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                  <text>Chaucer Bibliography Online</text>
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              <text>Wright, Will,and Steven Kaplan,eds.</text>
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              <text>Pueblo, Colo.: Society for the Interdisciplinary Study of Social Imagery, [1993].</text>
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              <text>1993</text>
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              <text>367 pp.</text>
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              <text>Kaplan, Steven,ed.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 21 - 158</text>
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                <text>The Image of Nature in Literature, the Media, and Society: Selected Papers, 1993 Conference, Society for the Interdisciplinary Study of Social Imagery, March 11-13, 1993, Colorado Springs, Colorado</text>
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                <text>Fifty-seven essays on a variety of topics. For essays that pertain to Chaucer, search for Image of Nature in Literature, the Media, and Society under Alternative Title.</text>
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              <text>Bleeth, Kenneth A.</text>
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              <text>Larry D. Benson, ed. The Learned and the Lewed: Studies in Chaucer and Medieval Literature. Harvard English Studies, no. 5 (Cambridge Mass.: Harvard University Press, 1974), pp. 45-60.</text>
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              <text>1974</text>
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              <text>Learned and the Lewed: Studies in Chaucer and Medieval Literature.</text>
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              <text>Merchant and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/26/2014 No SAC</text>
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                <text>The Image of Paradise in the 'Merchant's Tale'</text>
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                <text>Examines various evocations of paradise as a garden in MerT as parodic inversions of Christian understanding of the scene of the Fall.</text>
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              <text>Donovan, Mortimer J.</text>
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              <text>Philological Quarterly 36 (1957): 49–60.</text>
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              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Image of Pluto and Proserpine in the "Merchant's Tale."</text>
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                <text>Identifies parallels between the characterizations of January and May in MerT and those of Pluto and Proserpine in Claudian's "De Raptu Proserpinae." Anticipating the role of the fairy deities in Chaucer's Pear-Tree episode, Claudian's "myth of Proserpine" may also have influenced their "beneficent" role of the supernatural characters in the episode. </text>
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              <text>Cupich, Richard John.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 53 (1992): 1154A.</text>
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              <text>House of Fame.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Dissertation Abstracts International 53 (1992).</text>
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              <text>mea</text>
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                <text>The Image of the Blind Cupid in Dream-Vision Poems in the Late Fourteenth, Fifteenth, and Early Sixteenth Centuries in England</text>
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            <description>An account of the resource</description>
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                <text>From Ovid, the blind Cupid connoted erotic love to mythographers, French poets, and eventually Chaucer (HF), Clanvowe, Lydgate, and others.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Heidt, Edward R.</text>
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              <text>Lewiston, N.Y.: Edwin Mellen, 1994.</text>
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              <text>1994</text>
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              <text>[vi], 163 pp.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Studies in Art and Religious Interpretation, no. 15.</text>
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              <text>vxl sac 26:168</text>
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                <text>The Image of the Church Minister in Literature</text>
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                <text>Chronological survey of representative depictions of church ministers in a variety of works, from Chaucer to Morris West, briefly considering works by Shakespeare, Trollope, John Henry Newman, George Eliot, Ibsen, Edmund Gosse, Joyce, Graham Greene, F. Scott Fitzgerald, and Emerson. Heidt notes that Chaucer's Monk, Friar, Pardoner, Summoner, and Parson (pp. 7-28) anticipate the Reformation and later literary ministers.</text>
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              <text>Sadlek, Gregory M.</text>
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              <text>Klaus Jankofsky, ed.  The South English Legendary: A Critical Assessment (Tubingen: A. Francke, 1992), pp. 49-64.</text>
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              <text>1992</text>
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              <text>South England Legenday: A Critical Assssment.</text>
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              <text>Jankofsky, Klaus, ed.</text>
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              <text>Parson and His Tale.</text>
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                <text>The Image of the Devil's Five Fingers in the South English Legendary's St. Michael and in Chaucer's Parson's Tale</text>
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                <text>In "St. Michael," the image of the Devil's five fingers is a homiletic, mnemonic device to convey a lesson on sin.  Chaucer's version in ParsT has a clear literary quality.</text>
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              <text>Yemenedzi-Malathouni, Smatie.</text>
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                <text>Provides context for the link between death and the tapping of a barrel  in RvP, 3892-94, and for the relationship between the Pardoner and Kit the Tapster in the prologue to the "Tale of Beryn," mentioning other English analogues and describing contemporaneous visual analogues (especially wall-painting) from Bohemia and nearby central European countries.</text>
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                <text>In developing the theme that Troilus values too highly love and beauty in this world, Chaucer throughout TC intertwines imagery of Fortune and of religion to describe Troilus' experiences and to characterize Criseyde.  Although the depiction of Criseyde is psychologically credible, it also has important figurative implications, for she is linked to intricate image patterns of circularity and turning wheels which are usually associated with Fortune.</text>
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        <element elementId="98">
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                <text>Building on medieval conventions in which the city was a metaphor for the human condition, Thebes--known for fratricide and civil war--symbolizes disorder and chaos.  Theseus, especially through his subjugation of the queen of the lawless and violent Amazons, is the "homo novus" who represents law and order and vindicates the code of chivalry.</text>
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              <text>Medieval and Early Modern English Studies 24.2 (2016): 83-105.</text>
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                <text>The Images of Medieval Old Man as Portrayed in Chaucer's "Canterbury Tales."</text>
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                <text>Discusses medieval concepts of aging and Chaucer's depictions of old men in CT. Claims that Chaucer displays a balanced attitude in his depictions of old men, which differs from how medieval society tended to view the elderly in a negative light.</text>
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              <text>Federico, Sylvia.</text>
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        <element elementId="98">
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        <element elementId="114">
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              <text>Tinkle, Theresa.</text>
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              <text>Donka Minkova and Theresa Tinkle, eds. Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly (Frankfurt and New York : Peter Lang, 2003), pp. 157-74.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>The Imagined Chaucerian Community of Bodleian MS Fairfax 16</text>
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            <description>An account of the resource</description>
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                <text>The treatment of Cupid in the various works of Bodleian MS Fairfax 16 reveals a cultural transition from the Gallic tradition of the supremacy of love-and from the Latinate tradition of the supremacy of religion-to a new English poetic tradition. This new tradition appeals specifically to a community of men, both educated and uneducated, as sufferers in the tradition and writers of the genre. Tinkle includes discussion of LGW.</text>
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              <text>Ohno, Hideshi.</text>
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              <text>Osamu Imahayashi, Yoshiyuki Nakao, and Michiko Ogura, eds. Aspects of the History of the English Language and Literature: Selected Papers Read at SHELL 2009, Hiroshima (New York; Peter Lang, 2010), pp. 115-29.</text>
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            <elementText elementTextId="2788750">
              <text>2010</text>
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              <text>Aspects of the History of the English Language and Literature: Selected Papers Read at SHELL 2009, Hiroshima.</text>
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              <text>Language and Word Studies.</text>
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              <text>vxl sac 34:106</text>
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                <text>The Impersonal and Personal Constructions in the Language of Chaucer</text>
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                <text>Tabulates features of impersonal usage in Chaucer, Gower, and Langland, using a variety of verbs and commenting on the conditions of usage.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Miura, Ayumi.</text>
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            <elementText elementTextId="2778979">
              <text>Lexicon (Tokyo) 36 (2006): 24-40.</text>
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            <elementText elementTextId="2778980">
              <text>2006</text>
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          <name>Chaucer Subject</name>
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              <text>Language and Word Studies</text>
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              <text>Lexicon (Tokyo) 36 (2006).</text>
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              <text>vxl SAC 32:77.</text>
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                <text>The Impersonal Verb 'Listen' in Chaucer's Works: Implications of Its Textual Distribution</text>
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              <elementText elementTextId="2778981">
                <text>Studies the distribution of Chaucer's impersonal verb "listen" (to be pleasing), focusing on disparities  between distributions in prose and verse, usage in formulaic expressions, and transition from impersonal to personal usage.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Santini, Monica.</text>
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        <element elementId="98">
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              <text>Bern: Peter Lang, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2788410">
              <text>2010</text>
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        <element elementId="99">
          <name>Physical Description</name>
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              <text>255 pp.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2788413">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Tale of Sir Thopas</text>
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        <element elementId="109">
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              <text>vxl sac 34:79</text>
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          <element elementId="50">
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              <elementText elementTextId="2788407">
                <text>The Impetus of Amateur Scholarship: Discussing and Editing Medieval Romances in Late-Eighteenth [sic] and Nineteenth-Century Britain</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788412">
                <text>Tracing the revival of the romance genre, Santini describes in chronological order the work of amateur scholars, editors, and editorial societies that produced editions and commentary on Middle English romances between 1760 and 1860. Comments on the role of Chaucer's popularity in this revival and on his list of romances in Th.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2836274">
              <text>Prendergast, Thomas A.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2836275">
              <text>Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 125-37.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2836276">
              <text>Contemporary Chaucer across the Centuries.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836277">
              <text>Chaucerian Apocrypha&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836278">
              <text>SAC 43:273</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2836279">
              <text>2018</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2836273">
                <text>Considers possible motives for the "Beryn" scribe to include the "Prologue" and the "Tale of Beryn" in one of the CT mansucripts that he copied, Alnwick Castle, Northumberland, MS 455 (Nl), arguing that he was responding to the "agency of the text," i.e., to a medieval kind of intentionality attributable to the literary work rather than to its author, theorized by Mary Carruthers. Treats the two "Beryn" works as "non-Chaucerian Chauceriana," similar in this regard to other spurious links and tales.</text>
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              <elementText elementTextId="2851823">
                <text>The Implausible Plausibility of the "Prologue to the Tale of Beryn."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2771409">
              <text>Purdie, Rhiannon.</text>
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        <element elementId="98">
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              <text>Forum 41 (2005): 263ı74.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2771411">
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            <elementText elementTextId="2771413">
              <text>Tale of Sir Thopas.</text>
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              <text>Manuscripts and Textual Studies.</text>
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            <elementText elementTextId="2771415">
              <text>Forum 41 (2005).</text>
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              <text>vxl sac 29:244</text>
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          <element elementId="50">
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              <elementText elementTextId="2771408">
                <text>The Implications of Manuscript Layout in Chaucer's Tale of Sir Thopas</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2771412">
                <text>Purdie demonstrates that the layout of Th in several key early manuscripts derives from the traditional layout of Middle English tail-rhyme poetry. Chaucer intended to contribute to the Tale's humor with this arrangement, which reflects his fascination with book culture.</text>
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  <item itemId="261507" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695687">
              <text>Fisher, John H.</text>
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        <element elementId="98">
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            <elementText elementTextId="2695688">
              <text>Carbondale and Edwardsville: Southern Illinois University Press, 1992.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2695689">
              <text>1992</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2695690">
              <text>xi, 198 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2695694">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2695686">
                <text>The Importance of Chaucer</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2695691">
                <text>Explores how Chaucer expanded the boundaries of the English literary idiom.  Chaucer's innovations capitalize on the rise of a new audience, a class of bureaucrats and businessmen who shared his education at the inns of court and chancery.  Details of his biography help to explain the paucity of Chaucerian manuscripts from his lifetime, and conscious promotion by the Lancastrian faction helps account for the enormity of his impact.</text>
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              <elementText elementTextId="2695692">
                <text>  His advances include the use of cultivated English to express love as decorum and psychological allegory; the development of mimetic plots and characters; the systematic use of humor, satire, and irony; the extension of courtly poetic manners and religion to humanism and naturalism; and the promotion of himself as an author.  </text>
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              <elementText elementTextId="2695693">
                <text>  Includes a survey of critical reception.</text>
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  </item>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2757443">
              <text>Brinton, Laurel J.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2757444">
              <text>Susan C. Herring, Pieter Van Reenan, and Lene Schøsler, eds. Textual Parameters in Older Languages (Amsterdam and Philadelphia: Benjamins, 2000), pp. 139-62.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2757445">
              <text>2000</text>
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            <elementText elementTextId="2757446">
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          <elementTextContainer>
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              <text>Schøsler, Lene, ed.</text>
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            <elementText elementTextId="2757449">
              <text>Van Reenan, Pieter, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2757451">
              <text>Language and Word Studies.</text>
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            <elementText elementTextId="2757452">
              <text>Troilus and Criseyde.</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2757453">
              <text>Amsterdam Studies in the Theory and History of Linguistic Science, ser. 4, no. 195.</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2757454">
              <text>jules SAC 25 (69)</text>
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              <elementText elementTextId="2757442">
                <text>The Importance of Discourse Types in Grammaticalization : The Case of Anon</text>
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          <element elementId="41">
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              <elementText elementTextId="2757450">
                <text>Traces the development of "anon" from Middle English to Early Modern English, using evidence drawn from TC and elsewhere. A revised version of chaper two of Brinton's Pragmatic Markers in English (Berlin and New York: Gruyter, 1996).</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2701127">
              <text>Eadie, J.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2701128">
              <text>English Studies 71 (1990): 322-34.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701129">
              <text>1990</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2701131">
              <text>Manuscripts and Textual Studies.</text>
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            <elementText elementTextId="2701132">
              <text>Canon's Yeoman and His Tale.</text>
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            <elementText elementTextId="2701133">
              <text>Nun's Priest and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2701134">
              <text>English Studies 71 (1990)</text>
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        <element elementId="109">
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            <elementText elementTextId="2701135">
              <text>jules - 10/10/94 SAC 14 (13)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2701126">
                <text>The Importance of Hengwrt : Two Studies</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2701130">
                <text>Examines two instances in which Hengwrt is markedly different from other early manuscripts. The first instance casts doubts on the authenticity of CYP and CYT (not in Hengwrt).  The second suggests that the long form of NPP and those versions in which the Monk's story of Cresus is last are not Chaucer's but the work of one or more editors.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2731835">
              <text>Dane, Joseph A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2731836">
              <text>Huntington Library Quarterly 56 (1993): 307-17.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2731837">
              <text>1993</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2731839">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2731840">
              <text>Huntington Library Quarterly 56 (1993)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731841">
              <text>jules SAC 17 (81)</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731834">
                <text>The Importance of Importance</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731838">
                <text>Reviews John H. Fisher's "The Importance of Chaucer" (Studies in the Age of Chaucer 16 (1994), no. 35); Elaine Tuttle Hansen's "Chaucer and the FIctions of Gender" (Studies in the Age of Chaucer 16 (1994), no. 90); and the "Cluster on Chaucer" in Publications of the Modern Language Association 107 (1992): 1139-80.  Argues that the works under consideration are implicated in "an attitude of authorial adulation."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2810824">
              <text>Golding, M. R.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810825">
              <text>Medium Aevum 39 (1970): 306-12.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810826">
              <text>1970</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2810828">
              <text>Franklin and His Tale</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810829">
              <text>Medium Aevum 39 (1970)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810830">
              <text>mea; 08/26/2016 No SAC</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2810823">
                <text>The Importance of Keeping 'Trouthe' in 'The Franklin's Tale'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2810827">
                <text>Posits that Chaucer arranges matters in FranT to pose the possibility of a "dual response to the subject matter" of "trouthe," exploring reality and illusion and the competing requirements of conjugal and courtly loves. The Tale illustrates the real-life importance of keeping "trouthe" and the maturation of the characters which results from seeking to maintain it.</text>
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    <collection collectionId="8">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805515">
              <text>Culver, T. D.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805516">
              <text>Yearbook of English Studies 2 (1972): 13-20.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805517">
              <text>1972</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805519">
              <text>Man of Law and His Tale</text>
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            <elementText elementTextId="2805520">
              <text>Sources, Analogues, and LIterary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805521">
              <text>Yearbook of English Studies 02 (1972)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805522">
              <text>mea; 12/21/2015 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2805514">
                <text>The Imposition of Order: A Measure of Art in the Man of Law's Tale</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2805518">
                <text>Traces the artistic development of the Constance story from its roots in the accused queen legend through Trevet's adaptation, Gower's version, and MLT, arguing that only in Chaucer does the narrative achieve "comprehensive artistic unity" of characterization, various motifs, verse form, and allegory.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724626">
              <text>Sklute, Larry M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724627">
              <text>Chaucer Review 16 (1981): 119-28.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724628">
              <text>1981</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724630">
              <text>Parliament of Fowls.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724631">
              <text>Chaucer Review 16 (1981)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724632">
              <text>jules SAC 05 (231)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724625">
                <text>The Inconclusive Form of the 'Parliament of Fowls</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2724629">
                <text>Unlike his earlier dream visions, Chaucer's PF exhibits no structural confusion.  Rather, the poet poses the possibility of variable pluralisms and leaves the poem inconclusive.  The narrator is relatively uninvolved in the action, which permits Chaucer a calmer tone and a more assured, linear progression of events.</text>
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