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              <text>El Fahli, Mourad.</text>
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              <text>Mirabilia 27 (2018): 254-68.</text>
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              <text>mea; SAC 44:169</text>
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                <text>The Construction of Space(s) and Identity(s) in Medieval Literature: Geoffrey Chaucer's "The Canterbury Tales" as a Case Study.</text>
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                <text>Addresses the engagement of medieval literature in the construction of European and Muslim identities in CT. Traces the origin and the politics behind the western construction of Muslims as "God's enemies in the Middle Ages and how this representation is paradoxically demystified by a latent fascination with Islamic scientific achievements.</text>
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              <text>Shibata, Takeo.</text>
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              <text>Chusei Eibungaku-eno Junrei-ni Michi.</text>
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              <text>jules SAC 17 (204)</text>
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                <text>Examines double-entendre in ShT, especially with words that relate to characters' action.</text>
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                <text>The Containment of Symkyn: The Function of Space in the 'Reeve's Tale'</text>
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                <text>The conception of the action of RvT in three dimensions is designed to provide more than narrative realism.  By reducing the miller's area of influence, Chaucer represents metaphorically his being cut down to size by the students.</text>
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              <text>Nakao, Yoshiyuki.</text>
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              <text>Studies in Higher Education (Bulletin of University Education Center, Fukuyama University) 3 (2016): 3-15.</text>
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Language and Word Studies</text>
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                <text>Argues that the meaning of "swete" in PrT develops according to the protagonist's maturing process. In Japanese, with English abstract.</text>
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              <text>Michio Kawai, ed.  Language and Style in English Literature: Essays in Honour of Michio Masui.  The English Association of Hiroshima (Tokyo: Eihosha, 1991), pp. 159-77.</text>
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                <text>Considers MkT complete as an experiment in a new literary form that Chaucer used to medievalize materials.</text>
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              <text>Litteraria Pragensia 9.18 : 62-83, 1999.</text>
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                <text>Stokes compares the pledges of love-troth in the "Prose Lancelot" and TC, suggesting that they reflect a "specific kind of romantic relationship," neither marital nor illicit nor clandestine, but "solemn and binding" and based on the man's service to the woman. The scene in Lancelot may be a source of the exchange of vows in TC 3.</text>
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              <text>Teresa Fanego Lema, ed.  Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature  (Santiago de Compostela: Universidad de Santiago de Compostela, 1993), pp. 293-303.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>jules SAC 19 (1997) - 249.</text>
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                <text>The Contradictions of Madame Eglantyne: Why She Would Become a Nun</text>
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                <text>Examines the GP sketch of the Prioress for evidence that she is poorly matched with her vocation, a mismatch especially evident in her attractiveness, coquetry, and "zest for life."</text>
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                <text>PrT shows "more reference to praise than to love," indication that the Prioress's understanding of Christian values is simplistic.</text>
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                <text>The article hypothesizes why such a woman may have entered a convent.</text>
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              <text>Rosenberg, Bruce A.</text>
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              <text>Chaucer Review 2.4 (1968): 278-91.</text>
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            <elementText elementTextId="2816129">
              <text>Chaucer Review 02 (1968)</text>
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              <text>Second Nun and Her Tale&#13;
Canon's Yeoman and His Tale</text>
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            <elementText elementTextId="2816132">
              <text>1968</text>
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                <text>The Contrary Tales of the Second Nun and the Canon's Yeoman.</text>
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                <text>Provides point-by-point contrasting details and themes from SNT and CYT to argue that they were composed as a pair, wedded by a "theory of contraries." Focuses on fire, sight, work, the theme of God's will, the language and imagery of alchemy, and the polarities of charity and cupidity and revelation and reason to demonstrate the unity of part 8 of CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Landrum, Graham.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2700428">
              <text>Tennessee Philological Bulletin 13.1 (1976): 5-12.</text>
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        <element elementId="114">
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          <elementTextContainer>
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              <text>1976</text>
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              <text>jules - 6/10/94 SAC 1 (180)</text>
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                <text>The Convent Crowd and the Feminist Nun</text>
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                <text>SNP and SNT express a feminist point of view not present in the original sources and analogues, but added by Chaucer in order to portray dramatically her character.  She is contrasted with the Prioress and the Nun's Priest.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2724175">
              <text>Nitecki, Alicia K.</text>
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        <element elementId="98">
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              <text>Chaucer Review 16 (1981): 76-84.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1981</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Chaucer Review 16 (1981)</text>
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              <text>jules SAC 05 (182)</text>
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                <text>The Convention of the Old Man's Lament in the 'Pardoner's Tale'</text>
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              <elementText elementTextId="2724178">
                <text>Although the major sources of the Old Man figure have long been known, the existence of the figure in alliterative and lyric poetry shows how Chaucer transforms the tradition.  His Old Man is a trope for man's desire for transcendence.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Woolgar, Christopher M.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 262-76.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2814093">
              <text>2014</text>
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              <text>Historians on Chaucer: The "General Prologue" to the "Canterbury Tales."</text>
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              <text>Cook and His Tale</text>
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              <text>mea; 2/28/2017 SAC 38:132</text>
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                <text>The Cook</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2814095">
                <text>Reviews medieval cooks who could possibly have been models for Chaucer's Cook and suggests that Chaucer uses the  Cook to reflect the social and moral issues of estates literature.  Also, discusses the Cook's dislikes in CT and his connections with the Seven Deadly Sins, particularly gluttony.</text>
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            <elementText elementTextId="2763569">
              <text>Brosamer, Matthew.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2763570">
              <text>Donka Minkova and Theresa Tinkle, eds. Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly (Frankfurt and New York : Peter Lang, 2003), pp. 235-51.</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763571">
              <text>2003</text>
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          <elementTextContainer>
            <elementText elementTextId="2763572">
              <text>Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly .</text>
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          <elementTextContainer>
            <elementText elementTextId="2763574">
              <text>Pardoner and His Tale.</text>
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              <text>Man of Law and His Tale.</text>
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            <elementText elementTextId="2763576">
              <text>Legend of Good Women.</text>
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            <elementText elementTextId="2763577">
              <text>Sources, Analogues, and Literary Relations.</text>
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          <elementTextContainer>
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              <text>vxl 27:229</text>
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              <elementText elementTextId="2763568">
                <text>The Cook, the Miller, and Alimentary Hell</text>
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              <elementText elementTextId="2763573">
                <text>Brosamer investigates hell-mouth imagery in PardT, MLT, and LGWP, drawing upon a number of sources, especially De miseria condicionis humane by Pope Innocent III. The corruption of sin has an alimentary dimension, from ingestion to defecation.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Magoun, Francis P.,Jr.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Neuphilologische Mitteilungen 77 (1976): 79.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698845">
              <text>1976</text>
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              <text>Cook and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2698848">
              <text>Neuphilologische Mitteilungen 77 (1976)</text>
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              <text>jules - 20/9/94 SAC 1 (25)</text>
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              <elementText elementTextId="2698842">
                <text>The Cook's 'Jakke of Dovere': CT A 4347-48</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2698846">
                <text>The "Jakke of Dovere" that Chaucer's Host talks of is a fish known as Dover sole and is a specialty of Dover.</text>
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                <text>PardP characterizes him as "a mirror-image of all that is good," revealing his "ghastly pride" in his skills and his immorality. Ironically, PardT is a superb sermon, although its moral appears to be "quite lost on his hearers" (the pilgrim audience), and the Pardoner ultimately overreaches himself.</text>
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                <text>As diplomat, MP, and associate of important political figures, Chaucer understood the operation of government and its rhetoric, reflected in Mel, MLT, ClT, KnT, and MerT.  Chaucer's themes of class and gender relate to the nature of counsel-taking.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>The Countervailing Aesthetic of Joy in Troilus and Criseyde</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2771668">
                <text>Hill argues that Troilus's pagan, earthly joy in the second half of Book 3 of TC is Chaucer's representation of "the maximum of good and beauty to be found outside of Christian belief and the dispensations of faith." The intense joy experienced by the lovers is the apex of worldly sufficiency, temporarily safe from worldly threat and rendered powerful through Chaucer's indications of universality.</text>
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  <item itemId="265534" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735037">
              <text>Brewer, Derek.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735038">
              <text>Flemming G. Andersen and Morten Nojgaard, eds. The Making of the Couple: The Social Function of Short-Form Medieval Narrative: A Symposium (Odense: Odense University Press, 1991), pp. 129-43.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735039">
              <text>1991</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735040">
              <text>The Making of the Couple: The Social Function of Short-Form Medieval Narrative: A Symposium.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735041">
              <text>Andersen, Flemming G.,</text>
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              <text>Nojgaard, Morten,ed.</text>
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            <elementText elementTextId="2735043">
              <text>ed.</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2735045">
              <text>jules SAC 18 (1996) - 79</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735036">
                <text>The Couple in Chaucer's Fabliaux</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735044">
                <text>Surveys views on sex and marriage in Chaucer's works and argues that his fabliaux reflect human desires to escape from and to re-create the couple.  The brevity of the fabliau limits the possibilities of readers' identification with the characters and thereby creates the "essential ambivalence of comedy."  Fabliaux also capitalize on the contradiction implicit in the orthodox view of sex in marriage:  it is both enjoyable and sinful.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744532">
              <text>Mullally, Evelyn,and John Thompson,eds.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744533">
              <text>Woodbridge, Suffolk; and Rochester, N. Y.: D. S. Brewer, 1997.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744534">
              <text>1997</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2744535">
              <text>Thompson, John,ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744538">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744539">
              <text>jules SAC 21 - 131</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2744531">
                <text>The Court and Cultural Diversity: Selected Papers from the Eighth Triennial Congress of the International Courtly Literature Society, The Queen's University of Belfast, 26 J</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2744536">
                <text>Thirty-seven essays by various authors arranged under five headings:  Contexts for Courtliness, Fashioning History and Romance, Negotiating a Courtly Voice, Texts and Readers, and Limits of Courtliness. For two essays that pertain to Chaucer, search for Court and Cultural Diversity under Alternative Title.</text>
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  <item itemId="272037" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802692">
              <text>Hayes, Joseph J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802693">
              <text>DAI 34.07 (1974): 4205-6A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802694">
              <text>1974</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802696">
              <text>Lyrics and Short Poems</text>
            </elementText>
            <elementText elementTextId="2802697">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2802698">
              <text>Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802699">
              <text>Dissertation Abstracts International 34 (1974)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802700">
              <text>mea; 1/29/2015 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2802691">
                <text>The Court Lyric in the Age of Chaucer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2802695">
                <text>Discusses Chaucer's accomplishments in the development of lyric poetry, with commentary on Machaut, Deschamps, Hoccleve, Lydgate, and Villon. Chaucer is the "high point" of the English tradition inspired by the French.</text>
              </elementText>
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          </element>
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  </item>
  <item itemId="266590" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746029">
              <text>Hoffman, Donald L.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746030">
              <text>Will Wright and Steven Kaplan, eds. The Image of Nature in Literature, the Media, and Society (Pueblo, Colo.: Society for the Interdisciplinary Study of Social Imagery, 1993), pp. 61-67.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746031">
              <text>1993</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746032">
              <text>The Image of Nature in Literature, the Media, and Society: Selected Papers, 1993 Conference, Society for the Interdisciplinary Study of Social Imagery, March 11-13, 1993, Colorado Springs, Colorado.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746034">
              <text>Parliament of Fowls.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746035">
              <text>jules SAC 21 - 279</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746028">
                <text>The Court of Nature and the Nature of Courts: An Inquiry into the Function of Natura in Chaucer's 'Parliament of Fowls'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746033">
                <text>Compares the depiction of social order in Aristotle's 'Politics' with that in PF.  Chaucer's Natura is a figure of "communal order" who properly subordinates the drive for procreation to the need for social hierarchy.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="276552" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844662">
              <text>Thomas, Alfred.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844663">
              <text>Cambridge: D. S. Brewer, 2020.</text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844664">
              <text>243 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844665">
              <text>Background and General Criticism&#13;
Chaucer's Life</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 45:90</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844667">
              <text>2020</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2844660">
                <text>The Court of Richard II and Bohemian Culture: Literature and Art in the Age of Chaucer and the "Gawain" Poet.</text>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2851732">
                <text>Considers how Bohemian culture in the late fourteenth century influenced English medieval writers including Chaucer, Gower, and the Gawain- poet.Focuses on Anne of Bohemia, who married Richard II, and claims she "may have been in Chaucer's mind as a patroness." Argues that the authors wrote in their vernacular language because they "aspired o be part of a burgeoning vernacular European culture stretching from Paris to Prague and from Brabant to Brandenburg," and not only for nationalist reasons.</text>
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