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              <text>Rand, Thomas A.</text>
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              <text>American Notes and Queries 32 (2019): 75-77.</text>
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              <text>American Notes and Queries 32 (2019)&#13;
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              <text>Summoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:234</text>
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                <text>Identifies several previously unnoticed biblical allusions in SumT: "narratives of divine wrath against false prophets, gift giving in apostolic ministry, and miraculous healing, all of which enrich the tale's comic irony and sharpen the satiric attack."</text>
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                <text>"Is There Oght Elles?": Further Biblical Allusion in "The Summoner's Tale."</text>
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              <text>Gordon, Stephen.</text>
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              <text>Supernatural Encounters: Demons and the Restless Dead in Medieval England c. 1050–1450 (New York: Routledge, 2019), pp. 161-83.</text>
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              <text>Supernatural Encounters: Demons and the Restless Dead in Medieval England c. 1050–1450</text>
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              <text>Friar and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:233</text>
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                <text>"But whan us liketh we kan take us oon": Vain Surfaces and Walking Corpses in Chaucer's "Friar's Tale."</text>
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                <text>Surveys the "literary context" of FrT and shows that in his discussion of demons (1447–1522) Chaucer uses Vincent of Beauvais, Thomas Aquinas, and "the broad cultural sediments of local revenant belief." Also suggests that the possibility that the demon in the tale has usurped a human corpse engages prevailing themes of appearance versus intention, "spiritual and material economics," and mercantilism.</text>
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              <text>Costomiris, Robert.</text>
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              <text>Neophilologus 104 (2020): 567-83.</text>
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              <text>Neophilologus 104 (2020)</text>
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              <text>Friar and His Tale</text>
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              <text>mea; SAC 44:232</text>
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                <text>A Cart that Charged was with Hay: The Symbolism of Hay in Chaucer's "Friar's Tale."</text>
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                <text>Describes hay as a symbol of ephemerality, materiality, and avarice in FrT and argues that "the summoner's urging his companion (a fiend) to seize a cart of hay . . . draws him closer to the very substance that symbolizes his own sinful propensities and secures the certainty of his damnation well before the actual event."</text>
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              <text>Pedersen, David.</text>
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              <text>Medieval Feminist Forum 55, no. 2 (2019): 98-114.</text>
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              <text>Medieval Feminist Forum 55 (2019)</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:230</text>
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                <text>Experiencing Authority: The Wife of Bath's Deaf Ear and the Flawed Exegesis of St. Jerome.</text>
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                <text>Argues that the Wife's non-congenital deafness signifies not spiritual deafness, but damage done to her by the contents of Jankyn's book, which she, ironically, destroys. Compares Alison's interpretations of Scripture in WBP with those of Jerome in "Adversus Jovinianum," identifying the "flawed" techniques of both and suggesting that, perhaps, "the authorities are not so authoritative." Includes comments on medieval understanding of deafness.</text>
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              <text>Jaeger, Vanessa.</text>
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              <text>Dissertation Abstracts International A81.07 (2019): n.p.</text>
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              <text>Dissertation Abstracts International 81 (2019)</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:229</text>
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                <text>Minor Differences, Major Divides: Character-Type and Intersectionality in Middle English Romance.</text>
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                <text>Intersectional analysis of four character types in medieval romance. Includes discussion of the loathly lady, WBT, and its analogues, arguing that Chaucer's version offers a figure of power, ambiguous because we remain "unsure whether she will use her magic again in the future."</text>
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              <text>Hoggart, Carol Ann.</text>
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              <text>Open access Ph.D. dissertation (Curtin University, 2019), available at https://espace.curtin.edu.au/handle/20.500.11937/76105 (accessed November 10, 2021).</text>
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              <text>viii, 464 pp.</text>
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              <text>The Jerusalem Tales</text>
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              <text>Wife of Bath and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 44:228</text>
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                <text>The Wife of Bath's Tales: Literary Characters as Social Persons in Historical Fiction.</text>
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                <text>A "creative-production" thesis, comprising the first half of a work of historical fiction titled "The Jerusalem Tales," focusing on the Wife of Bath; analysis of the narrative based on Elizabeth Fowler's theory of "social persons"; and analysis of four other "modern historical-fiction interpretations of the Wife."</text>
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              <text>Flannery, Mary C.</text>
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              <text>Manchester: Manchester University Press, 2020.</text>
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                <text>"Of Bath": A Middle English Idiomatic Epithet.</text>
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                <text>Presents connections between the "epithet 'of bath'" in relation to the Wife of Bath and a character in the fifteenth-century play "Lucidus and Dubius," who also refers to himself as "a childe of bathe." Suggests that this understanding "has the potential to offer new readings of Chaucer's Wife of Bath" in WBPT.</text>
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              <text>Dissertation Abstracts International A81.05 (2019): n.p.</text>
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                <text>Chapter 2 discusses the Wife of Bath's "unique approach to her fourth husband's death as she balances her postmortem responsibilities to him with her immediate remarriage,' acting with "concern" while also "tending to her own wishes."</text>
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            <description>An account of the resource</description>
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                <text>Focuses on the forms and role of antitheses in MLT.</text>
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                <text>"She seyd she was so mazed in the see": Sens et limites de l'errance dans le "Conte du juriste" de Chaucer.</text>
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                <text>Argues MLT does not ultimately offer (English) land and (Christian) civilization as images of stability or "legal fixity" but the sea and Constance's paleness as images of an "exemplary fluidity," emphasizing that the tale is about "global ethics" rather than "national or territorial" law.</text>
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                <text>Concentrates on the depiction of the Near East in MLT and other contemporary analogues, developing a ""comparative methodology for analyzing representations of the Near East that focuses on their adaptation of earlier (Anglo-)French sources and juxtaposing them with these sources' late medieval 'remaniements.'"</text>
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                <text>Includes discussion of feigned conversion and the Sultaness in MLT, arguing that she "represents insecurity over the status of religious converts" rather than being merely villainous.</text>
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                <text>"We shul first feyne us cristendom to take": Conversion and Deceit in Chaucer's "Man of Law's Tale."</text>
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                <text>Focuses on the Sultaness in MLT and argues that the text explores the ramifications of forced conversion and feigned baptism, along with larger issues of deception and truth.</text>
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              <text>Smith, Kathleen.</text>
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Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:218</text>
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        <element elementId="114">
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              <text>Jay Paul Gates and Brian O'Camb, eds. Remembering the Medieval Present: Generative Uses of England's re-Conquest Past, 10th to 15th Centuries (Leiden: Brill, 2019), pp. 195-214.</text>
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O'Camb, Brian, ed. </text>
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                <text>Writing, Rewriting, and Disrupting the Anglo-Saxon Past in Chaucer's "Man of Law's Tale."</text>
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                <text>Argues that the rhetorical interjections and repetitions in MLT, read in the context of Trevet's and Gower's versions of the Constance story as "an origin point of English identity," focus attention on questions of myth, literary belief, and historical veracity, and demonstrate the "plasticity of . . . legendary history." Recurrently poses Gower as the target audience for MLT.</text>
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              <text>Chaucer Review 55, no. 4 (2020): 397-421.</text>
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              <text>Man of Law and His Tale&#13;
Canterbury Tales--General</text>
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              <text>mea; SAC 44:217</text>
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              <elementText elementTextId="2841315">
                <text>The Host, the "Man of Law's Tale," and the Fantasy of the Foreign Wife</text>
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            <description>An account of the resource</description>
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                <text>Discusses the wives of CT, and, in particular, Constance in MLT, suggesting that "unruly" wives are generally English and that virtuous ones are continental. Traces how Chaucer's use of these good wives offers space for him to rethink England, the Continent, and good wives.</text>
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              <text>Santos, Spenser.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A81.03 (2019): n.p.</text>
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        <element elementId="100">
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              <text>Dissertation Abstracts International 81 (2019)</text>
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              <text>Man of Law and His Tale</text>
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            <elementText elementTextId="2841313">
              <text>mea; SAC 44:216</text>
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        <element elementId="114">
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                <text>Translating the Past: Medieval English Exodus Narratives</text>
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              <elementText elementTextId="2841308">
                <text>Uses medieval and modern translation theories to consider Old and Middle English narratives about the origins of English Christianity; includes discussion of MLT and its "unveiling of the hidden inclination toward Christianity among the people of England."</text>
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              <text>Rajendran, Shyama.</text>
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              <text>Richard H. Godden and Asa Simon Mittman, eds. Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World ([London]: Palgrave Macmillan, 2019), pp. 127-43.</text>
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Mittman, Asa Simon, ed.</text>
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              <text>Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World</text>
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              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
</text>
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              <text>mea; SAC 44:214</text>
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        <element elementId="114">
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            <elementText elementTextId="2841306">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841298">
                <text>E(Race)ing the Future: Imagined Medieval Reproductive Possibilities and the Monstrosity of Power.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841299">
                <text>Intersectional analysis discloses that MLT, John Gower's Tale of Constance, and "The King of Tars" cast out "non-Christian bodies from the possibilities of reproductive futurism" and "offer visions of Christian imperialist futures enacted and made possible through the bodies of their heroines." By foregrounding a "hegemonic world order," they allow us "to see the true monstrosity of their imagined futures."</text>
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              <text>Lecky, Kat.</text>
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              <text>Megan Moore, ed. Gender in the Premodern Mediterranean (Tempe: Arizona Center for Medieval &amp; Renaissance Studies, 2019), pp. 203-33.</text>
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          <elementTextContainer>
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              <text>Man of Law and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2841296">
              <text>mea; SAXC 44:213</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2841297">
              <text>2019</text>
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                <text>The Politics of Mediterranean Marriage in Chaucer, Shakespeare, and Milton.</text>
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                <text>Traces from Chaucer (MLT) to Shakespeare ("Othello") to Milton ("Samson Agonistes") a "literary tradition that seeks to understand England's place on [the] international stage." Identifies the economic/political models that underlie Custance's two marriages: imperial slavery in the first, "the Mediterranean's thriving mercantile" economy in the second--with the two linked by Custance's association with boats and Alla's "strikingly Islamic name."</text>
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              <text>Honda, Takahiro.</text>
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              <text>Research Reports, National Institute of Technology, Fukushima College 61 (2020): 161-68.</text>
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              <text>Research Reports, National Institute of Technology, Fukushima College 61 (2020)</text>
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              <text>Man of Law and His Tale&#13;
Lak of Stedfastnesse</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2841287">
              <text>mea; SAC 44:212</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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              <text>2020</text>
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                <text>One Aspect of Chaucer's Mutability and Authority from the "Man of Law's Tale" and "Lak of Stedfastnesse."</text>
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            <description>An account of the resource</description>
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                <text>Analyzes the concepts of mutability and instability in MLT, arguing that Chaucer constantly approaches these concepts in relation to worldly authorities, and that this implies lessons for such authorities. In Japanese, with English abstract.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Cady, Diane.</text>
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              <text>The Gender of Money in Middle English Literature: Value and Economy in Late Medieval England (Cham: Palgrave Macmillan, 2019), pp. 125-60.</text>
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          <elementTextContainer>
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              <text>The Gender of Money in Middle English Literature: Value and Economy in Late Medieval England</text>
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          <name>Chaucer Subject</name>
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Sources, Analogues, and Literary Relations</text>
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        </element>
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              <text>mea; SAC 44:211</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2841280">
              <text>2019</text>
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              <elementText elementTextId="2841273">
                <text>Damaged Goods: Merchandise, Stories, and Gender in Chaucer's the "Man of Law's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2841274">
                <text>Explores how medieval travel writers "imagine storytelling and merchandising as analogous enterprises," how they intersect with "gender ideology" wherein "texts are imagined as both feminine corpora and feminized commodities," and how the Man of Law's aversion to incest can be linked with "anxieties" about poetic properties and succession. Shows that those anxieties are Chaucer's own, evident by contrast with Boccaccio's tale of Alatiel, and haunted by the critical fiction of Chaucer's rivalry with Gower.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Paravano, Cristina.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Francesca Orestano and Michael Vickers, eds. Not Just Porridge: English Literati at Table (Oxford: Archaeopress, 2017), pp. 1-11; 4 illus</text>
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              <text>Orestano, Francesca, ed. &#13;
Vickers, Michael, ed.</text>
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          <elementTextContainer>
            <elementText elementTextId="2841269">
              <text>Not Just Porridge: English Literati at Table</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841270">
              <text>Cook and His Tale&#13;
Manciple and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841271">
              <text>mea; SAC 44:210</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841272">
              <text>2017</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2841264">
                <text>Roger of Ware: A Medieval Masterchef in Chaucer's "Canterbury Tales."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2841265">
                <text>Assesses the characterization and culinary skills of the Cook, commenting on details of GP, CkP, and ManP, and commending his variety of cooking techniques. Includes recipes for "Chicken with the Marrowbones" and "Mortreux" (GP, 380, 384).</text>
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          </element>
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              <description>A name given to the resource</description>
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              <text>Flannery, Mary C.</text>
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              <text>Yearbook of Langland Studies 33 (2019): 231-38.</text>
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              <text>Yearbook of Langland Studies 33 (2019)</text>
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Cook and His Tale&#13;
Manuscripts and Textual Studies</text>
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            <elementText elementTextId="2841262">
              <text>mea; SAC 44:209</text>
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          <elementTextContainer>
            <elementText elementTextId="2841263">
              <text>2019</text>
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                <text>Langlandian Personification.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841257">
                <text>Argues that "emphasis on sound and voice" rather than visual detail characterizes "Langlandian" personifications,   opening with commentary on these qualities as they are found in verse interpolations in the "unique version" of CkT "preserved in Oxford, Bodleian Library, MS Bodley 686."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Thomas, Arvind.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2841251">
              <text>Studies in the Age of Chaucer SAC 42 (2020): 27-72.</text>
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          <name>Journal by Volume Number</name>
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              <text>Studies in the Age of Chaucer SAC 42 (2020)</text>
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              <text>Reeve and His Tale&#13;
Miller and His Tale&#13;
Clerk and His Tale</text>
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              <text>mea; SAC 44:208</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841255">
              <text>2020</text>
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              <elementText elementTextId="2841248">
                <text>Fighting Force with Force: How the Reeve Makes His Day; or, Chaucer Stands His Ground among Jurists Past and Present.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841249">
                <text>Identifies parallels between the legal maxims of RvPT and the commentaries of medieval canon and civil law, including ones by Giovanni da Legnano (cited in ClT, 34) and a pair of canonists named (in Latin) Aleyn and John. Focuses on laws that pertain to defamation and self-defense, issues that relate to the Miller/Reeve exchange of tales and to Simkyn, Aleyn, and John. Includes comments on legal study in the medieval King's Hall, Cambridge, and stand-your-ground arguments in the twenty-first-century USA.</text>
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