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              <text>Finke, Laurie.</text>
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              <text>Nicole Nyffenegger and Katrin Rupp, eds. Fleshly Things and Spiritual Matters: Studies on the Medieval Body in Honour of Margaret Bridges (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 209-28.</text>
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              <text>Fleshly Things and Spiritual Matters</text>
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              <text>Miller and His Tale</text>
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              <text>SAC 40:213</text>
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                <text>(Dis)embodying Men: The Visual Regimes of Homosociality in the Middle Ages.</text>
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                <text>Addresses the male gaze "at other men's bodies," focusing on visual art and on "Sir Gawain and the Green Knight." Includes comments on Chaucer's "lingering over the details of Nicholas's ass" in MilT.</text>
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              <text>Cervone, Cristina Maria.</text>
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              <text>English Language Notes 53.2 (2015): 103-17.</text>
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              <text>Knight and His Tale&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>(Im)materiality and Chaucer's Temple of Mars.</text>
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                <text>Explores "inversions of the material and the immaterial" in the description of the temple of Mars in KnT, describing how the narrator of the description is both "subjectless and immaterial," and investigating "how we think about what we imagine we know." Differing from its source in Boccaccio, Chaucer's version is rife with synaesthesia, nested ekphrases, "unanchored physical details," and near-allegorical devices that evoke questions about the nature of thought, interpretation, and human agency.</text>
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              <text>Stinson, Timothy L.</text>
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              <text>Manuscript Studies 1.1 (2017): 115-34. </text>
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              <text>Manuscripts and Textual Studies&#13;
Canterbury Tales--General&#13;
Cook and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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                <text>(In)completeness in Middle English Literature: The Case of the "Cook's Tale" and the "Tale of Gamelyn."</text>
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                <text>Considers literary completeness, its relations to philosophies of perfection, and "the ways in which incompleteness is a special characteristic of Middle English literature," particularly in manuscript studies. Surveys kinds of incompleteness in CT, and focuses on scribal responses to the fragmentary CkT, suggesting that digital editions can "equip readers to explore the constant elaboration, the polyvalent properties and voices of manuscript texts."</text>
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              <text>Weinstock, Horst.</text>
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              <text>Horst Weinstock. Kleine Schriften: Ausgewahlte Studien zur Alt-, Mittel- und Fruhneuenglischen Sprache und Literatur. Heidelberg: Winter, 2003, pp. 99-109.</text>
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              <text>Kleine Schriften: Ausgewahlte Studien zur Alt-, Mittel- und Frühneuenglischen Sprache und Literatur.</text>
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              <text>Rhetorica Movet: Studies in Historical and Modern Rhetoric in Honour of Heinrich F. Plett.</text>
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              <text>Chaucerian Apocrypha.</text>
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              <text>vxl sac 29:333</text>
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                <text>(K)ein Chaucer-Sonett?</text>
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                <text>Weinstock constructs a pseudo-sonnet from Chaucerian couplets and submits it to translation, analysis, and commentary. First publishesd in Peter L. Oesterrich and Thomas O. Sloane, eds. Rhetorica Movet: Studies in Historical and Modern Rhetoric in Honour of Heinrich F. Plett (Leiden: Brill, 1999), pp. 159-70.</text>
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              <text>Warren, Victoria.</text>
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              <text>Chaucer Review 36: 1-15,   2001.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Chaucer Review 36 (2001)</text>
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              <text>jules SAC 25 (286)</text>
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                <text>(Mis)Reading the 'Text' of Criseyde : Context and Identity in Chaucer's Troilus and Criseyde</text>
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                <text>Troilus cannot read the "text" of Criseyde's face because he is too self-absorbed. Thinking only of what she can do for him, he neglects her "context," fails to acknowledge her vulnerability, and thinks of her as an "image in stasis." Although critics have been willing to accept Troilus's critique, Chaucer expects the reader to go deeper.</text>
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              <text>Moore, Jeanie Grant.</text>
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              <text>Laurel Amtower and Dorothea Kehler, eds.  The Single Woman in Medieval and Early Modern England: Her Life and Representation (Tempe: Arizona Center for Medieval and Renaissance Studies, 2003), pp. 133-46.</text>
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              <text>Single Woman in Medieval and Early Modern England: Her Life and Representation</text>
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              <text>vxl sac 28:131</text>
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                <text>(Re)creations of a Single Woman: Discursive Realms of the Wife of Bath</text>
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                <text>As an often-married single woman, the Wife of Bath confronts and eludes the "binarisms that contained married women": married/not married, male/female, experience/authority, etc. In the fantasy of WBT, she succeeds partially in creating a "world of experience"-a theme of WBP-by establishing a link between herself as a single woman and the knight of her tale.</text>
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              <text>Hanna, Ralph III.</text>
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            <elementText elementTextId="2737245">
              <text>Martin Stevens and Daniel Woodward, eds.  The Ellesmere Chaucer: Essays in Interpretation (San Marino, Calif.: Huntington Library; Tokyo: Yushodo, 1995), pp. 225-43.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737246">
              <text>1995</text>
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              <text>The Ellesmere Chaucer: Essays in Interpretation.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737250">
              <text>Manuscripts and Textual Studies.</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>jules SAC 19 (1997) - 36)</text>
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                <text>(The) Editing (of) the Ellesmere Text</text>
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                <text>Ellesmere was not edited in a modern sense; i.e., it was not revised or corrected for such matters as metrical regularity.  Having compared approximately 6,000 lines of Ellesmere with parallel lines in six other manuscripts nearly contemporary with Ellesmere, Hanna concludes that "any editing that occurred is likely to have rendered the text more Chaucerian, not less.</text>
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                <text>El provides a more faithful version of the poem than is found in the scribe's primary archetypes."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rouse, Margitta.</text>
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              <text>Andrew James Johnston, Margitta Rouse, and Wilhelm Schmidt-Biggemann, eds. Transforming Topoi: The Exigencies and Impositions of Tradition (Göttingen: V&amp;R, 2018), pp. 59-88.</text>
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              <text>Johnston, Andrew James, ed.&#13;
Rouse, Margitta, ed.&#13;
Schmidt-Biggemann, Wilhelm, ed.</text>
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            <elementText elementTextId="2836404">
              <text>Transforming Topoi: The Exigencies and Impositions of Tradition.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2836405">
              <text>Chaucer's Influence and Later Allusion&#13;
House of Fame&#13;
Troilus and Criseyde</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>SAC 43:62</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2836407">
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              <elementText elementTextId="2851652">
                <text>Argues that Shakespeare's exploration of the "nature of literary adaptation-as-innovation" in "The Rape of Lucrece"--conducted by means of "competing versions of the Troy story"--engages with the "Chaucerian poetics" of HF and TC, particularly "Chaucer's thoughts on veiled and veiling authorities" evident in the ekphrastic account of Troy in HF.</text>
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              <elementText elementTextId="2851826">
                <text>(Un)veiling the Veil: Trojan Temporalities, Chaucerian Ekphrasis and Literary Innovation in Shakespeare's "Rape of Lucrece."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2792415">
              <text>Choi, Yejung.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792416">
              <text>Feminist Studies in English Literature 12.1 (2004): 249-78.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2792417">
              <text>2004</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2792419">
              <text>ABC</text>
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            <elementText elementTextId="2792420">
              <text>Prioress and Her Tale</text>
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            <elementText elementTextId="2792421">
              <text>Second Nun and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2792422">
              <text>Feminist Studies in English Literature 12 (2004)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792423">
              <text>mea 7/22/2013 No SAC</text>
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      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2792414">
                <text>['Mayde and Modor,' 'Almighty and Al Merciable Quenne': An Analysis of the Meaning of Virgin Mary in Chaucer's 'An ABC,' the 'Prioress's Tale,' and the 'Second Nun'[s] Tale']</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2792418">
                <text>Assesses the overt or implied gender of the narrator in ABC, in PrPT, and in SNPT, exploring how each correlates with the depiction of the Virgin Mary in these works.  Suggests that these depictions indicate that Chaucer was a "keen observer of the change" in late-medieval religious experience, especially that of women. In Korean, with an English summary.</text>
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          </element>
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  </item>
  <item itemId="271478" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2796961">
              <text>Yim, Sung-kyun.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796962">
              <text>Medieval and Early Modern English Studies 19.2 (2011): 165-86.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796963">
              <text>2011</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796965">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2796966">
              <text>Squire and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796967">
              <text>Medieval and Early Modern English Studies 19 (2011)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796968">
              <text>mea SAC 40.</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2796960">
                <text>['The footing of thy feete': Chaucer in Book 4 of 'The Faerie Queene']</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2796964">
                <text>Explores Edmund Spenser's adaptation of SqT in Book 4 of his "Faerie Queene," focusing on how he develops a theme of friendship. Spenser claims Chaucer as source, but it seems neither that he "completes" SqT nor focuses on the Cambel/Canacee plot. In Korean, with English abstract.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="274047" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821936">
              <text>Kim, Jaecheol.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821937">
              <text>Journal of English Language and Literature (Korea) 58 (2012): 143-61.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2821938">
              <text>Journal of English Language and Literature (Korea) 58 (2012)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821939">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821940">
              <text>SAC 40:58</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821941">
              <text>2012</text>
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          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821934">
                <text>["Chaucer the Father": Rhetoric of the Nation.] </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821935">
                <text>Argues that a "pre-modern nationalist discourse" inspired Chaucer to "spawn his own 'nationalist discourse,'" and that Chaucer's reception as the "father" of English poetry "mediates thirteenth century post-colonialism and nineteenth-century colonialism." In Korean, with English abstract.</text>
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          </element>
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    </elementSetContainer>
  </item>
  <item itemId="266732" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747580">
              <text>Choi, Yejung.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747581">
              <text>Medieval English Studies (Seoul) 6 (1998): 131-61.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747582">
              <text>1998</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747585">
              <text>House of Fame.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747586">
              <text>Medieval English Studies 06 (1998)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747587">
              <text>jules SAC 22 - 291.</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2747579">
                <text>[An Apology of Poetry: Chaucer Defends Poetry in 'The House of Fame'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2747583">
                <text>In HF, Chaucer defends poetry, indicating that despite its fictional nature and relativity, poetry is as valid as theology or philosophy.</text>
              </elementText>
              <elementText elementTextId="2747584">
                <text>In Korean, with English abstract.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="271562" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797799">
              <text>Halacsy, Katalin.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797800">
              <text>Veronika Ruttkay, Balint Gardos, and Andrea Timar, eds. Ritka Müvészet: Írások Péter Ágnes Tiszteletére [Rare Device: Writings in Honor of Agnes Peter] (Budapest: ELTE BTK, 2011), pp. 363-70.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797801">
              <text>2011</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797802">
              <text>Ritka Müvészet: Írások Péter Ágnes Tiszteletére.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797803">
              <text>Ruttkay, Veronika, ed.</text>
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            <elementText elementTextId="2797804">
              <text>Gardos, Balint, ed.</text>
            </elementText>
            <elementText elementTextId="2797805">
              <text>Timar, Andrea, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Medieval Heritage: Essays in Honour of Tadahiro Ikegami.</text>
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                <text>Assesses the place of PrT in fragment VII, exploring the social and historical background of the "Tale."</text>
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              <elementText elementTextId="2745586">
                <text>In Japanese.</text>
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              <text>Matsuo, Masatsugu;Yoshiyuki Nakao; Shigeki Suzuki; and Takao Kuya.</text>
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              <text>Hiroshima Studies in English Language and Literature 30 (1985): 35-46.</text>
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        <element elementId="114">
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              <elementText elementTextId="2711291">
                <text>[Machine-Readable KWIC Indexes to Chaucer's Works]</text>
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              <elementText elementTextId="2711298">
                <text>Application of Key Word in Context Index. In Japanese, with English summary.</text>
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              <text>Graves, Robert.</text>
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              <text>New York: Academy of American Poets, 1965.</text>
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            <elementText elementTextId="2823891">
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              <elementText elementTextId="2823884">
                <text>[Poetry Lecture.]</text>
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                <text>Item not seen. WorldCat records indicate that this lecture was recorded on February 18, 1965, and includes comments on "flaws" in Chaucer's poems, as well as ones by Milton, Longfellow, Keats, Poe, and more.</text>
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            <elementText elementTextId="2846636">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 12/9/2024</text>
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              <elementText elementTextId="2851950">
                <text>Responds to a query by Lisle C. John (Note and Queries 201 [1956]: 97-98), suggesting that "borrow" may mean borwe" (pledge) or "borough" (referring to Canterbury).</text>
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                <text>[Reply to "What is Chaucer's Borrow?"]</text>
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              <text>Oizumi, Akio.</text>
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              <text>Doshisha University Jinbungaku (Studies in Humanities) 95</text>
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              <text>mea; 7/30/018</text>
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              <elementText elementTextId="2819604">
                <text>[Sentence Structure in Chaucer's Prose.]</text>
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            <description>An account of the resource</description>
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            <elementText elementTextId="2749291">
              <text>Choi, Yejung.</text>
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              <text>Medieval English Studies 05 (1997): 171-200</text>
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            <elementText elementTextId="2749297">
              <text>Medieval English Studies 05 (1997)</text>
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            <elementText elementTextId="2749298">
              <text>jules SAC 22 - 218</text>
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              <elementText elementTextId="2749290">
                <text>[Sermon and Wycliffite Thought in the Wife of Bath]</text>
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                <text>Links between WBP and Wycliffite thought indicate that Chaucer was sympathetic to the movement.</text>
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                <text>In Korean.</text>
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              <text>Luo, Yue, trans.</text>
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        <element elementId="98">
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            <elementText elementTextId="2847283">
              <text>Nanjing: Jiang su feng huang wen yi chu ban she, 2022.</text>
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            <elementText elementTextId="2847284">
              <text>421 pp.</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Canterbury Tales--General&#13;
Chaucer's Life</text>
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            <elementText elementTextId="2847286">
              <text>SAC 46:27</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847287">
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              <elementText elementTextId="2847280">
                <text>[The Canterbury Tales].</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847281">
                <text>Item not seen. WorldCat records indicate that this is a translation of CT into Chinese; apparently adapted, suggesting that Philippa's illness is Chaucer's motive for undertaking his pilgrimage.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2812320">
              <text>Rokutanda, Osamu.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2812321">
              <text>Studi Italici 35 (1986): 1-14.</text>
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            <elementText elementTextId="2812322">
              <text>1986</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2812323">
              <text>"L'Episodio Dantesco di Conte Ugolion in Chaucer."</text>
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              <text>Monk and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Studi Italici [Kyoto] 35 (1986)</text>
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              <text>Itaria Gakkaishi 35 (1986)</text>
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          <elementTextContainer>
            <elementText elementTextId="2812329">
              <text>mea; 1/19/2017 No SAC</text>
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          <element elementId="50">
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              <elementText elementTextId="2812319">
                <text>[The Episode of Dante's Count Ugolino in Chaucer]</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2812324">
                <text>In Japanese; accessible online at CiNii Articles [http://ci.nii.ac.jp/].  Abstract in Italian included in the back matter of the volume (p. 1), under the title "L'Episodio Dantesco di Conte Ugolion in Chaucer."</text>
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            <elementText elementTextId="2823287">
              <text>An, Li.</text>
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          <elementTextContainer>
            <elementText elementTextId="2823288">
              <text>Forum for World Literature Studies 5.3 (2013): 503-11.</text>
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              <text>Book of the Duchess</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2823292">
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            <name>Title</name>
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              <elementText elementTextId="2823285">
                <text>[The Idea of Love and Marriage in "Book of the Duchesse."]</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823286">
                <text>Assesses the combination of Christian marital ideals and secular courtly love in BD, arguing that the two are compatible in the poem. In Chinese, with English summary.</text>
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