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              <text>Thiessen, David.</text>
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              <text>Open access Ph.D. dissertation (University of Waterloo, 2020). Available at https://uwspace.uwaterloo.ca/handle/10012/15637 (accessed October 17, 2022).</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
House of Fame&#13;
Knight and His Tale</text>
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                <text>The Flesh Made Mind: Language and Embodiment in Late Middle English Literature.</text>
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                <text>Compares "contemporary cognitive models of self, that posit an interconnection between body and mind, with Pre-Modern conceptions of an embodied self " as the latter are represented in several late medieval English works including BD, HF, and KnT.</text>
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              <text>Edwards, Robert R.</text>
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              <text>xi, 219 pp.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>The Flight from Desire: Augustine and Ovid to Chaucer</text>
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                <text>Seven chapters on topics related to Ovid, Augustine, Hloïse and Abélard, Marie de France, Dante, Roman de la Rose, and Chaucer's relations with Boccaccio and Dante in TC. Grounded in Augustinian, Ovidian, and biblical models, TC (lines 5.540 ff.) explores the impossibility of desire.</text>
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              <text>Archibald, Elizabeth.</text>
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              <text>jules SAC 10 (149)</text>
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                <text>The Flight from Incest: Two Late Classical Precursors of the Constance Theme</text>
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                <text>The "Clementine Recognitions" and "Apollonius of Tyre" were probably known to Chaucer.  He eschews their incest motif but reminds readers of it by his reference to Apollonius in the introduction of MLT.</text>
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              <text>Pearsall, D[erek] A., ed.</text>
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              <text>London: Nelson, 1962.</text>
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              <text>viii, 191 pp.</text>
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Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>The Floure and the Leafe and The Assembly of Ladies.</text>
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                <text>Edits these two examples of Chaucerian apocrypha, with introduction, textual and critical notes, glossary, and bibliography, observing that the "only reason for the attribution" to Chaucer is "their inclusion in the sixteenth-century collected editions of Chaucer," commenting on the lack of external evidence, and showing that "the internal evidence of language, rhyme, and metre . . . is all against" such an attribution. Identifies Chaucerian echoes in the poem and describes the history of the attribution in various printed editions.</text>
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              <text>The Assembly of Ladies.</text>
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                <text>The Floure and the Leafe; The Assembly of Ladies; The Isle of Ladies</text>
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                <text>A teaching edition of three works of Chaucerian apocrypha, including individual introductions, notes, marginal glosses,bibliographies, and a brief glossary.  The introductions place the poems in the Chaucerian tradition and comment on their genres and styles.</text>
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              <text>Conti Camaiora, Luisa.</text>
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              <text>Giovanni Iamartino, Maria Luisa Maggioni, and Roberta Facchinetti, eds. Thou sittest at another boke: English Studies in Honour of Domenico Pezzini (Milan: Polimetrica, 2008), pp. 305-18.</text>
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              <text>Thou sittest at another boke: English Studies in Honour of Domenico Pezzini.</text>
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                <text>The Floure and the Leafe: A Source of Keatsian Inspiration</text>
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                <text>The theme of doubleness in "The Floure and the Leafe" appears to have been especially attractive for Keats,whose attention was always drawn to the relationship between life and art. He found in the medieval poem an interesting "authority" that allowed him to transform an ancient poem, written in the form of a debate, into a modern lyrical composition.</text>
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                <text>LGW provides an important statement of Chaucer's poetics.  It recognizes his genuine debt to his French contemporaries.  The poet-dreamer does not reject or parody the tradition of "fin amor," but under its direction he acknowledges the poet's duty to praise God and serve the world by writing of the diversity of love.</text>
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                <text>Coleman surveys the betrothals, marriage, and literary patronage of Philippa of Lancaster, suggesting that she may have given Chaucer a copy of Deschamps's "Ballade 765," which may have helped to inspire Chaucer's interest in flower and leaf debates that underlie LGWP. Includes a text and translation of Deschamps's ballade.</text>
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              <text>Stevens, Martin, and James Paxson.</text>
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                <text>The Fool in the Wakefield Plays</text>
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                <text>The conflation of the fool with the devil in medieval representation reflected unstable boundaries between the witless man, who had the protection of the Church, and his imitator, the artificial fool.  The Wakefield Satan, an artificial fool, is traceable to Guilielmus Peraldus, a mid-13th-century writer who strongly influenced Chaucer.</text>
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                <text>Argues that the forest described in BD, 416-26, is "both topographical and ekphrastic," comparing details of the forest with aspects of Wenceslas Hollar's engravings of the nave of Old St. Paul's Cathedral, reproduced in William Dugdale's history of the cathedral.</text>
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New York: Routledge, 2017.</text>
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2017</text>
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              <elementText elementTextId="2719261">
                <text>The Forgotten Sky: A Guide to Astrology in English Literature</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2719265">
                <text>On the use of astrology from medieval times through the eighteenth century, the book is in three parts:  an explanation of genuine astronomy and astronomical terms; an explanation of false premises in astrological schematics; and application of astrological information to selected literary texts, including Chaucer's.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2846827">
              <text>Ruggiers, Paul G.</text>
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              <text>College English 17.8 (1956): 439-44.</text>
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        <element elementId="100">
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            <elementText elementTextId="2846829">
              <text>College English 17 (1956)</text>
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              <text>Canterbury Tales--General</text>
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              <text>mea; 12/9/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2846832">
              <text>1956</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2846825">
                <text>The Form of "The Canterbury Tales": "Respice Fines."</text>
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                <text>Seeks to illuminate "the kind of order that Chaucer was in the process of imposing" on the CT, focusing on the "definite beginning" and "definite end" rather than the "great middle." Treats GP, where Chaucer sets his topic ("variety of the created world"), and KnT and MLT as, respectively, philosophical and religious guides to the world, with ParsT serving as a necessary penitential alterative to the limitations of such perspectives.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709374">
              <text>Clopper, Lawrence M.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709375">
              <text>Medievalia et Humanistica 15 (1987): 119-46.</text>
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          <elementTextContainer>
            <elementText elementTextId="2709376">
              <text>1987</text>
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              <text>Knight and His Tale.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Medievalia et Humanistica 15 (1987)</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>jules SAC 11 (74)</text>
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          <element elementId="50">
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              <elementText elementTextId="2709373">
                <text>The Form of Romance and the Resolution of Theological Issues</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2709377">
                <text>Considers romance as a vehicle for the resolution of philosophical and theological problems, the relation of history to romance, and the rhetorical systems of each genre.  KnT, TC, and "Sir Gawain and the Green Knight" illustrate how Chaucer and the "Gawain"-poet utilized the formal structures, rhetorical devices, and themes of romance to address the crucial issue of free will within a providential universe.</text>
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              <elementText elementTextId="2709378">
                <text>KnT is a "twin" narrative and romance corollary of Augustine's argument against pagan fatalism.  TC and "Sir Gawain" use formal structures and a persona or controlled point of view to create a perspective similar to the logic tjht Augustine used to refute Cicero's denial of free will.  The poems illustrate, rather than state, that God's foreknowledge is not foreordination.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840082">
              <text>Turner, Marion.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2840083">
              <text>Frank Grady, ed. The Cambridge Companion to "The Canterbury Tales" (Cambridge: Cambridge University Press, 2020), pp. 1–20.</text>
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          <elementTextContainer>
            <elementText elementTextId="2840084">
              <text> Cambridge Companion to The Canterbury Tales</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2840085">
              <text>Canterbury Tale--General&#13;
Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2840086">
              <text>mea; SAC 44:189</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840087">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2840080">
                <text>The Form of the "Canterbury Tales."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850879">
                <text>Emphasizes Chaucer's development of form in CT. Demonstrates that Chaucer's experiments with form in CT and other works, including TC, are traced to origins in Boccaccio's works, and argues for a connection between these formal experiments and Chaucer's content.</text>
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  <item itemId="262550" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706108">
              <text>Near, Michael Raymond.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706109">
              <text>Dissertation Abstracts International 49 (1989): 3359A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706110">
              <text>1989</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2706112">
              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2706113">
              <text>Dissertation Abstracts International 49 (1989)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706114">
              <text>jules SAC 13 (240)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2706107">
                <text>The Formal Attire of Being: Self-Consciousness and the Representation of Identity in Augustine's 'Confessions,' the Old English 'Beowulf,' and Chaucer's 'Troilus'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2706111">
                <text>Characters' sense of identity emerges variously from the varying contexts in which the selves operate.  In medieval literature, this sense of identity, allied to function rather than "object-self," is drawn through purpose; "his own romantic vision" fills the center of Troilus's identity.</text>
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  </item>
  <item itemId="267293" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753459">
              <text>Cooper, Helen.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753460">
              <text>New Medieval Literatures 3: 39-66,   1999.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753461">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753463">
              <text>House of Fame.</text>
            </elementText>
            <elementText elementTextId="2753464">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
            <elementText elementTextId="2753465">
              <text>Monk and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753466">
              <text>New Medieval Literatures 03 (1999)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753467">
              <text>jules SAC 24 (354)</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753458">
                <text>The Four Last Things in Dante and Chaucer : Hugolino and the House of Rumour</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2753462">
                <text>Assesses Chaucer's relation to Dante as one of "palpable disbelief" in the Italian's claims for authority about the afterlife and God's judgments. In MkT and HF, Chaucer adapts Dante to establish a more worldly and more skeptical sense of poetry. Cooper argues for 1384 as the date of composition for HF and suggests that Dante is, ironically, Chaucer's "man of gret auctorite" (HF 2158).</text>
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  <item itemId="263122" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711681">
              <text>Buckler, Patricia Prandini.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711682">
              <text>Dissertation Abstracts International 46 (1986): 2153A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711683">
              <text>1986</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711685">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2711686">
              <text>Dissertation Abstracts International 46 (1986)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711687">
              <text>jules SAC 10 (51)</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2711680">
                <text>The Fourteenth Century Environment of Discourse: Rhetoric and Imagination in Chaucer's Audience</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2711684">
                <text>Studies the literacy, education, and cultural milieu of Chaucer's audience, the courtly circle and the upper socioeconomic echelons, especially the GP portrait of the Pardoner and PardT, to suggest reader response based on theories of Iser, Rosenblatt, and Hirsch.</text>
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  <item itemId="270135" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2782725">
              <text>Bell, Adrian R.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782726">
              <text>John France, ed. Mercenaries and Paid Men: The Mercenary Identity in the Middle Ages. Proceedings of a Conference Held at University of Wales, Swansea, 7th-9th July 2005. Smithsonian History of Warfare, no. 47 (Leiden: Brill, 2008), pp. 301-15.</text>
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          <elementTextContainer>
            <elementText elementTextId="2782727">
              <text>2008</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782728">
              <text>Mercenaries and Paid Men: The Mercenary Identity in the Middle Ages. Proceedings of a Conference Held at University of Wales, Swansea, 7th-9th July 2005.</text>
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          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782729">
              <text>France, John, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782731">
              <text>Knight and His Tale.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782732">
              <text>Smithsonian History of Warfare, no. 47.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2782733">
              <text>vxl sac 33:106</text>
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              <elementText elementTextId="2782724">
                <text>The Fourteenth Century Soldier: More Chaucer's Knight or Medieval Career?</text>
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                <text>Bell analyzes the military record of 5,600 soldiers from Chaucer's lifetime to discover how many had records of military service similar to the experience of Chaucer's Knight. It was not uncommon for English soldiers to serve as mercenaries in locales such as Italy and Prussia. Most surprising is that the Knight is not credited with service in the Hundred Years' War, an omission that was "very unusual" for a soldier of this time.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710039">
              <text>Anderson, David.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710040">
              <text>John V. Fleming and Thomas J. Heffernan, eds. Studies in the Age of Chaucer, Proceedings, No. 2, 1986. (Knoxville, Tenn.: New Chaucer Society, 1987), pp. 113-25.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2710041">
              <text>1987</text>
            </elementText>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2710042">
              <text>Studies in the Age of Chaucer, Proceedings, No. 2 (1986)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2710044">
              <text>Knight and His Tale.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710045">
              <text>jules SAC 11 (146)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2710038">
                <text>The Fourth Temple of 'The Knight's Tale': Athenian Clemency and Chaucer's Theseus</text>
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            <name>Description</name>
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              <elementText elementTextId="2710043">
                <text>Anderson examines Chaucer's use of Statius's "Thebaid," specifically the description of the temple of the goddess Clemence, within medieval traditions that saw her temple as a "type of foreshadowing of the Church," associated with the "Unknown God."  Medieval commentators found "Statius's description of Athenian clemency and the temple dedicated to it so congenial as to identify it not with idolatry but with the true faith."  Chaucer's opening scene in KnT reflects Statius's description of the temple.</text>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745744">
              <text>Narkiss, Doron.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745745">
              <text>Chaucer Review 32 (1997): 46-63.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745746">
              <text>1997</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745748">
              <text>Nun's Priest and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2745749">
              <text>Chaucer Review 32 (1997)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745750">
              <text>jules SAC 21 - 250</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2745743">
                <text>The Fox, the Cock, and the Priest Chaucer's Escape from Fable</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2745747">
                <text>Chaucer's NPT tests the limits of the fable tradition.  Containing two complete fables--one from the first half (ending with the cock's downfall and capture) and another from the second (don't open your mouth)--the "Tale" combines to form a third fable, with additional morals.  The added length, and the diversity it affords, allows Chaucer to deepen his characterization and to add complexity.</text>
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  <item itemId="266580" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745924">
              <text>Boenig, Robert.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745925">
              <text>Ann Hurley and Kate Greenspan, eds. So Rich a Tapestry: The Sister Arts and Cultural Studies (Lewisburg, Pa.: Bucknell University Press; London: Associated University Presses, 1995), pp. 181-99.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745926">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745927">
              <text>So Rich a Tapestry: The Sister Arts and Cultural Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745928">
              <text>Hurley, Ann,</text>
            </elementText>
            <elementText elementTextId="2745929">
              <text>Greenspan, Kate,ed.</text>
            </elementText>
            <elementText elementTextId="2745930">
              <text>ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745932">
              <text>House of Fame.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745933">
              <text>jules SAC 21 - 269</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2745923">
                <text>The Fragmentation of Visionary Iconography in Chaucer's 'House of Fame' and the 'Cloisters Apocalypse'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2745931">
                <text>Like the "Cloisters Apocalypse," HF depicts the Day of Judgment.  Both works "select, rearrange, and fragment" the biblical account of the apocalypse, reminding us that interpretation is necessary for sinners.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="266889" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749280">
              <text>Bowers, Robert.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749281">
              <text>Geardagum 19 (1998): 31-39.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749282">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749284">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2749285">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
            <elementText elementTextId="2749286">
              <text>Chaucer's Retraction.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749287">
              <text>In Geardagum 19 (1998)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749288">
              <text>jules SAC 22 - 217</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749279">
                <text>The Frame Is the Thing: Gower and Chaucer and Narrative Entente</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749283">
                <text>Awareness of narratological levels helps us understand differences in intent in Gower and Chaucer. Comparison of Gower's "Tale of Florent" and Chaucer's WBT illustrates these differences. Overall, Gower has a purpose and achieves closure; Chaucer conceals his purpose and evades closure. With Ret, Chaucer "is just beginning what Gower has ended" (38).</text>
              </elementText>
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          </element>
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  <item itemId="263955" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2719622">
              <text>Gittes, Katharine Slater.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2719623">
              <text>Dissertation Abstracts International 44 (1983): 1444A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2719624">
              <text>1983</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2719626">
              <text>Canterbury Tales--General.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2719627">
              <text>Dissertation Abstracts International 44 (1983)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2719628">
              <text>jules SAC 07 (125)</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2719621">
                <text>The Frame Narrative: History and Theory</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2719625">
                <text>Frame narratives (Arabic in origin) display open-endedness, structural looseness, and autonomy of component tales.  In CT, Chaucer combines Arabic, classical, and Christian elements and draws on their mutual tensions.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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