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              <text>Brown, Emerson,Jr.</text>
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              <text>Chaucer Review 10 (1976): 236-42.</text>
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              <text>Parson and His Tale.</text>
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              <text>jules - 6/10/94 SAC 1 (182)</text>
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                <text>The Poet's Last Words: Text and Meaning at the End of the Parson's Prologue</text>
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                <text>Manly's reordering of the final lines of ParsP in his 1928 edition is contested by manuscript evidence, Chaucer's general usage of pronouns, and the intelligibility and literary excellence of the original version.</text>
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              <text>Dance, Richard.</text>
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              <text>Helen Cooper and Robert R. Edwards, eds. Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 (Oxford: Oxford University Press, 2023), pp. 71-87.</text>
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              <text>SAC 47:66</text>
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                <text>The Poetic Field, I: Old and Middle English Language and Poetry.</text>
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                <text>Concentrates on the relationship between Old and Middle English poetic forms, especially during the transition from Old to Middle English, focusing on the "Soul's Address to the Body" and "The Ormulum" before concluding with a discussion of Chaucer's and the "Gawain"-poet's methods</text>
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              <text>Lemons, Andrew.</text>
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              <text>House of Fame&#13;
Style and Versificatioin</text>
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              <text>mea; SAC 42:204</text>
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                <text>The Poetic Form of Voice in Chaucer's "House of Fame."</text>
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                <text>Focuses on the circle rhyme in the second book of HF, which reflects the theory of poetic form and voice as found in the vision itself.</text>
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              <text>Spearing, A. C.</text>
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              <text>David G. Allen and Robert A. White, eds.  Subjects on the World's Stage: Essays on British Literature of the Middle Ages and the Renaissance (Newark: University of Delaware Press, 1995), pp. 13-37.</text>
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              <text>Subjects on the World's Stage: Essays on British Literature of the Middle Ages and the Renaissance.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>jules SAC 19 (1997) - 59</text>
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                <text>The Poetic Subject from Chaucer to Spenser</text>
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                <text>In the development of the literary subjective "I," Chaucer's work--especially KnT with its images of prison and mirrors that become images for the exploration of subjectivity--greatly influenced subsequent writers from Hoccleve to Spenser.</text>
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              <text>Kumamoto, Sadahiro.</text>
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              <text>Masahiro Hori, Tomoji Tabata, and Sadahiro Kumamoto, eds. Stylistic Studies of Literature: In Honour of Professor Hiroyuki Ito (New York and Frankfurt am Main: Peter Lang, 2009), pp. 71-92.</text>
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              <text>Stylistic Studies of Literature: In Honour of Professor Hiroyuki Ito.</text>
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              <text>Hori, Masahiro, ed</text>
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              <text>Tabata, Tomoji, ed.</text>
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              <text>Kumamoto, Sadahiro, ed.</text>
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              <text>Style and Versification.</text>
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              <text>vxl sac 33:47</text>
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                <text>The Poetic Technique of Enjambment in Chaucer's Poems: The Case of Five Sentence Elements (S, Aux, V, O, C)</text>
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                <text>Kumamoto examines eleven syntactical patterns used in conjunction with poetic enjambment. Chaucer's poetry contains more enjambment than do three anonymous romances included for comparison--and Chaucer uses enjambment more in his early poetry (BD, HF, PF) than in KnT, MilT, and RvT.</text>
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              <text>Irvin, Matthew W.</text>
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              <text>Cambridge: D. S. Brewer, 2014.</text>
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              <text>viii, 315 pp.</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Poetic Voices of John Gower: Politics and Personae in the "Confessio Amantis."</text>
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                <text>Argues that Gower's intention in "Confessio Amantis" is both "poetic, as well as political." Emphasizes how Chaucer and Gower are concerned with "authority and experience" in their poems. Discusses WBT in relation to Gower's "Tale of Florent."</text>
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              <text>Ph.D. Dissertation. University of Virginia, 2014. Fully accessible via https://libraetd.lib.virginia.edu/public_view/sn009z07c (accessed March 11, 2026)</text>
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              <text>xii, 306</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2854286">
              <text>Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
Clerk and His Tale&#13;
Canon's Yeoman and His Tale</text>
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            <elementText elementTextId="2854287">
              <text>mea; 3/12/2026</text>
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        <element elementId="114">
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            <elementText elementTextId="2854288">
              <text>2014</text>
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              <elementText elementTextId="2854281">
                <text>The Poetics of Alchemical Engagement: The Allegorical Journey to God in Ripley and Norton after Chaucer.</text>
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              <elementText elementTextId="2854282">
                <text>Argues that "fifteenth-century alchemical poets, George Ripley and Thomas Norton, perceived themselves to be 'Chaucerian' in far deeper ways than has been recognized," joining "author, reader and pilgrim on an essentially hermeneutical journey to Wisdom," and perceiving themselves to share" with Chaucer "the Boethian belief" that perception of the supernatural can be achieved. Includes discussion of Ripley's and Norton's uses of CYPT and reads ClPT for ways Chaucer engages Heraclitus's "river of time," challenges Petrarch's "debunking" of the Middle Ages, and presents Walter and Griselda's marriage as a union of "Time with Eternity, and the human with the divine."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2752299">
              <text>Gaylord, Alan T.</text>
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              <text>[Provo, Utah]: Chaucer Studio; [Richmond, Ky.]: Southeastern Medieval Association, 1999. Supplement to special issue of Medieval Perspectives, no. 14</text>
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            <elementText elementTextId="2752301">
              <text>1999</text>
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            <elementText elementTextId="2752302">
              <text>46 pp.; 1 CD-ROM.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2752304">
              <text>Style and Versification.</text>
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            <elementText elementTextId="2752305">
              <text>Recordings and Films.</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2752306">
              <text>Chaucer Studio Occasional Readings, no. 26</text>
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              <text>Medieval Perspectives 14 (1999)</text>
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        <element elementId="109">
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            <elementText elementTextId="2752308">
              <text>jules SAC 23 (55)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2752298">
                <text>The Poetics of Alliteration : Readings of Medieval English Alliterative Verse</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2752303">
                <text>An aural history of alliterative verse in English, from Caedmon's Hymn to "traces" and imitations in modern poetry, with emphasis on medieval tradition. First delivered as a plenary address at the 1998 meeting of the Southeastern Medieval Association, the text describes and exemplifies features of alliterative verse and assesses aesthetic and formal features of passages from a range of lyric, narrative, and drama. Chaucer is mentioned throughout, although no passage from his work is discussed. The CD includes Gaylord's readings of the poetry.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2693843">
              <text>Kimmelman, Burt Joseph.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2693844">
              <text>Dissertation Abstracts International 52 (1991): 1741A.</text>
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        <element elementId="114">
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            <elementText elementTextId="2693845">
              <text>1991</text>
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        <element elementId="102">
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            <elementText elementTextId="2693847">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2693848">
              <text>Dissertation Abstracts International 52 (1991)</text>
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        <element elementId="109">
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            <elementText elementTextId="2693849">
              <text>mea</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2693842">
                <text>The Poetics of Authorship in the Later Middle Ages: The Emergence of the Modern Literary Persona</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2693846">
                <text>Mentions Chaucer among poets (Guillem IX, Marcabru, Dante, and especially Langland) who helped develop the distinction between history and fiction and who showed themselves to be individuals, not for self-promotion but to identify themselves philosophically with contemporary issues.</text>
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  <item itemId="266132" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2741273">
              <text>Kimmelman, Burt.</text>
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        <element elementId="98">
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              <text>New York: Peter Lang, 1996.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2741275">
              <text>1996</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2741276">
              <text>288 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2741279">
              <text>Legend of Good Women.</text>
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              <text>Parliament of Fowls.</text>
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            <elementText elementTextId="2741281">
              <text>Troilus and Criseyde.</text>
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              <text>Clerk and His Tale.</text>
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              <text>Chaucer's Retraction.</text>
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        <element elementId="104">
          <name>Series</name>
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            <elementText elementTextId="2741284">
              <text>Studies in the Humanities--Politics--Society, no. 21</text>
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              <text>jules SAC 20 (1998), 90</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2741272">
                <text>The Poetics of Authorship in the Later Middle Ages: The Emergence of the Modern Literary Persona</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2741277">
                <text>Explores the emergence of the modern, first-person persona as manifested in autocitation.  Assessing the influence of Augustine, Anselm, Ockham, and others, Kimmelman traces the development of autocitation in the  works of Guillem IX, Marcabru, and Dante, focusing primarily on Langland and    Chaucer.  Kimmelman studies Chaucer's persona most closely in LGWP but also comments on PF, TC, ClT, Ret, and CT.</text>
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                <text>A revision of Kimmelman's dissertation.  See Dissertation Abstracts International 52 (1991): 1741A</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800368">
              <text>O'Connell, Brendan.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2800369">
              <text>Gerald Morgan, ed. Chaucer in Context: A Golden Age of English Poetry (New York: Peter Lang, 2012), pp. 261-78.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2800370">
              <text>2012</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2800371">
              <text>Chaucer in Context: A Golden Age of English Poetry.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800373">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2800374">
              <text>Pardoner and His Tale</text>
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            <elementText elementTextId="2800375">
              <text>House of Fame</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2800376">
              <text>mea SAC 36:43</text>
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              <elementText elementTextId="2800367">
                <text>The Poetics of Fraud: Jean de Meun, Dante, and Chaucer</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2800372">
                <text>Traces Chaucer's and Dante's different responses to poetic "representation and authority" to Jean de Meun's "Le roman de la rose," examining the "poetics of fraud" in PardT and HF.</text>
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  <item itemId="265577" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735496">
              <text>Paxson, James J.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Cambridge: Cambridge University PRess, 1994.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735498">
              <text>1994</text>
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          <elementTextContainer>
            <elementText elementTextId="2735499">
              <text>xii, 210 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2735502">
              <text>Background and General Criticism.</text>
            </elementText>
            <elementText elementTextId="2735503">
              <text>House of Fame.</text>
            </elementText>
            <elementText elementTextId="2735504">
              <text>Parliament of Fowls.</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2735505">
              <text>Literature, Culture, Theory, no. 6.</text>
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        <element elementId="109">
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            <elementText elementTextId="2735506">
              <text>jules SAC 18 (1996) - 116</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735495">
                <text>The Poetics of Personification</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2735500">
                <text>Defines and analyzes personification as fundamental to literature and human consciousness.  Surveys the history and theory of the device and examines its roles in works by Prudentius, Chaucer, Langland, and Spenser, applying various modern critical theories, including narratology, phenomenology, semiotics, and deconstruction.</text>
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                <text>The chapter on Chaucer considers HF and PF as works where personifications are projections of the narrator, who phenomenologically loses self through the projections.  The loss of self is similar to, or a form of, sloth or "accedia."</text>
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  <item itemId="266595" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746077">
              <text>Bankert, Dabney Anderson.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746078">
              <text>Dissertation Abstracts International 57 (1997): 4733A.</text>
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              <text>1997</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Dissertation Abstracts International 57 (1997)</text>
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              <text>jules SAC 21 - 285</text>
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                <text>The Poetics of Religious Conversion in Medieval English Literature</text>
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                <text>Considers biblical, historical, traditional, and hagiographical accounts of conversion, exploring Chaucer's appropriation of them to psychologize courtly love or "'fin'amors' as a surrogate religion" in TC.</text>
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              <text>Barootes, Benjamin S. W.</text>
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Available at https://escholarship.mcgill.ca/. &#13;
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        <element elementId="114">
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                <text>The Poetics of the Elegiac Dream Vision in Middle English Literature.</text>
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                <text>Examines "how Middle English poets deployed the dream vision genre and the elegiac mode to explore the limitations of language and interrogate the art of poetry." Includes discussion of how in BD the Black Knight's "move from the closed circle of repetitive grief to the vital progress of narrative . . . parallels the poet's own literary movement from courtly lyrics to sustained narrative poetry."</text>
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              <text>Gaston, Kara.</text>
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              <text>Studies in the Age of Chaucer 37 (2015): 227-56.</text>
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              <text>Studies in the Age of Chaucer 37 (2015): 227-56.</text>
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              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Legend of Good Women&#13;
Canterbury Tales--General</text>
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              <text>SAC 39:168&#13;
mea; 2/26/2018</text>
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                <text>The Poetics of Time Management from the "Metamorphoses" to "Il filocolo" and "The Franklin's Tale."</text>
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                <text>Examines the management of time in the "Aeson episode" of Ovid's "Metamorphoses" (Book VII), the Tale of Menedon in Boccaccio's "Filocolo,"and FranT, focusing on Medea's "carmen," Tebano's magic, Dorigen's complaint, and their parallels with poetic composition. Dorigen's complaint conveys a sense of "productive contingency" and resists order or completion, suggesting that what remains unsaid can be powerfully evocative (as in LGW) and that the "establishment of interpretive perspective . . . [is] an event that takes place in time" (as in CT).</text>
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              <name>Title</name>
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              <text>Yang, Ming-Tsang.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Studies in Language and Literature (National Taiwan University) 10: 27-49,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759880">
              <text>2001</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>Studies in Language and Literature (National Taiwan University) 10 (2001)</text>
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        <element elementId="109">
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              <text>jules SAC 25 (287)</text>
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                <text>The Poetics of Translation in Chaucer's Troilus and Criseyde</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2759881">
                <text>Yang considers several aspects of translation and the rhetoric of translation in TC: the narrator's "double role" as translator and author, Pandarus as translator, Diomede as a "force of the translation process," Criseyde as "text" that is translation and retranslated, and Troilus's rise to the sphere as Chaucer's translation of Boccaccio's "Filostrato" from a secular to a religious poem.</text>
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              <text>Johnson, Eleanor.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 426-39.</text>
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              <text>Oxford Handbook of Chaucer</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde</text>
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              <text>mea; SAC 44:49</text>
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                <text>The Poetics of Trespass and Duress: Chaucer and the Fifth Inn of Court.</text>
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                <text>Discusses the "the rise and coalescence of trespass law, both as a theory of legal relationality and a practice of litigation." Traces the effect of trespass law on other forms of English law and demonstrates the effect of this law on poetry. Emphasizes TC and its relationship to Boccaccio's "Filostrato," highlighting how the former can be viewed through the evolution of English law.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Gardner, John Champlin.</text>
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        <element elementId="98">
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              <text>Carbondale: Southern Ililinois University Press, 1977.</text>
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        <element elementId="114">
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            <elementText elementTextId="2729401">
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              <text>408 pp.</text>
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        <element elementId="109">
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              <text>jules SAC 02 (73)</text>
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                <text>The Poetry of Chaucer</text>
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          <element elementId="41">
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                <text>BD is an apprentice work whose chief interest is in rhetoric and ornamentation.  PF, built on neo-platonic musical principles, shows growth in command of structure.  The short poems reveal Chaucer's interest in prosodic experiment.  TC is a great love story which explores the tragic contrast between the neo-platonic ideas of unity (tradition, authority) and diversity (experience, experiment, realism).</text>
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                <text>HF treats the same theme of authority and experience.  LGW is a serio-comic treatment of neo-platonic love doctrine.  CT combines the attitudes of the modern realist with those of the medieval neo-platonist.  It is a final rendition of the theme of unity and diversity, the one and the many.</text>
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              <text>Torti, Anna.</text>
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              <text>Marco Fazzini, ed. Alba Literaria: A History of Scottish Literature. Venice: Amos Edizioni, 2005, pp. 65-81.</text>
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            <elementText elementTextId="2769404">
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              <text>Alba Literaria: A History of Scottish Literature.</text>
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              <text>Fazzini, Marco, ed,</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>House of Fame.</text>
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                <text>The Poetry of Gavin Douglas : Memory, Past Tradition and Its Renewal</text>
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                <text>Consciousness of the importance of the Scottish literary tradition characterizes Douglas's work. Although "The Palice of Honour" is grounded in Chaucer's HF, Douglas makes it clear that his aim is different, and the latter compares Fame to Honour unfavorably. In "Eneados" and in the Prologues to the individual books of the poem, Doublas shows interest in tradition and in the theoretical aspects of translation.</text>
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              <text>New York: Caedmon, 1962. (TC 1151). Available at archive.org; accessed June 29, 2024.</text>
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Parson and His Tale&#13;
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                <text>The Poetry of Geoffrey Chaucer: The General Prologue/The Prologue to the Parson's Tale/The Retraction</text>
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                <text>A reading in Middle English of GP, ParsP, and Ret., accompanied by introductory liner introduction and a 12-booklet that includes the text of the poetry from F. N. Robinson's 1957 edition, withour notes or glosses.</text>
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              <text>New York: Caedmon, 1967. (TC 1226)</text>
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              <text>Sound recording. 1 LP recording; 32 pp. booklet.</text>
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              <text>Recordings and Films&#13;
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Merciles Beaute&#13;
To Rosemounde&#13;
Lak of Stedfastnesse&#13;
Complaint of Chaucer to His Purse&#13;
Adam Scriveyn&#13;
Envoy to Scogan</text>
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                <text>The Poetry of Geoffrey Chaucer: The Parliament of Fowls and Six Lyric Poems.</text>
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                <text>A reading in Middle English of PF, MerB, Ros, Sted, Purse, Adam, and Scogan, accompanied by a companion booklet that comprises the text, notes, and glosses based on E. T Donaldson's "Chaucer's Poetry" (1958).</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Yeager, R. F.</text>
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              <text>Corinne Saunders, ed. A Companion to Medieval Poetry (Malden, Mass.: Wiley-Blackwell, 2010), pp. 476-95.</text>
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              <text>A Companion to Medieval Poetry.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Canterbury Tales--General</text>
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              <text>vxl sac 34:55</text>
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                <text>The Poetry of John Gower</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2788240">
                <text>Considering the possibility that Gower "was the foremost poet of his age," Yeager contrasts the poetic powers of Gower and Chaucer and compares Gower's poetic techniques in "In Praise of Peace" and "Confessio Amantis" with Chaucer's techniques in CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Burrow, J. A.</text>
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              <text>Cambridge and New York: Cambridge University Press, 2008.</text>
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            <elementText elementTextId="2778827">
              <text>2008</text>
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            <elementText elementTextId="2778828">
              <text>vii, 196 pp.</text>
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              <text>Style and Versification</text>
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              <text>House of Fame</text>
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              <text>Troilus and Criseyde</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>Cambridge Studies in Medieval Literature, no. 69.</text>
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              <text>vxl SAC 32:63.</text>
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                <text>The Poetry of Praise</text>
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              <elementText elementTextId="2778829">
                <text>Burrow explores the functions and rhetoric of praise in classical, medieval, and Renaissance poetry, with commentary on its relative paucity in modern tradition. Focuses on medieval English panegyric verse, love poetry, and devotional poetry, with particular attention to "Beowulf" and Chaucer's works, though ranging widely in Old and Middle English poetry and assessing Spenser's "Faerie Queene" and Tennyson's "Idylls of the King."</text>
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                <text>The discussion of Chaucer (pp. 101-49) concentrates on the poet's rhetorical uses of intensifiers and other forms of "epideictic magnification" (both serious and satirical), examining GP, HF, praise of women and leaders, and descriptions of individuals, particularly Troilus and Criseyde.</text>
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            <elementText elementTextId="2752886">
              <text>Chickering, Howell.</text>
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              <text>Chaucer Review 34: 243-68,   2000.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Style and Versification.</text>
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              <text>jules SAC 24 (375)</text>
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                <text>The Poetry of Suffering in Book V of Troilus</text>
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            <description>An account of the resource</description>
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                <text>Close reading of three passages on Troilus's suffering (5.218-38, 540-53, 1674-1722) reveals an intensification of emotion through "rhetorical figures of compression and repetition and by cascades of rhyme sounds within the rhyme royal forms." The reader's sympathy with Troilus is thus heightened, producing relatively homogeneous interpretations of the text.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Knight, Stephen</text>
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              <text>Sydney: Angus and Roberstosn, 1973.</text>
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              <text>xiv, 200 pp.; b&amp;w illus.</text>
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              <text>Canterbury Tales--General</text>
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              <text>Language and Word Studies</text>
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              <text>mea; 8/20/2015 No SAC</text>
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                <text>The Poetry of the Canterbury Tales</text>
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                <text>Argues that Chaucer's "poetic powers" are consistently evident throughout CT and that the formal qualities of his poetry are as important to his high reputation as are his wit and humane sensibility. Reads CT sequentially, tale by tale, focusing on Chaucer's "command of language and his grasp of the complex workings of poetic implication that enable him to communicate his subtle perceptions so well." Recurrent attention to diction, syntax, stylistic registers, imagery, and various prosodic features.</text>
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