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              <text>Garrett, Richard.</text>
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              <text>mea; SAC 44:76</text>
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                <text>The Politics of Beastly Language: John Lydgate as Fabulist and Translator.</text>
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                <text>Assesses the cock-and-fox fable in Lydgate's "Isopes Fabules" and his "The Churl and the Bird" as public poetry, exploring how underlying concerns with authority and translation link with his "conscious concern   with social conditions and with his proper position" in society. Includes discussion of Lydgate's sources, including Chaucer.</text>
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              <text>Fuller, David.</text>
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              <text>Sarah Haggarty, ed. William Blake in Context (New York: Cambridge University Press, 2019), pp. 173-83.</text>
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              <text> William Blake in Context</text>
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              <text>mea; SAC 44:75</text>
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                <text>Reads Blake's "varied interactions with Chaucer, Spenser, and Shakespeare" as "an education in possibilities of serious reading." In the case of Chaucer, Blake reads "for archetypes, not distracted . . . by historical contingency or an appearance of sophistication that degenerates into word-spinning."</text>
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              <text>Espie, Jeff.</text>
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              <text>Spenser Studies 33 (2019): 133-60.</text>
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Knight and His Tale&#13;
Man of Law and His Tale&#13;
Anelida and Arcite</text>
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              <text>mea; SAC 44:74</text>
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                <text>Spenser, Chaucer, and the Renaissance "Squire's Tale."</text>
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                <text>Reads Spenser's  imitation of SqT in "Faerie Queene," Book IV, in light of MLE, which introduces SqT in early editions. The sequence alters the Squire's characterization and helps to frame SqT "as the product of an active, metafictional revision." When viewed together with KnT and Anel, the falcon's complaint in SqT reveals "a pattern of Chaucerian self-revision that Spenser appropriates to claim his place in a variously national and international tradition."</text>
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              <text>Diaper, Jeremy.</text>
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              <text>Literature &amp; History 27, no. 2 (2018): 167-88.</text>
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Literature and History 27 (2018)</text>
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              <text>mea; SAC 44:73</text>
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                <text>"Ill Fares the Land": The Literary Influences and Agricultural Poetics of the Organic Husbandry Movement in the 1930s-50s.</text>
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                <text>Explores the influence of the English poetic "heritage of ruralism" on the organicist movement of UK farm husbandry between the 1930s and the 1950s, including discussion of how and to what extent "Chaucer was central to John Middleton Murry's conception of an organic rural society."</text>
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              <text>Cooper-Rompato, Christine.</text>
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              <text>Chaucer Review 55, no. 3 (2020): 327-42.</text>
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Romaunt of the Rose</text>
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              <text>mea; SAC 44:72</text>
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                <text>The Persistence of Chaucer's Verses on Footwear in the Nineteenth Century.</text>
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                <text>Tracks the popularity of a passage about shoes from Rom in the nineteenth-century popular press, demonstrating how the passage forges a connection between Victorian and medieval England by using Chaucer as a supporter of Victorian interests and pursuits.</text>
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              <text>Chaudhuri, Sukanta, ed.</text>
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              <text>New York: Bloomsbury, 2017.</text>
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              <text>xviii, 382 pp.</text>
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              <text>The Arden Shakespeare, Third Series.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
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              <text>mea; SAC 44:69</text>
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                <text>The introduction and notes include commentary on Shakespeare's debts to Chaucer in "A Midsummer Night's Dream," focusing on the characterization of Theseus, the "rite of maying"" and elements of the fairy world. Discusses KnT most extensively, but also mentions LGW, Th, MerT, and WBT, with&#13;
all references indexed.</text>
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              <text>Cawthorne, Natalie.</text>
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              <text>Dissertation Abstracts International 81C (2019): n.p.</text>
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              <text>Dissertation Abstracts International 81 (2019): n.p.</text>
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Canterbury Tales--General</text>
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                <text>"The Mindsweeper Tales": A Creative and Critical Approach to Reinventing the Medieval Framed Story-Collection as a Modern Novel.</text>
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                <text>Presents a novel modeled on CT that emulates Chaucer's frame-narrative collection of stories, "reinventing" his setting at a modern murder trial, and using a variety of narrative forms to represent the tales of the jury. The accompanying analysis comments on parallels in form and theme.</text>
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              <text>Bowers, John M.</text>
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              <text>Oxford: Oxford University Press, 2019.</text>
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              <text>xii, 310 pp.; 15 b&amp;w illus.</text>
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Facsimiles, Editions, and Translations&#13;
Chaucer's Life</text>
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              <text>mea; SAC 44:67</text>
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        <element elementId="114">
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                <text>Tolkien's Lost Chaucer.</text>
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                <text>Reconstructs Tolkien's efforts to co-edit (with George S. Gordon) a Clarendon student edition to have been titled "Selections from Chaucer's Poetry and Prose"--never finished and long lost. Observes how Tolkien's extant notes and glossary to this incomplete text and other archival materials reflect the depth of his knowledge of Chaucer. Posits a wide range of Chaucerian influences on Tolkien and explores parallels between the two writers that offer insights into Tolkien's writing. Includes comments on Gordon, Walter W. Skeat, Kenneth Sisam, and C. S. Lewis as "Chaucerians," and on Thomas Chaucer as executor for his father.</text>
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              <text>Cambridge: Brewer, 2018</text>
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              <text>328 pp. </text>
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              <text>Background and General Criticism&#13;
Lyrics and Short Poems</text>
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              <text>mea; SAC 44:123</text>
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        <element elementId="114">
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                <text>Middle English Lyrics: New Readings of Short Poems.</text>
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            <description>An account of the resource</description>
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                <text>Includes twenty essays by various authors and an introduction by the editors, examining textual, contextual, aesthetic, and cultural issues that relate to a wide variety of English lyrics from the thirteenth to the sixteenth century. For three essays pertaining to Chaucer, search for  Middle English Lyrics: New Readings of Short Poems. under Alternative Title.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Robertson, Elizabeth.</text>
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              <text>Julia Boffey and Christiania Whitehead, eds. Middle English Lyrics: New Readings of Short Poems (Cambridge: Brewer, 2018), pp. 174-88.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840330">
              <text>Middle English Lyrics: New Readings of Short Poems</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde&#13;
Lyrics and Short Poems</text>
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              <text>mea; SAC 44:320</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2840333">
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                <text>Lyric Interventions in "Troilus and Criseyde."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851693">
                <text>Argues that three lyric moments in Book II of TC (Antigone's song, the lay of the nightingale, and the dream of the eagle) "distil the complexity of Criseyde's &#13;
inner deliberations," show "how Criseyde's choice to love is inflected by the condition of women subject to male desire within an economy of war," and "express the social antagonism between love and war that is the subject of the poem as a whole."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wellesley, Mary.</text>
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          </elementTextContainer>
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            <elementText elementTextId="2840321">
              <text>Julia Boffey and Christiania Whitehead, eds. Middle English Lyrics: New Readings of Short Poems (Cambridge: Brewer, 2018), pp. 122-38.</text>
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          <elementTextContainer>
            <elementText elementTextId="2840322">
              <text>Middle English Lyrics: New Readings of Short Poems</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2840323">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2840324">
              <text>mea; SAC 44:100</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2840325">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Textual Lyricism in Lydgate's "Fifteen Joys and Sorrows of Mary."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851082">
                <text>Analyzes the form and presentation of John Lydgate''s "Fifteen Joys and Sorrows of Mary," reading it as a bridge between the experiences of poetry and devotion, i.e., for the ways it "relishes the devotional and imaginative possibilities offered by the act of reading words on a page." Includes discussion of the poem's many allusions to Chaucer and his work and of how Lydgate 'delicately attempts to outstrip his 'maister Chaucer,' by turning to . . . purely devotional ends."</text>
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  <item itemId="276017" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Boffey, Julia.</text>
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              <text>Julia Boffey and Christiania Whitehead, eds. Middle English Lyrics: New Readings of Short Poems (Cambridge: Brewer, 2018), pp. 189–200.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840314">
              <text>Middle English Lyrics: New Readings of Short Poems</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2840315">
              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale&#13;
Truth&#13;
Gentilesse&#13;
Fortune&#13;
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          </elementTextContainer>
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            <elementText elementTextId="2840316">
              <text>mea; SAC 44:66</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2840317">
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                <text>Poems that Speak Volumes: Lydgate's "Thoroughfare of Woe," and Lyric as Epitome.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851876">
                <text>Transcribes a version of Lydgate's "Thoroughfare of Woe" from London, British Library, Additional MS 60577 (the "Winchester anthology") and discusses it in light of other versions, commenting on it as "an extended meditation on a proverbial saying"" but also discussing its invocations of and epitomizing engagement with other works, including Chaucer's Truth, Gent, For, and especially KnT.</text>
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  <item itemId="276016" public="1" featured="0">
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              <name>Title</name>
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              <text>Arduini, Roberto.</text>
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              <text>Roberto Arduini, Giampaolo Canzonieri, and Claudio A. Testi, eds. Tolkien and the Classics (Zurich: Walking Tree, 2019), pp. 105-20.</text>
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Testi, Claudio A. Testi, ed</text>
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              <text>Tolkien and the Classics</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2840307">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
Miller and His &#13;
Reeve and His Tale</text>
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            <elementText elementTextId="2840308">
              <text>mea; SAC 44:64</text>
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          <elementTextContainer>
            <elementText elementTextId="2840309">
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              <elementText elementTextId="2840301">
                <text>The Innkeeper and the Miller: Common Folk in Chaucer and Tolkien.</text>
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            <description>An account of the resource</description>
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                <text>Surveys evidence for the influence of Chaucer on Tolkien and adds comments on his impact on Tolkien's ""scenes of common life in the inns and in the figures of the innkeeper and the miller."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Anand, Jarnail Singh.</text>
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        <element elementId="98">
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              <text>New Delhi: Authorpress, 2018.</text>
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              <text>205 pp.</text>
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            <elementText elementTextId="2840298">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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              <text>mea; SAC 44:61</text>
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          <name>Date</name>
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              <elementText elementTextId="2840293">
                <text>The Ganturbury Tales: A Sequel to Geoffrey Chaucer's The Canterbury Tales.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2840294">
                <text>Item not seen. WorldCat records indicate that this sequel is written in modern English verse.</text>
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              <text>Simpson, James.</text>
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              <text>Troianalexandrina: Anuario sobre literatura medieval de materia clásica 19 (2019): 293-312.</text>
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              <text>Troianalexandrina: Anuario sobre literatura medieval de materia clásica 19 (2019)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Legend of Good Women</text>
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              <text>mea; SAC 44:59</text>
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                <text>Anti-Virgilianism in Late Medieval English Troy Narratives.</text>
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              <elementText elementTextId="2840286">
                <text>Traces elegiac, tragic, and pseudo-historical traditions in late medieval English narratives of Troy, arguing that they are all "anti-Virgilian, and therefore anti-imperialist" and "also somber, monitory, skeptical and intimately sensitive to the catastrophes of war." Includes comments on works by John Lydgate and Gavin Douglas, "Sir Gawain and the Green Knight," and both LGW and HF, the last two exemplifying the elegiac tradition of Ovid.</text>
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              <text>Neel, Travis E.</text>
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        <element elementId="98">
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              <text>Open access Ph.D. dissertation (Ohio State University, 2017). Available at http://rave.ohiolink.edu/etdc/view?acc_num=osu1492705588117003 (accessed May 8, 2022).</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Knight and His Tale&#13;
Fortune&#13;
Envoy to Scogan</text>
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              <text>meal SAC 44:56</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2840278">
                <text>Fortune's Friends: Forms and Figures of Friendship in the Chaucer Tradition.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2840279">
                <text>Examines "how Middle English writers appropriated different forms and figures of friendship in their discussions, critiques, and activations of friendship," describing modifications of classical, biblical, Boethian, and humanist models, with recurrent attention to Chaucerian works: KnT, For, Scog, and others.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McCormick, Betsy.</text>
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        <element elementId="98">
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              <text>Chaucer Review 55, no. 4 (2020): 357-78.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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              <text>Chaucer Review 55 (2020)</text>
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        <element elementId="102">
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            <elementText elementTextId="2840275">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; SAC 44:54</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2840277">
              <text>2020</text>
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            <name>Title</name>
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              <elementText elementTextId="2840270">
                <text>Too Good to Be True: Debating Constancy in Chaucer's "Legend" and Christine's "Cité."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2840271">
                <text>Explores Chaucer's depictions of women in LGW and Christine de Pizan's illustration of women in Cité, demonstrating how "recent work in cognitive science, which studies how humans create categories," shows that "both Chaucer and Christine are thinking beyond taxonomic categories to depict their 'good women' as active participants in an ethical inquiry."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2840265">
              <text>Liendo, Elizabeth.</text>
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        <element elementId="98">
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              <text>Ph.D. dissertation (Pennsylvania State University, 2019). Item not seen. Abstract available at https://etda.libraries.psu.edu/catalog/16973eah27 (accessed December 1, 2021).</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
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              <text>mea; SAC 44:51</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2840269">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2840263">
                <text>Pain and Pleasure: Fictions of Erotic Violence from Ovid to Spenser.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851691">
                <text>Argues that Ovidian influence on "the literary fantasy of erotic and poetic mastery" draws on a "model established in Ovid's 'Amores'," tracing "a "shared heritage" ranging from Andreas Capellanus, Chrétien de Troyes, Petrarch, Chaucer, and Ronsard to Spenser.</text>
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  <item itemId="276010" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840257">
              <text>Keller, Wolfram R.</text>
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        <element elementId="98">
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              <text>Diskursivierungen von Neuem 7 (2018): 1-23.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2840259">
              <text>Diskursivierungen von Neuem 7 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2840260">
              <text>Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde&#13;
House of Fame</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840261">
              <text>mea; SAC 44:50</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2840262">
              <text>2018</text>
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            <name>Title</name>
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              <elementText elementTextId="2840255">
                <text>Re-Novating Troy: Chrematistics, Imagination, and Hybrid Temporalities in Chaucer's Troy Stories.</text>
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          <element elementId="41">
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              <elementText elementTextId="2850872">
                <text>Argues that Chaucer's "literary re-novation" of the Trojan source material, enacted in TC and theorized in HF, "is a matter of the purification and hybridization of foregoing traditions," terms derived from Bruno Latour. Explores the relations between literary "re-novation" and literary periodization, especially the putative break between medieval and modern, which, like other attempts to categorize, is an "illusion of authorized knowledge" and, more specifically, a result of the "deconstruction of narratives from contexts, especially temporal contexts."</text>
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  <item itemId="276009" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
            </element>
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          <elementTextContainer>
            <elementText elementTextId="2840249">
              <text>Gaston, Kara.</text>
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            <elementText elementTextId="2840250">
              <text>Oxford: Oxford University Press, 2020.</text>
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              <text>xi, 202 pp.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:46</text>
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                <text>Reading Chaucer in Time: Literary Formation in England and Italy.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2840248">
                <text>Considers Chaucer's writings and their Italian influences, arguing for a view of Chaucer's poetry and its form over time, tracing "form as an object of discovery, rather than of recovery, and reading as a way of actively participating in the history of a poem, rather than describing it as if from the outside."</text>
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              <text>Corrie, Marilyn.</text>
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              <text>Jeanette Beer, ed. A Companion to Medieval Translation (Leeds: ARC Humanities Press, 2019), pp. 133-42.</text>
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              <text> A Companion to Medieval Translation </text>
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              <text>Sources, Analogues and Literary Relations&#13;
Chaucer's Influence and Later Allusion&#13;
Boece&#13;
Romaunt of the Rose&#13;
Cerk and His Tale&#13;
Tale of Melibee&#13;
Complain of Venus&#13;
Troilus and Criseyde&#13;
Book of the Duchess&#13;
Parliament of Fowls&#13;
House of Fame</text>
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              <text>mea; SAC 44:42</text>
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                <text>Chaucer and Translation.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2840239">
                <text>Explores the "difficulties" Chaucer encountered in translating Latin and continental works into English poetry and various verse forms, surveying complete works such as Bo, Rom, ClT, Mel, Ven, etc., and passages from various sources in larger works such as TC and the dream visions. Closes with comments on Eustache Deschamps's praise of Chaucer.</text>
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              <text>Benson, C. David.</text>
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              <text>University Park: Pennsylvania State University Press, 2019.</text>
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              <text>xi, 201 pp.</text>
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              <text>Heroic (Women) in Chaucer's "Canterbury Tales" and the "Legend of Good Women"</text>
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            <elementText elementTextId="2840235">
              <text>Sources, Analogues, and Literary Relations&#13;
Legend of Good Women&#13;
Man of Law and His Tale&#13;
Physician and His Tale&#13;
Second Nun and Her Tale</text>
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              <text>mea; SAC 44:41</text>
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              <text>2019</text>
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              <elementText elementTextId="2840229">
                <text>Imagined Romes: The Ancient City and Its Stories in Middle English Poetry.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851875">
                <text>Studies "ancient Rome as a major theme in the works of late medieval English poets": Chaucer, Gower, Langland, Lydgate, and the anonymous authors of "Stacions of Rome" and the interpolated "Metrical Mirabilia." Chapter 3, "Heroic (Women) in Chaucer's Canterbury Tales and the Legend of Good Women," treats MLT, PhyT, SNT, and the legend of Lucrece from LGW, discussing how Chaucer consistently "feminizes" traditional Roman heroism and--unlike Gower in particular--expresses "hostility to the ancient city" as a place where "men in power treat good women with . . . unrelenting nastiness."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Allen-Goss, Lucy M.</text>
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            <elementText elementTextId="2840224">
              <text>Cambridge: D. S. Brewer, 2020.</text>
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              <text>iv, 200 pp.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2840226">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2840227">
              <text>mea; SAC 44:39</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840228">
              <text>2020</text>
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          <element elementId="50">
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              <elementText elementTextId="2840221">
                <text>Female Desire in Chaucer's "Legend of Good Women" and Middle English Romance.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2840222">
                <text>Discusses LGW alongside Middle English romance and an "hermeneutic tradition stretching from Jerome and Alan of Lille." Argues through these intersections for a mode of interpretation that centers on female desires, including silenced narratives of female desire, and opens up new avenues of interpretation for LGW, romances, and Latin texts.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2840216">
              <text>Marlborough: Adam Matthew, 2019.</text>
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        <element elementId="99">
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            <elementText elementTextId="2840217">
              <text>Online resource; 53 b&amp;w illus. reproduced from British Library microfilm.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2840218">
              <text>Manuscripts and Textual Studies&#13;
Canon's Yeoman and His Tale</text>
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            <elementText elementTextId="2840219">
              <text>mea; SAC 44:37</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2840214">
                <text>Sloane MS 1098.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2840215">
                <text>E-book facsimile of London, British Library, MS Sloane 1098, which includes CYT, 1428–71.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Marlborough: Adam Matthew, 2019.</text>
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              <text>Online resource; 436 b&amp;w illus. reproduced from British Library microfilm.</text>
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              <text>Manuscripts and Textual Studies&#13;
Tale of Melibee</text>
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              <text>mea; SAC 44:36</text>
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              <elementText elementTextId="2840207">
                <text>Sloane MS 1009.</text>
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            <description>An account of the resource</description>
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                <text>E-book facsimile of London, British Library, MS Sloane 1009, which includes Mel.</text>
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