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                  <text>Chaucer Bibliography Online</text>
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              <text>Reinbold, Charlotte Rose Alice.</text>
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              <text>Ph.D. Dissertation, University of Cambridge, 2017. Abstract available at https://www.repository.cam.ac.uk/items/e26e369b-4069-465e-a00d-49e07967cbcd (accessed February 22, 2026); full-text embargoed until January 1, 2400. </text>
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              <text>Bckground and General Criticism</text>
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              <text>mea; 2/22/2026</text>
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              <text>2017</text>
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                <text>"Unstabled, according to the place": Setting and Convention in Chaucerian Dream Poetry.</text>
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                <text>Argues "that conventions of setting, familiar themes or locations which create expectations in the reader about the content of the dream itself, provide a valuable and largely overlooked perspective upon the genre of Chaucerian dream poetry." Considers "conventional settings such as the temple of glass" and "the dream in its broader setting or context, as autobiographical reflection, mnemonic device, and simultaneous lament for the ephemeral nature of literature and attempt to preserve oneself for posterity."</text>
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              <text>Goldstein, R. James.</text>
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              <text>Chaucer Review 54.4 (2019): 482-92.</text>
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              <text>Chaucer Review 54 (2019)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 43:247</text>
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              <text>2019</text>
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                <text>"Us from visible and invisible foon / Defende" ("Troilus and Criseyde," V, 1866–67): A Previously Unrecognized Liturgical Echo.</text>
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            <description>An account of the resource</description>
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                <text>Identifies liturgical echoes in Chaucer's reworking of Dante at the end of Book V of TC, arguing that it exemplifies David Lawton's theory of voice and "public&#13;
interiorities."</text>
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              <text>Thomas, Reena, and Ethan K. Smilie.</text>
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              <text>Mosaic 52.2 (2019): 129-45.</text>
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              <text>Smilie, Ethan K.</text>
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              <text>Mosaic 52.2 (2019)</text>
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              <text>Squire and His Tale&#13;
Style and Versification</text>
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              <text>SAC 43:185</text>
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                <text>"Vitium curiositatis" and Stereotypes in Chaucer's "Squire's Tale."</text>
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                <text>Looks at how SqT frames the East as stereotypically strange and familiar in order to explore the corrupting effects of "vitium curiositatis" (the vice of curiosity) and the beneficial possibilities of wonder. Argues that Chaucer embraces fragmented and partial knowledge, critiquing "curiositatis" through the Squire's narrative gaps and abrupt ending, and implying that, though wonderful and mysterious, the East can be known.</text>
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              <text>Saltzman, Benjamin A.</text>
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              <text>Speculum 93.4 (2018): 975-1009.</text>
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              <text>Speculum 93 (2018)</text>
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              <text>Equatorie of the Planetis</text>
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              <text>mea; SAC 42:199</text>
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              <text>2018</text>
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                <text>"Vt hkskdkxt": Early Medieval Cryptography, Textual Errors, and Scribal Agency.</text>
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                <text>Refers to Roger Bacon's description of the use of encryption in Equat, noting that Chaucer's authorship is not definitive.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Flannery, Mary C., and Katie L. Walter.</text>
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              <text>In Mary C. Flannery and Katie L. Walter, eds. The Culture of Inquisition (Cambridge: D. S. Brewer, 2013), pp. 77-93.</text>
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              <text>Walter, Katie L.</text>
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              <text>The Culture of Inquisition.</text>
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              <text>Pardoner and His Tale</text>
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              <text>mea; 2/26/2020</text>
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              <text>2013</text>
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                <text>"Vttirli Onknowe?" Modes of Inquiry and the Dynamics of Interiority in Vernacular Literature.</text>
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                <text>Discusses inquisition and "examination in the ecclesiastical courts" for the ways that they, like confession, help to disclose the development of interiority as an aspect of medieval selfhood, discussing literary works such as "Dives and Pauper," "Jacob's Well," and John Lydgate's "Fall of Princes," with comments on the importance of "entente," defamation, and their relations with "common knowledge" in PardP.</text>
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              <text>Parsons, Ben.</text>
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              <text>Journal of English and Germanic Philology 119 (2020): 380-98.</text>
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              <text>Language and Word Studies&#13;
General Prologue to the Canterbury Tales&#13;
Nun's Priest and His Tale</text>
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              <text>mea; SAC 44:112</text>
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                <text>"Watte vocat": Human and Animal Naming in Gower's "Visio."</text>
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                <text>Reveals how the common, generally lower-class forenames in the "Visio Anglie" portion of Gower's "Vox clamantis" reinforce the "degraded, bestial character" that Gower attributes to the rioters of 1381. Because the names could apply to animals or to humans, both "human and non-human dimensions are visible" in the allegory. In addition to pointing to a general social collapse, these names place the rebels in a "conceptual borderland" between bestial and human. Study sheds light on Chaucer's animal names, including "Colle" in NPT and the Summoner's ability to cry "Watte" (Walter/rabbit) in GP.</text>
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              <text>Davis, Rebecca.</text>
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              <text>Franklin and His Tale&#13;
Tale of Melibee&#13;
Wife of Bath and Her Tale&#13;
Friar and His Tale&#13;
Troilus and Criseyde&#13;
Style and Versification</text>
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                <text>"We axen leyser and espace": Narrative Grace in Chaucer's "Franklin's Tale" and "Melibee."</text>
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                <text>Assesses "self-referential reflections on storytelling" in MLT and Mel, focusing on how the "resistive narrative agency" of their female protagonists calls attention to "questions central to the literary enterprise itself," particularly through concern with forgiveness, the importance of grace, and devices of dilation as they "make space" for expanding narrative possibilities. Links these concerns with aspects of FrT, TC, WBT, and the Wife's role in MLE (in some manuscripts).</text>
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              <text>Sottosanti, Danielle.</text>
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              <text>mea; SAC 44:219</text>
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                <text>"We shul first feyne us cristendom to take": Conversion and Deceit in Chaucer's "Man of Law's Tale."</text>
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                <text>Focuses on the Sultaness in MLT and argues that the text explores the ramifications of forced conversion and feigned baptism, along with larger issues of deception and truth.</text>
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              <text>Bax, Arnold.</text>
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              <text>[Petersfield]: Fand Music, 2012.</text>
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          <name>Physical Description</name>
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              <text>Musical score; 9 pp.</text>
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              <text>Parlett, Graham, ed.</text>
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              <text>Parliament of Fowls&#13;
Recordings and Films</text>
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              <text>mea; 4/16/22</text>
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            <elementText elementTextId="2839054">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2839046">
                <text>"Welcome somer": For Soprano or Tenor and Piano.</text>
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            <description>An account of the resource</description>
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                <text>Musical setting for the song at the end of PF (ll. 680-90; 691 is omitted), in modernized Middle English; printed from the original in British Library, Additional MS 54779 as edited by Graham Parlett.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Davies, Daniel.</text>
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              <text>New Medieval Literatures 20 (2020): 74-106.</text>
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              <text>New Medieval Literatures 20 (2020)</text>
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              <text>Troilus and Criseyde</text>
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              <elementText elementTextId="2842018">
                <text>"Wereyed on every side": Chaucer's "Troilus and Criseyde" and the Logic of Siege Warfare.</text>
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            <description>An account of the resource</description>
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                <text>Identifies connections among "war, narrative, and literary technique" in TC to show "how Chaucer constructs . . . siege as a dynamic space in which to imagine the forces that shape and determine human behaviour." Chaucer "reconfigures the idea of a military and political siege," exploring how Troilus and Criseyde are entrapped, and depicting how Pandarus engineers their relationship using methods that mirror "the strategies deployed in siege warfare."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Greene, Darragh.</text>
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              <text>Garry L. Hagberg, ed. Literature and Its Language: Philosophical Aspects (Cham: Palgrave Macmillan, 2022), pp. 149-71.</text>
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              <text>Literature and Its Language: Philosophical Aspects</text>
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              <text>Background and General Criticism&#13;
Style and Versification&#13;
Parliament of Fowls&#13;
Franklin and His Tale&#13;
Nun's Priest and His Tale</text>
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              <text>SAC 46:105</text>
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                <text>"What is this world?": Chaucer, Realism and Metaphysics.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850705">
                <text>Explores the question of what Chaucer "holds to be the nature of reality," focusing on "the metaphysics of beauty" in PF, the "nature of the rocks" in FranT, and the "ontology of narrative itself" in NPT, and showing that "Chaucer's sensate faith in and appreciation of the reality of things underpins the characteristic attention to everyday detail evident in his poetry."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Fumo, Jamie C.</text>
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              <text>Viator 52.2 (2021): 179-226.</text>
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                <text>"What me is": Insomnia Cures, Saintly Miracles, and Chaucer's "Book of the Duchess" as Illness Narrative.</text>
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                <text>Interprets BD as an early example of "illness narrative." BD's structuring concern with sickness and healing, centered upon insomnia detached from the courtly discourse of lovesickness, reflects the preoccupations of late medieval natural philosophy and medicine. Adduces analogues for BD's portrayal of healing and personal narrative, including the healing of insomnia, in hagiographic miracle collections. The "salutary potential of narrative" revealed in BD resonates with modern sociological perspectives on illness.</text>
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            <elementText elementTextId="2827928">
              <text>Langdell, Sebastian.</text>
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        <element elementId="98">
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              <text>New Medieval Literatures 16 (2016): 250-76.</text>
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            <elementText elementTextId="2827930">
              <text>New Medieval Literatures 16 (2016)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2827931">
              <text>Chaucer's Influence and Later Allusion</text>
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          <name>Date</name>
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            <elementText elementTextId="2827933">
              <text>2016</text>
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              <elementText elementTextId="2829938">
                <text>"What shal I calle thee? What is thy name?" Thomas Hoccleve and the Making of "Chaucer."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830109">
                <text>Investigates the "moral version of Chaucer that emerges" in Hoccleve's "Regiment of Princes," arguing that it is a kind of poetic authority produced "in the face of an increasingly militant and repressive English Church," and that, unlike other early versions of Chaucer, it reflects a growing international trend in Christianizing poetic predecessors.</text>
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              <text>Tamara Atkin and Jaclyn Rajsic, eds. Manuscript and Print in Late Medieval and Early Modern Britain: Essays in Honour of Professor Julia Boffey (Rochester, N.Y.: D. S. Brewer, 2019), pp. 167–81.</text>
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              <text>Manuscript and Print i n Late Medieval and Early Modern Britain: Essays in Honour of Professor Julia Boffey</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion&#13;
Anelida and Arcite&#13;
Knight and His Tale</text>
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            <description>An account of the resource</description>
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                <text>Considers Chaucer's uses of Theban material drawn from the tradition of Statius and Boccaccio, exploring how he adapted his sources and how, in turn, his works were adapted by others. Surveys the "exemplary power" of Thebes in Chaucer's works, and offers comparative analysis of Anel and stories analogous to KnT and "The Two Noble Kinsmen."</text>
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                <text>"What strange ruin"': Reading Backward to Thebes.</text>
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              <text>Hao, Tianhu</text>
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              <text>Anglo-American Studies (Korea) 35 (2015): 183-202.</text>
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              <text>Background and General Criticism</text>
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              <text>mea; 10/4/22</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2839333">
                <text>"What's Past Is Prologue": Medieval English Studies in China in Recent Decades (1978-2014).</text>
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            <description>An account of the resource</description>
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                <text>Surveys translations and studies of medieval English literature produced in the People's Republic of China, commenting on the important role of Professor Li Fu-ning and describing translations, theses and dissertations, and critical books and essays. Emphasizes Chaucer throughout, with mention of "over 150" essays written about his works, and discusses various ideological and aesthetic approaches to translation and critical study.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Taylor, Joseph.</text>
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              <text>Exemplaria 32.3 (2020): 248-68.</text>
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            <elementText elementTextId="2844780">
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              <text>Knight and His Tale&#13;
Language and Word Studies&#13;
Chaucer's Influenxe and Later Allusion</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Uses a "political theology of the refugee as neighbor" to explore contiguities between "Refugee Tales" (2016) and CT. Explicates nuances of "tendre/"tender" in the works and examines the absent presence of Theban refugees in KnT. The Knight "edits out the nasty bits of warfare" and chivalry--evident by contrast with Boccaccio's "Teseida"--and reveals "repressive tendencies that betrays anxiety over the residue of bare life."</text>
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                <text>"When a Stranger Sojourns With You in Your Land": Loving the Refugee as Neighbor in the "Canterbury Tales" and "RefugeeTales."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Veldhoen, N. H. G. E.</text>
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              <text>J. Lachlan Mackenzie and Richard Todd, eds. In Other Words: Transcultural Studies in Philology, Translation and Lexicology Presented to Hans Meier on the Occasion of His 65th Birthday (Boston, Mass.: De Gruyter Mouton, 2019), pp. 107-16.</text>
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              <text>Mackenzie, J. Lachlan, ed. &#13;
Todd, Richard, ed.</text>
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              <text>In Other Words: Transcultural Studies in Philology, Translation and Lexicology Presented to Hans Meier on the Occasion of His 65th Birthday</text>
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              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:259</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Which was the mooste fre": Chaucer's Realistic Humour and Insight into Human Nature, as Shown in "The Frankeleyns Tale."</text>
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            <description>An account of the resource</description>
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                <text>Seeks to answer the "demande d'amour" of FranT (1622), first eliminating Dorigen and the magician from consideration of who is most "fre," and then arguing that Aurelius and Arveragus have effectively equal claim to be named--a complicated balance "not untypical" of Chaucer. Compares Chaucer's version with analogues in "Sanskrit Vetula-stories" and Boccaccio's "Filocolo."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2830969">
              <text>Boothman, Janet.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Thoth 4 (1963): 3-14.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2830971">
              <text>Thoth 04 (1963)</text>
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              <text>Miller and His Tale&#13;
Merchant and His Tale</text>
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          <elementTextContainer>
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            <elementText elementTextId="2830974">
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                <text>"Who Hath No Wyf, He Is No Cokewold": A Study of John and January in Chaucer's Miller's and Merchant's Tales.</text>
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            <description>An account of the resource</description>
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                <text>Compares and contrasts John of MilT with January of MerT as "ridiculous figures" and "gulls of courtly love," the first "senex amans" naïve, the second lascivious. Both men violate "an existing societal order" and the ideals of "sexual propriety and moderation."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lynch, Andrew.</text>
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          <elementTextContainer>
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              <text>Joanna Bellis and Laura Slater eds. Joanna Bellis and Laura Slater eds. Representing War and Violence 1250-1600 (Woodbridge: Boydell &amp; Brewer, 2016), pp. 79-94.</text>
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Slater, Laura, ed.</text>
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              <text>Representing War and Violence 1250-1600.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2850406">
              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde&#13;
Anelida and Arcite&#13;
Knight and His Tale</text>
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              <text>mea; 6/1/2025</text>
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                <text>"With face pale": Melancholy Violence in John Lydgate's Troy and Thebes.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850401">
                <text>Assesses John Lydgate as "the premier learned war poet of the later English Middle Ages," exploring his "Troy Book" and "Seige of Thebes" for the ways they depict the violence of war. Includes recurrent attention to Lydgate's sources, Chaucer's TC, Anel, and KnT among them.</text>
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              <text>Troilus and Criseyde&#13;
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                <text>"Withinne a paved parlour": Criseyde and Domestic Reading in a City under Siege.</text>
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                <text>Explicates the scene of Pandarus's interruption of Criseyde's reading group (TC,&#13;
II.85ff.), attending to its intertextualities, the implications of its setting in a paved "secular parlor," the nature of the female aristocratic readers, and Pandarus's entry into the group as a "sexual/texual predator" and as Chaucer's "alter-ego." Includes significant attention to Elizabeth de Burgh for the ways she may have influenced Chaucer's knowledge of "elite female readers."</text>
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Language and Word Studies</text>
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                <text>"Wood . . . as an Hare" (The Friar's Tale, 1327).</text>
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                <text>Suggests that "wood" indicates lechery in FrT 3.1327, echoed punningly by "harlotrye" in the next line.</text>
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              <text>Tale of Sir Thopas</text>
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              <text>mea; 12/29/2016 No SAC</text>
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                <text>"Worly under Wede" in "Sir Thopas"</text>
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                <text>Argues that "as a better joke," "worly" is preferable to "worthy" in Tho (7.917). The latter appears to be "scribal normalization" of Chaucer's mocking of a "well-worn native" word.</text>
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              <text>Barr, Helen.</text>
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        <element elementId="98">
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              <text>Shakespeare Survey  65 (2012): 12-25.</text>
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            <elementText elementTextId="2827799">
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              <text>Chaucer's Influence and :Later Allusion&#13;
Knight and His Tale</text>
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        <element elementId="114">
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                <text>Argues that Shakespeare's "A Midsummer Night's Dream" alludes to KnT (particularly the figures of Emelye and Arcite) in ways that "perforate the boundaries" of the chronology of Shakespeare's borrowings the from the tale in "Dream" and in "The Two Noble Kinsmen." Though absent in "Dream," the characters and their plots are present in images and allusive details that raise vexing questions about temporality and source relations.</text>
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                <text>"Wrinkled Deep in Time": Emily and Arcite in "A&#13;
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              <text>Essays in Criticism 66 (2016)</text>
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Language and Word Studies</text>
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                <text>"Wyth her owen handys": What Women's Literacy Can Teach Us about Langland and Chaucer.</text>
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                <text>Sketches "the mode of literacy" that "occupies a borderland just beyond the precincts of surviving evidence," exploring "the role of dictation" rather than "a sequence of errors in copying that stands between" versions of such texts as TC and "Piers Plowman. Includes comments on Adam Pinkhurst's role as Chaucer's scribe; the frontispiece to TC in Cambridge, Corpus Christi College, MS 61; and the irregularity of final -e in Chaucerian manuscripts.</text>
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                <text>"Ycrammed ful of cloutes and of bones": Chaucer's Queer Cavities."</text>
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                <text>Traces Chaucer's uses of purses and other cavities in PardPT as sites of queer reproduction. Throughout, "locates the 'purs' as a gendered, sexualized, and economized site of social exchange."</text>
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