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              <text>Narver, Annie Lee.</text>
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              <text>Dissertation Abstracts International A81.02 (2019): n.p.</text>
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              <text>Dissertation Abstracts International 81 (2019)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; SAC 44:318</text>
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                <text>Mapping Human Virtue and the Ethics of Desire: The Ludic(rous) as Umpire.</text>
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            <description>An account of the resource</description>
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                <text>Includes discussion of TC, arguing that the "ironies and games" in the poem "show how closely amorous pursuits may tread to modern conceptions of rape" and depict courtship as a "zero sum game in which each winning move is a loss."</text>
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              <text>Köseoğlu, Berna.</text>
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              <text>Research Journal of English Language and Literature 6, no. 1 (2018): 153-59.</text>
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              <text>Research Journal of English Language and Literature 06 (2018)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; SAC 44:317</text>
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                <text>The Concept of Love in Medieval Literature: The Idea of Love in Chaucer's "Troilus and Criseyde."</text>
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                <text>Assesses the role of Pandarus in TC as a "go-between" and as "spokesman" for and agent of typical medieval understandings of love, fortune, suffering, and the tenuousness of human happiness.</text>
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              <text>Kaempfer, Lucie.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International C81.04 (2019): n.p.</text>
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              <text>Dissertation Abstracts International 81C (2019)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; SAC 44:316</text>
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                <text>Finding Joy in Chaucer's "Troilus and Criseyde."</text>
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                <text>Considers joy to be the "climactic centre" of TC, addressing the presence and forms of joy "in the poem's construction of language, themes, and characters" and assessing "whether joy, in medieval culture, is a physical emotion, an affective state, a philosophical value, or a spiritual destination."</text>
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              <text>Hunter, Brooke.</text>
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              <text>New York: Routledge, 2019.</text>
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              <text>xi, 194 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:315</text>
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              <text>"Bitwixen game and ernest'" Contrary Boethianism in "Troilus and Criseyde."</text>
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                <text>Forging Boethius in Medieval Intellectual Fantasies.</text>
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                <text>Considers the "influence of the thirteenth-century Pseudo-Boethian forgery 'De Disciplina Scolarium' on medieval understandings of Boethius." Includes "'Bitwixen game and ernest': Contrary Boethianism in TC," which examines the "contraries" of the poem and emphasizes how they reflect a broader "Boethianism" than that found only in the "De consolatione Philosophiae." Pandarus is a "Boethian pander and pedagogue within the tradition" comprising "De disciplina," Boethian logic, commentaries on Boethius, and the characterization of Boethius in Maximian's "Third Elegy"--a tradition in which "serious lessons" are taught "through counterintuitive means" and male-male friendship.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Duprey-Henry, Annalese.</text>
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              <text>Dissertation Abstract International A81.06 (2019): n.p.</text>
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              <text>Dissertation Abstract International 81 (2019)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; SAC 44:314</text>
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                <text>Disciplining the Heart: Lovesickness in Medieval Literature.</text>
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                <text>Addresses lovesickness in TC, John Gower's "Confessio Amantis," and "The Book of Margery Kempe," considering it "as an embodied and thus imminent process that organizes relationships around culturally defined ideas of either negotiation and mutuality or hierarchy," a trope useful "to think through larger ideas about the relationships of the sexes, of one individual to another, of the individual to society, and of the individual to the divine."</text>
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              <text>Dean, James M., and Harriet Spiegel, eds.</text>
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              <text>Peterborough, Ont.: Broadview, 2016.</text>
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              <text>lxviii, 391 pp.; b&amp;w illus.</text>
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              <text>Spiegel, Harriet, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2842032">
              <text>Troilus and Criseyde&#13;
Facsimiles, Editions, and Translations&#13;
Chaucer's Life&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2842033">
              <text>mea; SAC 44:313</text>
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              <text>2016</text>
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                <text>"Troilus and Criseyde": Geoffrey Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Textbook edition of TC, conservatively edited from Cambridge, Corpus Christi College, MS 61, with modern punctuation, sidebar glosses and bottom-of-page notes, an index of characters, a glossary of common words and phrases, and a select bibliography. The extensive introduction addresses issues of Chaucer's life, language, and works; characterization; structure; philosophical and courtly love; genre; sources; versification; reception and influence; and critical history. Three appendices provide source-and-analogue materials from Benoît, Boccaccio, and Henryson; contextualizing selections from Ovid, Boethius, Andreas Capellanus, Jean de Meun, and Petrarch; and materials on medieval science.</text>
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            <elementText elementTextId="2842020">
              <text>Davies, Daniel.</text>
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          <elementTextContainer>
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              <text>New Medieval Literatures 20 (2020): 74-106.</text>
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              <text>New Medieval Literatures 20 (2020)</text>
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            <elementText elementTextId="2842023">
              <text>Troilus and Criseyde</text>
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              <text>meal SAC 44:312</text>
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        <element elementId="114">
          <name>Date</name>
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              <elementText elementTextId="2842018">
                <text>"Wereyed on every side": Chaucer's "Troilus and Criseyde" and the Logic of Siege Warfare.</text>
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                <text>Identifies connections among "war, narrative, and literary technique" in TC to show "how Chaucer constructs . . . siege as a dynamic space in which to imagine the forces that shape and determine human behaviour." Chaucer "reconfigures the idea of a military and political siege," exploring how Troilus and Criseyde are entrapped, and depicting how Pandarus engineers their relationship using methods that mirror "the strategies deployed in siege warfare."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2842012">
              <text>Davidson, Clare.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2842013">
              <text>Chaucer Review 55, no. 2 (2020): 147-70.</text>
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          <elementTextContainer>
            <elementText elementTextId="2842014">
              <text>Chaucer Review 55 (2020)</text>
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            <elementText elementTextId="2842015">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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            <elementText elementTextId="2842016">
              <text>mea; SAC 44:311</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842017">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2842010">
                <text>Reading in Bed with "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842011">
                <text>Examines desire and intimacy in TC and "reinterprets the depiction of pleasure" in  the poem, "particularly the bed scene in Book III, through an allegorical reading of medieval and modern concepts of desire."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2842003">
              <text>Coleman, Joyce.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2842004">
              <text>Martin Chase and Maryanne Kowaleski, eds. Reading and Writing in Medieval England: Essays in Honor of Mary C. Erler (Woodbridge: Boydell, 2019), pp. 9-38.</text>
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          <name>Contributor</name>
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            <elementText elementTextId="2842005">
              <text>Chase, Martin, ed.&#13;
Kowaleski, Maryanne, ed.</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2842006">
              <text>Reading and Writing in Medieval England: Essays in Honor of Mary C. Erler</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2842007">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Life</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2842008">
              <text>mea; SAC 44:310</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2842009">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842001">
                <text>"Withinne a paved parlour": Criseyde and Domestic Reading in a City under Siege.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850788">
                <text>Explicates the scene of Pandarus's interruption of Criseyde's reading group (TC,&#13;
II.85ff.), attending to its intertextualities, the implications of its setting in a paved "secular parlor," the nature of the female aristocratic readers, and Pandarus's entry into the group as a "sexual/texual predator" and as Chaucer's "alter-ego." Includes significant attention to Elizabeth de Burgh for the ways she may have influenced Chaucer's knowledge of "elite female readers."</text>
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          </element>
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  <item itemId="276223" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841995">
              <text>Capdevielle, Elizabeth Gibbons.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841996">
              <text>Dissertation Abstracts International A76.01 (2015): n.p.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841997">
              <text>Dissertation Abstracts International 76 (2015)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841998">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2841999">
              <text>mea; SAC 44:309</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842000">
              <text>2015</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841993">
                <text>Mediation and Ethics in Late Medieval English Literature.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841994">
                <text>Studies "the moral meaning of spiritual and political mediation" in late medieval England, focusing on miracles of the Virgin, TC, Julian of Norwich's "A Revelation of Love," and Thomas Hoccleve's "Regiment of Princes," using aspects of Emmanuel Levinas's "concept of the third party to articulate ethical concepts at work in the literature." Treats Pandarus in TC as "a model of failed mediation,"&#13;
a refraction of "the city of Troy's self-interested politics."</text>
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  <item itemId="276222" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841987">
              <text>Strakhov, Elizaveta.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841988">
              <text>New Literary History 50 (2019): 467-71.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841989">
              <text>New Literary History 50 (2019)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841990">
              <text>Parliament of Fowls&#13;
Manuscripts and Textual Studies&#13;
Squire and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841991">
              <text>mea; SAC 44:307</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2841992">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841985">
                <text>Rondeau.</text>
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            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851039">
                <text>Describes the treatment of the rondel in manuscripts of PF as a form of code-switching, identifies resonances of PF and SqT in Charles d'Orléans's Valentine's Day poetry, and explores the implications of describing love-talk or bird-talk as a form of "Latin' in lyric tradition.</text>
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  <item itemId="276221" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841979">
              <text>Hanssen, Ken R.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841980">
              <text>Chaucer Review 55, no. 1 (2020): 70-87.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841981">
              <text>Chaucer Review 55 (2020)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841982">
              <text>Parliament of Fowls</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2841983">
              <text>mea; SAC 44:306</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841984">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841977">
                <text>"Kek kek! kokkow! quek quek!": The Glorious Cacophony of Chaucer's "Parliament of Fowls."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841978">
                <text>Argues that the "ongoing negotiations between experience and authority, flesh and spirit, nature and the  divine, are fluid, bidirectional, and mutually dependent" in PF. The poem depicts a cacophonous set of voices and demonstrates that the "formulation of any higher good depends on our ability to have clashing ideas."</text>
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  <item itemId="276220" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841971">
              <text>Pavlinich, Elan J.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2841972">
              <text>Dissertation Abstracts International A81.02 (2019): n.p.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2841973">
              <text>Dissertation Abstracts International 81 (2019)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841974">
              <text>Legend of Good Women</text>
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            <elementText elementTextId="2841975">
              <text>mea; SAC 44:304</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2841976">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841969">
                <text>Queer Authority in Old and Middle English Literature.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841970">
                <text>Includes discussion of LGW, arguing that its narrator "frustrates love conventions that are constructed around the author's presumed heteronormativity" and "privileges literary learning over lived experience within a gendered hierarchical structure."</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="276219" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841962">
              <text>Hartwell, Michael J.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841963">
              <text>Jennifer York Stock, ed. Literature Criticism from 1400 to 1800, Vol. 283 (Farmington, Mich.: Gale, 2019), pp. 85-304.</text>
            </elementText>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841964">
              <text>Stock, Jennifer York, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841965">
              <text>Literature Criticism from 1400 to 1800, Vol. 283.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841966">
              <text>Legend of Good Women&#13;
Bibliographies, Reports, and Reference</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841967">
              <text>mea; SAc 44:303</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841968">
              <text>2019</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841960">
                <text>"The Legend of Good Women": Geoffrey Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841961">
                <text>Reprints seventeen critical studies of LGW published between 1904 and 2003, several excerpted from larger works. The introduction by Hartwell summarizes the plot of LGW, with little commentary on LGWP, and comments on the plots and sources of the individual legends, major themes, and critical reception. Includes a selected bibliography of Chaucer's works and editions, and annotated suggestions for further reading about LGW.</text>
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          </element>
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  <item itemId="276218" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841954">
              <text>Chaudhuri, Aparna.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841955">
              <text>ELH 87, no. 4 (2020): 881-909.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841956">
              <text>ELH 87 (2020</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841957">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841958">
              <text>mea; SAC 44:302</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841959">
              <text>2020</text>
            </elementText>
          </elementTextContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841952">
                <text>Poetry and Power in Ovid's "Tristia" and Chaucer's "The Legend of Good Women."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841953">
                <text>Studies Ovid's "Tristia" and LGW and argues that "Ovid's literary autobiography" revealed in the "Tristia" is "assimilated and elaborated" by Chaucer in LGWP. This connection not only allows Chaucer "to convey . . . a sense of his own Ricardian, political reality" but recognizes that poetry "is always written within networks of power, simultaneously enabling and restraining, and therefore has a significant stake in the varieties of subjection that its cultural moment makes possible."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="276217" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841946">
              <text>Çetiner-Öktem, Züleyha.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841947">
              <text>Interactions: Ege Journal of British and American Studies 28, nos. 1-2 (2019): 1-12.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841948">
              <text>Interactions: Ege Journal of British and American Studies 28 (2019)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841949">
              <text>Legend of Good Women</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841950">
              <text>mea; SAC 44:301</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841951">
              <text>2019</text>
            </elementText>
          </elementTextContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841944">
                <text>Chaucer's Mythic Men in the "Legend of Good Women."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841945">
                <text>Argues that Chaucer reformulates "mythocultural memory" in LGW when he depicts traditional male heroes as "diminished men," neither valorous nor gentle. By deconstructing the "structurally adamant images of the Greco-Roman male," the poet escapes authority, a focal concern of LGWP.</text>
              </elementText>
            </elementTextContainer>
          </element>
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      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="276216" public="1" featured="0">
    <collection collectionId="8">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841938">
              <text>Bugbee, John.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841939">
              <text>Traditio 26 (2019): 77-89.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841940">
              <text>Traditio 26 (2019)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841941">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841942">
              <text>mea; SAC 44:300</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841943">
              <text>2019</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841937">
                <text>Attributes Chaucer's assertion of St. Augustine's "gret compassioun" for Lucrece as a rape victim (LGW, 1691) to the poets' unmediated first-hand knowledge of Book I of the "City of God," clarifying Augustine's sympathy for rape victims, arguing that critics have misread the theologian, and exploring other evidence of Chaucer's familiarity with Book I elsewhere in the legend, especially Lucrece's swoon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850790">
                <text>Chaucer's Lucretia and What Augustine Really Said about Rape: Two Reconsiderations.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="276215" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841930">
              <text>Rouse, Margitta.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841931">
              <text>Nottingham Medieval Studies 64 (2020): 87-115.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841932">
              <text>Nottingham Medieval Studies 64 (2020)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841933">
              <text>House of Fame&#13;
Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841934">
              <text>mea; SAC 44:299</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841935">
              <text>2020</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841928">
                <text>Dreaming of (Self-) Annihilation: Gendered Temporalities in Gavin Douglas's "Palyce of Honour."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841929">
                <text>Argues that Gavin Douglas's construction of Honour and Venus in the "Palyce of Honour," though misogynistic, constitutes a complex allegorical response to Chaucer's model of literary renovation in the HF.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="276214" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841922">
              <text>Kertz, Lydia Yaitsky.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841923">
              <text>Medievalia et Humanistica 45 (2020): 75-99.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841924">
              <text>Medievalia et Humanistica 45 (2020)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841925">
              <text>House of Fame&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841926">
              <text>mea; SAC 44:298</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841927">
              <text>2020</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841920">
                <text>Literal and Literary Ekphrasis: A Medieval Poetics.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841921">
                <text>Clarifies "two distinct modes of ekphrasis, the literal and the literary," exploring how and where they are deployed in HF (storm at sea and wall paintings of Dido and Aeneas) and in "Sir Gawain and the Green Knight" (castle description and Gawain's shield). Analysis of the two modes and their uses reveals "much about theorizations of visual language" as well as "emulation of classical models."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="276213" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841913">
              <text>Keller, Wolfram R., and Margitta Rouse.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841914">
              <text>Troianalexandrina: Anuario sobre literatura medieval de materia clásica 19 (2019): 313-32.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841915">
              <text>Rouse, Margitta</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
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          <description/>
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              <text>Troianalexandrina: Anuario sobre literatura medieval de materia clásica 19 (2019)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841917">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2841918">
              <text>mea; SAC 44:297</text>
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          <name>Date</name>
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            <elementText elementTextId="2841919">
              <text>2019</text>
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            <description>An account of the resource</description>
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                <text>Considers the "temporal hybridity" of late medieval engagements with the matter of Troy, including discussion of the "epistemological legitimization of a poetics of innovation" in HF that extends into early modern treatments of the material, evident in Shakespeare's "Rape of Lucrece." In French; includes abstract in English.</text>
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                <text>Les antiquités concurrentes dans la transmission du mythe troyen dans l'Angleterre médiévale tardive: "La Maison de la Renommée" de Geoffrey Chaucer et "Le viol de Lucrèce" de William Shakespeare.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Griffiths, Jane.</text>
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              <text>Philip Knox, Jonathan Morton, and Daniel Reeve, eds. Medieval Thought Experiments: Poetry, Hypothesis, and Experience in the European Middle Ages (Turnhout: Brepols, 2018), pp. 121-39.</text>
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              <text>Knox, Philip, ed.&#13;
Morton, Jonathan, ed.&#13;
Reeve, Daniel, ed. </text>
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            <elementText elementTextId="2841907">
              <text>Medieval Thought Experiments: Poetry, Hypothesis, and Experience in the European Middle Ages</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841908">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841909">
              <text>mea; SAC 44:296</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841910">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841902">
                <text>"As I kan now remembre": Memory and Making in "The House of Fame."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2841903">
                <text>Interprets HF as 'an experiment in the exercise of poetic memory and poetic composition" that "suggests that memory's anarchic associations cannot fully be controlled," in part because of differences between "the memory of things and the memory of words." Examines relations between architecture and memory in medieval rhetorical theory, uses of source materials in HF, the eagle as "animalis motiua," contrasts between the constructions of Fame (authority) and Rumor experience), and the poem's inconclusiveness.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2841896">
              <text>Falk, Seb.</text>
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        <element elementId="98">
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            <elementText elementTextId="2841897">
              <text>Medium Aevum 88, no. 2 (2019): 329-60.</text>
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            <elementText elementTextId="2841898">
              <text>Medium Aevum 88 (2019)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2841899">
              <text>Equatorie of the Planetis&#13;
Language and Word Studies&#13;
Treatise on the Astrolabe&#13;
Chaucerian Apocrypha</text>
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          <description/>
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            <elementText elementTextId="2841900">
              <text>mea; SAC 44:295</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2841901">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841894">
                <text>Vernacular Craft and Science in the "Equatorie of the Planetis."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841895">
                <text>Argues that Equat exemplifies how late medieval writers blended "theoretical and practical material, exploiting the flexibility of the vernacular and moulding it to their needs." Following Kari Anne Rand, treats Equat as the work of John Westwyk rather than Chaucer, explores intertextualities between Equat and Astr, and assesses their status as works of vernacular craft--rather than science-writing. Focuses on technical vocabulary, exploring English, Latin, and Arabic diction.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841888">
              <text>Weiskott, Eric.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841889">
              <text>Notes and Queries 265 (2020): 12-13</text>
            </elementText>
          </elementTextContainer>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2841890">
              <text>Notes and Queries 265 (2020)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2841891">
              <text>Book of the Duchess&#13;
Style and Versification&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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        </element>
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            <elementText elementTextId="2841892">
              <text>mea; SAC 44:294</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841893">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841886">
                <text>A New Conjecture for "Book of the Duchess" 1315.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851709">
                <text>Discusses previous scholarship on line 1315 of BD, and suggests that emending the line to "Gan [hym] homwarde for to ryde" brings it into conformance with the rest of this "briskly tetrametric poem."</text>
              </elementText>
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  <item itemId="276209" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2841880">
              <text>Bryant, Brantley L.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841881">
              <text>Isle: Interdisciplinary Studies in Literature and Environment 26 (2019): 1006-37.</text>
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          <elementTextContainer>
            <elementText elementTextId="2841882">
              <text>Isle: Interdisciplinary Studies in Literature and Environment 26 (2019)</text>
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        <element elementId="102">
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            <elementText elementTextId="2841883">
              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2841884">
              <text>mea; SAC 44:293</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841885">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841878">
                <text>The Power of Water in Geoffrey Chaucer's "The Book of the Duchess/"</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841879">
                <text>Ecocritical examination of the depiction of the sea in the Ceyx and Alcyone episode of BD, focusing on its shorelessness, comparing it with analogous accounts and with the representation of water in John of Trevisa's "On the Properties of Things," and arguing that Chaucer's poem "is an anthropocentric elegy within a disanthropocentric frame."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841872">
              <text>Powers, Tom.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841873">
              <text>Carmina Philosophiae 26-27 (2020 for 2017–18): 1-194.</text>
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        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841874">
              <text>Carmina Philosophiae 26-27 (2020 for 2017-18)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841875">
              <text>Boece&#13;
Facsimiles, Editions, and Translations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841876">
              <text>mea; SAC 44:292</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841877">
              <text>2020&#13;
2017-2018</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850795">
                <text>Geoffrey Chaucer's Boece Rendered into Modern English (Facing Page: 1868 Edition-Translation).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851893">
                <text>Presents a modern English translation of the facing-page 1868 edition of Chaucer's Bo. Claims in introduction that "this is not a work of scholarship but of love and gratitude." Adjusts "punctuation and paragraphing of the Middle English text in order to synchronize the layout" in the modern translation.</text>
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