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              <text>Sato, Tsutomu.</text>
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              <text>Studies in Medieval Language and Literature 2 (1987): 31-53.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 11 (264)</text>
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                <text>The Narrator-Audience Relationship in Chaucer's 'Troilus and Criseyde'</text>
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                <text>Sato suggests that the narrator involves his audience in the narration and makes them comakers of the story and even narrative agents.</text>
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              <text>Dahlberg, Charles.</text>
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              <text>Chaucer Review 15 (1980): 85-100.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 04 (130)</text>
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                <text>The Narrator's Frame for 'Troilus'</text>
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                <text>Opening and closing stanzas of TC combine high, epic style with "sermo humilis," creating a rising and sinking pattern of "unlikeness."  The verse and rhetoric reflect the meanings, the sublimest points made in simplest statement.  The conclusion thus parallels the opening pattern.</text>
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              <text>Anderson, J. J.</text>
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              <text>Chaucer Review 26 (1992): 219-35.</text>
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              <text>mea</text>
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                <text>The Narrators in the 'Book of the Duchess' and the 'Parlement of Foules'</text>
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                <text>The narrator of the dream poems is not a consistent character,as previously thought, but a progressive one, embodying Chaucer's later preoccupation with experience versus authority.  The narrator of BD is a doer; that of PF, a reader.  Their one-sidedness makes them comic and ineffectual.</text>
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              <text>Smith, D. Vance.</text>
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              <text>C. M. Woolgar, ed. The Elite Household in England, 1100–1550: Proceedings of the 2016 Harlaxton Symposium (Donington: Shaun Tyas, 2018), pp. 110-28.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Nun's Priest and His Tale</text>
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                <text>The National Allegory of the Household: "Domus" and "Lingua" in John Gower's "Vox clamantis" and Geoffrey Chaucer's "House of Fame."</text>
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                <text>Unpacks allegorical aspects of "domus" (household, community, regulation, tradition, order) and "lingua" (speech, noise, murmuring, poetry, vernacularity) in Gower's "Vox clamantis" and in HF, using Fredric Jameson's notion of "national allegory" to explore complex relations between private and public levels of meaning, and clarifying Ovidian models that underlie the two poems. Also comments on the dynamics of household and language in NPT.</text>
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              <text>Horobin, Simon.</text>
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              <text>Tim William Machan, ed. Imagining Medieval English: Language Structures and Theories, 500–1500 (Cambridge: Cambridge University Press, 2016), pp. 147-65.</text>
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              <text>Imagining Medieval English: Language Structures and Theories, 500–1500</text>
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Language and Word Studies</text>
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                <text>The Nature of Material Evidence.</text>
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                <text>Considers how manuscript evidence informs our understanding of Middle English, addressing the value of autograph manuscripts and personal letters, the process of standardization, and the importance of sociolinguistics. Includes analysis of the habits of Chaucer scribes Geoffrey Spirleng and Adam Pinkhurst and maintains that, generally, when "copying Chaucer, scribes tended to preserve older London forms associated with Chaucer's own usage."</text>
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              <text>Knapp, Peggy Ann.</text>
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        <element elementId="98">
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              <text>Chaucer Review 13 (1978): 133-40.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Chaucer Review 13 (1978)</text>
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              <text>jules SAC 02 (234)</text>
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                <text>The Nature of Nature: Criseyde's 'Slydyng Corage'</text>
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                <text>Criseyde's characterization and role in Chaucer's fiction define the way Nature herself looks and functions in the world.  Troilus and Pandarus as "priests of Nature" cannot reconcile their image of her with a nature that is "slyding of corage."</text>
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              <text>Brewer, Derek.</text>
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          <description/>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2768836">
              <text>Background and General Criticism.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
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              <text>Poetica: An International Journal of Linguistic Literary Studies 09 (1978)</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768838">
              <text>vxl sac 29:91.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Nature of Romance</text>
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            <description>An account of the resource</description>
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                <text>Seeks to define "romance" in Western literary tradition, commenting on its development from classical roots up to modern fantasy literature. Common formal features help to define the term, along with recurrent narrative patterns and themes. The article treats a wide range of literature, including Arthurian romance and works by Chaucer.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800744">
              <text>Bowers, John M.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>R. F. Yeager and Toshiyuki Takamiya, eds. The Medieval Python: The Purposive and Provocative Work of Terry Jones (New York: Palgrave Macmillan, 2012), pp. 105-17</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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              <text>2012</text>
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              <text>Medieval Python: The Purposive and Provocative Work of Terry Jones.</text>
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              <text>House of Fame</text>
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              <text>Legend of Good Women</text>
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              <text>Chaucer's Life</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800752">
              <text>mea SAC 36:207</text>
            </elementText>
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              <elementText elementTextId="2800743">
                <text>The Naughty Bits: Dating Chaucer's 'House of Fame' and 'Legend of Good Women'</text>
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                <text>Dates HF in the mid-1380s, positioning it as a "transitional work" between TC and CT and a reflection of Chaucer's status at the time as a king's man. Argues that LGW was written concurrently with CT, with LGWP-F as early as 1392, and revised as LGWP-G after 1394. LGW is addressed to Richard II and his court; CT to "literary posterity."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2791538">
              <text>Murnighan, Jack, ed.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2791539">
              <text>New York: Three Rivers Press, 2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2791540">
              <text>2001</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2791541">
              <text>237 pp.</text>
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            <elementText elementTextId="2791543">
              <text>Facsimiles, Editions, and Translations</text>
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              <text>Wife of Bath and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791545">
              <text>mea 6/5/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2791537">
                <text>The Naughty Bits: The Steamiest (and Most Scandalous) Sex Scenes from the World's Greatest Books</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2791542">
                <text>Anthologizes excerpts from more than eighty works of literature, from the Old Testament to the Starr Report, including a selection from WBP (pp. 128-31), modernized by Murnighan; includes an appreciative introduction which refers to the Wife as "a kind of Mae West of the Middle Ages."</text>
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  <item itemId="269291" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2773990">
              <text>Patterson, Lee.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773991">
              <text>Bonnie Wheeler, ed. Mindful Spirit in Late Medieval Literature: Essays in Honor of Elizabeth D. Kirk  (New York: Palgrave Macmillan, 2006), pp. 187-210.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2773992">
              <text>2006</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2773993">
              <text>Mindful Spirit in Late Medieval Literature: Essays in Honor of Elizabeth D. Kirk.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2773995">
              <text>Clerk and His Tale.</text>
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            <elementText elementTextId="2773996">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2773997">
              <text>vxl sac 30:217</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2773989">
                <text>The Necessity of History: The Example of Chaucer's 'Clerk's Tale</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2773994">
                <text>Patterson reads ClT in light of negotiations over the marriage of Richard II and Isabelle of France in 1396 and of the texts surrounding those negotiations, especially those concerned with the ideology of sacral kingship. Chaucer knew of the marriage negotiations through John Pritwell, the royal sergeant-at-arms who obtained safe conduct for diplomats and who worked with Chaucer when Chaucer was Clerk of the King's Works. Chaucer may have used "L'estoire de Griseldis" as well as Petrarch and the French translation as a reaction to the muting of political and literary issues.</text>
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  <item itemId="268828" public="1" featured="0">
    <collection collectionId="8">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769244">
              <text>Vásquez Gonzalez, Nila.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769245">
              <text>International Journal of English Studies 5.2 (2005): 161-73.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769246">
              <text>2005</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769248">
              <text>Chaucerian Apocrypha.</text>
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            <elementText elementTextId="2769249">
              <text>Facsimiles, Editions, and Translations.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2769250">
              <text>International Journal of English Studies 05 (2005).</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2769251">
              <text>vxl sac 29:331</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2769243">
                <text>The Need for Re-editing Gamelyn</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2769247">
                <text>Justifies the need for a new edition of the "Tale of Gamelyn" on the grounds that previous editions rely on limited manuscript authority and reflect various editorial biases.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="270034" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781658">
              <text>Prendergast, Thomas, and Stephanie Trigg.</text>
            </elementText>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781659">
              <text>Elizabeth Scala and Sylvia Federico, eds. The Post-Historical Middle Ages ((New York: Palgrave Macmillan, 2009), pp. 117-37.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781660">
              <text>2009</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781661">
              <text>The Post-Historical Middle Ages</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2781662">
              <text>Trigg, Stephanie.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781664">
              <text>Recordings and Films.</text>
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            <elementText elementTextId="2781665">
              <text>Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2781666">
              <text>vxl sac 33:5</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2781657">
                <text>The Negative Erotics of Medievalism</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2781663">
                <text>The authors contemplate the relationship of medievalism to medieval studies, considering several (re)constructions of the Middle Ages, including Brian Helgeland's A Knight's Tale and various critics' efforts to gloss "queynte." Such considerations reveal more about the desires of the present than about the nature of the past.</text>
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  <item itemId="271469" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796872">
              <text>Edmondson, George.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2796873">
              <text>Notre Dame, Ind.: University of Notre Dame Press, 2011.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2796874">
              <text>2011</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2796875">
              <text>ix, 280 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2796877">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2796878">
              <text>Troilus and Criseyde</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796879">
              <text>mea SAC 35:29.</text>
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      <elementSet elementSetId="1">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2796871">
                <text>The Neighboring Text: Chaucer, Boccaccio, Henryson</text>
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            </elementTextContainer>
          </element>
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                <text>Applies psychoanalytical analysis to Boccaccio's "Il Filostrato," Chaucer's TC, and Robert Henryson's "Testament of Cresseid," tying "literary neighbor relations to the social and political realities of the late Middle Ages."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Woodward, Daniel.</text>
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              <text>Martin Stevens and Daniel Woodward, eds.  The Ellesmere Chaucer: Essays in Interpretation (San Marino, Calif.: Huntingon Library; Tokyo: Yushodo, 1995), pp. 1-13.</text>
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              <text>The Ellesmere Chaucer: Essays in Interpretation.</text>
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              <text>jules SAC 19 (1997) - 28</text>
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                <text>The New Ellesmere Chaucer Facsimile</text>
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                <text>Describes the new facsimile of Ellesmere and the project that led to its production and the accompanying volume.</text>
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                <text>The facsimile was produced in three forms, and some copies of the bound version have trimmed margins that do not match the original exactly.</text>
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            <elementText elementTextId="2744229">
              <text>Fisher, John H.</text>
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              <text>Soundings 80 (1997): 23-39.</text>
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              <text>1997</text>
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              <text>Background and General Criticism.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>House of Fame.</text>
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              <text>House of Fame.</text>
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                <text>The New Humanism and Geoffrey Chaucer</text>
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                <text>Examines the evolution of the word "humanism" and explores Chaucer's artistic application of fourteenth-century nominalism as it relates to his fusion of medieval ideas of community, tradition, and the emerging figure of the individual.  Treats CT, KnT, MLT, SNT, PrT, TC, LGWP, and HF.</text>
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              <text>Trigg, Stephanie</text>
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              <text>SAC 24: 347-54, 2002.</text>
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            <elementText elementTextId="2761637">
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              <text>Studies in the Age of Chaucer 24 (2002)</text>
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              <elementText elementTextId="2761634">
                <text>The New Medievalization of Chaucer</text>
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                <text>Trigg explores how efforts to introduce philology and recent challenges to canonicity complicate Chaucer pedagogy and its relations with the teaching of other medieval authors, contemplating questions of Chaucer's continuing appeal despite these challenges.</text>
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        <element elementId="110">
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            <elementText elementTextId="2805808">
              <text>Gardner, Helen, ed.</text>
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        <element elementId="98">
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              <text>Oxford: Clarendon, 1972.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2805810">
              <text>1972</text>
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            <elementText elementTextId="2805811">
              <text>xii, 974 pp.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Legend of Good Women</text>
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              <text>Prioress and Her Tale</text>
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              <text>mea; 1/18/2016 No SAC</text>
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              <elementText elementTextId="2805807">
                <text>The New Oxford Book of English Verse, 1250-1950</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2805812">
                <text>Includes selections from Chaucer's poetry, in Middle English with editorial titles: "The Complaint of Troilus" (TC 5.547-53, 561-81, 638-44, 1688-1901), "Love Unfeigned" (TC 5.1835-48), "Ballade" (LGWP F249-69), and "Madame Eglantine" (GP 1.118-62).</text>
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            <elementText elementTextId="2785474">
              <text>Ford, Boris, ed.</text>
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              <text>1982&#13;
1954</text>
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            <elementText elementTextId="2785477">
              <text>645 pp.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2785478">
              <text>Medieval Literature: Chaucer and the Alliterative Tradition.</text>
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              <text>Background and General Criticism.</text>
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              <text>mea 1/31/2013 No SAC</text>
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                <text>The New Pelican Guide to English Literature, Volume 1, Part 1: Medieval Literature: Chaucer and the Alliterative Tradition</text>
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          <element elementId="41">
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                <text>Capacious anatomy of Middle English literature, with a variety of essays by individual authors; a selection of lyrics, narrative poems, and dramas; suggestions for further readings, and comprehensive index.  The selection includes no works by Chaucer, but pertinent selections for further readings are included (pp. 620-21), and six essays pertain to Chaucer, some of which appeared originally in the predecessor to this volume, "The Age of Chaucer" (London: Penguin, 1954), also edited by Boris Ford.  For three newly published essays, search for Medieval Literature: Chaucer and the Alliterative Tradition under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2756366">
              <text>Keegan, Paul, ed.</text>
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        <element elementId="98">
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              <text>London : Penguin Press, 2000.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2756368">
              <text>2000</text>
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            <elementText elementTextId="2756369">
              <text>xliv, 1139 pp.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Parliament of Fowls.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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            <elementText elementTextId="2756375">
              <text>Knight and His Tale.</text>
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              <text>Miller and His Tale.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>jules SAC 24 (29)</text>
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                <text>The New Penguin Book of English Verse</text>
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            <description>An account of the resource</description>
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                <text>Representative British poetry (lyrics and selections from narrative verse), ranging from Middle English lyrics to poetry written in the 1990s. Arranged chronologically, with no introduction or notes, but with indexes of poets, first lines, and titles. Chaucer selections (pp. 9-15, 20-30) include portions of The Parliament of Fowls, Troilus and Criseyde, The General Prologue, The Knight's Tale, The Miller's Tale, The Wife of Bath's Prologue, and The Pardoner's Tale, with glosses.</text>
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            <elementText elementTextId="2707213">
              <text>Schibanoff, Susan.</text>
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              <text>Studies in the Age of Chaucer 10 (1988): 71-108.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1988</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Studies in the Age of Chaucer 10 (1988).</text>
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                <text>The New Reader and Female Textuality in Two Early Commentaries on Chaucer</text>
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                <text>The glosses to the Ellesmere and Egerton manuscripts of WBP and WBT illustrate how differently two readers may respond to a single text.  Condemning not only the Wife's sexuality but her "textuality" as well, the Egerton commentator struggles to wrest control of the text; the Ellesmere commentator, however, echoes, augments, and supports the Wife's text. </text>
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                <text>Analysis of marginal glosses and the role of the narrator in WBP, WBT, ManT, BD, HF, PF, and TC suggests that Chaucer himself had accepted both the emerging private reader and "female textuality" by the time he wrote CT.</text>
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                <text>Reprinted in Daniel J. Pinti, "Writings After Chaucer" (New York and London: Garland, 1998), pp. 45-80.</text>
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            <elementText elementTextId="2852481">
              <text>Clark, Cassandra.</text>
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              <text>Edinburgh: Severn House, 2023.</text>
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              <text>247 pp.</text>
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          <elementTextContainer>
            <elementText elementTextId="2852484">
              <text>A Brother Chandler Mystery.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 47:21</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2852487">
              <text>2023</text>
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                <text>The Night of the Wolf.</text>
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              <elementText elementTextId="2854045">
                <text>Historical novel in which friar-detective Rodric Chandler investigates murder as he seeks to hide Adam Pinkhurst's copy of CT from Lancastrian censors.</text>
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          </element>
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  <item itemId="263271" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2713098">
              <text>McDonald, William C.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2713099">
              <text>Deutsche Vierteljahrsschrift fur Literaturwissenschaft und Geistesgeschichte 60 (1986): 543-71.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>1986</text>
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        <element elementId="102">
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            <elementText elementTextId="2713102">
              <text>Parson and His Tale.</text>
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              <text>Deutsche Vierteljahrsschrift fur Literaturwissenschaft und Geistesgeschichte 60 (1986)</text>
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        <element elementId="109">
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              <text>jules SAC 10 (210)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2713097">
                <text>The Nobility of Soul: Uncharted Echoes of the Peraldean Tradition in Late Medieval German Literature</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2713101">
                <text>ParsT's statement of the medieval idea (of Peraldus) that true virtue derives from nobility of the spirit rather than from nobility of birth is examined in relation to its treatment by the late-medieval German authors Heinrich von Langenstein and Michel Beheim.</text>
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  <item itemId="272026" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2802574">
              <text>Andreas, James Robert.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2802575">
              <text>DAI 34.08 (1974): 5088A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802576">
              <text>1974</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2802578">
              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2802579">
              <text>Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2802580">
              <text>Dissertation Abstracts International 34 (1974)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802581">
              <text>mea; 1/29/2015 No SAC</text>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2802573">
                <text>The Noble Rhetor: Chaucer and Medieval Poetic Traditions</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2802577">
                <text>Surveys the importance of classical and medieval rhetorical theories that underlie late medieval poetry, and discusses the "flowering of rhetorico-poetic technique in Chaucer's verse," analyzing samples of his poetry in light of Geoffrey of Vinsauf's "Documentum de arte versificandi."</text>
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  <item itemId="273707" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2819162">
              <text>Hartung, Albert E.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2819163">
              <text>Mediaeval Studies 29 (1967): 1-25.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2819164">
              <text>Mediaeval Studies 29 (1967)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2819165">
              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2819166">
              <text>mea; 4/11/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2819167">
              <text>1967</text>
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              <elementText elementTextId="2819160">
                <text>The Non-Comic "Merchant's Tale," Maximianus, and the Sources.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2819161">
                <text>Evaluates MerT in light of its sources and analogues, including the "Miroir de Mariage," Boccaccio's "Ameto," and the "Elegies of Maximianus," the latter identified here as an analogue for the first time, with its presentation of "amorous senility that Chaucer would have known longest and most intimately." Focuses on the characterization of January and the pear tree episode, arguing that, although not bitterly satiric, MerT is "non-comic," a serious critique of human folly.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2730062">
              <text>Sands, Donald B.</text>
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        <element elementId="98">
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              <text>Chaucer Review 12 (1978): 171-82.</text>
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        <element elementId="114">
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            <elementText elementTextId="2730064">
              <text>1978</text>
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              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2730067">
              <text>Chaucer Review 12 (1978)</text>
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              <text>jules SAC 02 (140)</text>
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              <elementText elementTextId="2730061">
                <text>The Non-Comic, Non-Tragic Wife: Chaucer's Dame Alys as Sociopath</text>
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              <elementText elementTextId="2730065">
                <text>The Wife of Bath is neither a comic figure as Donaldson and others see her, nor a tragic figure as several other critics see her.  Instead she is, as Beryl Rowland suggests, a neurotic and a misfit.</text>
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