chaucer (s. XIV) y Shakespeare (s. XVI) hasta los victorianos Dickens y Thackeray (s. XIX)."</text>
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              <text>Ruud, Jay.</text>
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              <text>Studies in Medieval and Renaissance Teaching 24, no. 1 (2017): 141-59.</text>
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              <text>Studies in Medieval and Renaissance Teaching 24 (2017</text>
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              <text>Chaucer's Life</text>
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              <text>mea; SAC 44:10</text>
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                <text>"I'm a Popularize"': Rescuing Gardner's "Life and Times of Chaucer."</text>
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                <text>Argues that John Gardner's "The Life and Times of Chaucer" (1977) is better approached as a "nonfiction novel" than as a "scholarly literary biography" and that its strengths outweigh its weaknesses as a pedagogical text, offering suggestions for how to use it in undergraduate classrooms. Includes comparison of Gardner's report of Chaucer's affair with Cecily Chaumpaigne and its parallel in Derek Pearsall's "The Life of Geoffrey Chaucer" (1992).</text>
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              <text>Rijser, David.</text>
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              <text>NRC Handelsbad Book Supplement, February 7, 2020, pp. 4-5.</text>
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              <text>mea; SAC 44:9</text>
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                <text>Traces the known facts about Chaucer's life and career, thereby showing him to be a man of wide-ranging interests, immersed in the opening world of the early European Renaissance. Claims that Chaucer is a cosmopolite, far removed from the narrow, backward-looking insularity of his present-day compatriots, the Brexiteers.</text>
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                <text>"Slecht nieuws voor Brexiteers [Bad News for Brexiteers].</text>
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              <text>Prendergast, Thomas A., and Stephanie Trigg.</text>
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              <text>Hoboken: Wiley Blackwell, 2020.</text>
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              <text>xiii, 212 pp.</text>
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              <text>Chaucer's Life&#13;
Troilus and Criseyde&#13;
Wife of Bath and Her Tale&#13;
Pardoner and His Tale</text>
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                <text>30 Great Myths about Chaucer.</text>
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                <text>Considers the historical roots and evolution of thirty myths or misconceptions about Chaucer's life and his writings. Considers how contemporary academic discourse, biography, and popular medievalism contribute to an understanding of Chaucer's crucial role in English literary history. Includes chapters on PardT, WBT, and TC.</text>
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              <text>McGeough, Jared.</text>
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              <text>European Romantic Review 30 (2019): 367-82.</text>
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              <text>European Romantic Review 30 (2019)</text>
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                <text>Evaluates Godwin's "Life of Chaucer" and its impact on the Victorian reception of Chaucer, exploring how the biography critiques "the politics of thinking national literature historically" and challenges "conventional models of literary biography" that "function ideologically" and "promote a homogeneous or colonizing model of national culture." Argues that the  work "stresses a cosmopolitanism at the heart of Chaucer's writing which recasts Englishness as an interdiscipline, something that must be approached from multiple perspectives."</text>
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                <text>"Imperfect, Confused, Interrupted": Biography, Nationalism, and Generic Hybridity in William Godwin's "Life of Chaucer."</text>
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              <text>Michelet, Fabienne, and Martin Pickavé.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford; Oxford University Press, 2020), pp. 406-25.</text>
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              <text>Pickavé, Martin.</text>
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            <elementText elementTextId="2839736">
              <text>Oxford Handbook of Chaucer</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Background and General Criticism</text>
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              <text>mea; SAC 44:55</text>
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        <element elementId="114">
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                <text>Philosophy, Logic, and Nominalism.</text>
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            <description>An account of the resource</description>
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                <text>Introduces various philosophical movements and thought prevalent in the fourteenth century, demonstrating the various philosophies available to Chaucer. Discusses Chaucer's use and view of nominalism and his attitudes toward free will and determinism.</text>
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              <text>Hult, David F.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 252-69.</text>
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        <element elementId="108">
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              <text>Oxford Handbook of Chaucer</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2839728">
              <text>Romaunt of the Rose&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 44:308</text>
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        <element elementId="114">
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              <text>2020</text>
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              <elementText elementTextId="2839723">
                <text>The "Romance of the Rose": Allegory and Lyric Voice.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851105">
                <text>Frames Rom "in a lineage of narrative fiction going back to the twelfth-century predecessors of the two authors [Guillaume de Lorris and Jean de Meun] and attempts to describe their respective innovations." Includes and interprets various texts before Rom to discuss the progressions of this two-author model, demonstrating Rom's influence in the texts that follow.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2839717">
              <text>Robertson, Kellie.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2839718">
              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 63-80.</text>
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        <element elementId="108">
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            <elementText elementTextId="2839719">
              <text>Oxford Handbook of Chaucer</text>
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            <elementText elementTextId="2839720">
              <text>General Prologue to the Canterbury Tales</text>
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            <elementText elementTextId="2839721">
              <text>mea; SAC 44:194</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2839722">
              <text>2020</text>
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              <elementText elementTextId="2839715">
                <text>Labour and Time.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2839716">
                <text>Argues that labor is a controlling characteristic of GP, by first introducing background material about the importance of work and the shortage of labor in the fourteenth century. Demonstrates that "Chaucer's narrative technique in the 'General Prologue' . . . is created not through psychological or emotional depth but through a polytemporal reckoning of an individual pilgrim's works--past, present, and (sometimes) future."</text>
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              <text>Giancarlo, Matthew.</text>
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            <elementText elementTextId="2839710">
              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 26-42.</text>
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        <element elementId="108">
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            <elementText elementTextId="2839711">
              <text>Oxford Handbook of Chaucer</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2839712">
              <text>Background and General Criticism&#13;
Friar and His Tale&#13;
Second Nun and Her Tale</text>
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            <elementText elementTextId="2839713">
              <text>mea; SAC 44:171</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2839714">
              <text>2020</text>
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              <elementText elementTextId="2839707">
                <text>Chaucer and Contemporary Courts of Law and Politics: House, Law, Game.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851863">
                <text>Introduces the kinds of courts with which Chaucer would have been acquainted, organized into sections on house and law and one on game that end with readings of FrT and SNT. Discusses the range of courtly depictions, cataloguing "some of the Chaucerian moments of trial which . . . help us to understand how his writings often connected these interrelated ideas of court."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Despres, Denise.</text>
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          </elementTextContainer>
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        <element elementId="98">
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 527-44.</text>
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            <elementText elementTextId="2839703">
              <text>Oxford Handbook of Chaucer</text>
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          <name>Chaucer Subject</name>
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              <text>Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Pardoner and His Tale&#13;
Prioress and Her Tale</text>
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            <elementText elementTextId="2839705">
              <text>mea; SAC 44:168</text>
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          <name>Date</name>
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            <elementText elementTextId="2839706">
              <text>2020</text>
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              <elementText elementTextId="2839699">
                <text>Chaucer as Image Maker.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Discusses iconography and pilgrimage, and Chaucer's investments in and depiction of the "power of images" through tales of CT, including GP, PrT, and PardT. Argues that "Chaucer demonstrates that devotional images . . . are inherently polymorphous and regenerative, as essential to cultic religion as to poetry in stimulating the power of imagination and memorial recollection."</text>
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              <description>A name given to the resource</description>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 547-62.</text>
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            <elementText elementTextId="2839695">
              <text>Oxford Handbook of Chaucer</text>
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          <name>Chaucer Subject</name>
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              <text>Franklin and His Tale&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; SAC 44:166</text>
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              <elementText elementTextId="2839691">
                <text>Geographesis, or the Afterlife of Britain.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850886">
                <text>Discusses space and Chaucer's connections to Britain, suggesting first that FranT is central to "Chaucer's relation to Britain," which "can be discerned in a throwaway&#13;
line" from the tale. Surveys the landscape of Chaucer's Britain through readings of both WBT and FranT, suggesting that in these tales there is a "subterranean memory that surfaces, a history inscribed in stone."</text>
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                  <text>Chaucer Bibliography Online</text>
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                <text>Argues that Chaucer's critique of "curiositas" as "the prevailing failure and motivation of medieval travel" is "successfully negotiated" by several late medieval travel authors. Concentrates on readings from travel accounts by Simon Simeonis and Thomas Brygg, to demonstrate the range of possibilities for pilgrim-narrators.</text>
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              <text>Nisse, Ruth.</text>
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                <text>"O Hebraic People!": English Jews and the Twelfth-Century Literary Scene.</text>
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                <text>Surveys the extant Anglo-Hebrew authors, lost to Chaucer and his readers, which are, "nevertheless, a productive memory for his current readers." Catalogues a range of authors and genres, showing the flowering of the Jewish literary environment in Angevin England. Special emphasis is given to Berekhiah Ha-Nakdan, a Hebrew grammarian of the twelfth or thirteenth century, and his "Fox Fables."</text>
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                <text>Discusses the framed narratives and their progression throughout the Mediterranean, emphasizing framed tales, especially in Italian, that "present narration as a high-stakes wager that may save a population in peril." By examining this Italian tradition in relation to Chaucer's works, shows that this "narrative environment . . . provides a context in which his own literary decisions may be better understood and appreciated."</text>
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Canterbury Tales--General</text>
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                <text>Questions "to what extent might late medieval Christian intellectual and historical engagements with Judaism be productive for readings of Chaucerian texts not only when Jews are directly represented but also in the absence of such explicit reference?" Begins by cataloguing the explicit mentions of Jews and Judaism in CT before discussing how Judaism might be read in temporality, metaphysics, and spatiality.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 494-526.</text>
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Pardoner and His Tale&#13;
Monk and His Tale&#13;
Language and Word Studies&#13;
Second Nun and Her Tale</text>
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                <text>Reassesses "anti-clericalism," reframing what has been "a concept useful within very real limits" as a kind of inter-clerical polemic, as most of these examples of so-called anti-clericalism are clerically authored. Treats MkT and PardT as examples of inter-clerical polemic. Includes discussion of SNT and Chaucer's fluency in "theological vernacularizing."</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 81-97.</text>
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              <text>mea; SAC 44:133</text>
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                <text>Reassesses D. S. Brewer's claim about the relative paucity of the book in the fourteenth century, suggesting instead that "in Chaucer's time, new technologies and new social circumstances were making it easier, faster, and cheaper to produce and transmit written text." The chapter examines some of those technologies and the books they produced.</text>
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              <text>Oxford Handbook of Chaucer.</text>
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              <text>Background and General Criticism</text>
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              <text>mea; SAC 44:118</text>
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                <text>Argues that every handbook or guide to Chaucer is invested in time. Demonstrates how the essays in this volume bring together noted Chaucerians alongside experts in other fields. Provides an overview of previous handbooks and guides to Chaucer, and contends that this volume reflects advances in Middle English studies, in particular, from queer studies and the history of religion.</text>
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                <text>Focuses on Chaucer's rhetoric and presents a chapter targeted at students, with an "aim to persuade the student of the richness and literary fertility of Chaucer's rhetorical culture." Offers background of contemporary scholarship on Chaucer and rhetoric, before tracing Chaucer's own rhetorical background.</text>
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              <text>Oxford Handbook of Chaucer</text>
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              <text>mea; SAC 44:80</text>
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                <text>Old Books and New Beginnings North of Chaucer: Revisionary Reframings in "The Kingis Quair" and "The Testament of Cresseid."</text>
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                <text>Examines "The Kingis Quair" and "The Testament of Cresseid," the 'two Scottish works that respond most fully' to Chaucer's corpus, demonstrating how these poems rework Chaucerian verse and its framings for new and possibly subversive ends. Compares the allusive nature of "Quair"'s engagement to Chaucerian conventions and mediation with the openly responsive nature of Henryson's reframing.</text>
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              <text>Sylla, Edith Dudley.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 456-71.</text>
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              <text>Oxford Handbook of Chaucer</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General&#13;
House of Fame</text>
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                <text>Logic and Mathematics: The Oxford Calculators.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2839611">
                <text>Traces the work and influence of the "Oxford Calculators" (William Heytesbury, Thomas Bradwardine, Walter Burley, Richard Kilvington, Roger and Richard Swineshead, and John Dumbleton), demonstrating how Chaucer "might have picked up some of their ideas." Discusses theological and logical issues of HF and CT.</text>
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              <text>Rigby, Stephen H., ed., with Siân Echard</text>
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              <text>Cambridge: D. S. Brewer, 2019.</text>
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              <text>xxiv, 555 pp.</text>
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              <text>Publications of the John Gower Society, no. 12.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2839608">
              <text>mea; SAC 44:60</text>
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                <text>Consists of fourteen essays and a calendar of life records by various authors, clarifying Gower's life and works in relation to the "intellectual culture of the social, religious, and political controversies of his day." No single essay focuses on Chaucer, but the index cites him numerous times, often referencing comparisons between the two poets (along with Langland), most often having to do&#13;
with estates satire.</text>
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                <text>Maps out Dante's depiction of the infernal city and traces the "infernal mode of representation of urban experience," by suggesting that Dante describes the city&#13;
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