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                  <text>Chaucer Bibliography Online</text>
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              <text>Heng, Geraldine</text>
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              <text>Cambridge: Cambridge University Press, 2018.</text>
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              <text>xiii, 493 pp. </text>
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              <text>Background and General Criticism&#13;
Prioress and Her Tale</text>
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              <text>mea; SAC 42:164</text>
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                <text>The Invention of Race in the European Middle Ages.</text>
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                <text>Provides a comprehensive view of how "race" is defined in the premodern world and addresses the process of "race-making" within and outside the European context. In particular, discusses how Jews in England were "racialized" and analyzes the "sensory character of race in the medieval period." Chapter 2 examines historical and governmental regulations against Jews, and looks at literary works, such as PrT.</text>
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              <text>Nolan, Maura.</text>
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              <text>Studies in the Age of Chaucer 41 (2019): 33-71, A1-A12; 6 b&amp;w illus.</text>
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              <text>The Biennial Chaucer Lecture. The New Chaucer Society Twenty-First International Congress, July 10-15, 2018. Victoria University, Toronto, Canada.</text>
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              <text>Studies in the Age of Chaucer 41 (2019)</text>
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              <text>Style and Versification&#13;
Language and Word Studies&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>The Invention of Style.</text>
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                <text>Combines computer-assisted stylometry and close reading to explore Chaucer's concept of style and his uses of the word "style" itself as they compare with those of John Gower and John Lydgate. Clarifies aspects of stylometric analysis, distinguishes between Chaucer's "high" style and Gower's "plain" style, and argues that in seeking to assert his own style Lydgate is particularly important in the "development of the notion of literary style" in English.</text>
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              <text>Shaeffer, Katherine Heath.</text>
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              <text>Ph.D. Dissertation. University of Florida, 2015. Dissertation Abstracts International A79.02(E). Fully accessible via https://ufdc.ufl.edu/ (accessed March 16, 2026).</text>
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              <text>177 pp.; 67 illus.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2854335">
              <text>Dissertation Abstracts International 79.02(E)</text>
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        <element elementId="102">
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              <text>Canon's Yeoman and His Tale&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; 3/19/2026</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2015</text>
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                <text>The Invisible Art of Alchemy: Chaucer to the Graphic Novel.</text>
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                <text>"[I]nvestigates literary and pictorial manuscripts on the subject pf alchemy in conjunction with the theories surrounding sequential art," i.e., "comics theory," considering selected works, from CYPT to modern graphic novels. Opens with a "close reading" of CYPT and "analysis of some of the illustrations of that Tale" in the Ellesmere manuscript, illustrated editions, and the graphic version by Seymour Chwast.</text>
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            <elementText elementTextId="2768225">
              <text>Meecham-Jones, Simon.</text>
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        <element elementId="98">
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              <text>Corinne Saunders, Francoise Le Saux, and Neil Thomas, eds. Writing War: Medieval Literary Responses to Warfare (Cambridge: D. S. Brewer, 2004), pp. 147-67.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2768227">
              <text>2004</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2768228">
              <text>Writing War: Medieval Literary Responses to Warfare.</text>
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            <elementText elementTextId="2768229">
              <text>Saunders, Corinne, ed.</text>
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              <text>Le Saux, Francoise, ed.</text>
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            <elementText elementTextId="2768231">
              <text>Thomas, Neil, ed.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>vxl SAC 28:205</text>
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              <elementText elementTextId="2768224">
                <text>The Invisible Siege - The Depiction of Warfare in the Poetry of Chaucer</text>
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              <elementText elementTextId="2768232">
                <text>In TC, Chaucer avoids focusing on war, revealing his awareness of its importance in perpetrating the aristocratic culture of his day, as well as his need to evade the expectations imposed on him as a writer. Conflict and the psychological disjunction caused by war are granted a potent but implicit significance in the poem, indicating Chaucer's conviction that writers are responsible for the ethical effect of their writing on future audiences.</text>
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              <text>Shapiro, Aaron Herschel.</text>
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              <text>Ph.D. dissertation (Middle Tennessee State University, 2023). Dissertation Abstracts International A85.06(E). Fully accessible at https://jewlscholar.mtsu.edu/items/1a770bf2-20f3-4ebb-b53a-952d55b25a52 (accessed February 2, 2025).</text>
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              <text> xvii, 305 pp. </text>
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              <text>Dissertation Abstracts International 85 (E)</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Prioress and Her Tale</text>
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                <text>The Invisible Wound: Jewish Poetics, Modernity, and the Return of the Repressed.</text>
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                <text>Traces the development of a "salvific but antisemitic fantasy of Judaization" in western aesthetics from St. Paul to modern writers, and identifies an "alternate mode of modern poetics based in the Jewish philosophy of language and in the practice of rabbinical hermeneutics." Includes discussion of PrT for ways that the Prioress presents Jews as an "other of the other onto whom she may offshore her prior abjection."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McKenna, Conan.</text>
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              <text>Bealoideas 45-47 (1977-79): 63-77.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725769">
              <text>1979</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2725771">
              <text>Franklin and His Tale.</text>
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            <elementText elementTextId="2725772">
              <text>Sources, Analogues, and Literary Relations.</text>
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        </element>
        <element elementId="100">
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              <text>Bealoideas 45-47 (1977-79)</text>
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              <text>jules SAC 04 (98)</text>
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                <text>The Irish Analogues to Chaucer's 'Pardoner's Tale'</text>
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            <description>An account of the resource</description>
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                <text>Common characters and incidents in PardT and three Irish versions of Aarne-Thompson folktale Type 763 may indicate cross-fertilization between folklore and medieval literature.  Most arguments favor an oral source for the PardT.  The episode of the Old Man giving directions and the chemist scene are exclusive features of PardT.</text>
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              <text>Chaucer Review 2.1 (1967): 1-7.</text>
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              <text>Chaucer Review 02 (1967)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 3/18/2018</text>
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              <text>1968</text>
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                <text>The Ironic Design of Fortune in "Troilus and Criseide."</text>
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                <text>Locates and assesses a prevailing irony in TC: the narrator and each of the major characters follows the "same pattern" of early knowledge of Fortune's instability, "followed by self-deception, and eventual submission to the facts." Love and truth only seem to delay Fortune in human affairs, although Chaucer celebrates the "unstable and attractive world."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Allen, Judson Boyce.</text>
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              <text>Studies in Philology 66 (1969): 25-35.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2812108">
              <text>1969</text>
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              <text>Nun's Priest and His Tale</text>
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              <text>Studies in Philology 66 (1969)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2812112">
              <text>mea; 1/9/2017 No SAC</text>
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                <text>The Ironic Fruyt: Chauntecleer as Figura</text>
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              <elementText elementTextId="2812109">
                <text>Uses allegorical interpretations from Hugh of St. Cher to show how the exegetical equation of cock and preacher is consistently upended in the description and actions of Chauntecleer in NPT, offering a mock allegory where "fruit is chaff."</text>
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              <text>Thompson, R. Ann.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2700937">
              <text>Archiv 213 (1976): 342-43.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2700938">
              <text>1976</text>
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              <text>Legend of Good Women.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Archiv fur das Studium der Neueren Sprachen und Literaturen 213 (1976).</text>
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        <element elementId="109">
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            <elementText elementTextId="2700944">
              <text>jules - 7/10/94 SAC 1 (235)</text>
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                <text>The Irony of Chaucer's 'Legend of Good Women' Perceived in 1576</text>
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              <elementText elementTextId="2700939">
                <text>In a discussion of female constancy in the anonymous play "Common Conditions" characters from TC and LGW are used on both sides of the argument.</text>
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          <elementTextContainer>
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              <text>Lenaghan, R. T.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2802136">
              <text>Chaucer Review 7.4 (1973): 281-94.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2802137">
              <text>1973</text>
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              <text>Friar and His Tale</text>
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          <elementTextContainer>
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              <text>Chaucer Review 07 (1973)</text>
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              <text>mea; 1/9/2015 No SAC</text>
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              <elementText elementTextId="2802134">
                <text>The Irony of the 'Friar's Tale'</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2802138">
                <text>Argues that, while clearly discrediting summoners, the Friar "also discredits himself." Reads FrT as a exemplum that satirizes summoners and, ironically, condemns the Friar's malicious hypocrisy, especially clear in light of contemporary sermon practices.</text>
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            <elementText elementTextId="2806346">
              <text>Staley, Lynn.</text>
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        <element elementId="98">
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            <elementText elementTextId="2806347">
              <text>Notre Dame: University of Notre Dame Press, 2012.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2806348">
              <text>2012</text>
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            <elementText elementTextId="2806349">
              <text>x, 345 pp.</text>
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              <text>Canterbury Tales--General</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Nun's Priest and His Tale</text>
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              <text>Clerk and His Tale</text>
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              <text>Knight and His Tale</text>
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              <text>Parliament of Fowls</text>
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              <text>Parson and His Tale</text>
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            <elementText elementTextId="2806359">
              <text>mea SAC 37:23</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2806345">
                <text>The Island Garden: England's Language of Nation from Gildas to Marvell</text>
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                <text>Beginning with Gildas' depiction of England as a beautiful garden, explores metaphorical and physical gardens in medieval English cultural history, arguing that Chaucer indicates "awareness of nation as landscape" in CT. Chapters 2 and 3 emphasize that Chaucer employs Langland's peasant "croft, or half acre" as an image of nation in NPT, ClT, KnT, and PF. In Chapter 4, an analysis of the narrative of Susanna and the Elders (Daniel 13) cites ClT, MLT, and ParsT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Jenkins, Anthony, ed.</text>
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        <element elementId="98">
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              <text>New York: Garland Publishers, 1980.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2724900">
              <text>1980</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2724901">
              <text>195 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Chaucerian Apocrypha.</text>
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              <text>jules SAC 05 (262)</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>The Isle of Ladies or the Isle of Pleasaunce</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2724902">
                <text>Reproduces the Longleat MS 256 of "The Isle of Ladies" (included in Speght's edition of Chaucer), providing glossary, introduction, and notes.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727774">
              <text>Conroy, Anne Rosemarie.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727775">
              <text>Dissertation Abstracts International 38 (1977): 253A-54A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727776">
              <text>1977</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2727778">
              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Chaucerian Apocrypha.</text>
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              <text>Dissertation Abstracts International 38 (1977)</text>
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              <text>jules SAC 02 (58)</text>
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                <text>The Isle of Ladies: A Fifteenth-Century English Chaucerian Poem</text>
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                <text>"The Isle of Ladies" was attributed to Chaucer until 1878.  It is primarily a lover's complaint to his lady.  The characters are based on Chaucerian models (like Criseyde) but play somewhat different roles.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Anderson, David.</text>
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        <element elementId="98">
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              <text>Annali d'Italianistica 12 (1994): 15-38.</text>
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        <element elementId="114">
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            <elementText elementTextId="2734282">
              <text>1994</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Style and Versification.</text>
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              <text>Annali d'Italianistica 12 (1994)</text>
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        <element elementId="109">
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              <text>jules SAC 18 (1996) - 32</text>
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                <text>The Italian Background to Chaucer's Epic Similes</text>
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              <elementText elementTextId="2734283">
                <text>Argues that Chaucer's similes cannot be explained in terms of imitation of Dante and Boccaccio or direct imitation of classical models.  Instead, following the example of Dante and Boccaccio, Chaucer practiced a "poetics of vernacularization," imitating the "well-articulated model of the rhetorical form" of the simile as defined in the Italian tradition of Ciceronian rhetoricical form" of the simile as defined in the Italian tradition of Ciceronian rhetoric.</text>
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              <text>Sells, A. Lytton.</text>
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        <element elementId="98">
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              <text>Bloomington: Indiana University Press, 1955.</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2851575">
              <text>346 pp.; 8 b&amp;w illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2851576">
              <text>Sources, Analogues, and Literary Relations&#13;
Style and Versification&#13;
Chaucer's Life</text>
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              <text>mea; 11/14/2025</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1955</text>
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              <elementText elementTextId="2851571">
                <text>The Italian Influence in English Poetry.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2852112">
                <text>Assesses the influence--direct and mediated--of Italian literature on English poetry from Chaucer to Robert Southwell (excluding verse drama), considering issues of meter and style as well as plot, atmosphere, and theme. Opens with appreciative comparisons of sections of Chaucer's works (HF, TC, KnT, ClT, MkT, and various other CT) with their Italian sources in Dante, Petrarch, and Boccaccio, observing changes in atmosphere and characterization through omissions, additions, and modifications. Comments on details of Chaucer's travels in Italy, his "genius," his meter and the relative chronology of his works, and his fusion of Italian models with Latin and French ones.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2727559">
              <text>Ruggiers, Paul G.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2727560">
              <text>Beryl Rowland., ed.  Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 160-84.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2727561">
              <text>1979</text>
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          <elementTextContainer>
            <elementText elementTextId="2727562">
              <text>Companion to Chaucer Studies.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2727565">
              <text>Sources, Analogues, and Literary Relations.</text>
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        </element>
        <element elementId="109">
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              <text>jules SAC 03 (39)</text>
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                <text>The Italian Influence on Chaucer</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2727563">
                <text>Chaucer made at least two authenticated journeys to Italy whereby he gained a knowledge of the works of Dante, Petrarch, and Boccaccio.  Curiously, though he borrowed extensive narrative material from Boccaccio, Chaucer never mentions him by name as he does the other two.  Chaucer's use of Petrarch is slight, and the influence of Dante (aside from the tragedy of Ugolino) is mostly confined to images.</text>
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                <text>Reprinted from the first (1968) edition, with updated bibliography.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742736">
              <text>Cox, Catherine S.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2742737">
              <text>South Atlantic Review 61 (1996): 1-21.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742738">
              <text>1996</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2742740">
              <text>Manciple and His Tale.</text>
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              <text>Chaucer's Retraction.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2742742">
              <text>South Atlantic Review 61 (1996)</text>
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        <element elementId="109">
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              <text>jules SAC 18 (1996), 240</text>
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          <element elementId="50">
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                <text>The Jangler's 'Bourse': Gender, Renunciation, and Chaucer's Manciple</text>
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                <text>As a character "capable of saying one thing but meaning quite another," the Manciple ridicules the "wisdom of the mother" at the end of ManT.  The crow suffers for the "feminine behavior" of talking too much, and the Manciple talks "as if a woman" to "warn against such speech."  Like ManT, Chaucer's Ret uses a rhetoric of renunciation to speak out against silence.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2728416">
              <text>Adams, John F.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Studies in Medieval Culture 4 (1974): 446-51.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728418">
              <text>1974</text>
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        <element elementId="102">
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              <text>Merchant and His Tale.</text>
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            <elementText elementTextId="2728421">
              <text>Studies in Medieval Culture, no. 04 (1974)</text>
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        <element elementId="109">
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              <text>jules SAC 03 (116)</text>
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              <elementText elementTextId="2728415">
                <text>The Janus Symbolism in 'The Merchant's Tale'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2728419">
                <text>MerT is both fabliau and romance, both realistic and allegorical.  Janus was god of gates and of marriage beds.  January falls under Aquarius, associated with old age; May, under Gemini, was associated with youth.  The name of the sacred Roman gate was Iannus Geminus.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2774115">
              <text>Bale, Anthony.</text>
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        <element elementId="98">
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            <elementText elementTextId="2774116">
              <text>Cambridge: Cambridge University Press, 2006.</text>
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            <elementText elementTextId="2774117">
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            <elementText elementTextId="2774118">
              <text>xiv, 266 pp.</text>
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            <elementText elementTextId="2774120">
              <text>Prioress and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2774122">
              <text>Cambridge Studies in Medieval Literature</text>
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              <text>vxl sac 30:230</text>
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                <text>The Jew in the Medieval Book: English Antisemitisms, 1350-1500</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A study of the "reiteration, instability and changing valence of the Jewish image as inscribed in medieval English books," focusing on four generic narratives: the Jew of Tewkesbury, the Marian miracle of the boy singer, the cult of Robert of Bury St. Edmunds, and the "literary and decorative scheme" of the Arma Christi. Bale explores philosemitism as well as antisemitism to see how attitudes toward Jews constitute one of the defining myths or legends of the Middle Ages. Discusses PrT in light of analogous narratives, including fifteenth-century "reactions" to the Tale found in manuscript anthologies, which convey pious sentiment and diminish Chaucer's satire of the Prioress.</text>
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          <elementTextContainer>
            <elementText elementTextId="2834918">
              <text>Bass, Eben.</text>
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        <element elementId="98">
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              <text>College English 23.2 (1961): 145-47.</text>
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              <text>College English 23 (1961)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2834921">
              <text>Troilus and Criseyde</text>
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              <text>mea; 9/10/21</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834923">
              <text>1961</text>
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                <text>The Jewels of "Troilus."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2834917">
                <text>Explores the symbolic value of the gems, their colors, and their settings (rings and brooch) in TC, discussing the moral implications referred to in medieval lapidaries.</text>
              </elementText>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2790124">
              <text>Delany, Sheila.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2790125">
              <text>David Gay and Stephen R. Reimer, eds. Locating the Past/Discovering the Present: Perspectives on Religion, Culture, and Marginality (Edmonton: University of Alberta Press, 2010), pp. 1-21.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790126">
              <text>2010</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790127">
              <text>Locating the Past/Discovering the Present: Perspectives on Religion, Culture, and Marginality.</text>
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          <name>Contributor</name>
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          <elementTextContainer>
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              <text>Gay, David, ed.</text>
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            <elementText elementTextId="2790129">
              <text>Reimer, Stephen R., ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790131">
              <text>Prioress and Her Tale</text>
            </elementText>
            <elementText elementTextId="2790132">
              <text>Chaucer's Life</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790133">
              <text>vxl sac 34:248</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2790123">
                <text>The Jewish Connection: Chaucer and the Paris Jews, 1394</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790130">
                <text>Delany explores the "imbrication" of life and art in PrT and the expulsion of Jews from France in 1394. She gauges Chaucer's contact with Jews and describes the conditions under which Jews lived in fourteenth-century France, specifically the results of the supposed abduction of Denis Machaut, a Jewish convert to Christianity. Delany identifies elements that PrT shares with history rather than what it shares with literary analogues.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750913">
              <text>Rose, Christine M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750914">
              <text>Maud Burnett McInerney, ed. Hildegard of Bingen: A Book of Essays. Garland Medieval Casebooks, no. 20; Garland Reference Library of the Humanities, no. 2037. (New York and London: Garland, 1998), pp. 191-226.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750915">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750916">
              <text>Hildegard of Bingen: A Book of Essays.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750917">
              <text>McInerney, Maud Burnett,ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750919">
              <text>Man of Law and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750920">
              <text>jules SAC 23 (163)</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750912">
                <text>The Jewish Mother-in-Law: Synagoga and the Man of Law's Tale</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750918">
                <text>Explores representations of the mother-in-law as a figure of Jewry and the synagogue in Western literary tradition. Although MLT overtly poses the Orient as the malevolent Other through the Sultaness, it also suggests in veiled ways that Jews threaten Christians.</text>
              </elementText>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701356">
              <text>Scattergood, John.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701357">
              <text>Keith Busby and Erik Kooper, eds. "Courtly Liberature: Culture and Context" (Amsterdam: John Benjamins, 1990), pp. 499-508.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701358">
              <text>1990</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701359">
              <text>Courtly Liberature: Culture and Context.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701360">
              <text>Busby, Keith,</text>
            </elementText>
            <elementText elementTextId="2701361">
              <text>Kooper, Eriked.</text>
            </elementText>
            <elementText elementTextId="2701362">
              <text>ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Adam Scriveyn.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701366">
              <text>jules - 26/10/94 SAC 14 (274)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2701355">
                <text>The Jongleur, the Copyist, and the Printer : The Tradition of Chaucer's 'Words unto Adam, His Own Scriveyn'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2701363">
                <text>Much of the scholarship on Chaucer's "Adam" has focused on identification.  But "many of Chaucer's shorter poems are genre pieces in which personal statement emerges by way of a treatment of conventional matters; a traditional type of poem is invested with particular significance."  "Adam" is a complaint by a creative literary artist against the transmitter of his art.</text>
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                <text>Reprinted in Scattergood's Manuscripts and Ghosts: Essays on the Transmission of Medieval and Early Renaissance Literature (Dublin: Four Courts Press, 2006).</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802313">
              <text>Joyner, William.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802314">
              <text>English Review of Salem State College 1.2 (1973): 28-41.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802315">
              <text>1973</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802317">
              <text>House of Fame</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802318">
              <text>English Review of Salem State College 01 (1973)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802319">
              <text>MEA; 1/14/2015 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2802312">
                <text>The Journey Motif in Chaucer's 'House of Fame'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2802316">
                <text>Examines ways in which the dreamer's journey in HF parallels his summary of the "Aeneid," identifying verbal echoes as well as similarities in plot and detail. Emends traditional punctuation of lines 109-13 to reinforce the parallel.</text>
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  <item itemId="268273" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763550">
              <text>Brown, Emerson, Jr.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763551">
              <text>Alan T. Gaylord, ed. Essays on the Art of Chaucer's Verse (New York and London: Routledge, 2001), pp. 267-79.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763552">
              <text>2001</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763553">
              <text>Essays on the Art of Chaucer's Verse</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763555">
              <text>Style and Versification.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763556">
              <text>vxl SAC 27: 61</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763549">
                <text>The Joy of Chaucer's Lydgate Lines</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763554">
                <text>Brown discourages emendation ("dreary refinements") of Chaucer's meter, arguing that "broken-backed" or "Lydgatian" lines recorded in good manuscripts are likely to be Chaucer's own. Metrical variation within Chaucer's dominant patterns can have powerful poetic effects.</text>
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          </element>
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