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              <text>Rudman, Charlotte.</text>
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              <text>Dissertation Abstracts International 84</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Book of the Duchess&#13;
Parliament of Fowls&#13;
House of Fame</text>
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              <text>SAC 47:98</text>
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        <element elementId="114">
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              <text>2022</text>
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              <text>Ph.D. dissertation (King's College London, 2022), Dissertation Abstracts International 84.10. Abstract available at https://kclpure.kcl.ac.uk/portal/en&#13;
/studentTheses/listening-to-dreams (accessed February 1, 2025).</text>
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                <text>Listening to Dreams: Sound in Chaucer's Dream Vision Poetry.</text>
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                <text>Argues "that Chaucer developed his own theory of sound in his dream vision poetry." His theory--that sound travels and transforms rather than dissipates--was adapted from his scientific learning," particularly Boethius's "De institutione musica." Discusses BD, PF, and HF.</text>
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              <text>Rozenski, Steven, Joshua Byron Smith, and Claire M. Waters, eds.</text>
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              <text>Turnhout: Brepols, 2023. \</text>
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              <text>414 pp.; color illus.</text>
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              <text>Medieval Women: Texts and Contexts, no. 31.</text>
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              <text>Smith, Joshua Byron, ed.&#13;
Waters, Claire M., ed.&#13;
Singerman, Jeffrey E.</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 47:97</text>
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        <element elementId="114">
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</text>
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                <text>Mystics, Goddesses, Lovers, and Teachers: Medieval Visions  and Their Modern Legacies: Studies in Honour of Barbara Newman.</text>
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                <text>Fifteen essays by various authors on topics related to medieval mysticism, art, literature, and their later reception and influence, with an introduction by the editors and an account of Newman's publications by Jeffrey E. Singerman. For two essays that pertain to Chaucer, search for Mystics, Goddesses, Lovers, and Teachers under Alterative Title.</text>
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              <text>Breen, Katharine.</text>
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              <text>Steven Rozenski, Joshua Byron Smith, and Claire M. Waters, eds. Mystics, Goddesses, Lovers, and Teachers: Medieval Visions and Their Modern Legacies. Studies in Honour of Barbara Newman (Turnhout: Brepols, 2023), pp. 239-65.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 47:185</text>
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                <text>Building a Goddess: Personifications of Fame from Hesiod to Chaucer.</text>
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                <text>Treats Fame's dual nature as goddess and personification in Hesiod, Aeschines, Virgil, and HF. While Chaucer's character echoes the duality of its predecessors, she is not a goddess--"never characterized as a bride or daughter of the Christian God"--but Chaucer uses "Neoplatonic vocabulary . . . to signal that Fame should be understood as having real as well as rhetorical power," dispersing "tydyngs" in a context that is recognizably "late-fourteenth-century London."</text>
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              <text>Berry, Craig A.</text>
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              <text>Steven Rozenski, Joshua Byron Smith, and Claire M. Waters, eds. Mystics, Goddesses, Lovers, and Teachers: Medieval Visions and Their Modern Legacies. Studies in Honour of Barbara Newman (Turnhout: Brepols, 2023), pp. 261-76.</text>
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              <text>Mystics, Goddesses, Lovers, and Teachers</text>
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          <name>Chaucer Subject</name>
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              <text>Chaucer's Retraction&#13;
Purse&#13;
Troilus and Criseyde&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 47:172</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2853225">
              <text>2023</text>
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                <text>Reviews critical approaches to Ret, reading it as both confessional and aesthetic, comparing its duality with those in Purse and the ending of TC, and exploring resonances with ParsT. Assesses Ret as a recantatory formulation that asks its reader-confessors for prayer and commemoration--a confession of authorship that promotes "enduring poetic authority." Addresses the fifteenth-century "pray for Chaucer" tradition and the excision of Ret from editions between the Reformation and the eighteenth century.</text>
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                <text>"Confessing Authority: Literary Immortality and Authorial Salvation in Chaucer's "Retraction."</text>
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              <text>Roders, Dana M.</text>
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              <text>Ph.D. dissertation (Purdue University, 2023), Dissertation Abstracts International A84.12(E). Partially accessible at https://docs.lib.purdue.edu/dissertations/AAI30501530/ (accessed February 1, 2025).</text>
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              <text>Dissertation Abstracts International 84 (E)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Second Nun and Her Tale&#13;
Book of the Duchess</text>
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              <text>SAC 47:96</text>
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        <element elementId="114">
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              <text>2023</text>
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                <text>Beyond Deadly Sins and Virgin Impairments: Medieval Bodies in Disability Studies.</text>
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            <description>An account of the resource</description>
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                <text>Investigates "how medieval authors implement impaired bodies in service of spiritual exploration," addressing depictions of impaired bodies generally excluded from disability studies, such as "personified sins, aging bodies, and martyrs' bodies." Discusses disbelief as a form of metaphorical blindness in SNT, and the "double prosthesis" of Cecilia's conversions of others and her ongoing presence in the world. Also comments on Ceyx's body in BD.</text>
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              <text>Piercy, Hannah.</text>
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        <element elementId="98">
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              <text>Woodbridge: D. S. Brewer, 2023.</text>
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              <text>xi, 275 pp.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
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            <elementText elementTextId="2853205">
              <text>Studies in Medieval Romance.</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Law and His Tale&#13;
Wife of Bath and Her Tale&#13;
Merchant and His Tale&#13;
Franklin and His Tale</text>
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              <text>SAC 47:94</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2853208">
              <text>2023</text>
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                <text>Resistance to Love in Medieval English Romance: Negotiating Consent, Gender and Desire.</text>
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            <description>An account of the resource</description>
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                <text>Anatomizes the motif of resistance to love "across the chronology and variety of medieval English romance, from twelfth-century Anglo-Norman lais to fifteenth-century prose works," exploring "ways in which it reinforces or subverts contemporary cultural constructions of consent, gender, and desire," with attention to issues of race, class, and religious faith. Includes discussion of TC, FranT, MLT, and WBT, with comments on KnT and MerT. Narrows and focuses the author's 2021 Ph.D. thesis (Durham University), "Unwillingness to Love in Medieval English Romance: Consent, Coercion, and the Conventions of the Genre."</text>
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              <text>Petrosillo, Sara.</text>
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              <text>Columbus: Ohio State University Press, 2023.</text>
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              <text> xii, 200 pp.; 11 b&amp;w illus.</text>
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              <text>Interventions: New Studies in Medieval Culture</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Squire and His Tale</text>
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                <text>Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture.</text>
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                <text>Assesses various medieval works to show that training instructions for medieval falconry "offer a means of understanding how poetic languageworks, and particularly how it works to represent women." One section describes how  metaphors of mewed hawks "portend ambivalence about women," with close attention to hawking imagery applied to and used by Criseyde in TC 3.1783 and 4.1310, contrasting  Boccaccio's "Filostrato" and the imagery on a fourteenth-century ivory mirror back. Also comments on hawking imagery in WBP, 415–17, and adapts material on SqT derived from Petrosillo;s 2018 essay in the journal Medieval Feminist Forum.</text>
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              <text>Pavlinich, Elan Justice.</text>
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              <text>New York: Routledge, 2023.</text>
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              <text>ix, 175 pp.; 16 b&amp;w illus.</text>
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              <text>Routledge Studies in Medieval Literature and Culture.</text>
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              <text>The Cunning Linguist of Agbabi's "The Kiss"&#13;
BDSMedievalism: Past, Power, Pain/Pleasure</text>
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              <text>Background and General Criticism&#13;
Miller and His Tale&#13;
Troilus and Criseyde</text>
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              <text>2023</text>
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                <text>Erotic Medievalisms: Medieval Pleasures Empowering Marginalized People.</text>
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              <elementText elementTextId="2854119">
                <text>Explores how various texts of medievalism (graphic novels, retellings, rap music, performance art, etc.) "represent radical, nontraditional sex acts enjoyed by people who are typically excluded from both popular culture and medieval narratives" and "challenge pervasive power structures that privilege heterosexual male dominance." Chapter 3, "The Cunning Linguist of Agbabi's 'The Kiss,'" compares multilingual allusions to cunnilingus in Patience Agbabi's adaptation of MilT with Chaucer's narrative and French analogues. Chapter 4, "BDSMedievalism: Past, Power, Pain/Pleasure," includes discussion of Troilus's submission to Criseyde in TC as a form of consensual adult sadomasochism.</text>
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              <text>Pasnau, Robert.</text>
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              <text>Journal of Medieval and Early Modern Studies 53 (2023): 519-43.</text>
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Tale of Sir Thopas&#13;
Chaucer's Retraction</text>
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                <text>Medieval Engagement with Authorial Intention.</text>
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              <elementText elementTextId="2853174">
                <text>Offers precedents from medieval texts to show that to learn from a text, readers "have reason to consider what its author means"; that, when readers are "morally engaged with a text," they have reason to engage with the author's intentions"; and that, when moved by a text, readers "attempt an interpersonal connection with the author behind the words." Draws examples from various works, including Chaucer's Th and Ret.</text>
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              <text>Ph.D. dissertation (Fordham University, 2022), Dissertation Abstracts International A83.12(E). Accessible via ProQuest Dissertations &amp; Theses Global (accessed January 30, 2025).</text>
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              <text>Dissertation Abstracts International 83 (E)</text>
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              <text>Canterbury Tales--General</text>
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              <text>O'Brien, Sarah.</text>
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              <elementText elementTextId="2853165">
                <text>Transforming Man(Kind): Genres of Collectivism in Late Medieval Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Studies genre in CT, "Piers Plowman," and Gower's "Mirour de l'omme," focusing on estates satire, "redemptive discourse," the mirror tradition, legal discourse, and "genealogies of sin."</text>
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              <text>Miller, Timothy S.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 4 (2023): 42--53.</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General</text>
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            <elementText elementTextId="2853164">
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                <text>Choice of Chaucers: Teaching Kate Heartfield's Interactive Novel "The Road to Canterbury."</text>
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                <text>Explores the pedagogical possibilities of using Kate Heartfield's "The Road to Canterbury" (2018)--a "contemporary gamified adaptation" of Chaucer's life, world, and CT. Comments generally on using "interactive fiction" in the classroom, describes Heartfield's work, and offers suggestions for classroom use, based on personal experience.</text>
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              <text>Meyer-Lee, Robert J.</text>
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              <text>Manchester: Manchester University Press, 2023.</text>
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          <elementTextContainer>
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              <text>xiii, 263 pp.</text>
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        <element elementId="104">
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          <elementTextContainer>
            <elementText elementTextId="2853153">
              <text>Manchester Medieval Literature and Culture.</text>
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            <elementText elementTextId="2853154">
              <text>Background and General Criticism&#13;
Canterbury Tales--General</text>
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                <text>The Problem of Literary Value.</text>
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                <text>Considers theoretical, ideological, and practical questions concerning the value and valuation of literature and literary studies, with recurrent attention to contemporary issues in editing, canonicity, interpretation, and institutional status, particularly in medieval and early modern studies, especially Chaucer studies. Includes an updated expansion of the author's 2008 essay "Manuscript Studies, Literary Value, and the Object of Chaucer Studies," and additional investigation of the value of CT.</text>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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Pardoner and His Tale</text>
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Book of the Duchess&#13;
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Franklin and His Tale</text>
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                <text>"[O]ffers an interdisciplinary perspective on later medieval views of animals, focusing on the Latin, French, and English texts circulating in England." Includes assessment of "Chaucer's depictions of inarticulable grief and interspecies empathy" in FranT, KnT, and BD.</text>
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ABC&#13;
Prioress and Her Tale&#13;
Second Nun and Her Tale&#13;
Manuscripts and Textual Studies</text>
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                <text>Explores how "latent Marian maternal elements" inform a range of late medieval texts, focusing on how the devotional ideal of "imitatio Mariae"--rooted in Mary's "inimitable biology" as virgin and mother--informs Marian imagery and echoes in Margery Kempe, Middle English lives of mystics and saints' legendaries, and Chaucer's Marian works. Chapter 5 addresses how the presence of ABC and PrT in manuscripts containing other Marian texts encourages "matricentric" reading of Chaucer's works, while Chapter 6 considers how Marian material in SNT helps to make Cecilia a "metaphorical mother."</text>
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                <text>Literature and the Senses.</text>
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                <text>Contains twenty-six essays by various authors on topics relating to the "wonder and mystery" of the five senses (and "Multisensoriality") in English literature, medieval to the present. The introduction by the editors describe the field of study, the arrangement of the volume, and the places of the individual essays in that arrangement. The volume includes a comprehensive index. For three essays that pertain to Chaucer, search for Literature and the Senses under Alternative Title.</text>
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Troilus and Criseyde</text>
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                <text>Outlines various "cognitive and sensual contexts" that frame "face-gazing in literature" and analyzes the descriptions of male gaze at female faces in TC and BD, both "mediated by the complex ideology of courtly love," comparing them with discussion of the Holbein portrait of Cromwell in Mantel's "Wolf Hall" and the black swan's "transhuman, impersonal, and spiritual" gaze of an Australian Indigenous human in Wright's "The&#13;
Swan Book."</text>
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Troilus and Criseyde</text>
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                <text>"A lowde voys clepyng": Voice-Hearing, Revelation, and Imagination.</text>
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                <text>Comments on medieval and modern understandings of hearing voices, then assesses the phenomenon in Middle English romances and mystical accounts. Demonstrates how in TC and BD Chaucer "extends romance motifs" to explore "the processes of the imagination, the intersections of affect and cognition, and the shaping of these by the mysterious forces outside the self . . . [and] the disruptions of extreme feeling.</text>
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Language and Word Studies</text>
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                <text>Reading "Ful Savourly": Taste and Good Taste in Later Medieval English Literature.</text>
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                <text>Explores connections between the physiological sense of taste (especially sweetness) and the aesthetic sense of good (or bad) taste, emphasizing their ambivalence in medieval understanding and the need for discernment that such ambivalence entails. Argues that the bottom-kissing scene in MilT shows that knowledge can be acquired sensorially, and how its diction of taste ("sweete," "savourly") "invites readers to reflect on what kind of narrative they consider to be in good taste."</text>
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              <text>Karnes, Michelle.</text>
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              <text>ix, 248 pp.</text>
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              <text>Background and General Criticism&#13;
Franklin and His Tale</text>
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              <text>SAC 47:82</text>
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        <element elementId="114">
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                <text>Medieval Marvels and Fictions in the Latin West and Islamic World.</text>
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                <text>Studies marvels, wonders, and human imagination in medieval natural philosophy and literature, especially romance and travel narratives of western European and Islamic communities. Refers to several of the CT and links aspects of FranT with "Sir Orfeo" and "Mandeville's Travels," in particular the way each work groups "separate legends about dancing ladies, knights jousting, and men hunting" and connects imagination and the&#13;
reification of illusion.</text>
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              <text>Jansohn, Christa.</text>
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              <text>Archiv für das Studium der neueren Sprachen und Literaturen 175 (2023): 290-309.</text>
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              <text>Archiv für das Studium der neueren Sprachen und Literaturen 175 (2023)</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General</text>
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        <element elementId="114">
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            <elementText elementTextId="2853083">
              <text>2023</text>
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                <text>Festivals in Middle English Literature and Culture.</text>
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                <text>Describes aspects of late medieval celebrations--focusing on feasting--to provide context for celebratory scenes in Middle English literature: "Sir Gawain and the Green Knight" compared with "Cleanness"; Chaucer's KnT, WBT, SqT, the GP description of the Prioress, and ParsT; the Wakefield "Prima Pastorum:, and Robert Henryson's fable of "The Two Mice." Emphasizes contrasts between feasts and daily dining and offers suggestions for modern re-creations.</text>
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              <text>Jahner, Jennifer, and Ingrid Nelson, eds.</text>
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              <text>Nelson, Ingrid, ed.</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 47:80</text>
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                <text>Gender, Poetry, and the Form of Thought in Later Medieval Literature: Essays in Honor of Elizabeth A. Robertson.</text>
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            <description>An account of the resource</description>
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                <text>Ten essays by various authors on topics in Middle English and Anglo-Norman studies, with an introduction by the editors and a comprehensive index. For three essays that pertain to Chaucer, search for Gender, Poetry, and the Form of Thought in Later Medieval Literature under Alternative Title.</text>
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              <text>Trigg, Stephanie.</text>
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              <text>Jennifer Jahner and Ingrid Nelson, eds. Gender, Poetry, and the Form of Thought in Later Medieval Literature: Essays in Honor of Elizabeth A. Robertson (Bethlehem, Pa.: Lehigh University Press, 2022), pp. 25-46.</text>
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              <text>Gender, Poetry, and the Form of Thought in Later Medieval Literature</text>
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              <text>Troilus and Criseyde&#13;
Monk and His Tale&#13;
Nun's Priest and His Tale&#13;
Style and Versification</text>
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              <text>47:207</text>
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                <text>Cloudy Thoughts: Cognition and Affect in "Troilus and Criseyde."</text>
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                <text>Explicates the shift from Criseyde's bright thoughts of love to cloudy ones in TC, II.764ff., part of a "broader pattern of sun and cloud imagery" in the poem. Uses cognition theory and resonances with Boethius's "Consolatio" to argue that the passage encourages us to "feel with" Criseyde while simultaneously recognizing her gendered associations with changeable fortune. Also assesses implications of this "image cluster" in MkT, 2766, and NPP, 2782</text>
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              <text>Taylor, Jamie.</text>
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              <text>Jennifer Jahner and Ingrid Nelson, eds. Gender, Poetry, and the Form of Thought in Later Medieval Literature: Essays in Honor of Elizabeth A. Robertson (Bethlehem, Pa.: Lehigh University Press, 2022), pp. 3-24.</text>
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              <text> Gender, Poetry, and the Form of Thought in Later Medieval Literature</text>
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                <text>Chaucerian Insomnia and the Hospitality of Sleeplessness&#13;
in Late Medieval Dream Visions.</text>
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                <text>Articulates similarities and differences between dreaming and insomnia as devices in late medieval dream-vision prologues, following Emmanuel Levinas's suggestion that "the self-alienation experienced by the insomniac can be understood as a release from the confines of the singular mind," and focusing on how insomnia "provides the conditions necessary for ethical, consolatory engagement with others" in BD and in John Clanvowe's "Boke of Cupide," with comments on its use in Thomas Hoccleve's "Regiment of Princes."</text>
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              <text>Simpson, James.</text>
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              <text>Jennifer Jahner and Ingrid Nelson, eds. Gender, Poetry, and the Form of Thought in Later Medieval Literature: Essays in Honor of Elizabeth A. Robertson (Bethlehem, Pa.: Lehigh University Press, 2022), pp. 201-21.</text>
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              <text> Gender, Poetry, and the Form of Thought in Later Medieval Literature</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Considers WBPT as a "not yet" text, i.e., one that "points to a future resolution" without providing it. Rich in "represented reception" on the pilgrimage and in "contested reception" in manuscript glossing, critical response, and adaptation, the Wife's materials prompt efforts to resolve unfulfilled comedic potential. Assesses "The Wanton Wife of Bath"--set "outside history"--as a "perfect example of an anagogic reading" of WBPT as a "not yet" text.</text>
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