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                  <text>Chaucer Bibliography Online</text>
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              <text>Clemens, John K., and Douglas F. Mayer.</text>
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              <text>Homewood, Ill.: Dow Jones-Irwin, 1987</text>
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              <text>Mayer, Douglas F.</text>
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              <text>Canterbury Tales--General</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>mea No SAC</text>
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                <text>The Classic Touch: Lessons in Leadership from Homer to Hemingway</text>
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                <text>Included in this "practical book about leadership" are claims that CT reveals that "people can't be stereotyped" because they are essentially paradoxical. Comments most extensively on the Wife of Bath, who is "incapable of being classified, sorted, or neatly pigeon-holed."</text>
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              <text>Gutiérrez Arranz, José María.</text>
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              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 6: 85-102,   1996.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 06 (1996)</text>
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              <text>jules SAC 23 (44)</text>
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                <text>The Classical and Modern Concept of Auctoritas in Geoffrey Chaucer's The Canterbury Tales</text>
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                <text>Surveys classical concepts of authority and Chaucer's uses of classical authorities, arguing that although Chaucerian allusions reflect medieval continuity with Stoicism and Epicurianism, the poet uses classical authorities, especially Ovid, in unusual ways.</text>
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              <text>Gutiérrez Arranz, Jose M.</text>
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              <text>Bernardo Santano Moreno, Adrian R. Birtwhistle, and Luis G. Girón Echevarria, eds.  Papers from the VIIth International Conferenceo of SELIM (Caceres: Universidad de Extremadura, 1995), pp. 141-48.</text>
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        <element elementId="114">
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              <text>1995</text>
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              <text>Papers from the VIIth International Conference of SELIM.</text>
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              <text>Parliament of Fowls.</text>
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              <text>jules SAC 19 (1997) - 299</text>
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                <text>The Classical and Modern Concept of Nature in Geoffrey Chaucer's 'The Parliament of Fowls'</text>
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                <text>In PF, Chaucer's Nature fulfills a double role:  a divinity who presides over weddings (classical) and a mediatrix for the Christian diety (early modern).</text>
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              <text>Newman, John Kevin.</text>
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              <text>Madison: University of Wisconsin Press, 1986.</text>
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        <element elementId="114">
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            <elementText elementTextId="2785133">
              <text>x, 566 pp.</text>
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            <elementText elementTextId="2785135">
              <text>Knight and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Style and Versification</text>
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              <text>mea 1/18/2013 No SAC</text>
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                <text>The Classical Epic Tradition</text>
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                <text>Anatomizes the tradition of the classical epic in Western literature, from Homer to Tolstoy and Thomas Mann, tracing the "Alexandrian" mode that originated with Callimachus and his school and runs counter to the more strictly restrained tradition of "pseudo-Homer." Defines the "English tradition" of classical epic through analysis of Chaucer's KnT and Milton's "Paradise Lost" (pp. 339-98), exploring relations of these two epics to their Latin and Italian predecessors, gauging their "Alexandrian" experimentation and stylistic devices, and suggesting that "Celtic" or "British" complexity underlies their characteristic density of "corresponsive numerical balances."</text>
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  <item itemId="265463" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rudd, Niall.</text>
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        <element elementId="98">
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              <text>Toronto: University of Toronto Press, 1994.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1994</text>
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              <text>xii, 186 pp.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>House of Fame.</text>
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              <text>Legend of Good Women.</text>
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              <text>jules SAC 18 (1996) - 37</text>
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                <text>The Classical Tradition in Operation: Chaucer/Virgil, Shakespeare/Plautus, Pope/Horace, Tennyson/Lucretius, Pound/Propertius</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2734340">
                <text>Chaucer drew on two classical sources, Virgil's "Aeneid" and Ovid's "Heroides," to illustrate two themes.  In HF, complex characterizations of Venus, Aeneas, and Dido illustrate different meanings of Latin "fame"; in LGW, Dido's queenliness is emphasized to support the theme of female faithfulness.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Federico, Sylvia.</text>
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              <text>Woodbridge: York Medieval Press, 2016.</text>
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              <text>viii, 207 pp.; 7 b&amp;w illus.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Monk and His Tale&#13;
Man of Law and His Tale&#13;
Troilus and Criseyde</text>
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              <text>SAC 41:38</text>
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              <text>2016</text>
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                <text>The Classicist Writings of Thomas Walsingham: "Worldly Cares" at St. Albans Abbey in the Fourteenth Century.</text>
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                <text>Studies the works of Thomas Walsingham for their importance in the field of late fourteenth-century English "public classical literature," helping to define this field by focusing on nuances in Walsingham's treatments of political events in classicized terms, imagery, and allusions, compared with treatments by contemporaneous writers, especially Chaucer. Includes discussion of Chaucer's Monk and his tale as an ironic commentary on Walsingham, revisions of previously published discussions of MLT and TC in relation to Walsingham's writing, explorations of the political vocabularies of Anglo-Latin and vernacular writings of the time, and a description of differences between "classisizing" literature and humanism.</text>
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              <text>Bernardo, Aldo S., and Saul Levin, eds.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695433">
              <text>Binghamton, N.Y.: Center for Medieval and Renaissance Studies, 1990.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2695434">
              <text>1990</text>
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          <elementTextContainer>
            <elementText elementTextId="2695435">
              <text>vi, 425 pp.</text>
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        <element elementId="112">
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          <elementTextContainer>
            <elementText elementTextId="2695436">
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2695439">
              <text>Background and General Criticism.</text>
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            <name>Title</name>
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                <text>The Classics in the Middle Ages: Papers of the Twentieth Annual Conference of the Center for Medieval and Renaissance Studies</text>
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          <element elementId="41">
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              <elementText elementTextId="2695437">
                <text>Twenty-six essays on the impact of the classics on medieval art, history, philosophy, education, and literature.  Topics range widely from Coptic textiles to fourteenth-century England, from neo-Platonism to speculative grammar--all addressing the use and understanding of classical imagery tradition, or precedent in medieval thought.&#13;
For an essay that pertain to Chaucer, search for Classics in the Middle Ages under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kerby-Fulton, Kathryn.</text>
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        <element elementId="98">
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              <text>Philadelphia: University of Pennsylvania Press, 2021. &#13;
</text>
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            <elementText elementTextId="2848468">
              <text>xx, 388 pp.; 52 illus.</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2848469">
              <text>The Middle Ages.</text>
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          <elementTextContainer>
            <elementText elementTextId="2848470">
              <text>Background and General Criticism&#13;
General Prologue to the Canterbury Tales&#13;
Miller and His Tale&#13;
Wife of Bath and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2848471">
              <text>SAC 46:151</text>
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        <element elementId="114">
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          <elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2848464">
                <text>The Clerical Proletariat and the Resurgence of Medieval English Poetry.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2848465">
                <text>Demonstrates the importance and central role of the "clerical proletariat"--i.e., clerics who worked "in liminal spaces between the ecclesiastical and lay worlds"--in the proliferation of late medieval books and literature in English, with primary focus on works of William Langland, Thomas Hoccleve, John Audelay, their various precedents and legacies, and related genres and forms. Attention to Chaucer's work is generally limited to his "alertness" to issues of clerical employment in GP and characters such as Nicholas in MilT and Jankyn in WBP.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814145">
              <text>Briggs, Charles F.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814146">
              <text>Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 187-205.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2814147">
              <text>2014</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2814148">
              <text>Historians on Chaucer: The "General Prologue" to the "Canterbury Tales."</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2814150">
              <text>Clerk and His Tale</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2814151">
              <text>mea; 2/28/2017 SAC 38:144</text>
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                <text>The Clerk</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2814149">
                <text>Presents a variety of historical contexts for Chaucer's characterization of the Clerk, discussing medieval universities, manuscripts from fourteenth-century Oxford, and the role of clerks in medieval society. Includes appendices of "Manuscripts Associated with the Arts Curriculum at Oxford" and "John Cobbledik's Books."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2725683">
              <text>Middleton, Anne.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725684">
              <text>Studies in the Age of Chaucer 2 (1980): 121-50.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725685">
              <text>1980</text>
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        <element elementId="102">
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            <elementText elementTextId="2725687">
              <text>Clerk and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2725689">
              <text>Studies in the Age of Chaucer 02 (1980)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725690">
              <text>jules SAC 04 (88)</text>
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          <element elementId="50">
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              <elementText elementTextId="2725682">
                <text>The Clerk and His Tale: Some Literary Contexts</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2725686">
                <text>Examines medieval redactions of Boccaccio's Griselda story to suggest that Chaucer retells it in order to raise literary questions analogous to moral ones.  The Clerk combines Petrarch's affective purpose and high style with the exemplary force and plain style of the French version in an attempt to create a tale with the "best sentence and moost solace."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Walsh, Lora.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2844876">
              <text>Studies in the Age of Chaucer 43 (2021): 75–109.</text>
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            <elementText elementTextId="2844877">
              <text>Studies in the Age of Chaucer 43 (2021)</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844880">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2844873">
                <text>The Clerk as Secular Cleric and Griselda as Ecclesiological Type.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850930">
                <text>Interprets Griselda of ClT "as the late medieval English Church wedded to a secular power [Walter] that would radically dominate and divest her in the name of reform." Resists "domineering exegetical acts," using "literary and feminist biblical-analytical methods" instead, and situating the tale historically. Considers source material to address the tale's combination of emotional intensity and allegorical valence, and reads the Clerk as a "secular cleric" who "is not worldly enough to profit from the very arrangement he upholds between serviceable clerics and royal power."</text>
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              <description>A name given to the resource</description>
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          <elementTextContainer>
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              <text>Barber, M. M., ed.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <description/>
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            <elementText elementTextId="2849841">
              <text>London: Macmillan; New York: St. Martin's, 1956.</text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849842">
              <text>xxii, 93 pp.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849843">
              <text>Macmillan's English Classics.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849844">
              <text>Clerk and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 1/7/2025</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849846">
              <text>1956</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849838">
                <text>The Clerk of Oxford's Tale.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849839">
                <text>Item not seen. WorldCat records indicate this edition of ClT includes an introduction and notes by Marjorie M. Barber.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2798489">
              <text>Lenaghan, R. T.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2798490">
              <text>Larry D. Benson, ed. The Learned and the Lewed: Studies in Chaucer and Medieval Literature. Harvard English Studies, no. 5 (Cambridge Mass.: Harvard University Press, 1974), pp. 31-43.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2798491">
              <text>1974</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2798492">
              <text>Learned and the Lewed: Studies in Chaucer and Medieval Literature.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2798494">
              <text>Squire and His Tale</text>
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            <elementText elementTextId="2798495">
              <text>Franklin and His Tale</text>
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            <elementText elementTextId="2798496">
              <text>Knight and His Tale</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 3/26/2014 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2798488">
                <text>The Clerk of Venus: Chaucer and Medieval Romance</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2798493">
                <text>Argues that in SqT, FranT, KnT, and TC Chaucer used romance to reconcile his two responsibilities as a lay clerk: "to speak of morality and of the refinements of love."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2738936">
              <text>Grossi, Joseph L.,Jr.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738937">
              <text>Richard J. Utz, ed.  Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm (Lewiston, N.Y.; Queenston, Ont.; Lampeter, Wales: Edwin Mellen, 1995), pp. 147-78.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2738938">
              <text>1995</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2738939">
              <text>Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2738941">
              <text>Clerk and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="109">
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              <text>jules SAC 19 (1997) - 215</text>
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              <elementText elementTextId="2738935">
                <text>The Clerk vs. the Wife of Bath: Nominalism, Carnival, and Chaucer's Last Laugh</text>
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            <description>An account of the resource</description>
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                <text>Reads ClT as a realist's attack on nominalism, with Walter depicting an unfree diety, and Griselda, rampant fideism.  Chaucer moderates the Clerk's realism at the end of the Tale and in the Envoy.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2710399">
              <text>Swan, Marjorie E.</text>
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        <element elementId="98">
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            <elementText elementTextId="2710400">
              <text>English Studies in Canada 13 (1987): 136-46.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2710401">
              <text>1987</text>
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            <elementText elementTextId="2710403">
              <text>Clerk and His Tale.</text>
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            <elementText elementTextId="2710404">
              <text>English Studies in Canada 13 (1987).</text>
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        <element elementId="109">
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            <elementText elementTextId="2710405">
              <text>jules SAC 11 (185)</text>
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              <elementText elementTextId="2710398">
                <text>The Clerk's 'Gentil Tale' Heard Again</text>
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                <text>In telling his tale, the Clerk gradually abandons his allegorical refutation of the Wife's view of marriage by becoming more critical of Walter and more sympathetic to the human plight of Griselda, whom he comes to regard as an embodiment of natural "gentilesse."</text>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775033">
              <text>Hilmo, Maidie.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2775034">
              <text>Journal of the Early Book Society 10 (2007): 71-105.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775035">
              <text>2007</text>
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            <elementText elementTextId="2775037">
              <text>Facsimiles, Editions, and Translations.</text>
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              <text>Clerk and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2775039">
              <text>Journal of the Early Book Society 10 (2007)</text>
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        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2775040">
              <text>vxl SAC 31:21</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2775032">
                <text>The Clerk's 'Unscholarly Bow': Seeing and Reading Chaucer's Clerk from the Ellesmere MS to Caxton</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2775036">
                <text>Hilmo encourages the view that wood-cuts enhance text through visual rhetoric; specifically, Caxton's addition of a bow to Chaucer's Clerk in his edition of CT represents the Clerk as a moral satirist.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739404">
              <text>Van Dyke, Carolynn.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Studies In the Age of Chaucer 17 (1995): 45-66.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739406">
              <text>1995</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2739410">
              <text>Clerk and His Tale.</text>
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            <elementText elementTextId="2739411">
              <text>Franklin and His Tale.</text>
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            <elementText elementTextId="2739412">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739413">
              <text>Studies in the Age of Chaucer 17 (1995)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2739414">
              <text>jules SAC 19 (1997) - 221</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2739403">
                <text>The Clerk's and Franklin's Subjected Subjects</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2739407">
                <text>Griselda and Dorigen embody more coherent subjectivities than do their counterparts in analogous tales, although neither becomes a true agent in the outcome of her plot.</text>
              </elementText>
              <elementText elementTextId="2739408">
                <text>In his efforts to include women in the category "mankind," Chaucer intrudes the "heavily gendered subissues" of marital sovereignty and female chastity into plots that traditionally focus on obedience and gentilesse.</text>
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              <elementText elementTextId="2739409">
                <text>As a result, he "forcefully disrupts the semiotic order that subsumes individual agency under universal ideas."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2817954">
              <text>Hui-jeong, Seon.</text>
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        <element elementId="98">
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            <elementText elementTextId="2817955">
              <text>Medieval and Early Modern English Studies 22.2 (2014): 31-59.</text>
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          <elementTextContainer>
            <elementText elementTextId="2817956">
              <text>Medieval and Early Modern English Studies 22 (2014)</text>
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              <text>Clerk and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2817958">
              <text>SAC 39:15&#13;
mea; 2/26/20187</text>
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        <element elementId="114">
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            <elementText elementTextId="2817959">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2825044">
                <text>The Clerk's Ironic Storytelling in The Clerk's Tale.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825669">
                <text>Examines the irony and paradoxes of ClT, claiming that through the Tale, the Clerk "challenges an audience as Griselda's impassive patience challenges Walter." Views the Clerk as a "complicated figure of utter submissiveness and essential silence like Griselda."</text>
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          <elementTextContainer>
            <elementText elementTextId="2820274">
              <text>Winny, James, ed.</text>
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        <element elementId="98">
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              <text>Cambridge: Cambridge University Press, 1966.&#13;
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            <elementText elementTextId="2820276">
              <text>vii, 112 pp.; 1 b&amp;w illus.</text>
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              <text>Clerk and His Tale&#13;
Facsimiles, Editions, and Translations&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2820279">
              <text>1966</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2820272">
                <text>The Clerk's Prologue and Tale from The Canterbury Tales by Geoffrey Chaucer.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820273">
                <text>Presents ClPT in Middle English (based on Robinson's 1957 edition), with notes and glossary at the end of the text, along with an appendix (pp. 91-99) that offers lines 4.813-924 of ClT in facing-page juxtaposition with one of its source texts, "Le Livre Griseldis," in order to show "Chaucer translating and reshaping French prose into English rhymed verse." The Introduction (pp. 1-8) comments on the place of ClT in the CT, Chaucer's style, and his treatment of traditional material.</text>
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              <text>Long, Charles.</text>
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              <text>Wife of Bath and Her Tale.</text>
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                <text>The Clerk's Secret Shame: He is Jankyn</text>
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                <text>The Clerk of Oxford is Jankyn, the Wife of Bath's fifth husband, travelling incognito.</text>
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                <text>Read  in Middle English by Tom Burton.</text>
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              <text>Loganbill, Dean</text>
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              <text>William C. Johnson and Loren C. Gruber, eds. "New" Views on Chaucer: Essays in Generative Criticism (Denver: Society for New Language Study, 1973), pp. 29-34.</text>
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              <text>1973</text>
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              <text>New Views on Chaucer: Essays in Generative Criticism.</text>
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              <text>Man of Law  and His Tale</text>
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              <text>Sources, Analogues, and LIterary Relations</text>
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              <text>mea; 3/9/2015 No SAC</text>
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                <text>The Clerk's Tale and the Man of Law's Tale: Chaucer and Godot Waiting for Beckett</text>
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                <text>Locates examples of modernism and the "absurdist point of view" in ClT and MLT, suggesting points of comparison with Samuel Beckett's "Waiting for Godot."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wall, John.</text>
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              <text>Parergon 8 (1974): 12-19.</text>
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              <text>1974</text>
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              <text>Clerk and His Tale.</text>
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              <text>Parergon 08 (1974)</text>
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              <text>jules SAC 02 (152)</text>
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                <text>The Clerk's Tale as Parable</text>
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                <text>One should not apply a naturalistic test to ClT, which displays the traditional characteristics of the parable--an illustrative story directed to a single point.  The point here is that Griselda is true to God, which is a sufficient principle of life for all persons.</text>
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              <text>Chessell, Del.</text>
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              <text>Critical Review 29 (1989): 77-89.</text>
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              <text>1989</text>
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              <text>Critical Review 29 (1989).</text>
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              <text>jules SAC 13 (134)</text>
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                <text>The Clerk's Tale: For Better or Worse</text>
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                <text>Outrage at Walter's treatment of Griselda, seeing Griselda's story as a religious allegory of patience, even seeing it as a folk tale rewritten--such responses indicate that ClT is a poem "divided against itself."  One way to resolve these conflicts is to see the tale as the "center of the marriage group," illustrating the perilous nature of marriage and the vulnerability of the partners in it to pain and betrayal.</text>
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