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                  <text>Chaucer Bibliography Online</text>
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              <text>McCabe, John Donald.</text>
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              <text>DAI 30.01 (1969): 285A.</text>
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              <text>Background and General Criticism</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Dissertation Abstracts International 30 (1969)</text>
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              <text>mea; 06/08/2017 No SAC</text>
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                <text>The Comic in the Poetry of Chaucer: Congruence of 'Sentence' and 'Solaas'</text>
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                <text>Argues that post-medieval notions of comedy obscure the relations between sense and sententiousness in Chaucer's poetry, explaining that Boethian, analogous thinking underlies Chaucer's art and that Hebraic and Graeco-Roman poetic traditions help to clarify how "sentence" and "solace" are interdependent in Chaucer's art.</text>
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              <text>Enck, John J., Elizabeth T. Forter, and Alvin Whitley, eds.</text>
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              <text>New York: Appleton-Century-Crofts, 1960.</text>
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              <text>x, 340 pp.</text>
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              <text>Forter, Elizabeth T., ed. &#13;
Whitley, Alvin, ed.</text>
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              <text>Nun's Priest and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; 3/30/22</text>
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              <text>1960</text>
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                <text>The Comic in Theory and Practice.</text>
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                <text>Textbook anthology of "theories and examples of the comic" that includes John Dryden's adaptation of NPT under the title "The Cock and the Fox or, The Tale of the Nun's Priest," attributing it to Chaucer.</text>
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              <text>Rosten, Murray.</text>
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              <text>New York: Continuum, 2011.</text>
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              <text>viii, 278 pp.</text>
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              <text>Canterbury Tales&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Wife of Bath and Her Tale</text>
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                <text>The Comic Mode in English Literature: From the Middle Ages to Today.</text>
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                <text>Describes and assesses the presence of the comic mode in English literature, including a discussion (pp. 42-51) of portions of CT (especially MilT, RvT, and WBP) that explores how Chaucer achieves comedy without negating the "seriousness of the pilgrimage itself." Describes how Chaucer uses irony and ambiguity in his layered narration to leave his perspective "amusingly undetermined."</text>
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              <text>Brody, Saul N[athaniel].</text>
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              <text>Ferrante, Joan M., and George D. Economou, eds. In Pursuit of Perfection: Courtly Love in Medieval Literature (Port Washington, NY,  Kennikat, 1975), pp. 221-61.</text>
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              <text>1975</text>
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            <elementText elementTextId="2783756">
              <text>In Pursuit of Perfection: Courtly Love in Medieval Literature.</text>
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              <text>Ferrante, Joan M, ed.</text>
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              <text>Economou, George D., ed.</text>
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              <text>Knight and His Tale</text>
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              <text>Miller and His Tale</text>
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              <text>Merchant and His Tale</text>
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              <text>Squire and His Tale</text>
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              <text>Franklin and His Tale</text>
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              <text>To Rosemounde</text>
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              <text>Parliament of Fowls</text>
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        <element elementId="109">
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              <text>mea 11/30/2012 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2783752">
                <text>The Comic Rejection of Courtly Love</text>
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          <element elementId="41">
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              <elementText elementTextId="2783759">
                <text>Compares Chaucer's satire of courtly love with similar depictions in "Frauendienst" by Ulrich von Lichtenstein, "De Guillaume au Faucon," and "Flamenca," all of which reflect awareness of the fading of the courtly ideal and the dissolution of noble privilege in literary authors and audiences. Comments on Ros, PF, the pairing of KnT and MilT, MerT, SqT, and FranT, noting various ironies, intrusions from the fabliau genre, and devices of narrative distancing.</text>
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              <text>Craik, T. W.</text>
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              <text>London: Methuen, 1964.</text>
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              <text>xv, 156 pp.</text>
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              <text>Canterbury Tales General&#13;
Style and Versification&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Shipman and His Tale&#13;
Nun's Priest and His Tale&#13;
Merchant and His Tale&#13;
Tale of Sir Thopas&#13;
Cook and His Tale&#13;
Canon's Yeoman and His Tale</text>
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              <text>mea; 11/12/2019</text>
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                <text>The Comic Tales of Chaucer.</text>
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                <text>Summarizes each of the "comic" tales of CT, with appreciative, inferential, scene-by-scene commentary on techniques of characterization, situations, and enlivening details that make the Tales "amusing." Essentially farcical, the action of MilT results more from "character and situation" than coincidence; similarly farcical, RvT provides enjoyment via "poetic justice," opportunism, and "mistakes in the night." ShT suffers from a "thin plot," but offers clever talk and an "intellectual" climax. The simple action of NPT is well adorned with "disproportions," "incongruities," and "comicalities," many of which burlesque MkT. The exchange of FrT and SumT succeeds because of balance among farce, satire, ironies, poetic justice, and surprise. MerT combines "cool" irony, "biting" satire, and indirection that produce rich innuendo and drama of character. Also comments on comic elements in Th, CkT, and CYT.</text>
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              <text>Wilson, Douglas B.</text>
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              <text>English Language Notes 21 (1983): 11-22.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 07 (247)</text>
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                <text>The Commerce of Desire: Freudian Narcissism in Chaucer's 'Troilus and Criseyde' and Shakespeare's 'Troilus and Cressida'</text>
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              <text>xiii, 1034 pp.&#13;
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Equatorie of the Planetis&#13;
Legend of Good Women</text>
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                <text>The Complete Poetry and Prose of Geoffrey Chaucer.</text>
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                <text>A comprehensive edition of all of Chaucer's known works (including Equat and Rom), with glosses and notes at the bottom of the page and a text that relies on the collations of previous editors. Includes introductions for each of the works; additional essays on "The Place of Chaucer," "Chaucer in His Time," and "Chaucer's Language and Versification"; and a brief glossary and an extensive bibliography of critical studies and scholarly works, with an index of authors.</text>
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                <text>Reissued in 1982 with a revised bibliography. The second edition, 1989, offers new introductory essays and a revamped bibliography. The third edition, 2012, revised by Mark Allen, offers complete versions of LGWP-F and LGWP-G, and corrects the texts of other works, with new notes and glosses, rewritten introductory essays, and a new bibliography updated through 2007.</text>
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                <text>Argues that the Reeve's efforts to represent himself as respectable are mirrored in the characterization of Symkin in RvT, and Malyne's "repressed subjectivity" reveals Symkin's over-simplified, patristic notions self-definition. </text>
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        <element elementId="98">
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              <elementText elementTextId="2799164">
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                <text>Analyzes the gothic, inorganic structure of BD, commenting on the poem's status as a lament, an elegy, and a consolation; its clear articulation of various parts; and its consistency with the compositional advice given by rhetorician Geoffrey of Vinsauf. Characterizations of the narrator and of the Black Knight are less important to understanding the poem than are its powerful juxtapositions.</text>
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              <text>A. E. Christa Canitz and Gernot R. Wieland, eds. From Arabye to Engelond: Medieval Studies in Honour of Mahmoud Manzalaoui on His 75th Birthday (Ottawa: University of Ottawa Press, 1999), pp. 75-92.</text>
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              <text>From Arabye to Engelond: Medieval Studies in Honour of Mahmoud Manzalaoui on His 75th Birthday.</text>
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              <text>jules SAC 24 (286)</text>
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            <description>An account of the resource</description>
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                <text>Surveys medieval and modern understandings of honor as background to discussing the concept in "Sir Gawain and the Green Knight," Malory's "Le Morte Darthur," and PhyT. Virginius "rightly kills" Virginia "to protect his own honour as well as her virginity, because they are the same thing."</text>
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              <text>Robinson, Peter</text>
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              <text>Vincent P. McCarren and Douglas Moffat, eds. A Guide to Editing Middle English (Ann Arbor: University of Michigan Press, 1998), pp. 249-61.</text>
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              <text>A Guide to Editing Middle English.</text>
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            <description>An account of the resource</description>
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                <text>Argues that computer technology is changing "what scholars do as they edit," drawing examples from the activities of the "Canterbury Tales" Project to describe the new quesions raised about visual reproduction of manuscripts, representation of transcription, and choices of collation software and delivery systems.</text>
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              <text>Adams, Robert.</text>
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        <element elementId="98">
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              <text>Studies in the Age of Chaucer 6 (1984): 83-102.</text>
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        <element elementId="114">
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              <text>1984</text>
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              <text>Studies in the Age of Chaucer 06 (1984)</text>
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                <text>The Concept of Debt in 'The Shipman's Tale'</text>
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                <text>Discussion of the debt as religious.  The characters in ShT are "impenitent" because they and the Shipman have been blinded to moral and spiritual truth by their middle-class milieu.</text>
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              <text>Orbis Litterarum: International Review of Literary Studies 78 (2023): 205-16.</text>
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              <text>Orbis Litterarum: International Review of Literary Studies 78 (2023)</text>
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              <text>Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <elementText elementTextId="2853778">
                <text>The Concept of Destiny and Free Will in Chauntecleer's Dream</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Contends that NPT "shows how free will and destiny . . . mysteriously connive together to form what can be called 'conditional free will'," arguing that the combination of Chauntecleer's dream and the outcome of the plot compromise Augustinian, Bradwardinian, and Boethian ideas so that while the dream destines the encounter between fox and rooster, the cock's escape depends upon his will to survive and Russell's will to speak. Surveys related criticism.</text>
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              <text>jules SAC 14 (221)</text>
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                <text>Via reference to and obvious knowledge of St. Augustine's doctrine of spiritual healing through self-punishment and the concept of Christ the Physician, the Pardoner (despite his blatant duplicitous misuse of Church teaching) ascertains his pride and brings himself to "the threshold of contrition."</text>
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              <elementText elementTextId="2845192">
                <text>Observes several traditional conventions of love in TC, especially Troilus's suffering and Pandarus's role as go-between.</text>
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              <text>Haynes, Maria Schnes.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Ph.D. Dissertation. University of California, 1956. American Doctoral Dissertations A81.01 (E).</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
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              <text>vii, 299 pp.</text>
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              <text>Background and General Criticism</text>
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        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2852177">
              <text>1956</text>
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                <text>The Concept of Old Age in the Late Middle Ages, with Special Reference to Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Item not seen; no abstract available. Record derived from UCLA Library Catalog.</text>
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          </element>
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              <text>Heninger, S. K., Jr. </text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 56 (1957): 382-95.</text>
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              <text>Clerk and His Tale&#13;
Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Concept of Order in Chaucer's "Clerk's Tale.</text>
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                <text>Analyzes the "repeated allusions to the Scholastic concept of a divinely-ordained universal order" in ClT. Shows that such allusions are generally not in Chaucer's sources, and that they help to characterize the Clerk as a "serious scholar and devout cleric" who, in response to the Wife of Bath's unorthodoxy, expounds "philosophical and religious views prevalent in fourteenth century England."</text>
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              <text>Benjamin, Edwin B.</text>
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                <text>Attributes the disruption of order in the plot of FranT to Dorigen's pride and "indecisiveness" and to Aurelius's "moral flaw" and use of "unlawful" magic. Order is reinstated by means of seriatim "self-sacrifice" triggered by the "manly firmness" of Arveragus.</text>
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