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                  <text>Chaucer Bibliography Online</text>
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              <text>Taylor, Andrew.</text>
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        <element elementId="98">
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              <text>Paul Budra and Betty A. Schellenberg, eds. Part Two: Reflections on the Sequel. (Toronto, Buffalo, and London: University of Toronto Press, 1998), pp. 34-52.</text>
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        <element elementId="114">
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            <elementText elementTextId="2746877">
              <text>1998</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2746878">
              <text>Part Two: Reflections on the Sequel.</text>
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              <text>Budra, Paul,</text>
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              <text>Schellenberg, Betty A.,ed.</text>
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            <elementText elementTextId="2746881">
              <text>ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2746883">
              <text>Chaucerian Apocrypha.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Parson and His Tale.</text>
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        <element elementId="109">
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              <text>jules SAC 22 - 336</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Curious Eye and the Alternative Endings of 'The Canterbury Tales'</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Reads the "Tale of Beryn" and Lydgate's "Seige of Thebes" as acts of resistance to Chaucer's dissolution of his fiction in the meditation that is ParsT.  These continuations of CT seek to keep alive the drama of CT through visualization, a form of "curiositas" that shares features with the visualization necessary for successful meditation.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McCracken, Peggy.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Philadelphia: University of Pennsylvania Press, 2003.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2764777">
              <text>2003</text>
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            <elementText elementTextId="2764778">
              <text>xii, 178 pp.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>Clerk and His Tale.</text>
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              <text>vxl SAC 27:123</text>
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                <text>The Curse of Eve, the Wound of the Hero: Blood, Gender, and Medieval Literature</text>
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                <text>Mentions MLT, PrT, and ClT in the larger context of gender and blood in medieval culture. McCracken argues that gendered cultural values are "mapped onto blood and that cultural values are inscribed into a natural order." Compares Chaucer's MLT with "Le Roman du Comte d'Anjou," which makes an implicit connection between the "polluting blood of parturition and the supposedly non-noble blood of the mother," suggesting that Chaucer's reference to monstrous birth refers to the "contested lineage and rituals that define the impurity of childbirth." Bibliography and index.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2792528">
              <text>Bennett, Judith M.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2792529">
              <text>YLS 20 (2006): 215-26.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2792530">
              <text>2006</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2792532">
              <text>General Prologue to the Canterbury Tales</text>
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            <elementText elementTextId="2792533">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2792534">
              <text>Yearbook of Langland Studies 20 (2006)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2792535">
              <text>mea 7/22/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2792527">
                <text>The Curse of the Plowman</text>
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                <text>Contrasts the historical status of late-medieval plowmen with their literary status, considering Chaucer's Plowman in GP, Langland's "Piers Plowman," and the "other more minor plowmen poems" of late-medieval England.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2754063">
              <text>Biddick, Kathleen.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2754064">
              <text>Journal of Medieval and Early Modern Studies 30: 449-62,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2754065">
              <text>2000</text>
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            <elementText elementTextId="2754067">
              <text>Wife of Bath and Her Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2754068">
              <text>Journal of Medieval and Early Modern Studies 30 (2000)</text>
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        <element elementId="109">
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              <text>jules SAC 24 (257)</text>
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              <elementText elementTextId="2754062">
                <text>The Cut of Genealogy : Pedagogy in the Blood</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2754066">
                <text>Reading the loathly lady's discourse on gentilesse (WBT) against the Statutes of Kilkenny (imposed by the English crown on the Anglo-Irish in 1366) highlights the conflict of nobility as defined either by blood line or by behavior (sanguinity or disciplinarity, in Foucauldian terms), but the Wife's conclusion refuses this clean interpretive segmentation.</text>
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  <item itemId="270051" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2781830">
              <text>Gutiérrez Arranz, José M.</text>
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        <element elementId="98">
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            <elementText elementTextId="2781831">
              <text>Newcastle upon Tyne: Cambridge Scholars, 2009.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2781832">
              <text>2009</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2781833">
              <text>xiii, 135 pp.</text>
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            <elementText elementTextId="2781835">
              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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            <elementText elementTextId="2781837">
              <text>vxl sac 33:24</text>
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          <element elementId="50">
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                <text>The Cycle of Troy in Geoffrey Chaucer: Tradition and "Moralitee"</text>
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          <element elementId="41">
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              <elementText elementTextId="2781834">
                <text>Commenting on medieval literary renditions of the story of Troy, Gutiérrez Arranz identifies places where Chaucer refers or alludes to this material, focusing on Chaucer's references to specific characters.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2773772">
              <text>Baker, Michel van.</text>
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        <element elementId="98">
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            <elementText elementTextId="2773773">
              <text>Parabola 29.1 (2004): 11-18.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2773774">
              <text>2004</text>
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            <elementText elementTextId="2773776">
              <text>Wife of Bath and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Parabola 29 (2004)</text>
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              <text>vxl sac 30:195</text>
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                <text>The Dame and the Knight: Marriage, Sovereignty, and Transformation</text>
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            <description>An account of the resource</description>
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                <text>Commentary on "The Wedding of Sir Gawain and Dame Ragnell" that emphasizes partnership in marriage. Occasional references to WBT.</text>
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            <elementText elementTextId="2750047">
              <text>DeZur, Kathryn Michelle.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750048">
              <text>Dissertation Abstracts International 60: 414A,   1999.</text>
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        <element elementId="114">
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              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2750052">
              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="109">
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                <text>The Dangerous Pleasure of Reading : The Erotics of Interpretation and Female Sexuality in Late Medieval and Early Modern Literature</text>
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                <text>Analyzes the relationships of "interpretation, authority, and female sexuality" in works by Boccaccio, Chaucer, and Sidney. TC and WBPT contrast a lady seduced by her reading with a woman empowered by hers.</text>
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              <text>Friend, Albert C. </text>
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              <text>mea; 7/3/2024</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2846114">
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              <elementText elementTextId="2846107">
                <text>The Dangerous Theme of the Pardoner.</text>
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            <description>An account of the resource</description>
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                <text>Suggests Chaucer "was walking on dangerous ground" in choosing 1Timothy 6:10 ("Radix malorum . . .") as the theme of the Pardoner's sermon, adducing a Latin sermon by Oxfordian Robert Lychlade on the same theme that led to him being brought to trial with Lollards in 1395.</text>
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            <elementText elementTextId="2746113">
              <text>Classen, Albrecht.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2746114">
              <text>Medieval Perspectives 11 (1996): 43-63.</text>
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        <element elementId="114">
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            <elementText elementTextId="2746115">
              <text>1996</text>
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              <text>jules SAC 21 - 288</text>
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                <text>The Dangers and Promises of Reading, Two Medieval Viewpoints: Wolfram von Eschenbach and Geoffrey Chaucer</text>
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              <elementText elementTextId="2746116">
                <text>Summarizes the scholastic idea of the book and applies the concept of the written word (book) as "essential epistemological instrument" to Wolfram's "Titurel" fragments (ca. 1220) and to TC.  Chaucer presents Troilus as a misreader of texts who only at the end of the romance--and tragically--learns to read accurately.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2800559">
              <text>White, Thomas.</text>
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        <element elementId="98">
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              <text>Myra Seaman, Eileen A. Joy, and Nicola Masciandaro, eds. Dark Chaucer: An Assortment (Brooklyn, N. Y.: Punctum Books, 2012), pp. 191-203.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2800561">
              <text>2012</text>
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            <elementText elementTextId="2800562">
              <text>Dark Chaucer: An Assortment.</text>
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        <element elementId="102">
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              <text>Tale of Sir Thopas</text>
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              <text>Manuscripts and Textual Studies</text>
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        <element elementId="109">
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            <elementText elementTextId="2800566">
              <text>mea SAC 36:184</text>
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              <elementText elementTextId="2800558">
                <text>The Dark Is Light Enough: The Layout of the Tale of Sir Thopas</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2800563">
                <text>Suggests that the textual layout of Th is authorial in the Ellesmere, Hengwrt, Cambridge MS Gg.II.27, and Dd.IV.24 copies of Th. Because other manuscripts do not adhere to this layout, they exemplify how scribes interpret texts rather than transmit them faithfully. Includes a diplomatic edition of the layout of Th as found in Oxford, Christ Church, MS 152.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2712531">
              <text>Tripp, Raymond P.,Jr.</text>
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        <element elementId="98">
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            <elementText elementTextId="2712532">
              <text>Chaucer Review 20 (1986): 208-21.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712533">
              <text>1986</text>
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        <element elementId="102">
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              <text>Miller and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2712536">
              <text>Chaucer Review 20 (1986)</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2712537">
              <text>jules SAC 10 (145)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2712530">
                <text>The Darker Side to Absolon's Dawn Visit</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2712534">
                <text>Absolon's intentions in MilT are uglier and darker than realized by readers who recognize the non-Boethian nature of the tale.  Absolon's plowshare, for all its sexual symbolism, is a murderous weapon intended for Alison.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <elementText elementTextId="2812063">
              <text>Rand, George I.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2812064">
              <text>American Notes and Queries 7 (1979): 149-50.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2812065">
              <text>1969</text>
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            <elementText elementTextId="2812067">
              <text>Nun's Priest and His Tale</text>
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              <text>House of Fame</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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          <elementTextContainer>
            <elementText elementTextId="2812070">
              <text>American Notes and Queries 07 (1979)</text>
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        <element elementId="109">
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            <elementText elementTextId="2812071">
              <text>mea; 12/29/2016 No SAC</text>
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              <elementText elementTextId="2812062">
                <text>The Date of 'Nun's Priest's Tale'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2812066">
                <text>Observes that Chaunticleer's mistaken reference to Macrobius as the author of the "Somnium Scipionis" (7.3124) may suggest that NPT predates PF (i.e., "no later than 1386"),  where Macrobius is accurately identified as the author of the "Commentary" only.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2713020">
              <text>Matthews, Lloyd J.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2713021">
              <text>Chaucer Review 20 (1986): 221-34.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2713022">
              <text>1986</text>
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              <text>Tale of Melibee.</text>
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          <elementTextContainer>
            <elementText elementTextId="2713025">
              <text>Chaucer Review 20 (1986)</text>
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        <element elementId="109">
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            <elementText elementTextId="2713026">
              <text>jules SAC 10 (196)</text>
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            <name>Title</name>
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              <elementText elementTextId="2713019">
                <text>The Date of Chaucer's 'Melibee' and the Stages of the Tale's Incorporation in the 'Canterbury Tales'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Chaucer's acquaintance with Dante and his return from the Italian journey in 1373 provide termini of 1372-74 for Mel. Later, Mel was included among the CT to be narrated by the Man of Law.  Finally, it was moved to its place in fragment 7 or B2.</text>
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Complaint of Chaucer to His Purse</text>
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                <text>The Date of Chaucer's Final Annuity and of the "Complaint to His Empty Purse."</text>
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                <text>The Dating in the 'Canterbury Tales'</text>
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                <text>Resolves the apparent inconsistencies of astronomical dates in GP and MLP by explaining that Chaucer knew of and calculated by means of the "precession of the equinoxes," as is evident in FranT.</text>
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              <text>Clark, Cassandra.</text>
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              <text>264 pp.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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            <name>Title</name>
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              <elementText elementTextId="2847884">
                <text>The Day of the Serpent: A Brother Chandler Medieval Mystery.</text>
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                <text>Historical murder mystery set in 1400, in the months after Henry IV's usurpation of Richard II's throne. "Master" Chaucer and Adam are involved with copying Lollard treatises; Matilda, Chaucer's house-maid, is involved with friar-cum-sleuth Brother Chandler.</text>
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              <name>Title</name>
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            <elementText elementTextId="2844963">
              <text>Wallace, Andtew.</text>
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              <text>The Presence of Rome in Medieval and Early Modern Britain: Texts, Artefacts and Beliefs (Cambridge: Cambridge University Press, 2020), pp. 172-218.</text>
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              <text>Presence of Rome in Medieva land Early Modern Britain: Texts, Artefacts and Beliefs</text>
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          <name>Chaucer Subject</name>
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              <text>Prioress and Her Tale&#13;
Background and General Criticism</text>
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        <element elementId="109">
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        <element elementId="114">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2844961">
                <text>The Dead.</text>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2844962">
                <text>In Wallace's volume dedicated to examining various aspects of the importance of Rome and the Latin language--classical and Christian--in early British culture, this chapter focuses on their roles in theorizing and depicting relations between living and dying in literature from Chaucer to Donne, anticipated by Augustine and Dante. Discusses aspects of the GP description of the Prioress and PrPT, emphasizing the importance of song and prayer as metaphysical/theological bridges between life and death</text>
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  <item itemId="275413" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2835351">
              <text>Stockton, Eric W.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2835352">
              <text>Tennessee Studies in Literature 6 (1961): 47-59.</text>
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        <element elementId="100">
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              <text>Tennessee Studies in Literature 06 (1961)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2835354">
              <text>Pardoner and His Tale</text>
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        <element elementId="109">
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              <text>mea; 10/14/21</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2835356">
              <text>1961</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2835349">
                <text>The Deadliest Sin in "The Pardoner's Tale."</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2835350">
                <text>Treats PardPT as parts of a structured sermon against gluttony, gambling, swearing, and "'superbia', pride in its most Satanic form." The revelers and the Pardoner himself are guilty of the latter.</text>
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  <item itemId="266002" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739935">
              <text>Ellis, Steve.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Chaucer Review 29 (1995): 249-58.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739937">
              <text>1995</text>
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              <text>Book of the Duchess.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2739940">
              <text>Chaucer Review 29 (1995)</text>
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        <element elementId="109">
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              <text>jules SAC 19 (1997) - 283</text>
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          <element elementId="50">
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              <elementText elementTextId="2739934">
                <text>The Death of 'The Book of the Duchess'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2739938">
                <text>BD should be given Chaucer's own title (LGW 418):  "The Death of Blanche."  Chaucer's title is more fitting for a poem of anti-consolation that emphasizes "death's power over the loveliest visions of youth and happiness."</text>
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  <item itemId="266278" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2742778">
              <text>Raybin, David.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2742779">
              <text>Journal of English and Germanic Philology 95 (1996): 19-37.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2742780">
              <text>1996</text>
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        <element elementId="102">
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              <text>Manciple and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2742783">
              <text>Journal of English and Germanic Philology 95 (1996)</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 20 (1998), 244</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Death of a Silent Woman: Voice and Power in Chaucer's Manciple's Tale</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2742781">
                <text>Reads ManT as a "story both of a wife who cuckolds her jealous husband and of a sexually aware trickster [the crow] who uses his knowledge, voice, and wit to gain freedom from his gilded cage."  Both the wife and the crow seek freedom, but unlike the silenced wife, the crow effectively uses reasoned speech to liberate itself.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2762038">
              <text>Puhvel, Martin.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2762039">
              <text>NM 103: 328-40, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762040">
              <text>2002</text>
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            <elementText elementTextId="2762042">
              <text>Wife of Bath and Her Tale.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2762043">
              <text>Neuphilologische Mitteilungen 103 (2002)</text>
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              <text>vxl sac 26:217</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>The Death of Alys of Bath's 'Revelour' Husband</text>
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            <description>An account of the resource</description>
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                <text>Surveys critics who argue that the Wife of Bath murdered her fourth (and perhaps her fifth) husband, compares details of WBP with those of the trial of Alice Kytelar in 1324, and suggests that the Kytelar trial may have influenced Chaucer's creation of the Wife of Bath.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2701685">
              <text>Stone, Gregory Bentley.</text>
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        <element elementId="98">
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            <elementText elementTextId="2701686">
              <text>Dissertation Abstracts International 51 (1990): 159A.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2701687">
              <text>1990</text>
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            <elementText elementTextId="2701689">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2701690">
              <text>Dissertation Abstracts International 51 (1990).</text>
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              <text>jules SAC 14 (241)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2701684">
                <text>The Death of the Grammatical Ego : Lyric Resistance to Individualism in Late Medieval Narrative</text>
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                <text>Twelfth-century lyric employs a generalized, nonhistoric "I"; thirteenth-century composition represses this voice in favor of a specific and individualized narrator.  BD, though it seems to endorse the latter, actually returns to the songlike, undiferentiated "I."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2759092">
              <text>Ishino, Harumi.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2759093">
              <text>Shuryu (Doshisha University) 62 (2001): 1-24,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2759094">
              <text>2001</text>
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              <text>Physician and His Tale.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2759098">
              <text>Shuryu (Doshisha University) 62 (2001)</text>
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        <element elementId="109">
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              <text>jules SAC 25 (223)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2759091">
                <text>The Death of the Virgin in The Physician's Tale</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2759095">
                <text>Ishino attempts to unravel enigmatic aspects of PhyT, especially the death of Virginia.</text>
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              <elementText elementTextId="2759096">
                <text>In Japanese.</text>
              </elementText>
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  <item itemId="263433" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2714643">
              <text>Blake, N. F.</text>
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        </element>
        <element elementId="98">
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            <elementText elementTextId="2714644">
              <text>Revista Canaria de Estudios Ingleses 10 (1985): 31-42.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2714645">
              <text>1985</text>
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          <name>Chaucer Subject</name>
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              <text>Canterbury Tales--General.</text>
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              <text>Manuscripts and Textual Studies.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2714649">
              <text>Revista Canaria de Estudios Ingleses 10 (1985)</text>
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              <text>jules SAC 09 (104)</text>
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                <text>The Debate on the Order of 'The Canterbury Tales'</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2714646">
                <text>Refutes Benson's view (SAC 3 (1981), pp. 77-120) that Ellesmere represents Chaucer's final arrangement of CT.  Like Manly and Rickert, Blake thinks there is no Chaucerian order and that after Chaucer's death scribes tried to achieve a satisfactory one.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2754322">
              <text>Hanning, Robert W.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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              <text>James H. McGregor, ed. Approaches to Teaching Boccaccio's Decameron (New York: Modern Language Association, 2000), pp. 103-18.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754324">
              <text>2000</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2754325">
              <text>Approaches to Teaching Boccaccio's Decameron.</text>
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              <text>McGregor, James H., ed.</text>
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          <name>Chaucer Subject</name>
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              <text>Canterbury Tales--General.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        </element>
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              <text>jules SAC 24 (208)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2754321">
                <text>The Decameron and the Canterbury Tales</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2754327">
                <text>Assesses the "relevance and importance" of the Decameron to the study of CT, considering evidence of Chaucer's knowledge of Boccaccio's work and the ways the two works reflect similar and different "cultural agendas." Comparison of shared motifs and tales reveals differences in the "sitedness" of individual tales--differences in the status of tales as personal or class-based expression.</text>
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