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                  <text>Chaucer Bibliography Online</text>
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              <text>Schulz, Herbert C.</text>
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              <text>San Marino, Calif.: Huntington Library, 1966.</text>
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              <text>26 pp.; 24 color illus.</text>
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              <text>Manuscripts and Textual Studies&#13;
Canterbury Tales--General</text>
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              <text>mea; 2/8/2019</text>
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              <text>1966</text>
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                <text>The Ellesmere Manuscript of Chaucer's Canterbury Tales.</text>
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                <text>Describes the Ellesmere manuscript, with particular attention to the illustrations of the pilgrims (here reproduced), the program of semi-vinet illumination, and the "Portrait of Chaucer." Also includes a description of the manuscript's text of CT, a history of its ownership, and a codicological description.</text>
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              <text>Edwards, A. S. G.</text>
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              <text>Essays and Studies 63 (2010): 59-73.</text>
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              <text>vxl sac 34:30</text>
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                <text>The Ellesmere Manuscript: Controversy, Culture, and The Canterbury Tales</text>
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                <text>Studies the reception of the Ellesmere manuscript of CT and its use by scholars, concluding that the manuscript is remarkable not only for the poem it records but also for the part it plays in development of modern ideas about the author.</text>
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              <text>Stevens, Martin.</text>
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              <text>Studies in Iconography 7-8 (1981-82): 113-34.</text>
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              <text>Studies in Iconography 07-08 (1981-82)</text>
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              <text>jules SAC 08 (12)</text>
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                <text>The Ellesmere Miniatures as Illustrations of Chaucer's 'Canterbury Tales'</text>
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                <text>The Ellesmere miniatures recreate the word pictures by Chaucer in the text, but the only miniature that is truly lifelike is that of Chaucer himself.</text>
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              <text>Blake, N. F.</text>
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              <text>Martin Stevens and Daniel Woodward, eds.  The Ellesmere Chaucer: Essays in Interpretation (San Marino, Calif.: Huntington Library; Tokyo: Yushodo, 1995), pp. 205-24.</text>
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        <element elementId="114">
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              <text>1995</text>
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            <elementText elementTextId="2737194">
              <text>The Ellesmere Chaucer: Essays in Interpretation.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>jules SAC 19 (1997) - 31</text>
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                <text>The Ellesmere Text in the Light of the Hengwrt Manuscript</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2737195">
                <text>Since the text of the Ellesmere manuscript is highly edited, Hengwrt is superior to it and should be used as the basis for standard editions of CT.  </text>
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              <elementText elementTextId="2737196">
                <text>  Accepting the thesis that Hengwrt is "the earliest extant manuscript," Blake argues that the Ellesmere ordering of CT was developed from Hengwrt.  He assumes "that the Hg scribe had access to Chaucer's drafts," and thus argues that any material not included in Hengwrt (e.g., CYT) should be regarded as spurious until it can be proved genuine.</text>
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              <text>Acker, Paul.</text>
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              <text>Chaucer Review 28 (1994): 293-302.</text>
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              <text>1994</text>
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              <text>Background and General Criticism.</text>
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              <text>Chaucer's Life.</text>
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              <text>jules SAC 18 (1996) - 69.</text>
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                <text>The Emergence of an Arithmetical Mentality in Middle English Literature</text>
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            <description>An account of the resource</description>
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                <text>Looks for evidence that certain medieval writers were aware of the newly emerging "arithmetical mentality."  Because of his work at the Customs House, Chaucer was much more aware than most writers.  He knew counting boards and algorisms, the ancestor of modern arithmetic.  Gower seems to have known little arithmetic, and Langland seems to have considered it "euil."</text>
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              <text>Fisher, John H.</text>
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        <element elementId="98">
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            <elementText elementTextId="2740854">
              <text>Lexington: University Press of Kentucky, 1996.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2740855">
              <text>1996</text>
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            <elementText elementTextId="2740856">
              <text>ix, 208 pp.</text>
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              <text>Language and Word Studies.</text>
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              <text>jules SAC 20 (1998), 55</text>
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              <elementText elementTextId="2740852">
                <text>The Emergence of Standard English</text>
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                <text>Prints eight previously published essays with a new introduction, all pertaining to the influence of bureaucratic and literary language on the standardization of English.  Chronicling the development of Fisher's idea that standard written English arose out of bureaucratic scribal practice, the introduction explore relations between the Chancery Standard and Tudor English.</text>
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                <text>For the reprinted essays that relate directly to Chaucer, search  under the title of this volume.</text>
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            <elementText elementTextId="2735487">
              <text>Pask, Albert Kevin.</text>
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            <elementText elementTextId="2735488">
              <text>Dissertation Abstracts International 55 (1994): 578A.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735491">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735492">
              <text>Dissertation Abstracts International 55 (1994)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735493">
              <text>jules SAC 18 (1996) - 115</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735486">
                <text>The Emergence of the English Author: Pre-scripting the Life of the Poet in Early Modern England</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2735490">
                <text>Pask develops a distinct genre from Foucault's formulation of an "author-function":  the life-and-works narratives that emerge in the historical perceptions of readers of Chaucer, Sidney, Spenser, and Donne.</text>
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            </elementTextContainer>
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  <item itemId="262262" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703183">
              <text>Kessel-Brown, Deidre.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703184">
              <text>Medium Aevum 59 (1990): 228-45.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703185">
              <text>1990</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2703187">
              <text>Background and General Criticism.</text>
            </elementText>
            <elementText elementTextId="2703188">
              <text>Knight and His Tale.</text>
            </elementText>
            <elementText elementTextId="2703189">
              <text>Franklin and His Tale.</text>
            </elementText>
            <elementText elementTextId="2703190">
              <text>Book of the Duchess.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703191">
              <text>Medium Aevum 59 (1990)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703192">
              <text>jules SAC 14 (92)</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2703182">
                <text>The Emotional Landscape of the Forest in the Mediaeval Love Lament</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2703186">
                <text>Medieval literature utilizes landscape symbolism for both positive and negative emotional effects.  The article touches on KnT, FranT, BD, and medieval lyrics.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="267810" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758965">
              <text>Fowler, Elizabeth.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758966">
              <text>David Aers, ed. Medieval Literature and Historical Inquiry: Essays in Honor of Derek Pearsall (Cambridge: D. S. Brewer, 2000), pp. 55-67.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758967">
              <text>2000</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758968">
              <text>Medieval Literature and Historical Inquiry: Essays in Honor of Derek Pearsall.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758970">
              <text>Man of Law and His Tale.</text>
            </elementText>
            <elementText elementTextId="2758971">
              <text>Clerk and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758972">
              <text>jules SAC 25 (186)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2758964">
                <text>The Empire and the Waif : Consent and Conflict of Laws in the Man of Law's Tale</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2758969">
                <text>Reads MLT as a "thought experiment" in which the topos of the ship (familiar in both romance and political/legal philosophy) is used to confront the "conflict of laws" among the various cultures represented: Christian, Islamic, and pagan. With ClT, MLT considers consent under various kinds of coercion; MLT offers the principle of custom as a standard.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="270314" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784606">
              <text>Haque, Ahsanul.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784607">
              <text>Dacca: University of Dacca, 1981.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784608">
              <text>1981</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784609">
              <text>120 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2784611">
              <text>Book of the Duchess</text>
            </elementText>
            <elementText elementTextId="2784612">
              <text>House of Fame</text>
            </elementText>
            <elementText elementTextId="2784613">
              <text>Parliament of Fowls</text>
            </elementText>
            <elementText elementTextId="2784614">
              <text>Legend of Good Women</text>
            </elementText>
            <elementText elementTextId="2784615">
              <text>Nun's Priest and His Tale</text>
            </elementText>
            <elementText elementTextId="2784616">
              <text>Troilus and Criseyde</text>
            </elementText>
            <elementText elementTextId="2784617">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784618">
              <text>mea 01/02/2013 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2784605">
                <text>The Enchanted Landscape: Studies in Middle English Dream Poetry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2784610">
                <text>Summarizes medieval attitudes toward dreams and traces their roots in the Bible and classical tradition, emphasizing their prophetic qualities. Then discusses dream vision conventions and their uses in "Pearl," "Piers Plowman," and several shorter alliterative poems before examining each of Chaucer's dream poems, his various references to dreams in CT, and his depictions of dreams in NPT and TC.  Summarizes Chaucer's experimental adaptations of his sources and argues that he presents dreams in ways that are psychologically plausible, considering BD to be his most sophisticated depiction of dream psychology among his dream visions.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="270810" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789822">
              <text>Klitgård, Ebbe.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789823">
              <text>Gerd Bayer and Ebbe Klitgård, eds. Narrative Developments from Chaucer to Defoe (New York: Routledge, 2010), pp. 25-39.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789824">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789825">
              <text>Narrative Developments from Chaucer to Defoe.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789827">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2789828">
              <text>Pardoner and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789829">
              <text>vxl sac 34:219</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789821">
                <text>The Encoding of Subjectivity in Chaucer's The Wife of Bath's Tale and The Pardoner's Tale</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789826">
                <text>Testing the premise of A. C. Spearing's "Textual Subjectivity" (2005), Klitgård explores the dramatic monologues of the Wife of Bath and the Pardoner and uses of narrative personae.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="275909" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839453">
              <text>Echard, Siân, and Robert Allen Rouse, eds.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839454">
              <text>Chichester: John Wiley &amp; Sons, 2017.</text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839455">
              <text>4 vols.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839456">
              <text>Rouse, Robert Allen, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839457">
              <text>Bibliographies, Reports, and Reference</text>
            </elementText>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839458">
              <text>mea; SAC:2</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839459">
              <text>2017</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839451">
                <text>The Encyclopedia of Medieval Literature in Britain.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851856">
                <text>Presents over 600 entries on texts, critical debates, methodologies, cultural and historical contexts, and terminology on British literature from the fifth to the sixteenth century. Represents all medieval literatures, including Chaucer, and presents a "multilingual and intercultural approach"" that reflects the latest scholarship for use as reference for teaching and studying medieval British literature.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="270585" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787447">
              <text>Cantor, Norman, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787448">
              <text>New York: Viking, 1999.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787449">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787450">
              <text>464 pp.; color illus.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787452">
              <text>Bibliographies, Reports, and Reference</text>
            </elementText>
            <elementText elementTextId="2787453">
              <text>Chaucer's Life</text>
            </elementText>
            <elementText elementTextId="2787454">
              <text>Sources, Analogues, and LIterary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787455">
              <text>mea 4/10/2013 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Encyclopedia of The Middle Ages</text>
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            <description>An account of the resource</description>
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                <text>Alphabetical dictionary of people, places, institutions, and events of the Middle Ages; the entry on Chaucer (p. 116) summarizes his life and works and comments on his dependence on Boccaccio.</text>
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            <elementText elementTextId="2734784">
              <text>Haruta, Setsuko.</text>
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              <text>Donald Maddox and Sara Sturm-Maddox, eds. Literary Aspects of Courtly Culture: Selected Papers from the Seventh Triennial Congress of the International Courtly Literature Society (Cambridge: D. S. Brewer, 1994), pp. 353-60.</text>
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              <text>1994</text>
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              <text>Literary Aspects of Courtly Culture: Selected Papers from the Seventh Triennial Congress of the International Courtly Literature Society.</text>
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          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 18 (1996) 275</text>
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                <text>The End of an Adventure: 'Sir Gawain and the Green Knight' and Chaucer's 'Troilus and Criseyde'</text>
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                <text>Chaucer, in TC, and the Gawain poet "understate" the prowess of their heroes and emphasize the negative aspects of courtly love.  The heroes fail to realize their chivalric ideals--Troilus, because he is vulnerable to Criseyde's inconstancy; and Gawain, because (Criseyde-like) he fails to stay loyal.</text>
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              <text>Yager, Susan.</text>
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          <name>Published</name>
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              <text>Allen J. Frantzen, ed.  Four Last Things: Death, Judgment, Heaven, and Hell in the Middle Ages (N.p.: Illinois Medieval Association, 1993), pp. 15-26</text>
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            <elementText elementTextId="2732352">
              <text>1993</text>
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            <elementText elementTextId="2732353">
              <text>Four Last Things: Death, Judgment, Heaven, and Hell in the Middle Ages.</text>
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              <text>Essays in Medieval Studies 10 (1993)</text>
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        </element>
        <element elementId="112">
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            <elementText elementTextId="2732355">
              <text>Halama, Alta Cools.</text>
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              <text>Frantzen, Allen J.,ed.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 17 (125)</text>
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              <elementText elementTextId="2732349">
                <text>The End of Knowledge: The Argus Legend and Chaucer</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2732357">
                <text>Briefly surveys the tradition in which sight and the many-eyed Argus were figures of either intellectual perception or deception.  For Chaucer, in KnT, MerT, WBP, and TC, Argus "typifies a common failing in men"--their inability to comprehend truly the women they seek.</text>
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            <elementText elementTextId="2759776">
              <text>Hallissy, Margaret.</text>
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          <elementTextContainer>
            <elementText elementTextId="2759777">
              <text>Confrontation 70-71: 13-19,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2759778">
              <text>2000</text>
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            <elementText elementTextId="2759780">
              <text>Chaucer's Retraction.</text>
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            <elementText elementTextId="2759781">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2759782">
              <text>Confrontation 70-71 (2000)</text>
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        <element elementId="109">
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              <text>jules SAC 25 (253)</text>
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          <element elementId="50">
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              <elementText elementTextId="2759775">
                <text>The End of Medieval Literature : The Case of Geoffrey Chaucer</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Explores Chaucer's play "with the very concepts of finished and unfinished" in CT, surveying the ends of several tales and Ret. Suggests that Chaucer's sense of an ending distinguishes him from modern sensibility.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2750835">
              <text>Olson, Glending.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750836">
              <text>Studies in the Age of Chaucer 21: 209-45,   1999.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2750837">
              <text>1999</text>
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              <text>Summoner and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2750840">
              <text>Studies in the Age of Chaucer 21 (1999)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>jules SAC 23 (173)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750834">
                <text>The End of The Summoner's Tale and the Uses of Pentecost</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2750838">
                <text>Explores a variety of practices and meanings associated with Pentecost in Chaucer's time as context for a nuanced understanding of responses to SumT, especially its ending, which parodies the feast. In addition to traditional iconography, dramatic stagings of Pentecost, along with Lollard criticism of liturgical practice and iconology, help us to understand how the ending "extend[s] and complicate[s]" the "antifraternalism" of the Tale.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2722825">
              <text>Morgan, Gerald.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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              <text>Modern Language Review 77 (1982): 257-71</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2722827">
              <text>1985</text>
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            <elementText elementTextId="2722829">
              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2722830">
              <text>Modern Language Review 077 (1982)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2722831">
              <text>jules SAC 09 (202)</text>
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          <element elementId="50">
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              <elementText elementTextId="2722824">
                <text>The Ending of 'Troilus and Criseyde'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>TC is vindicated as a finished work of art, as complete in terms of the clarity and proportion that constitute its beauty.  Chaucer's poetic allusion to Dante's "Paradiso" 14.28-30 is cited as an apt ending, and Morgan stresses the appropriateness of ending with Troilus's love of God, not things.</text>
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              <description>A name given to the resource</description>
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              <text>Donaldson, E. Talbot.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2831034">
              <text>Brown, Arthur, and Peter Foote, eds. Early English and Norse Studies: Presented to Hugh Smith in Honour of His Sixtieth Birthday (London: Methuen, 1963), pp. 26-45. </text>
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              <text>Brown, Arthur, ed.&#13;
Foote, Peter, ed.</text>
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          <elementTextContainer>
            <elementText elementTextId="2831036">
              <text>Early English and Norse Studies: Presented to High Smith in Honour of His Sixtieth Birthday.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde&#13;
Knight and His Tale&#13;
Prioress and Her Tale&#13;
Nun's Priest's and His Tale&#13;
Style and Versification</text>
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          <elementTextContainer>
            <elementText elementTextId="2831038">
              <text>mea; 4/24/2020</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2831039">
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              <elementText elementTextId="2831031">
                <text>The Ending of Chaucer's "Troilus."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831032">
                <text>Explores the "literary value" of Chaucer's "pretended inferiority complex on the subject of poetry," commenting on the "modesty convention" (or humility topos) in the GP description of the Prioress, the moralization of NPT, the question of Providence generated by the "demande d'amour" of KnT, and elsewhere. Then explicates through close reading how in the last eighteen stanzas of TC (the so-called Epilogue) Chaucer manipulates his narrator, who is "capable of only a simple view of reality," to achieve an "extraordinarily complex one," and conveys the paradox that humans can move "towards heaven through human experience."</text>
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                <text>At NPT 7.3445, the referent for "my lord" is Christ.</text>
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                <text>The Ending of the 'Canterbury Tales', 1952-1976</text>
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                <text>In ManT, Chaucer intentionally thwarts his narrative skills, thus creating an "anti-tale" or a "farewell to his book."  Providing "images of linguistic destructions," the tale prepares for the Parson's new direction in language and thought.</text>
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              <text>Fry, Donald K.</text>
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              <text>Rossell Hope Robbins, ed.  Chaucer at Albany (New York: Franklin, 1975), pp. 27-40.</text>
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              <text>House of Fame.</text>
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                <text>The Ending of the 'House of Fame'</text>
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                <text>HF demonstrates metaphorically the unreliability of the transmission of knowledge.  Chaucer makes the point by abruptly cutting off the authority figure at the end.</text>
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              <text>Fry, Donald K.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 71 (1972): 355-68.</text>
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        <element elementId="114">
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              <text>Manuscripts and Textual Studies</text>
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              <text>mea; 1/21/2015 No SAC</text>
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                <text>The Ending of the 'Monk's Tale'</text>
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                <text>Considers manuscript variants of MkT and NPP, historical contexts of various details, and the dramatic effectiveness of the interruption that bridges the two. Argues that the so-called "Modern Instances" should conclude the Monk's sequence of tragedies, and considers the "long form" of NPP to be Chaucer's final intention. The Monk is interrupted by the Knight, who had served in a campaign that connects him with Pedro of Cyprus, one of the modern tragic figures.</text>
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              <text>Stevenson, Kay.</text>
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              <text>English Studies 59 (1978): 10-26.</text>
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              <text>House of Fame.</text>
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              <text>English Studies 59 (1978)</text>
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              <text>jules SAC 02 (258)</text>
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                <text>The Endings of Chaucer's 'House of Fame'</text>
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                <text>Since in his most carefully completed poems Chaucer avoids or undercuts any full thematic resolution, it is unlikely that the missing conclusion of HF would explain away the dynamic tensions of the poem.  Probably the most inconsequential of the conclusions suggested (such as a message of topical or social tidings) would be the most appropriate.</text>
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            <elementText elementTextId="2738294">
              <text>Tavormina, M. Teresa, and R. F. Yeager, eds.</text>
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              <text>Cambridge: D. S. Brewer, 1995.</text>
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              <text>1995</text>
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              <text>x, 252 pp.</text>
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              <text>Yeager, R. F., ed.</text>
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              <text>Background and General Criticism.</text>
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                <text>The Endless Knot: Essays on Old and Middle English in Honor of Marie Borroff</text>
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                <text>Sixteen essays by different authors, one on the Old English dual pronoun, thirteen on Middle English (Chaucer, Langland,and the Pearl poet), one on the reception of Gower by Ben Johnson, and one on the scholar Elizabeth Elstob (1683-1756). For eight essays that pertain to Chaucer, search for Endless Knot under Alternative Volume.</text>
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