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                  <text>Chaucer Bibliography Online</text>
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              <text>Schweitzer, Edward C.</text>
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              <text>Julian  N. Wasserman and Robert J. Blanch, eds. Chaucer in the Eighties (Syracuse, N.Y.: Syracuse University Press, 1986), pp. 223-33.</text>
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              <text>Miller and His Tale.</text>
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              <text>jules SAC 10 (143)</text>
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                <text>The Misdirected Kiss and the Lover's Malady in Chaucer's 'Miller's Tale'</text>
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                <text>MilT and KnT use parallel portrayals of two young men, Absolon and Arcite, who suffer from the malady of false love.  Although Arcite is not cured of his illness, Absolon is, through a traditional cure recorded by several medieval physicians.</text>
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              <text>Rudat, Wolfgang E. H.</text>
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              <text>Journal of Evolutionary Psychology 3 (1982): 103-108.</text>
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              <text>jules SAC 07 (145)</text>
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                <text>Treats the first misdirected kiss as a regression fantasy, followed by cleanliness neurosis; the second as a homosexual humiliation.</text>
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              <text>Doherty, Mary Jane Margaret.</text>
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              <text>Dissertation Abstracts International 39 (1978): 1539A.</text>
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              <text>House of Fame</text>
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              <text>Dissertation Abstracts International 39 (1978)</text>
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                <text>The Mistress-Knowledge: Literary Architectonics in the English Renaissance</text>
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                <text>Equates "mistress-knowledge" of Sir Philip Sidney's "Defence of Poesy" with the "concept of an architectonic . . . usually related  to self-knowledge as an ideal," traces the concept from classical to Renaissance treatments, and applies the critical notion to poems by Sidney, Spenser, Milton, and Chaucer (HF)</text>
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              <text>Brindley, D. J.</text>
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              <text>English Studies in Africa 7 (1964): 148-56.</text>
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              <text>English Studies in Africa 07 (1964)</text>
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              <text>Nun's Priest and His Tale&#13;
Style and Versification</text>
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              <text>mea; 11/20/2019</text>
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                <text>The Mixed Style of the "Nun's Priest's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Demonstrates the "stylistic virtuosity" of NPT, consistent with its "multiple perspective," commenting on the plain style of the widow frame, "cinematic" details in descriptions, the quality and comedy of direct dialogue, the "graver rhetoric of the didactic style," "dramatic economy," etc.</text>
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              <text>De la Cruz, Juan Manuel.</text>
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              <text>Francisco Fernandez, Miguel Fuster, and Juan Jose Calvo, eds. English Historical Linguistics, 1992 (Amsterdam and Philadelphia: Benjamins, 1994), pp. 145-56.</text>
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        <element elementId="114">
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              <text>1994</text>
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              <text>English Historical Linguistics, 1992.</text>
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              <text>Language and Word Studies. </text>
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              <text>Boece.</text>
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              <text>jules SAC 18 (1996) - 62</text>
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                <text>The Modals Again in the Light of Historical and Cross-Linguistic Evidence</text>
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            <description>An account of the resource</description>
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                <text>The co-occurence of modals of the type "I shall may go" and participial modal constructions of the type "I have wold" in Chaucer's Bo helps us understand the practical absence of them in post-Medieval English.  Through a three-hundred-year process, the bulk of English verbs separated from the modals.</text>
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              <text>Middleton, Anne.</text>
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              <text>Chaucer Review 3.2 (1968): 124-43.</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Knight and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>The Modern Art of Fortifying: "Palamon and Arcite" as Epicurean Epic.</text>
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                <text>Shows how Dryden altered KnT from romance to epic in order to make his adaptation, "Palamon and Arcite," exemplify "what a heroic poem should be, and by what means it should affect the reader." Also offers "reasons why the change from romance to epic does not fully succeed."</text>
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              <text>Dragstra, H. H.</text>
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              <text>G. H. V. Bunt, E. S. Kooper, et al., eds. One Hundred Years of English Studies in Dutch Universities (Amsterdam: Rodopi, 1987), pp. 187-97.</text>
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              <text>Background and General Criticism.</text>
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              <elementText elementTextId="2709420">
                <text>The Modernity of Modern Chaucer Criticism</text>
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                <text>In their use of the term "modern," modern Chaucer scholars agree on three aspects:  modern critical, scientific method;modern literary aesthetics; and the artistic personality of Chaucer himself as seen through modern eyes.  Though D. W. Roberson, William Crawford, Larry D. Benson, and others place the beginning of serious critical review at about 1951, some see George Lyman Kittredge as the first representative of modern Chaucer criticism.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Galván-Reula, J. F.</text>
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        <element elementId="98">
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              <text>Lore and Language 10:3 (1984): 63-69.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2717837">
              <text>1984</text>
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              <text>Nun's Priest and His Tale.</text>
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          <element elementId="50">
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                <text>The Modernity of the 'Nun's Priest's Tale': Narrator, Theme and Ending</text>
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                <text>Discusses NPT in terms of narrator, theme, and ending as elements of a larger poetics than genre.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Shimonomoto, Keiko.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2762837">
              <text>Keiko Shimonomoto. The Use of Ye and Thou in the Canterbury Tales, and Collected Articles (Tokyo: Waseda University Enterprise, 2001), pp. 64-71.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2762838">
              <text>2001</text>
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          <elementTextContainer>
            <elementText elementTextId="2762839">
              <text>The Use of Ye and Thou in the Canterbury Tales, and Collected Articles.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Troilus and Criseyde.</text>
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              <text>Language and Word Studies.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762843">
              <text>vxl</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2762835">
                <text>The Modes of Speech and Thought Presentation in Chaucer's Troilus and Criseyde</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2762840">
                <text>Originally published in English Literature (Waseda University) 70 (1994). Ambiguities of speech and thought in TC, particularly Criseyde's, are more likely functions of narrative strategy than reflections of individuated consciousness or characterization.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2722369">
              <text>Gaylord, Alan T.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2722370">
              <text>Chaucer Review 16 (1982): 311-29.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722371">
              <text>1982</text>
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        <element elementId="102">
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            <elementText elementTextId="2722373">
              <text>Tale of Sir Thopas.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2722374">
              <text>Chaucer Review 16 (1982)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722375">
              <text>jules SAC 06 (135)</text>
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          <element elementId="50">
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              <elementText elementTextId="2722368">
                <text>The Moment of 'Sir Thopas': Towards a New Look at Chaucer's Language</text>
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            <elementTextContainer>
              <elementText elementTextId="2722372">
                <text>Readers have been too ready to dismiss Th as a parody of popular romances.  Chaucer's achievement is something much more subtle:  he invents his own English, his own literary idiolect, and then goes on to parody not merely the romances but also the fancies and temptations of his own practice.</text>
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  <item itemId="263517" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715436">
              <text>Harrow, Kenneth.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715437">
              <text>Kofi Anyidoho, Abioseh M. Porter, Daniel Racine, and Janice Spleth, eds. Interdisciplinary Dimensions of African Literature (Washington, D.C.: Three Continents Press, 1985), pp. 75-87.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715438">
              <text>1985</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715439">
              <text>Interdisciplinary Dimensions of African Literature.</text>
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          </elementTextContainer>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
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              <text>Anyidoho, Kofi,</text>
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              <text>Porter, Abioseh M.,</text>
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              <text>Spleth, Janice,ed.</text>
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              <text>ed.</text>
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            <elementText elementTextId="2715445">
              <text>ed.</text>
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              <text>ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Pardoner and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
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              <text>jules SAC 09 (190)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Money Order: False Treasure or True Benefice</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2715447">
                <text>Harrow explores social criticism in Sembene Ousmane's novella "Le Mandat" (film version "Mandabi") with references to thematic similarities in Chaucer's PardT.  Both Ousmane and Chaucer portray the effects of unexpected treasure on its beneficiaries and reveal the falsity of that wealth, but Chaucer writes with intentions of moral reform, while Ousmane advocates social reform.</text>
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          <elementTextContainer>
            <elementText elementTextId="2847573">
              <text>Norako, Leila K.</text>
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          <elementTextContainer>
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              <text>Valerie B. Johnson and Kara L. McShane, eds. Negotiating Boundaries in Medieval Literature and Culture: Essays on Marginality, Difference, and Reading Practices in Honor of Thomas Hahn (Boston: De Gruyter; Kalamazoo: Medieval Institute, 2022), pp. 49-76.</text>
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              <text>Negotiating Boundaries in Medieval Literature and Culture</text>
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              <text>Squire and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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                <text>The Mongols of Middle English Literature.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851758">
                <text>Explores how SqT and "The Book of John Mandeville" "traffic in fantasies of cultural, religious, and racial annihilation . . . in a quieter, more subtextual way than that seen in other works of crusades-inspired literature" Argues that the Squire poses "conquest-via-effacement" in his tale and, comparing the tale with Mandeville and other works, observes how it endeavors to absorb Mongols into "Latin Christendom."</text>
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          <elementTextContainer>
            <elementText elementTextId="2814218">
              <text>Heale, Martin.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814219">
              <text>Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 137-55.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2814220">
              <text>2014</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2814221">
              <text>Historians on Chaucer: The "General Prologue" to the "Canterbury Tales."</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2814223">
              <text>Monk and His Tale</text>
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          <elementTextContainer>
            <elementText elementTextId="2814224">
              <text>mea; 2/28/2017 SAC 38:185</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Explores how recent scholarship of late medieval monastic practices informs a deeper understanding of the characterization of Chaucer's Monk. Contends that the Monk can be viewed as a "target of Chaucer's satire."</text>
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              <text>Garbáty, Thomas Jay.</text>
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        <element elementId="98">
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        <element elementId="114">
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              <text>Style and Versification</text>
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              <text>Canterbury Tales--General</text>
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                <text>The Monk and the 'Merchant's Tale': An Aspect of Chaucer's Building Process in the 'Canterbury Tales'</text>
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                <text>Argues that the Monk was the original teller of the MerT, a response directed against the ShT as told originally by the Wife of Bath. Discusses puns and implications in the GP description of the Monk to characterize the Monk is an "amorous man," a male "counterpart" to the Prioress (a satiric female type), an appropriate teller of MerT, and an important part of Chaucer's ongoing revision of CT.</text>
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              <text>Grennen, Joseph E.</text>
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        <element elementId="98">
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              <text>Papers of the Bibliographical Society of America 82 (1988): 337-40.</text>
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            <elementText elementTextId="2708095">
              <text>Monk and His Tale.</text>
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              <text>jules SAC 12 (194)</text>
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                <text>The Monk's 'Olde Thynges': Eliminating a Supposed Chaucerian Anacoluthon</text>
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              <elementText elementTextId="2708094">
                <text>Taking "olde thyngs" (GP 175, Monk's sketch) as a scribal corruption or emendation of the unattested "alder-thynge" eliminates problems of syntax, semantics, and meaning.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2730463">
              <text>Lepley, Douglas L.</text>
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        <element elementId="98">
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            <elementText elementTextId="2730464">
              <text>Chaucer Review 12 (1977): 162-70.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2730465">
              <text>1977</text>
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            <elementText elementTextId="2730467">
              <text>Monk and His Tale.</text>
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            <elementText elementTextId="2730468">
              <text>Chaucer Review 12 (1977)</text>
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        <element elementId="109">
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              <text>jules SAC 02 (196)</text>
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              <elementText elementTextId="2730462">
                <text>The Monk's Boethian Tale</text>
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              <elementText elementTextId="2730466">
                <text>Despite recent arguments to the contrary, parallels (such as the depiction of Fortune) between MkT and Books II-IV of "The Consolation of Philosophy" show that the Monk's tragedies are philosophically sound in Boethian terms.</text>
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            <elementText elementTextId="2753636">
              <text>Neuse, Richard.</text>
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        <element elementId="98">
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            <elementText elementTextId="2753637">
              <text>Leonard Michael Koff and Brenda Deen Schildgen, eds. The Decameron and the Canterbury Tales: New Essays on an Old Question (Madison, N.J.: Fairleigh Dickinson University Press, 2000), pp 247-77.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2753638">
              <text>2000</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2753639">
              <text>Decameron and the Canterbury Tales: New Essays on an Old Question.</text>
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        <element elementId="102">
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              <text>Monk and His Tale.</text>
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              <text>Knight and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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              <text>jules SAC 24 (313)</text>
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              <elementText elementTextId="2753635">
                <text>The Monk's De casibus : The Boccaccio Case Reopened</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2753640">
                <text>As KnT is a reduction of the Teseida, MkT is a miniature imitation of Boccaccio's "De casibus virorum illustrium." The Monk, Boccaccio's ironic double, interrogates newly emergent forms of tragedy and contests with the other pilgrims within the pilgrimage frame, reflecting other similarities between Boccaccio's historical collection and Chaucer's pilgrimage fiction.</text>
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            <elementText elementTextId="2753607">
              <text>Jones, Terry.</text>
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        <element elementId="98">
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            <elementText elementTextId="2753608">
              <text>Studies in the Age of Chaucer 22: 387-97,   2000.</text>
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        <element elementId="114">
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            <elementText elementTextId="2753609">
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            <elementText elementTextId="2753611">
              <text>Monk and His Tale.</text>
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              <text>Knight and His Tale.</text>
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              <text>Studies in the Age of Chaucer 22 (2000)</text>
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                <text>The Monk's Tale</text>
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              <elementText elementTextId="2753610">
                <text>The narratives of MkT, especially the modern instances, critique the despotism that underlies KnT, provoking the Knight's interruption.</text>
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            <elementText elementTextId="2760390">
              <text>Thomas, Paul R., dir.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2760391">
              <text>[Provo, UT] : Chaucer Studio, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2760392">
              <text>2002</text>
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          <elementTextContainer>
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              <text>Sound recording. Audio cassette or CD-ROM.</text>
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              <text>Monk and His Tale</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760397">
              <text>ICMS Readings, no. 01.</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2760398">
              <text>vxl; mea 6/10/2013 SAC 26: 11</text>
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              <elementText elementTextId="2760389">
                <text>The Monk's Tale</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2760394">
                <text>Middle English audio recording of MkP, MkT, and NPP (through line 2807), read by Alan T. Gaylord. Recorded at the 36th International Congress of Medieval Studies.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2750601">
              <text>Kim, Jung-Ai.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750602">
              <text>Medieval English Studies 07: 93-123,   1999.</text>
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              <text>Monk and His Tale.</text>
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                <text>The Monk's Tale : Chaucerian Tragedy</text>
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              <text>Waller, Martha S.</text>
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                <text>The Monk's Tale: Nero's Nets and Caesar's Father--An Inquiry into the Transformations of Classical Roman History in Medieval Tradition</text>
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                <text>Though the authentic detail of Nero's golden fishnets passed unchanged into medieval tradition, the fiction of Julius Caesar's low birth is peculiar to English historians of the later Middle Ages.  It apparently arose in "exempla" of Caesar's indifference to personal insults, with Augustus' plebeian grandfather wrongly identified with Julius.</text>
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              <text>Astell, Ann W.</text>
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                <text>Triggered by reference to Edward (line 7.1970) as a reminder of the deposition and death of Edward II, MkT is a warning to Richard II.</text>
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              <text>Yıldız, Nazan.&#13;
[Yildiz, Nazan]</text>
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              <text>Miller and His Tale&#13;
Reeve and His Tale&#13;
Style and Versification</text>
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              <text>mea; SAC 44:207</text>
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                <text>The Monsters of Geoffrey Chaucer: The Miller in "The General Prologue" and the Miller in "The Reeve's Tale" in "The Canterbury Tales."</text>
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                <text>Explores the rebelliousness and animal imagery associated with the GP Miller and Symkyn of RvT, the in-between social status of medieval millers, and depictions of millers in accounts of the Revolt of 1381, arguing that medieval millers were depicted as "defiant monstrous Others." Includes an abstract in Turkish.</text>
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              <text>Friedman, John Block.</text>
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              <text>xii, 268 pp.</text>
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              <text>Background and General Criticism.</text>
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                <text>Drawing from art, iconography, literature, canon law, theology, and cartography, Friedman examines the impact upon European culture of monstrous races.</text>
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            <elementText elementTextId="2695521">
              <text>Kendrick, Laura.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>South Atlantic Quarterly 91 (1992): 835-64</text>
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              <text>1992</text>
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              <text>South Atlantic Quarterly 91 (1992).</text>
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              <text>mea</text>
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                <text>The Monument and the Margin</text>
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                <text>Writing fixes texts, inviting marginal explication and commentary.  Dante, Boccaccio, Deschamps, Langland, Gower, and Chaucer annotate their own texts to "authorize" them, although modern scholarship has been reluctant to accept glosses as "original."</text>
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