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              <text>Grady, Franks, ed.</text>
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              <text>xvii, 270 pp.</text>
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              <text>mea; SAC: 44:134</text>
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                <text>Includes nineteen contributions that analyze critical histories and reappraisals of specific tales and their contexts. For individual essays, search for Cambridge Companion to the Canterbury Tales under Alternative Title.</text>
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              <text>Hinnie, Lucy R.</text>
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              <text>Chaucer Review 55, no. 4 (2020): 484-99.</text>
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              <text>mea; SAC 44:28</text>
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                <text>Bannatyne's Chaucer: A Triptych of Influence.</text>
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                <text>Traces how "Chaucer is invoked and"utilized in the 1568 Bannatyne Manuscript," suggesting that the manuscript participates in the "querelle des femmes" and  "interrogates the idea that Chaucer becomes a 'straw man' for the writers included in the anthology."</text>
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              <text>Zhang, Lian.</text>
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              <text>Notes and Queries 265  (2020): 193-95</text>
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Background and General Criticism&#13;
Wife of Bath and Her Tale</text>
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                <text>Zhou Zuoren: An Early Chaucerian in China.</text>
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                <text>Focuses on early scholarship and translations of Chaucer in China connected with the "New Culture Movement," which worked to effect "social modernization" by "importing western literary forms and subjects." Emphasizes how Zuoren's translation of WPT, with its representation of women's "desire and call for mutual respect and compromise in marriage," exemplified this early scholarship.</text>
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              <text>Zhang, Lian.</text>
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              <text>American Notes and Queries 32, no. 2 (2019): 78–79.</text>
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Canterbury Tales--General</text>
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              <text>mea; SAC 44:25</text>
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                <text>Pseudotranslation: Geoffrey Chaucer's "Canterbury Tales" in Taiwan.</text>
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                <text>Reports that two Taiwanese "translations" of CT (by fabricated translators) were actually reprints/adaptations of Fang Zhong's translation from mainland China.</text>
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              <text>Zhang, Lian.</text>
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              <text>Notes and Queries 265 (2020): 190-92.</text>
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              <text>mea; SAC 44:24</text>
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                <text>Contends that Chaucer made his debut in China in the form of short excerpts of his poetry and "occasional pieces on language and culture" that appeared between 1878 and 1939 in British and American newspapers based in Shanghai.</text>
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              <text>Zhang, Lian.</text>
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              <text>Notes and Queries 264 (2019): 202-4.</text>
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              <text>Notes and Queries 264 (2019)</text>
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              <text>mea; SAC 44:23</text>
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                <text>"Canterbury Tales" for Children in China.</text>
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                <text>Describes the first printings of Chaucer's works in China, during the Republican period (1912–1949). All are portions of CT translated into Chinese from modern English adaptations for children, providing for children and adults alike contact with "western literary tradition" and "positive ethical viewpoints" that "met traditional Chinese moral standards."</text>
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              <text>Syme, Alison.</text>
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              <text>Journal of Pre-Raphaelite Studies 28, no. 2 (2019): 42–69;  12 b&amp;w illus.</text>
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              <text>mea; SAC 44:22</text>
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              <text>Dissertation Abstracts International 80</text>
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                <text>Presenting Chaucer to the Reader: Printing the "Canterbury Tales" in England, 1477-1830.</text>
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                <text>Surveys the history of handpress printing of CT, analyzing 140 editions, with particular attention to paratextual material as indication of Chaucer's reception and the "abundance of mediation."</text>
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              <text>Marshall, Simone Celine.</text>
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                <text>Middle English Chaucer in Dryden's "Fables."</text>
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                <text>Describes scholarly inattention to the Middle English texts of KnT, NPT, WBT, and The Flower and the Leaf in John Dryden's "Fables Ancient and Modern" (1700) "slightly edited" from Thomas Speght's 1598 edition. Observes that the texts are "the earliest copies of Chaucer in Middle English printed in roman typeface." See the editors' correction of a detail in this essay: "Corrigenda," N&amp;Q 263 (2019): 610.</text>
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              <text>Lawton, David, ed., with prose texts ed. Jennifer Arch and dream poems ed. Kathryn Lynch.</text>
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Lynch, Kathryn, ed.</text>
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                <text>The Norton Chaucer.</text>
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                <text>A comprehensive edition of all of Chaucer's works (without Rom or Equat), with bottom-of-page notes, side-bar glosses, headnotes to the individual works and each part of CT, and a glossary. The text is based on manuscript witnesses and on E. Talbot Donaldson's edition of 1958, modifying Donaldson's system of normalizing spelling and redoing its text and apparatus. The "General Introduction" includes discussion of Chaucer's life, language, and reception, with emphasis on Chaucer as a linguistic and cultural translator and on the importance of his metropolitan and courtly contexts. Headnotes to individual works focus on thematic issues and on sources and analogues. An e-book version features audio readings from the works and an interactive tutorial on reading Chaucer.</text>
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              <text>Jimura, Akiyuki, and Hisayuki Sasamoto, trans.</text>
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              <text>Hiroshima: Keisuisha, 2020.</text>
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Sasamoto, Hisayuki, trans.</text>
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Legend of Good Women&#13;
Lyrics and Short Poems</text>
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                <text>"The Legend of Good Women" and Short Poems.</text>
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                <text>Using the Riverside edition, translates LGW, ABC, Pity, Lady, Mars, Ven, Ros, Adam, Purse, Wom Unc, Compl d'Am, and MercB into Japanese, with introductory and supplementary notes. Includes brief timeline and description of Chaucer's life. In Japanese.</text>
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              <text>Demetriou, Tania.</text>
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              <text>Review of English Studies 71, no. 298 (2020): 19-43.</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Tendre Cropps and Flourishing Metricians: Gabriel Harvey's "Chaucer."</text>
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                <text>Refers to a sidenote in Gabriel Harvey's copy of Speght's 1598 edition of Chaucer that is supposed to shed light on the date of Shakespeare's "Hamlet." Argues that the ambiguities in the various interpretations circulating may be unriddled to produce a meaningful interpretation.</text>
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Hernando Real, Noelia, ed.&#13;
Ardid Gumiel, Ana, ed.</text>
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              <text>mea; SAC 44:15</text>
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                <text>On Literature and Grammar: A Selection of Annotated Medieval and Renaissance English Texts for (Spanish) University Students.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Berry, Craig A.</text>
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              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds.  Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 212-23.</text>
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              <text>Rereading Chaucer and Spenser</text>
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              <text>Parliament of Fowls&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 44:305</text>
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                <text>Propagating Authority: Poetic Tradition in "The Parliament of Fowls" and the Mutabilitie Cantos.</text>
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                <text>Explores the thematic concern with poetic tradition in the narrator-Africanus exchange of PF and in Spenser's "Mutabilitie Cantos," arguing that Chaucer and Spenser share an "interest in rhetorically linking the earth-bound poet with a community of readers who also write, a community depicted as both historically bound and transcendent."</text>
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              <text>Eager, Claire J. C.</text>
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              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 75-97.</text>
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              <text>Rereading Chaucer and Spenser</text>
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              <text>Franklin and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 44:254</text>
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                <text>The Source of Poetry: Pernaso, Paradise and Spenser's Chaucerian Craft.</text>
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                <text>Investigates resonances between the garden settings in FranT and in the June eclogue of Spenser's "Shepheardes Calender," exploring the "spatialised poetics" of Dorigen's and Colin's shared inability to enjoy the pleasures of a classical/Christian "locus amoenus" as symbols of Chaucer's and Spenser's anxieties about "literary failure, inspiration and achievement." Assesses Chaucer's clerk-magician as the "mooste fre" character in FranT.</text>
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              <text>Brown, Richard Danson.</text>
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              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 113-36.</text>
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              <text>Rereading Chaucer and Spenser</text>
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          <name>Chaucer Subject</name>
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              <text>Style and Versification&#13;
Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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              <text>mea; SAC 44:101</text>
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        <element elementId="114">
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                <text>Wise Wights in Privy Places: Rhyme and Stanza Form in Spenser and Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Argues that the Spenserian stanza "rebuilds Chaucerian rhyme royal" and that it "demands to be read as a form which takes its syntactic impetus more from rhyme royal than elsewhere." Examines aspects of rime riche, "interconnected" rhymes across stanza breaks, and syntactic structure of the stanza forms in TC and in Spenser's "Faerie Queene."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rhodes, William..</text>
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        <element elementId="98">
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              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds.  Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester; Manchester University Press, 2019), pp. 98-112.</text>
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            <elementText elementTextId="2839870">
              <text>Rereading Chaucer and Spenser</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839871">
              <text>Chaucer's Influence and Later Allusion&#13;
Tale of Sir Thopas&#13;
Language and Word Studies</text>
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              <text>mea; SAC 44:92</text>
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        <element elementId="114">
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            <elementText elementTextId="2839873">
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                <text>Chaucer in Ireland: Archaism, Etymology and the Idea of Development.</text>
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            <description>An account of the resource</description>
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                <text>Argues that an "ambivalent enterprise of simultaneous innovation and retrospection . . . structures Spenser's approach to the reform of Ireland" as well as his "engagement with Chaucer in his poetry." Analyzes Spenser's use and explanation of two examples of Chaucerian diction in "A View of the Present State of Ireland"--"Checklaton" and "borough," both derived from  Th--drawing parallels between the uses of the past in Chaucerian etymologies and in recommendations for Irish reform.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2839860">
              <text>Cooper, Helen.</text>
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              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds.  Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 60-74.</text>
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            <elementText elementTextId="2839862">
              <text>Rereading Chaucer and Spenser</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2839863">
              <text>Chaucer's Influence and Later Allusion&#13;
Parliament of Fowls Troilus and Criseyde&#13;
Canterbury Tales--General&#13;
Franklin and His Tale</text>
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              <text>mea; SAC 44:71</text>
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          <name>Date</name>
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            <elementText elementTextId="2839865">
              <text>2019</text>
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                <text>Diverse Pageants: Normative Arrays of Sexuality.</text>
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            <description>An account of the resource</description>
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                <text>Identifies parallels between Chaucer's and Spenser's depictions of ranges and varieties of love-relationships in PF; TC; CT; and "The Faerie Queene," books III–IV. Introduced via allusion to FranT, Britomart is central to Spenser's collection of "diverse pageants" of love, here linked to the "generative sexuality" of Boethian, neoplatonic love, and recurrently resonant with Chaucer's similar "normative array" of female-focused love narratives, many with specific echoes.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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            <elementText elementTextId="2839852">
              <text>Cook, Megan L.</text>
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            <elementText elementTextId="2839853">
              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 150-67.</text>
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            <elementText elementTextId="2839854">
              <text>Rereading Chaucer and Spenser</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2839855">
              <text>Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; SAC 44:70</text>
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              <elementText elementTextId="2839850">
                <text>Cultivating Chaucerian Antiquity in "The Shepheardes Calender."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851099">
                <text>Examines E. K.'s commentary on Chaucer in Spenser's "The Shepheardes Calender," arguing that by "associating him with a historically antecedent but culturally current poetic paradigm, E. K. represents Chaucer as a writer who proleptically embraces the literary values of his sixteenth-century admirers"---"a writer who participates meaningfully in both classical and native English poetic traditions." Focuses on Speght's 1598 and 1602 editions of Chaucer's "Workes."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2839844">
              <text>Barr, Helen.</text>
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              <text> Rereading Chaucer and Spenser</text>
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            <elementText elementTextId="2839847">
              <text>Chaucer's Influence and Later Allusion&#13;
House of Fame</text>
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          <description/>
          <elementTextContainer>
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              <text>mea; SAC 44:65</text>
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          <name>Date</name>
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                <text>"Litle herd gromes piping in the wind": "The Shepheardes Calender," "The House of Fame" and "La Compleynt."</text>
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            <description>An account of the resource</description>
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                <text>Close reading of lines 33-41 (and E. K.'s commentary) of the February eclogue of Spenser's "Shepheardes Calender" exemplifies the "truancy of literary resonance" and discloses resonant intertextual play among the comic variety of HF, the monovocality of the anonymous lyric "La Compleynt," E. K.'s commentary, the eclogues themselves, and Spenser'' literary ambitions.</text>
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              <text>Archer, Harriet.</text>
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              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds.  Rereading Chaucer and Spenser: Dan Geffrey with the New  Poete (Manchester: Manchester University Press, 2019), pp. 224-42.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC: 44:63</text>
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                <text>"New matter framed upon the old": Chaucer, Spenser and Luke Shepherd's "New Poet."</text>
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              <elementText elementTextId="2851868">
                <text>Comments on the interdependence of innovation and imitation in Chaucer's poetry, and explores how Spenser's depictions of Chaucer and his poetry are part of the early modern concern with this dynamic, particularly evident in Luke Shepherd's reformist satire," Philogamus," as a form of "new" poetry.</text>
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              <text>Anderson, Judith H.</text>
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              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 19-36.</text>
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              <text>Rereading Chaucer and Spenser</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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              <text>mea; SAC 44:62</text>
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                <text>Chaucer's "Troilus and Criseyde" in Spenser's "Amoretti" and  "The Faerie Queene": Reading Historically and Intertextually.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851867">
                <text>Locates several "clusters" of resonances between TC and Spenser's "Amoretti" and "The Faerie Queene," concentrating on the importance of aurality and memory in recognizing these resonances and distinguishing "resonance" from other metaphors of intertextual relations such as echo, allusion, influence, refraction, etc.</text>
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              <text>Griffith, Gareth</text>
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            <elementText elementTextId="2839821">
              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 137-49.</text>
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            <elementText elementTextId="2839822">
              <text>Manuscripts and Textual Studies&#13;
Chaucer's Influence and Later Allusion&#13;
Chaucerian Apocrypha</text>
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              <text>mea; SAC 44:27</text>
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            <elementText elementTextId="2839824">
              <text>2019</text>
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          <elementTextContainer>
            <elementText elementTextId="2839833">
              <text>Rereading Chaucer and Spenser</text>
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                <text>Romancing Geoffrey: Chaucer and Romance in the Manuscript Tradition.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839819">
                <text>Focuses on elements of the "popular romance" in the manuscripts of "The Tale of Gamelyn" and "The Tale of "Beryn" and excerpts from Chaucer's works in other manuscripts to show how "the 'Chaucer' presented to early modern readers by the manuscript processes of insertion and excerption took on an increased interest in violence, anti-clericalism, games of incompleteness and imitation, and women suffering from male desire. In short, in significant respects, he became more Spenserian."</text>
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            <elementText elementTextId="2839813">
              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 189-211</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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              <text>mea; SAC 44:20</text>
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              <text>O'Connell, Brendan.</text>
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                <text>Chaucer's "Beast Group" and "Mother Hubberds Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851102">
                <text>Observes that in sixteenth-century editions of CT, ManT follows NPT, and that after c. 1550 the pair is followed by the story of the Pelican and Griffin from the apocryphal "Plowman's Tale," then the references to fables in ParsP, providing a "powerful model" for the linking of three animal fables in Spenser's "Complaints." Focuses particularly on "Prosopopoia, or Mother Hubberds Tale," exploring Chaucer's and Spenser'7s presentations of the poet as satirist and mimic.</text>
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              <text>Chaghafi, Elisabeth.</text>
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              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 168-88.</text>
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              <text>Rereading Chaucer and Spenser</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 44:14</text>
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                <text>Worthy Friends: Speght's Chaucer and Speght's Spenser.</text>
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            <description>An account of the resource</description>
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                <text>Studies the paratextual materials that accompany and supplement the text of Chaucer's works in Speght's editions of 1598 and 1602, showing that these materials present Chaucer to early modern readers as ancient but still worth reading, in part because of Spenser's imitation of and high regard for his predecessor, mentioned by Speght.</text>
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