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                  <text>Chaucer Bibliography Online</text>
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              <text>Sottosanti, Danielle.</text>
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              <text>Studies in Philology 172 (2020): 240-60.</text>
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              <text>Studies in Philology 172 (2020)</text>
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              <text>Man of Law and His Tale</text>
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              <text>mea; SAC 44:219</text>
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              <text>2020</text>
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                <text>"We shul first feyne us cristendom to take": Conversion and Deceit in Chaucer's "Man of Law's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Focuses on the Sultaness in MLT and argues that the text explores the ramifications of forced conversion and feigned baptism, along with larger issues of deception and truth.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bax, Arnold.</text>
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              <text>[Petersfield]: Fand Music, 2012.</text>
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          <name>Physical Description</name>
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              <text>Musical score; 9 pp.</text>
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              <text>Parlett, Graham, ed.</text>
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              <text>Parliament of Fowls&#13;
Recordings and Films</text>
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              <text>mea; 4/16/22</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2012</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Welcome somer": For Soprano or Tenor and Piano.</text>
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                <text>Musical setting for the song at the end of PF (ll. 680-90; 691 is omitted), in modernized Middle English; printed from the original in British Library, Additional MS 54779 as edited by Graham Parlett.</text>
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              <text>Davies, Daniel.</text>
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              <text>New Medieval Literatures 20 (2020): 74-106.</text>
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              <text>New Medieval Literatures 20 (2020)</text>
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              <text>Troilus and Criseyde</text>
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              <text>meal SAC 44:312</text>
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              <text>2020</text>
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                <text>"Wereyed on every side": Chaucer's "Troilus and Criseyde" and the Logic of Siege Warfare.</text>
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            <description>An account of the resource</description>
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                <text>Identifies connections among "war, narrative, and literary technique" in TC to show "how Chaucer constructs . . . siege as a dynamic space in which to imagine the forces that shape and determine human behaviour." Chaucer "reconfigures the idea of a military and political siege," exploring how Troilus and Criseyde are entrapped, and depicting how Pandarus engineers their relationship using methods that mirror "the strategies deployed in siege warfare."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Greene, Darragh.</text>
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              <text>Garry L. Hagberg, ed. Literature and Its Language: Philosophical Aspects (Cham: Palgrave Macmillan, 2022), pp. 149-71.</text>
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              <text>Hagberg, Garry L., ed. </text>
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              <text>Literature and Its Language: Philosophical Aspects</text>
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              <text>Background and General Criticism&#13;
Style and Versification&#13;
Parliament of Fowls&#13;
Franklin and His Tale&#13;
Nun's Priest and His Tale</text>
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              <text>SAC 46:105</text>
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        <element elementId="114">
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            <elementText elementTextId="2848087">
              <text>2022</text>
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            <name>Title</name>
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              <elementText elementTextId="2848079">
                <text>"What is this world?": Chaucer, Realism and Metaphysics.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850705">
                <text>Explores the question of what Chaucer "holds to be the nature of reality," focusing on "the metaphysics of beauty" in PF, the "nature of the rocks" in FranT, and the "ontology of narrative itself" in NPT, and showing that "Chaucer's sensate faith in and appreciation of the reality of things underpins the characteristic attention to everyday detail evident in his poetry."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fumo, Jamie C.</text>
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        <element elementId="98">
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              <text>Viator 52.2 (2021): 179-226.</text>
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              <text>Book of the Duchess</text>
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              <text>SAC 45:150</text>
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        <element elementId="114">
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            <elementText elementTextId="2845076">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>"What me is": Insomnia Cures, Saintly Miracles, and Chaucer's "Book of the Duchess" as Illness Narrative.</text>
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            <description>An account of the resource</description>
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                <text>Interprets BD as an early example of "illness narrative." BD's structuring concern with sickness and healing, centered upon insomnia detached from the courtly discourse of lovesickness, reflects the preoccupations of late medieval natural philosophy and medicine. Adduces analogues for BD's portrayal of healing and personal narrative, including the healing of insomnia, in hagiographic miracle collections. The "salutary potential of narrative" revealed in BD resonates with modern sociological perspectives on illness.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Langdell, Sebastian.</text>
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        <element elementId="98">
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            <elementText elementTextId="2827929">
              <text>New Medieval Literatures 16 (2016): 250-76.</text>
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          <elementTextContainer>
            <elementText elementTextId="2827930">
              <text>New Medieval Literatures 16 (2016)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2827931">
              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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            <elementText elementTextId="2827932">
              <text>SAC 41:77</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2827933">
              <text>2016</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829938">
                <text>"What shal I calle thee? What is thy name?" Thomas Hoccleve and the Making of "Chaucer."</text>
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            <description>An account of the resource</description>
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                <text>Investigates the "moral version of Chaucer that emerges" in Hoccleve's "Regiment of Princes," arguing that it is a kind of poetic authority produced "in the face of an increasingly militant and repressive English Church," and that, unlike other early versions of Chaucer, it reflects a growing international trend in Christianizing poetic predecessors.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Edwards, Robert R.</text>
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              <text>Tamara Atkin and Jaclyn Rajsic, eds. Manuscript and Print in Late Medieval and Early Modern Britain: Essays in Honour of Professor Julia Boffey (Rochester, N.Y.: D. S. Brewer, 2019), pp. 167–81.</text>
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Rajsic, Jaclyn, ed.</text>
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Chaucer's Influence and Later Allusion&#13;
Anelida and Arcite&#13;
Knight and His Tale</text>
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                <text>Considers Chaucer's uses of Theban material drawn from the tradition of Statius and Boccaccio, exploring how he adapted his sources and how, in turn, his works were adapted by others. Surveys the "exemplary power" of Thebes in Chaucer's works, and offers comparative analysis of Anel and stories analogous to KnT and "The Two Noble Kinsmen."</text>
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                <text>"What strange ruin"': Reading Backward to Thebes.</text>
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              <text>Hao, Tianhu</text>
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              <text>Background and General Criticism</text>
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                <text>"What's Past Is Prologue": Medieval English Studies in China in Recent Decades (1978-2014).</text>
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                <text>Surveys translations and studies of medieval English literature produced in the People's Republic of China, commenting on the important role of Professor Li Fu-ning and describing translations, theses and dissertations, and critical books and essays. Emphasizes Chaucer throughout, with mention of "over 150" essays written about his works, and discusses various ideological and aesthetic approaches to translation and critical study.</text>
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              <text>Exemplaria 32.3 (2020): 248-68.</text>
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              <text>Knight and His Tale&#13;
Language and Word Studies&#13;
Chaucer's Influenxe and Later Allusion</text>
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                <text>Uses a "political theology of the refugee as neighbor" to explore contiguities between "Refugee Tales" (2016) and CT. Explicates nuances of "tendre/"tender" in the works and examines the absent presence of Theban refugees in KnT. The Knight "edits out the nasty bits of warfare" and chivalry--evident by contrast with Boccaccio's "Teseida"--and reveals "repressive tendencies that betrays anxiety over the residue of bare life."</text>
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                <text>"When a Stranger Sojourns With You in Your Land": Loving the Refugee as Neighbor in the "Canterbury Tales" and "RefugeeTales."</text>
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              <text>Veldhoen, N. H. G. E.</text>
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              <text>J. Lachlan Mackenzie and Richard Todd, eds. In Other Words: Transcultural Studies in Philology, Translation and Lexicology Presented to Hans Meier on the Occasion of His 65th Birthday (Boston, Mass.: De Gruyter Mouton, 2019), pp. 107-16.</text>
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              <text>Mackenzie, J. Lachlan, ed. &#13;
Todd, Richard, ed.</text>
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              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:259</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Which was the mooste fre": Chaucer's Realistic Humour and Insight into Human Nature, as Shown in "The Frankeleyns Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Seeks to answer the "demande d'amour" of FranT (1622), first eliminating Dorigen and the magician from consideration of who is most "fre," and then arguing that Aurelius and Arveragus have effectively equal claim to be named--a complicated balance "not untypical" of Chaucer. Compares Chaucer's version with analogues in "Sanskrit Vetula-stories" and Boccaccio's "Filocolo."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Boothman, Janet.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2830970">
              <text>Thoth 4 (1963): 3-14.</text>
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            <elementText elementTextId="2830971">
              <text>Thoth 04 (1963)</text>
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              <text>Miller and His Tale&#13;
Merchant and His Tale</text>
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          <elementTextContainer>
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                <text>"Who Hath No Wyf, He Is No Cokewold": A Study of John and January in Chaucer's Miller's and Merchant's Tales.</text>
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            <description>An account of the resource</description>
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                <text>Compares and contrasts John of MilT with January of MerT as "ridiculous figures" and "gulls of courtly love," the first "senex amans" naïve, the second lascivious. Both men violate "an existing societal order" and the ideals of "sexual propriety and moderation."</text>
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              <description>A name given to the resource</description>
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              <text>Lynch, Andrew.</text>
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              <text>Joanna Bellis and Laura Slater eds. Joanna Bellis and Laura Slater eds. Representing War and Violence 1250-1600 (Woodbridge: Boydell &amp; Brewer, 2016), pp. 79-94.</text>
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Slater, Laura, ed.</text>
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              <text>Representing War and Violence 1250-1600.</text>
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            <elementText elementTextId="2850406">
              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde&#13;
Anelida and Arcite&#13;
Knight and His Tale</text>
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                <text>"With face pale": Melancholy Violence in John Lydgate's Troy and Thebes.</text>
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                <text>Assesses John Lydgate as "the premier learned war poet of the later English Middle Ages," exploring his "Troy Book" and "Seige of Thebes" for the ways they depict the violence of war. Includes recurrent attention to Lydgate's sources, Chaucer's TC, Anel, and KnT among them.</text>
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Kowaleski, Maryanne, ed.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Life</text>
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            <name>Title</name>
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                <text>"Withinne a paved parlour": Criseyde and Domestic Reading in a City under Siege.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850788">
                <text>Explicates the scene of Pandarus's interruption of Criseyde's reading group (TC,&#13;
II.85ff.), attending to its intertextualities, the implications of its setting in a paved "secular parlor," the nature of the female aristocratic readers, and Pandarus's entry into the group as a "sexual/texual predator" and as Chaucer's "alter-ego." Includes significant attention to Elizabeth de Burgh for the ways she may have influenced Chaucer's knowledge of "elite female readers."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rowland, Beryl.</text>
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        <element elementId="98">
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            <elementText elementTextId="2831540">
              <text>Notes and Queries 208 (1963): 168-69.</text>
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            <elementText elementTextId="2831541">
              <text>Notes and Queries 208 (1963)</text>
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        <element elementId="102">
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            <elementText elementTextId="2831542">
              <text>Friar and His Tale&#13;
Language and Word Studies</text>
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        <element elementId="109">
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            <elementText elementTextId="2831543">
              <text>11/1/20</text>
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        <element elementId="114">
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            <elementText elementTextId="2831544">
              <text>1963</text>
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          <element elementId="50">
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                <text>"Wood . . . as an Hare" (The Friar's Tale, 1327).</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831538">
                <text>Suggests that "wood" indicates lechery in FrT 3.1327, echoed punningly by "harlotrye" in the next line.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2811857">
              <text>Burrow, John.</text>
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        <element elementId="98">
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            <elementText elementTextId="2811858">
              <text>Chaucer Review 3.3 (1969): 170-73.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2811859">
              <text>1969</text>
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            <elementText elementTextId="2811861">
              <text>Tale of Sir Thopas</text>
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              <text>Language and Word Studies</text>
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              <text>Manuscripts and Textual Studies</text>
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            <elementText elementTextId="2811864">
              <text>Chaucer Review 03 (1969)</text>
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            <elementText elementTextId="2811865">
              <text>mea; 12/29/2016 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2811856">
                <text>"Worly under Wede" in "Sir Thopas"</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2811860">
                <text>Argues that "as a better joke," "worly" is preferable to "worthy" in Tho (7.917). The latter appears to be "scribal normalization" of Chaucer's mocking of a "well-worn native" word.</text>
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  <item itemId="274640" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2827797">
              <text>Barr, Helen.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2827798">
              <text>Shakespeare Survey  65 (2012): 12-25.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2827799">
              <text>Shakespeare Survey  65 (2012) </text>
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            <elementText elementTextId="2827800">
              <text>Chaucer's Influence and :Later Allusion&#13;
Knight and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2827801">
              <text>SAC 41:58</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2827802">
              <text>2012</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830372">
                <text>Argues that Shakespeare's "A Midsummer Night's Dream" alludes to KnT (particularly the figures of Emelye and Arcite) in ways that "perforate the boundaries" of the chronology of Shakespeare's borrowings the from the tale in "Dream" and in "The Two Noble Kinsmen." Though absent in "Dream," the characters and their plots are present in images and allusive details that raise vexing questions about temporality and source relations.</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2830373">
                <text>"Wrinkled Deep in Time": Emily and Arcite in "A&#13;
Midsummer Night's Dream."</text>
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  <item itemId="274595" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2827427">
              <text>Cannon, Christopher.</text>
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        <element elementId="98">
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            <elementText elementTextId="2827428">
              <text>Essays in Criticism 66 (2016): 277-300.</text>
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          <elementTextContainer>
            <elementText elementTextId="2827429">
              <text>Essays in Criticism 66 (2016)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2827430">
              <text>Manuscrpts and Textual Studies&#13;
Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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              <text>SAC 41:18</text>
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        <element elementId="114">
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            <elementText elementTextId="2827432">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2830289">
                <text>"Wyth her owen handys": What Women's Literacy Can Teach Us about Langland and Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830740">
                <text>Sketches "the mode of literacy" that "occupies a borderland just beyond the precincts of surviving evidence," exploring "the role of dictation" rather than "a sequence of errors in copying that stands between" versions of such texts as TC and "Piers Plowman. Includes comments on Adam Pinkhurst's role as Chaucer's scribe; the frontispiece to TC in Cambridge, Corpus Christi College, MS 61; and the irregularity of final -e in Chaucerian manuscripts.</text>
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  <item itemId="276174" public="1" featured="0">
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              <name>Title</name>
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              <text>Goodrich, Micah.</text>
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              <text>Will Rogers and Christopher Michael Roman, eds. Medieval Futurity: Essays for the Future of a Queer Medieval Studies (Kalamazoo: Medieval Institute Publications, 2020), pp. 153-80.</text>
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            <elementText elementTextId="2841597">
              <text>Pardoner and His Tale&#13;
Language and Word Studies</text>
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              <text>mea; SAC 44:262</text>
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            <elementText elementTextId="2841599">
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              <elementText elementTextId="2851890">
                <text>"Ycrammed ful of cloutes and of bones": Chaucer's Queer Cavities."</text>
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                <text>Traces Chaucer's uses of purses and other cavities in PardPT as sites of queer reproduction. Throughout, "locates the 'purs' as a gendered, sexualized, and economized site of social exchange."</text>
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  <item itemId="275999" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2840171">
              <text>Dissertation Abstracts International A81.04 (2019): n.p.</text>
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            <elementText elementTextId="2840172">
              <text>Dissertation Abstracts International 81 (2019)</text>
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            <elementText elementTextId="2840173">
              <text>Parson and His Tale&#13;
Manuscripts and Textual Studies</text>
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            <elementText elementTextId="2840175">
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                <text>Includes discussion of the version of ParsT in Longleat, MS 29, a compilation of devotional works where Chaucer's name is "cut from the tale and the work presented in an unambiguously religious context."</text>
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                <text>"Ye that heres and sees this vision": Imagined Readers, Imagined Reading in Late Medieval English Devotional Writing."</text>
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  <item itemId="275343" public="1" featured="0">
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              <name>Title</name>
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Sources, Analogues, and Literary Relations</text>
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                <text>"Ye, Haselwodes Shaken!"--Pandarus and Divination.</text>
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                <text>Locates the origins of Pandarus's "proverbial expletive" about "haselwodes" (TC 3.890) in the tradition of magical divination by sticks (rhabdomancy), commenting on the "appositeness" of assigning the proverb to the "hard-headed, skeptical Pandarus."</text>
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Heath, Diane, ed.&#13;
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Shipman and His Tale&#13;
Prioress and Her Tale&#13;
Tale of Sir Thopas&#13;
Nun's Priest and His Tale</text>
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                <text>"Yfallen out of heigh degree": Chaucer's Monk and Crises of Liminal Masculinities.</text>
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                <text>Examines conflicts between secular and religious notions of masculinity in the Monk's description in GP and in MkPT, showing that they depict the Monk's "inability to abide by the expected behaviours of his vocation" and expose him to ridicule by the Host and other pilgrims in ShT, PrT, Th, and NPPT.</text>
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              <text>Open access Ph.D. dissertation (Ohio State University, 2016). Available at https://etd.ohiolink.edu/apexprod/rws_etd/send_file/send?accession=osu1468414544&amp;disposition=inline (accessed April 4, 2020).</text>
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Troilus and Criseyde&#13;
Wife of Bath and Her Tale</text>
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                <text>"Ymaried moore for hir goodes": The Economics of Marriage in Middle English Poetry.</text>
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                <text>Explores "economic terms and metaphor" in Middle English literature "to determine what such treatment indicates about the shifting social relations of marriage in late medieval England." Discusses how, in WBP, the Wife "appropriate[s] economic thought to dictate the parameters of [her] own exchange," widowhood in TC and its implications as an "unfixed" marital status, and related concerns elsewhere in Middle English works.</text>
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              <text>Maslanka, Christopher.</text>
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              <text>Miller and His Tale&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; SAC 42:125</text>
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                <text>"Ȝhat art þou?" Spiritual Identity and Category Confusion in the South English Legendary's Life of St. Christopher.</text>
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                <text>Discusses the connection between physicality and personality in St. Christopher's hagiography in the "South English Legendary" and, in expanding this connection, uses Chaucer's descriptions of the Miller and the Wife of Bath in GP as additional examples.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fries, Maureen.</text>
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        <element elementId="98">
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              <text>Chaucer Yearbook 1 (1992): 47-63.</text>
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          <name>Date</name>
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              <text>Troilus and Criseyde.</text>
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              <text>Chaucer Yearbook 01 (1992).</text>
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                <text>(Almost) Without a Song: Crisyde and Lyric in Chaucer's 'Troilus'</text>
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                <text>The occasions, imagery, and verbal play of the lyrical interludes in TC clarify Criseyde's role as a Christian archetype, one who leads Troilus from self-absorption to transcendence but who nevertheless remains ambiguous in her own silence and her links with courtly stereotypes.</text>
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              <text>Elizabeth Scala and Sylvia Federico, eds. The Post-Historical Middle Ages ((New York: Palgrave Macmillan, 2009), pp. 87-115.</text>
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              <text>The Post-Historical Middle Ages.</text>
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              <text>Parliament of Fowls.</text>
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                <text>(Dis)continuity : A History of Dreaming</text>
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                <text>Fradenburg contemplates similarities between Freud's "Interpretation of Dreams" and medieval dream theory (especially Chaucer's in PF, BD, and NPT) as a way to explore the continuities of history and human psychology.</text>
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