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                  <text>Chaucer Bibliography Online</text>
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              <text>Leicester, H. Marshall,Jr.</text>
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        <element elementId="98">
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              <text>Berkeley : University of California Press, 1990.</text>
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        <element elementId="114">
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              <text>1990</text>
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              <text>xii, 451 pp.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Knight and His Tale.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>jules SAC 14 (145)</text>
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                <text>The Disenchanted Self: Representing the Subject in the 'Canterbury Tales'</text>
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                <text>Treating "impersonated artistry" and "unimpersonated artistry" in light of current theory in the human sciences, Leicester addresses the "dramatic principle" in CT, assuming the position that the "tales are radically voiced."  Each is "an expression of its teller's personality and outlook as embodied in the unfolding 'now' of the telling."</text>
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                <text>Applying the theory that "narratores non sunt multiplicandi sine absolute necessitate" and recognizing Chaucer's "conspicuous textuality" (his self-conscious production of texts), the author maintains that "the voicing of any tale--the personality of any pilgrim--is not given in advance by the prologue portrait or the facts of history, nor is it dependent on them.  The personality has to be worked out by analyzing and defining the voice created by each tale."</text>
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                <text>Drawing on social theory, psychoanalysis, and deconstruction, he analyzes "character" as a "subject...in language and discourse" in contexts of "self, gender, and society," especially in PardT, WBT, and KnT.  Also treats GP Knight, Wife of Bath, Pardoner, and Chaucer the Pilgrim.</text>
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              <text>Esolen, Anthony M.</text>
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              <text>Studies in Philology 87 (1990): 285-311.</text>
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              <text>1990</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Studies in Philology 87 (1990).</text>
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              <text>jules - 10/10/94 SAC 14 (32)</text>
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                <text>The Disingenuous Poet Laureate: Spenser's Adoption of Chaucer</text>
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                <text>Spenser imitated Chaucer's bumbling narrative stance and tone and employed Chaucerian allusions to feign a humility that dismarmed criticism and enabled him to undercut the Tudor myth.  Further, he expected his reader to understand the pretense.  Book 1 of "The Faerie Queene" echoes Th, PF, and KnT, as well as Virgil, in order to subvert the imperial epic.</text>
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              <text>Obeso, Kimberth D., Mary Joy J. Tumada, Shelley Mai M. Chua, and Niña Jen Ruta-Canayong.</text>
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              <text>Asia Pacific Journal of Education, Arts and Sciences 6, no. 2 (2019): 58-63.</text>
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              <text>Turnada, Mary Joy J. &#13;
Chua, Shelley Mai M.&#13;
Ruta-Canayong, Niña Jen</text>
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              <text>Asia Pacific Journal of Education, Arts and Sciences 06 (2019)</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; 7/31/2025</text>
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              <text>2019</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Briefly describes differences between TC and Shakespeare's "Troilus and Cressida," focusing on genre and style, characterization, and attitudes toward women.</text>
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                <text>The Distinction between Chaucer and Shakespeare's Rendition of Their Troilus and Criseyde (Cressida).</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2695927">
              <text>Bourner, Paula Christine.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2695928">
              <text>Dissertation Abstracts International 52 (1992): 2559A.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1992</text>
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        <element elementId="102">
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            <elementText elementTextId="2695931">
              <text>Background and General Criticism.</text>
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          <elementTextContainer>
            <elementText elementTextId="2695932">
              <text>Dissertation Abstracts International 52 (1992)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2695926">
                <text>The Distorting Glass: Literary Representations of Women in the English Renaissance</text>
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          <element elementId="41">
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                <text>Although Chaucer and Christine de Pisan showed themselves well aware of the distorting mirror of gender constructions by men, the Renaissance produced even more misogynist views, especially in Jacobean domestic tragedy.  Shakespeare, however, recognized "masculinist paranoia."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2722351">
              <text>Maltman, Sister Nicholas.</text>
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        <element elementId="98">
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        <element elementId="114">
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              <text>Prioress and Her Tale.</text>
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              <text>jules SAC 06 (133)</text>
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                <text>The Divine Granary, or the End of the Prioress's 'Greyn'</text>
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                <text>Although earlier scholarship has recognized the importance of the Feast of the Holy Innocents in PrT, a reading of the entire mass as it occurs in the Sarum use suggests that the "greyn" is not a mere prop but a symbol with rich liturgical resonances.</text>
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              <text>Regenos, Graydon W.</text>
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        <element elementId="98">
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            <elementText elementTextId="2842684">
              <text>Charles Henderson, Jr., ed. Classical, Medieval and Renaissance Studies in Honor of Berthold Louis Ullman. 2 vols. (Rome: Edizioni di Storia e Letteratre, 1964), 2: 41-46.</text>
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              <text>Henderson, Charles, Jr., ed.</text>
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              <text>Classical, Medieval and Renaissance Studies in Honor of Berthold Louis Ullman.</text>
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              <text>Physician and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 5/5/2023</text>
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              <text>1964</text>
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                <text>The Doctor in Nigellus Wireker and Chaucer.</text>
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                <text>Argues that it "seems altogether likely" that when creating his GP description of the Physician Chaucer "at least had in mind" the doctor of the Brunellus the ass episode in Nigellus Wireker's "Speculum Stultorum"; both doctors are avaricious.</text>
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              <text>Rawcliffe, Carole.</text>
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        <element elementId="98">
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              <text>Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 297-318.</text>
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            <elementText elementTextId="2814183">
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              <text>Historians on Chaucer: The "General Prologue" to the "Canterbury Tales."</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2814186">
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        <element elementId="109">
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              <text>mea; 2/28/2017 SAC 38:170</text>
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                <text>Analyzes the historical background of late fourteenth-century medical practice in order to understand better Chaucer's portrait of the Physician in GP. Emphasizes how Chaucer reveals his opinions on morality, as well as the medical profession, through this description.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Longsworth, Robert (M.)</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Criticism 13 (1971): 223-33.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2808473">
              <text>1971</text>
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              <text>Criticism 13 (1971)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2808477">
              <text>mea; 03/25/2016 No SAC</text>
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                <text>The Doctor's Dilemma: A Comic View of the 'Physician's Tale'</text>
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                <text>Characterizes the Physician of GP as "inscrutable," although "smelling mildly of hypocrisy," and argues that the "narrative uneasiness" of PhyT is well suited to this "man of the world [who] seeks to mask his worldliness in affected piety." The Jephthah exemplum of PhyT reflects the teller's "morally disarranged imagination" and the moralization of the Tale discloses that his espousal of a moral consciousness is a "sham."</text>
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            <elementText elementTextId="2810287">
              <text>Schlauch, Margaret.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Kwartalnik Neofilologiczny 17 (1970): 119-27.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2810289">
              <text>1970</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2810293">
              <text>Kwartalnik Neofilologiczny (Warsaw) 17 (1970)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810294">
              <text>mea ; 8/02/2016 No SAC</text>
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              <elementText elementTextId="2810286">
                <text>The Doctrine of 'Vera Nobilitas' as Developed After Chaucer</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2810290">
                <text>Observes parallels between the discussion of true gentility in WBT ("gentilesse"; 3.1109-1212) and fifteenth-century treatments of the subject in Latin (by Buonaccurso de Montemagno), French (Jean Mielot), and English (John Tiptoft), observing that there is no radical break between medieval and Renaissance discussions of the topic, which share similar classical roots.</text>
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  <item itemId="272816" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2810855">
              <text>Labriola, Albert C.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2810856">
              <text>Texas Studies in Language and Literature 12 (1970): 5-14.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>1970</text>
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        <element elementId="102">
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            <elementText elementTextId="2810859">
              <text>Man of Law and His Tale</text>
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            <elementText elementTextId="2810860">
              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2810861">
              <text>Style and Versification</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810862">
              <text>Texas Studies in Language and Literature 12 (1970)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810863">
              <text>mea; 08/26/2016 No SAC</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2810854">
                <text>The Doctrine of Charity and the Use of Homiletic 'Figures' in the 'Man of Law's Tale'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2810858">
                <text>Shows that "figures" (ship, castle, and related images) drawn from Augustinian theology and medieval sermons convey the "Christian concept of charity" in MLT and heighten its "religious intensity."</text>
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  <item itemId="271598" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2798176">
              <text>Gaiman, Neil.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2798177">
              <text>New York: DC Comics, 1990.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2798178">
              <text>1990</text>
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        <element elementId="99">
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              <text>[232 pp.]; color illus.</text>
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          <elementTextContainer>
            <elementText elementTextId="2798181">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2798182">
              <text>Pardoner and His Tale</text>
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        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2798183">
              <text>The Sandman, no. 02.</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>mea 3/16/2014 No SAC</text>
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          <element elementId="50">
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                <text>The Doll's House</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2798180">
                <text>Gothic fantasy graphic novel in which Chaucer makes a cameo appearance, discussing poetry in a tavern in 1389. One of the characters in the tavern seeks to avoid death, an echo of PardT. Originally published in magazine form as The Sandman 9.16 (1989).</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2846851">
              <text>Smyser, H. M.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2846852">
              <text>Speculum 31 (1956): 297-315.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2846853">
              <text>Speculum 31 (1956)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2846854">
              <text>Troilus and Criseyde&#13;
Language and Word Studies</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846855">
              <text>mea; 12/9/2024</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2846856">
              <text>1956&#13;
</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846849">
                <text>The Domestic Background of "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846850">
                <text>Reconstructs the layout and functions of the rooms and gardens of the households in TC, drawing on details in the poem and evidence from fourteenth-century English architecture, with connections to correlative structures and scenes elsewhere in Chaucer's works. Attends closely to arrangements in Pandarus's house where Troilus and Criseyde consummate their love, and to the diction of architecture and domestic practice. Comments on the recurrent presence of household retainers in the poem.</text>
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  <item itemId="267437" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754935">
              <text>Wenzel, Siegfried.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754936">
              <text>Kent Emery, Jr., and Joseph Wawrykow, eds. Christ Among the Medieval Dominicans: Representations of Christ in the Texts and Images of the Order of Preachers. Notre Dame Conferences in Medieval Studies, no. 7 (Notre Dame, Ind.: University of Notre Dame Press, 1998), pp. 315-31.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754937">
              <text>1998</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754938">
              <text>Christ Among the Medieval Dominicans: Representations of Christ in the Texts and Images of the Order of Preachers.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Friar and His Tale.</text>
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              <text>Summoner and His Tale.</text>
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              <text>jules SAC 24 (193)</text>
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                <text>The Dominican Presence in Middle English Literature</text>
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                <text>Summarizes various kinds of influence Dominicans may have had on Chaucer, Gower, and Langland. From the lumping of Dominicans with other friars in literary portraits, to the influence of individual Dominican writers, to Dominican notions of salvation and piety, there is little marked Dominican presence in the works of these Middle English writers. Select lyrics may show a more distinct presence, however, perhaps even authorship.</text>
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              <text>Mitchell-Smith, Ilan.</text>
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              <text>In Jennifer N. Brown and Maria Segol, eds. Sexuality, Sociality, and Cosmology in Medieval Literary Texts (New York: Palgrave Macmillan, 2013), pp. 101-21.</text>
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Segol, Maria, ed.</text>
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              <text>Sexuality, Sociality, and Cosmology in Medieval Literary Texts.</text>
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              <text>Knight and His Tale</text>
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              <text>mea; 12/16/2021</text>
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        <element elementId="114">
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            <elementText elementTextId="2835658">
              <text>2013</text>
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                <text>The Double Bind of Chivalric Sexuality in Late Medieval Romance. </text>
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                <text>Includes discussion of KnT in a group of late-medieval English romances that differ from Continental romances in that they "outline a male heterosexual model informed by a Boethian contemptus mundi theme in which sobriety and reservedness replaces eroticism and sexual desire as the center and defining factor of sexual identity."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cook, Mary Joan,RSM.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Florilegium 8 (1986): 187-98.</text>
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        <element elementId="114">
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              <text>1986</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Florilegium 08 (1986).</text>
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              <text>jules SAC 13 (232)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2706028">
                <text>The Double Role of Criseyde in Chaucer's 'Troilus and Criseyde'</text>
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          <element elementId="41">
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              <elementText elementTextId="2706032">
                <text>"By developing an inner and outer Criseyde, by occasionally indicating a disparity between the two, by raising questions about her behaviour and usually acknowledging that he, the narrator, does not have the answers, (Chaucer) convinces the reader that Criseyde is somehow inscrutable."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2810833">
              <text>Gordon, Ida L.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2810834">
              <text>Oxford: Clarendon, 1970.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810835">
              <text>1970</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2810836">
              <text>viii, 154 pp.</text>
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            <elementText elementTextId="2810838">
              <text>Troilus and Criseyde</text>
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              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2810840">
              <text>Style and Versification</text>
            </elementText>
            <elementText elementTextId="2810841">
              <text>Language and Word Studies</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2810842">
              <text>mea; 08/26/2016 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2810832">
                <text>The Double Sorrow of Troilus: A Study of the Ambiguities in "Troilus and Criseyde"</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2810837">
                <text>Explains the ambivalences, ambiguities, paradoxes, and ironies--the double meanings--that are generated in TC by Chaucer's combination of Boccaccio's plot with Boethian philosophy (inflected by twelfth- and thirteenth-century philosophy of love), magnified by the "interventions" and "specious dialectic" of the narrator, and reflected in the characters' ambiguous and sometimes manipulative uses of the traditional language, imagery and actions of medieval love narratives. Attends also to the comedy and wit of the poem that vie with its tragic events, the importance of the readers' experiences in perceiving its meanings, and the ways by which we can perceive both Chaucer's intentions and the unity of the plot and epilogue. Includes an appendix entitled "'Kynde' and 'Unkynde'."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2716312">
              <text>Stevens, Martin.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2716313">
              <text>Saul N. Brody and Harold Schecter, eds. CUNY English Forum 1 (New York: AMS, 1985), pp. 155-74.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716314">
              <text>1985</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716315">
              <text>CUNY English Forum 1.</text>
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          <elementTextContainer>
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              <text>Brody, Saul N.,</text>
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              <text>Schecter, Harold,ed.</text>
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              <text>ed.</text>
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              <text>Troilus and Criseyde.</text>
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        <element elementId="109">
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              <text>jules SAC 08 (258)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2716311">
                <text>The Double Structure of Chaucer's 'Troilus and Criseyde'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2716319">
                <text>Argues, from the symmetrical structure of TC, binary rather than the popular five-part interpretation.  Manuscript studies suggest that Chaucer originally wrote TC as a two-part poem and later changed it.  Shakespeare had the same conflict.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835301">
              <text>Longo, Joseph A.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835302">
              <text>Modern Language Quarterly 22 (1961): 37-40.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2835303">
              <text>Modern Language Quarterly 22 (1961)</text>
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            <elementText elementTextId="2835304">
              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 10/14/21</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835306">
              <text>1961</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835299">
                <text>The Double Time Scheme in Book II of Chaucer's "Troilus and Criseyde."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835300">
                <text>Examines references to times and dates in Book II of TC, arguing that Chaucer creates a double sense of time in order to convey a "rapid sequence of events" among the three main characters while also conveying through a "longer time scheme" the "gradual growth of Criseyde's love."</text>
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  <item itemId="270008" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781401">
              <text>Rosenfeld, Jessica.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781402">
              <text>Catherine E. Léglu and Stephen J. Milner, eds. The Erotics of Consolation: Desire and Distance in the Late Middle Ages (New York: Palgrave Macmillan, 2008), pp. 39- 59.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781403">
              <text>2008</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781404">
              <text>Erotics of Consolation: Desire and Distance in the Late Middle Ages</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2781406">
              <text>Troilus and Criseyde</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833498">
              <text>vxl SAC 32:320.</text>
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                <text>The Doubled Joys of Troilus and Criseyde</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2781405">
                <text>Rosenfeld concentrates on language of lovers and language of clerks  ("erotic and intellectual discourses"), arguing that TC affirms the value of earthly happiness during life, as well as the inevitable instability of earthly matters.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2803197">
              <text>Lockhart, Adrienne.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2803198">
              <text>DAI 33.07 (1973): 3592A.</text>
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        <element elementId="114">
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            <elementText elementTextId="2803199">
              <text>1973</text>
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              <text>Book of the Duchess</text>
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              <text>Anelida and Arcite</text>
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              <text>Lyrics and short poems</text>
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              <text>Troilus and Criseyde</text>
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              <text>Legend of Good Women</text>
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            <elementText elementTextId="2803206">
              <text>Manciple and His Tale</text>
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            <elementText elementTextId="2803207">
              <text>Dissertation Abstracts International 33 (1973)</text>
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        <element elementId="109">
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              <text>mea; 3/13/2015 No SAC</text>
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              <elementText elementTextId="2803196">
                <text>The Draf of Storyes: Chaucer as Non-Narrative Poet</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2803200">
                <text>Explores Chaucer's rhetorical, "inorganic," "non-narrative" structuring devices in various works: BD, Anel, selected lyrics, and TC, with comments on aspects of LGW and CT, especially Part 7 and ManT.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2849680">
              <text>Harlan-Haughey, Sarah.</text>
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        <element elementId="98">
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            <elementText elementTextId="2849681">
              <text>Chaucer Review 57 (2022): 101-28.</text>
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            <elementText elementTextId="2849682">
              <text>Chaucer Review 57 (2022)</text>
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              <text>Legend of Good Women</text>
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              <text>SAC 46:309</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2849685">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2849678">
                <text>The Dragon of Love: Chaucer's Jason and the Cycle of Consumption in the "Legend of Good Women."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2849679">
                <text>Focuses on Jason in LGW and other sexually predatory men, examines a number of motifs in Chaucer's version of Jason, and highlights the danger of men such as Jason who hide their behavior behind gentility.</text>
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  <item itemId="261985" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2700380">
              <text>McGinnis, Wayne D.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2700381">
              <text>CEA Critic 37.2 (1975): 24-26.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2700382">
              <text>1975</text>
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        <element elementId="102">
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            <elementText elementTextId="2700384">
              <text>Nun's Priest and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2700385">
              <text>CEA Critic 37 (1975).</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2700386">
              <text>jules - 6/10/94 SAC 1 (175)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2700379">
                <text>The Dramatic Fitness of the 'Nun's Priest's Tale'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2700383">
                <text>NPT makes fun of the Monk and the Prioress by combining hunting, rough handling of animals, sexual indulgence, and two morals.  The "treading," the hunting, the near sacrifice and downfall, the injunction against flattery, touch upon the sensibilities of the Monk and the Prioress without open,lasting offense.</text>
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  <item itemId="273778" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2819748">
              <text>Hamilton, Marie P.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2819750">
              <text>Studies in Language and Literature in Honour of Margaret Schlauch </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2819751">
              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2819752">
              <text>mea; 9/16/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819753">
              <text>1966</text>
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        <element elementId="98">
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            <elementText elementTextId="2852053">
              <text>Mieczyslaw Brahmer, Stanislaw Helsztynski, and Julian Krzyzanowski, eds. Studies in Language and Literature in Honour of Margaret Schlauch (Warsaw: PWN--Polish Scientific Publishers, 1966), pp. 153-63.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2819746">
                <text>The Dramatic Suitability of "The Man of Law's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819747">
                <text>Studies the "fitness" of MLT to Chaucer's teller, surveying critical commentary, considering sources and analogues, assessing the historicity of legal details in the Tale, and suggesting that the trial scene evinces Chaucer's knowledge of "Anglo-Saxon judicial practice."</text>
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  <item itemId="268598" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2766858">
              <text>Hoffman, Frank G.</text>
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        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2766859">
              <text>Dissertation Abstracts International 65 (2004): 2194A.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2766860">
              <text>2004</text>
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              <text>Book of the Duchess.</text>
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              <text>House of Fame.</text>
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            <elementText elementTextId="2766864">
              <text>Parliament of Fowls.</text>
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            <elementText elementTextId="2766865">
              <text>Legend of Good Women.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2766866">
              <text>Dissertation Abstracts International 65 (2004)</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2766867">
              <text>vxl sac 28:72</text>
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              <elementText elementTextId="2766857">
                <text>The Dream and the Book : Chaucer's Dream-Poetry, Faculty Psychology, and the Poetics of Recombination</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2766861">
                <text>Examines medieval notions of poetics and faculty psychology as approaches to BD, HF, PF, and LGWP.</text>
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              <name>Title</name>
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            <elementText elementTextId="2820686">
              <text>Higgs, Elton Dale</text>
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        <element elementId="98">
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            <elementText elementTextId="2820687">
              <text>Dissertation Abstracts International 27.04 (1966): 1030-31A.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2820688">
              <text>Dissertation Abstracts International 27 (1966)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Legend of Good Women</text>
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            <elementText elementTextId="2820690">
              <text>mea; 11/12/2018</text>
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          <elementTextContainer>
            <elementText elementTextId="2820691">
              <text>1966</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2820684">
                <text>The Dream as a Literary Framework in the Works of Chaucer, Langland, and the Pearl Poet.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820685">
                <text>Describes the conventions of late-medieval English "literary dreams," and explores how Chaucer, William Langland, and the "Pearl"-poet exploit the "potentialities of the form," including discussion of the development of the dream narrator in BD, HF, PF, and LGWP, with attention to the narrator's naiveté and Chaucer's uses of comedy. </text>
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