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              <text>Chaucer Review 5.3 (1971): 179-94.</text>
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              <text>mea; 2/23/2016 No SAC</text>
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                <text>The Influence of the Saint's Legend Genre in the 'Man of Law's Tale'</text>
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                <text>Shows how Chaucer's changes to Nicholas Trevet's version of the Constance narrative are influenced by the conventions of hagiography, including a tendency to allegory and heightened rhetoric. Assesses MLT as melodrama.</text>
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              <text>Gleason, Mark J.</text>
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              <text>Dissertation Abstracts International 45 (1985): 2096A.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 09 (247)</text>
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                <text>The Influence of Trevet on Boethian Language and Thought in Chaucer's 'Troilus and Criseyde'</text>
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                <text>In his most Boethian poem, Chaucer relies heavily on Nicholas Trevet's "Commentary" on the Consolation of Philosophy, even versifying one of Trevet's glosses and adopting his Aristotelian interpretation.</text>
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              <text>Dissertation Abstracts International 36 (1975-76): 1520A.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>The Influences of Shakespeare's Sources on the Dramaturgy of 'Troilus and Cressida'</text>
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                <text>Explores problems in "Troilus and Cressida" in light of Shakespeare's uses of his sources, including TC.</text>
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              <text>Birney, Earle.</text>
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              <text>Neophilologus 44 (1960): 333-38.</text>
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              <text>Miller and His Tale&#13;
Style and Versification</text>
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                <text>Explores the diction and imagery of MilT, focusing on oral and olfactory instances for the ways that they ironically anticipate details of the plot, particularly the misdirected kiss received by Absolon and colter-burn he directs at Nicholas.</text>
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              <text>Trigg, Stephanie.</text>
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              <text>La Trobe Journal 81 (2008): 106-17.</text>
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              <text>La Trobe Journal 81 (2008)</text>
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              <text>Merchant and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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                <text>The Injuries of Time: Geoffrey Chaucer, Thomas Speght and Wade's Boat.</text>
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                <text>Interrogates features of the reception of Chaucer from Thomas Speght's editions of 1598 and 1602 to twentieth-first century criticism, focusing on the poet's reference to Wade and his boat in MerT 4.1423-26. Discloses the critical legacy of the "cultural repression" of a "form of women's knowledge" in the commentary on the passage, particularly Speght's annotation and later scholarly and medievalist discussions that either infer once-known lost narratives or are in the "tradition of imaginative etymologizing."  </text>
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              <text>Jonassen, Frederick B.</text>
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              <text>Susanna Freer Fein, David Raybin, and Peter C. Braeger, eds.  Rebels and Rivals:  The Contestive Spirit in The Canterbury Tales.  Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 1-35.</text>
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              <text>1991</text>
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              <text>Rebels and Rivals: The Contestive Spirit in the Canterbury Tales.</text>
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                <text>The Inn, the Cathedral, and the Pilgrimage of The Canterbury Tales</text>
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                <text>Mikhail Bakhtin's distinction between "carnivalesque abandon and lenten mortification" and Victor Turner's distinction between liminality and "communitas" illuminate the dual nature of the pilgrimage--or of the material and the spiritual, the innkeeper and the Parson, and the Inn and the Cathedral; however, the Pardoner's complete rejection of both unites the two polarities to suggest that CT "is an emphatic reconciliation of the Inn and the Cathedral, which are united in the idea of pilgrimage."</text>
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                <text>The Insomniac Tales</text>
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                <text>Item not seen; described in an online review by Joy Calderwood (http://www.reviewers-choice.com/the_insomniac_tales.htm) as thirteen "Chick Lit" short stories by various women writers in imitation of CT.</text>
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              <text>Fisher, John H.</text>
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        <element elementId="98">
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              <text>J. B. Bessinger and R. Raymo, eds.  Medieval Studies in Honor of Lillian Herlands Hornstein (New York: New York University Press, 1976), pp. 111-21.</text>
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        <element elementId="114">
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              <text>Troilus and Criseyde.</text>
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        <element elementId="109">
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              <text>jules SAC 02 (78)</text>
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                <text>The spaces left for illustrations in this ms, when correlated with the text immediately surrounding them, can rather easily be mentally completed with illustrations of the action of TC or with portrayals of court scenes of the readings of the poem similar to the ms's frontispiece.  The total spaces are as follows:  6 initials, 2 explicit-incipit breaks, and 93 textual spaces, often at regular intervals.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753484">
                <text>Examines the relationships between (mis)reading and (mis)writing, exegesis, and the unconscious in HF.</text>
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          <elementTextContainer>
            <elementText elementTextId="2798301">
              <text>Olson, Clair C.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Beryl Rowland, ed. Chaucer and Middle English Studies in honour of Rossell Hope Robbins (London: George Allen &amp; Unwin, 1974), pp. 164-72.</text>
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        <element elementId="114">
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            <elementText elementTextId="2798303">
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            <elementText elementTextId="2798304">
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                <text>The Interludes of the Marriage Group in the 'Canterbury Tales'</text>
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                <text>Describes the structure of the so-called marriage group, focusing on how the pairings of FrT and SumT and MerT and SqT contribute to the sense of dramatic climax fulfilled in FranT.</text>
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          <elementTextContainer>
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              <text>Watts, William H.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2701379">
              <text>Dissertation Abstracts International 51 (1990): 1224A-1225A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701380">
              <text>1990</text>
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              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2701383">
              <text>Dissertation Abstracts International 51 (1990)</text>
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        <element elementId="109">
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            <elementText elementTextId="2701384">
              <text>jules - 26/10/94 SAC 14 (272)</text>
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              <elementText elementTextId="2701377">
                <text>The Interplay of Genres in Chaucer's 'Troilus and Criseyde'</text>
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          <element elementId="41">
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              <elementText elementTextId="2701381">
                <text>Though read as tragedy, comedy or satire, TC can be understood as "compilatio" or Bakhtinian "polyglossa."  With Boccaccio's plot of tragic love, Chaucer incorporates a subtext of Boethian philosophy (as treated by Jean de Meun) and allusions to Dante.  Chaucer follows Ockham in showing experience as transcending human constructs.</text>
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              <text>Hammond, Paul.</text>
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        <element elementId="98">
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              <text>Seventeenth Century 23 (2008): 142-59.</text>
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              <text>Knight and His Tale</text>
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            <elementText elementTextId="2780039">
              <text>Facsimiles, Editions, and Translations</text>
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          <description/>
          <elementTextContainer>
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              <text>vxl SAC 32:178.</text>
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                <text>The Interplay of Past and Present in Dryden's 'Palamon and Arcite'</text>
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                <text>Hammond compares and contrasts Dryden's "Palamon and Arcite" from  his "Fables Ancient and Modern" with its source, Chaucer's  KnT, finding that Dryden reworked religious and political concerns to create a "macaronic fabric" that combines classical,  medieval, and Restoration motifs in an idealized whole.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2720407">
              <text>Martin, Ellen E.</text>
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        <element elementId="98">
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            <elementText elementTextId="2720408">
              <text>Chaucer Review 18 (1983): 18-22.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>Book of the Duchess.</text>
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              <text>jules SAC 07 (214)</text>
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          <element elementId="50">
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              <elementText elementTextId="2720406">
                <text>The Interpretation of Chaucer's Alcyone</text>
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                <text>Exegetical criticism of Alcyone in BD misleads since it neglects the traditional significance of Alcyone (as in Petrarch and Boccaccio).</text>
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            <elementText elementTextId="2751898">
              <text>Ganim, John M.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2751899">
              <text>William A. Quinn, ed. Chaucer's Dream Visions and Shorter Poems (New York and London: Garland, 1999), pp. 463-76.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2751900">
              <text>1999</text>
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              <text>Chaucer's Dream Visions and Shorter Poems.</text>
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                <text>The Interpretation of Dreams : Chaucer's Early Poems, Literary Criticism and Literary Theory</text>
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              <elementText elementTextId="2751902">
                <text>Assesses criticism of Chaucer's dream visions and lyrics for how it has "predicted" the present state of Chaucer scholarship and as a "test case" for various critical approaches. Issues include the subject and subjectivity; resistance to new critical approaches; and adaptability to historicist, feminist, and psychoanalytic approaches.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2772676">
              <text>Nakao, Yoshiyuki.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2772677">
              <text>Michiko Ogura, ed. Textual and Contextual Studies in Medieval English: Towards the Reunion of Linguistics and Philology (Frankfurt am Main, 2006), pp. 51-73.</text>
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        <element elementId="114">
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            <elementText elementTextId="2772678">
              <text>2006</text>
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            <elementText elementTextId="2772679">
              <text>Textual and Contextual Studies in Medieval English: Towards the Reunion of Linguistics and Philology.</text>
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          <name>Chaucer Subject</name>
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              <text>Language and Word Studies.</text>
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              <text>Troilus and Criseyde.</text>
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        <element elementId="109">
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              <text>vxl sac 30:89</text>
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              <elementText elementTextId="2772675">
                <text>The Interpretation of Troilus and Criseyde 3.587: 'syn I moste on yow triste'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2772680">
                <text>Nakao assesses Criseyde's comment on trusting Pandarus (TC 3.587) as ambiguous, considering "phonological, morphological, lexical/collocational, syntactic and pragmatic" aspects of Chaucer's use of "moste" as an auxiliary and an adverb.</text>
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  <item itemId="268106" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2761932">
              <text>Sheridan, Christian Charles.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2761933">
              <text>DAI 62: 2756A, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2761934">
              <text>2002</text>
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          <elementTextContainer>
            <elementText elementTextId="2761936">
              <text>Canterbury Tales--General.</text>
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          <elementTextContainer>
            <elementText elementTextId="2761937">
              <text>Dissertation Abstracts International 62 (2002)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2761938">
              <text>vxl sac 26:178</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2761931">
                <text>The Interpretive Marketplace in the 'Canterbury Tales'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2761935">
                <text>Sheridan explores ways that language is like money in acts of interpretation, examining the role of the Host in CT, readers' valuations of various tales, patronage and interpretive control, and the "mercantile" strategies of May (MerT) and the Wife of Bath.</text>
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  <item itemId="273490" public="1" featured="0">
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              <name>Title</name>
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            <elementText elementTextId="2817403">
              <text>Matsuda, Takami.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Yuichiro Azuma, Kotaro Kawasaki, and Koichi Kano, eds. Chaucer and English and American Literature: Essays Commemorating the Retirement of Professor Masatoshi Kawasaki (Tokyo: Kinseido, 2015), pp. 44–59.</text>
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              <text>Chaucer and English and American Literature: Essays Commemorating the Retirement of Professor Masatoshi Kawasaki</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2817406">
              <text>Squire and His Tale&#13;
Franklin and His Tale</text>
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        <element elementId="109">
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              <text>SAC 39:166&#13;
mea; 2/23/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2817408">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825184">
                <text>Argues that the medieval notion of wonder helps to explain the Franklin's interruption of SqT.The Squire presents the marvels in his tale as explainable in scientific terms, in accord with the philosophical notion of wonder. The Franklin similarly intends to reframe romance marvels in scientific terms and does not want the Squire to forestall him. In Japanese.</text>
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              <elementText elementTextId="2826000">
                <text>The Interruption of the "Squire's Tale": The Disillusionment of Wonder in the "Canterbury Tales."</text>
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  <item itemId="265516" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734852">
              <text>Storm, Melvin.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734853">
              <text>Studies in Scottish Literature 28 (1993): 105-22.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734854">
              <text>1993</text>
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            <elementText elementTextId="2734856">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2734857">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2734858">
              <text>Studies in Scottish Literature 28 (1993)</text>
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        <element elementId="109">
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          <description/>
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              <text>jules SAC 18 (1996) - 284</text>
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                <text>The Intertextual Cressida: Chaucer's Henryson or Henryson's Chaucer?</text>
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                <text>Chaucer's moral judgment of Troilus may be uncertain, and his judgment of Criseyde is definitely uncertain.  Readers have attempted to clarify these judgments by appeals outside the text to law and theology; however, reading Henryson's "Testament" as a continuation of Chaucer with close attention to the intertextual connections makes clear that both Troilus and Criseyde are ameliorated.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Haman, Mark Stefan.</text>
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              <text>Dissertation Abstracts International 42 (1982): 4444A.</text>
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              <text>1982</text>
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              <text>Merchant and His Tale.</text>
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>Dissertation Abstracts International 42 (1982)</text>
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              <text>jules SAC 06 (111)</text>
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                <text>The Introspective and Egocentric Quests of Character and Audience: Modes of Self-Definition in the York Corpus Christi Cycle and in Chaucer's 'Merchant's Tale'</text>
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                <text>Certain fourteenth-century works (the York plays, "Confessio Amantis," "Piers Plowman," CYT) function by placing inadequate characters in crisis situations.  The audience learns from their limited reactions.  Most complex is MerT:  the narrator's distorted vision clashes with January's "conversion" to force readers into thoughtful response.</text>
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              <text>Hill, Michelle Queen.</text>
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              <text>Open access Ph.D. dissertation University of Georgia, 2016.&#13;
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Accessed February 7, 2021.</text>
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              <text>Book of the Duchess&#13;
Knight and His Tale</text>
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              <text>SAC 43:227</text>
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            <elementText elementTextId="2837689">
              <text>2016</text>
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            <description>A name given to the resource</description>
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                <text>The Invention and Reinvention of the Middle Ages: Writers, Readers, and the Composition of Text.</text>
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                <text>Explores how genre conventions and expectations vary between the Middle Ages and the nineteenth century and produce different views of history. Includes discussion of BD and KnT for the ways that Chaucer reshapes their conventional genres (dream vision and romance respectively), which are later reshaped by William Morris in "A Dream of John Ball" and "News from Nowhere."</text>
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              <text>Holsinger, Bruce.</text>
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              <text>New York: HarperCollins, 2015.</text>
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              <text>420 pp.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 39:59&#13;
mea; 2/21/2018</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2015</text>
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                <text>The Invention of Fire.</text>
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                <text>Historical novel set in London, Kent, Calais, and during a pilgrimage to Durham, 1386; the second in a series that features John Gower as first-person narrator investigating criminal and political events, in this case a mass murder that involves parliamentary machinations, Nicholas Brembre's mayoralty, and the development of handguns. Includes a range of characters both historical and fictional, with Chaucer in his role as "shire justice in Kent" and as Gower's shrewd friend and literary competitor.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McDermott, Ryan John</text>
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              <text>DAI A72.01 (2011): n.p.</text>
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              <text>2011</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Dissertation Abstracts International 72 (2011).</text>
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              <text>mea sac 35:67.</text>
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                <text>The Invention of Goodness: Literary Ethics and Tropological Imagination in Late-Medieval England</text>
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                <text>Includes discussion of Rita Copeland's representation of Chaucer as an author intending to supersede previous texts; where Chaucer would supplant classical texts, Langland is presented as attempting to conserve and extend scriptural/liturgical texts.</text>
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              <text>Matthews, David, [ed.]</text>
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              <text>xii, 244 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 24 (173)</text>
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                <text>The Invention of Middle English : An Anthology of Primary Sources</text>
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                <text>Collects excerpts documenting how "the modern study of Middle English became the way it is." Thirteen excerpts discuss language, from George Hickes (1642-1715) to James A. H. Murray (1837-1915), and nineteen consider literary criticism and commentary, from Thomas Hearne (1678-1735) to Walter Willam Skeat (1835-1911). The excerpts are preceded by brief descriptions of their authors' careers and impact; the excerpts include modern notes.</text>
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