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              <text>Elliott, Charles.</text>
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              <text>Notes and Queries 209 (1964): 167-70.</text>
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              <text>Notes and Queries 209 (1964)</text>
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              <text>Manuscripts and Textual Studies&#13;
Reeve and His Tale&#13;
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              <text>mea; 10/30/2019</text>
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                <text>"The Reeve's Prologue and Tale" in the Ellesmere and Hengwrt Manuscripts.</text>
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                <text>Compares and contrasts the uses of northern dialectical words and forms in the Ellesmere and Hengwrt manuscript versions of RvT, assessing J. R. R. Tolkien's evaluations of them (1934), and extending the discussion beyond northern forms to corroborate further the superiority of the Hengwrt.</text>
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              <text>Copland, M.</text>
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              <text>Medium Aevum 31 (1962): 14-32.</text>
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              <text>Medium Aevum 31 (1962)</text>
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              <text>Reeve and His Tale&#13;
Miller and His Tale&#13;
Style and Versification</text>
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              <text>mea; 4/22/21</text>
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                <text>"The Reeve's Tale": Harlotrie or Sermonyng?</text>
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                <text>Assesses the "aesthetic status" of RvT, gauging its "crude vulgarity" in relation to its "moral coherence" where social/sexual pretentions are punished commensurately. Argues that Malyne is "notably pathetic," that the parson is the "evil genius of the tale," and that assigning the tale to the puritanical Reeve is stylistically and thematically decorous. Comments on contrasts between RvT and MilT as well as the "quarrel" of the tellers.</text>
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              <text>Sutherland, Ronald, ed.</text>
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              <text>Oxford; Basil Blackwell, 1967; &#13;
Berkeley: University of California Press, 1968.</text>
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              <text>xxxix, 202 pp.</text>
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              <text>Romaunt of the Rose&#13;
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Sources, Analogues, and Literary Relations</text>
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                <text>"The Romaunt of the Rose" and "Le Roman de la Rose": A Parallel-Text Edition.</text>
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                <text>Facing-page edition of Rom (based on Thynne's edition) and its sources passage in the "Roman de la Rose," with the text of the latter drawn from various manuscripts that provide readings closest to Rom. Includes textual notes and an Introduction which explores the text of Rom, its three fragments, and the "construction" of this edition.</text>
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              <text>Copland, Murray.</text>
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              <text>Medium Aevum 35.1 (1966): 11-28.</text>
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              <text>Medium Aevum 35 (1966)</text>
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              <text>Shipman and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Friar and His Tale&#13;
Summoner and His Tale</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Compares ShT with Boccaccio's "Decameron" 8.1 and 8.2 in order to "see the two writers more minutely for what they are," arguing for Chaucer's "clear, almost measurable superiority" in matters of atmosphere, vitality, characterization, and moral subtlety. Also comments at length on Chaucer's other fabliaux, particularly MilT, RvT, FrT, and SumT.</text>
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                <text>"The Shipman's Tale": Chaucer and Boccaccio.</text>
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              <text>Burrow, John.</text>
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              <text>Chaucer Review 49.4 (2015): 499-511.</text>
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              <text>Chaucerian Apocrypha</text>
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              <text>SAC 39:236&#13;
mea; 3/1/2018</text>
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                <text>"The Tale of Beryn": An Appreciation.</text>
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            <description>An account of the resource</description>
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                <text>One scribe included the "Tale of Beryn" in his copy of CT. The Prologue presents Chaucer's pilgrims after they arrive at Canterbury, and the tale is appropriate to its teller, a merchant. Argues that the "Beryn" author was "an intelligent and attentive reader of Chaucer."</text>
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              <text>Fedewa, Kate L.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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              <text>[8 pp.]</text>
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              <text>The Open Access Companion to the Canterbury Tales.</text>
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              <text>Tale of Melibee</text>
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                <text>"The Tale of Melibee": Local Government, Power, Lordship, and Resources.</text>
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                <text>Approaches Mel as a mirror for princes, concerned with the power of lordship and the value and function of proverbs and didactic literature. Includes several classroom projects and questions for discussion.</text>
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              <text>Konagaya, Yataka.</text>
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              <text>Studies in English Literature 42 (1965): 13-18.</text>
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Chaucer's Life</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2824293">
              <text>mea; 1/22/2019</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2824294">
              <text>1965</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2824287">
                <text>"The Tale of Melibeus" and Chaucer.</text>
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              <elementText elementTextId="2824288">
                <text>Distinguishes between Chaucer the poet and Chaucer the pilgrim, and considers the "singularities" of Mel as clues to the "author's intention," reading the Tale as a self-aware "travesty" of Chaucer's relation with his wife, Philippa.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2817134">
              <text>Lerer, Seth.</text>
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              <text>Chaucer Review 49.4 (2015): 474-98.</text>
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            <elementText elementTextId="2817137">
              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817138">
              <text>SAC 39:63&#13;
mea; 2/21/2018</text>
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        <element elementId="114">
          <name>Date</name>
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          <element elementId="50">
            <name>Title</name>
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                <text>"The Tongue": Chaucer, Lydgate, Charles d'Orleans, and the Making of a Late Medieval Lyric.</text>
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                <text>The stanzas known as "The Tongue" in the Findern manuscript use source material from Lydgate's "Fall of Princes" and Chaucer's TC to create a coherent poem that is consistent with the manuscript's broader themes and is indebted to the literary legacy of Charles d'Orleans.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2852015">
              <text>Trudeau, Lawrence J., ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2852017">
              <text>Wife of Bath and Her Tale&#13;
Bibliographies, Reports, and Reference&#13;
Chaucer's Life</text>
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          <elementTextContainer>
            <elementText elementTextId="2852018">
              <text>mea; 11/17/2025</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2852019">
              <text>2005</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2852020">
              <text>Poetry Criticism. Volume 58 (Detroit: Gale, 2005), pp. 227-373. (Detroit: Gale, 2005), pp. 227-373.</text>
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        <element elementId="104">
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          <elementTextContainer>
            <elementText elementTextId="2852021">
              <text>Poetry Criticism, no. 58.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852013">
                <text>"The Wife of Bath's Prologue" and "Tale."</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852014">
                <text>Sketches the biography of Chaucer, and describes the place of WBPT in CT, summarizing its plot, major characters, major themes, and critical reception. Includes a selection of sixteen excerpts from previously printed critical studies (1970–2002), and a brief, annotated bibliography of suggestions for further study.</text>
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  <item itemId="276801" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
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            <elementText elementTextId="2846674">
              <text>Linney, Romulus.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2846675">
              <text>In Norman Bailey, Romulus Linney, and Dominick Cascio. Radio Classics (Minneapolis: Burgess, 1956), pp. 102-09.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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              <text>Radio Classics.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2846677">
              <text>Wife of Bath and Her Tale&#13;
Facsimiles, Editions, and Translations&#13;
Recordings and Films</text>
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        <element elementId="109">
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            <elementText elementTextId="2846678">
              <text>mea; 12/9/2023</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846679">
              <text>1956</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846672">
                <text>"The Wife of Bath's Tale: From the Canterbury Tales of Geoffrey Chaucer."</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846673">
                <text>Adaptation of WBT in archaized modern English prose as a script for presentation as a radio drama, with seven characters (King, Queen, The Young Knight, Old Woman, 1st Woman, 2nd Woman, and Wife of Bath as voice-over narrator). Duration: "Approximately 15 Minutes." Includes recurrent suggestions for laughter, background noises, and music; omits gentility speech.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2824337">
              <text>Miller, Robert P.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2824338">
              <text>ELH 32 (1965): 442-56.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2824339">
              <text>ELH 32 (1965)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2824340">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
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        <element elementId="109">
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            <elementText elementTextId="2824341">
              <text>mea; 1/23/2019</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2824342">
              <text>1965</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2824335">
                <text>"The Wife of Bath's Tale" and Mediaeval Exempla.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2824336">
                <text>Describes the "functional similarity" between medieval exempla of obedience and WBT and Gower's Tale of Florent, illustrating the similarity by discussing fair/foul transformation and inversion motifs in various exempla, and arguing that the three-stage pattern of conversion in them is inverted in the Wife's tale of the rapist knight whose "predicament" is a comic version of the "enforced celibacy of a young religious."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2847903">
              <text>Espie, Jeff.</text>
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              <text>Comparative Drama 55 (2021): 283-306.</text>
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            <elementText elementTextId="2847905">
              <text>Comparative Drama 55 (2021)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Manciple and His Tale&#13;
Language and Word Studies&#13;
Facsimiles, Editions, and Translations</text>
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          <description/>
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              <text>SAC 46:76</text>
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        <element elementId="114">
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              <text>2021</text>
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                <text>"The Winter's Tale": Decorum, Distinction, and Shakespeare's Chaucer.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2852101">
                <text>Suggests that Shakespeare's title, "The Winter's Tale," adapts a possessive form associated with Chaucerian narratives--the x's tale--" and identifies similarities between the play and ManT. Focuses on the works' attention to linguistic register--"linguistic distinctions between people of different types and stations"--and argues that Shakespeare asserts both "similarity to Chaucer" and "independence from him." Appends a coda on "lemman" and "ladies" in early printings of Chaucer.</text>
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            <elementText elementTextId="2852339">
              <text>Peden, Helen.</text>
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          <name>Published</name>
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            <elementText elementTextId="2852340">
              <text>P. J. M. Marks and Stephen Parkin, eds. The Book by Design: The Remarkable Story of the World's Greatest Invention (Chicago: University of Chicago Press, 2023), pp. 204-13; 10 color illus.</text>
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              <text>Marks, P. J. M., ed.&#13;
Parkin, Stephen, ed.</text>
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              <text>Book by Design: The Remarkable Story of the World's Greatest Invention.</text>
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              <text>Facsimiles, Editions, and Translations</text>
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        <element elementId="114">
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            <elementText elementTextId="2852345">
              <text>2023</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852337">
                <text>"The Works of Geoffrey Chaucer": William Morris's Ideal Book.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2852338">
                <text>Summarizes the development of Morris's Kelmscott Press and describes the achievement of his aesthetic ideals in the Kelmscott Chaucer.</text>
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              <text>Niebrzydowski, Sue.</text>
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2024</text>
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                <text>"Ther was som epistel hem bitwene": Love Letters and Love Lyrics in "Troilus and Criseyde," and "The Canterbury Tales."</text>
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                <text>Focuses on Troilus's love letters in TC, and on Absolon''sin MilT and Damyan's in MerT, reading them in light of courtly conventions and placing them "in dialogue with the impact of love missives as recorded in manuscripts that circulated in the households of the wealthy.": In Chaucer, such letters effect "no lasting relationship."</text>
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                <text>"There came a hart in at the chamber door": Medieval Deer as Pets.</text>
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                <text>Surveys historical and literary evidence that deer were kept as pets in the Middle Ages, including discussion of deer parks and Nature's garden in PF, which "Chaucer's audience would almost certainly have understood as a deer park."</text>
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              <text>Keller, Wolfram R.</text>
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              <text>In Jacomien Prins and Maude Vanhaelen, eds. Sing Aloud Harmonious Spheres: Renaissance Conceptions of Cosmic Harmony (New York: Routledge, 2017), pp. 80-98. </text>
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              <text>Sing Aloud Harmonious Spheres: Renaissance Conceptions of Cosmic Harmony.</text>
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Parliament of Fowls&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 42:203</text>
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                <text>"Therout com so gret a noyse": The Harmony of the Spheres and Chaucerian Poetics.</text>
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                <text>Notes that Chaucer "uses musical references and metaphors in his poetry in order to discuss the art of writing poetry itself," and argues that in HF--and even in PF--Chaucer advances a "poetics of noise." Summarizes the "reception of the Pythagorean-Platonic conceptions" of cosmic harmony in late medieval England, and suggests that, while attempting to reaffirm harmony in "Temple of Glass," John Lydgate failed to "suppress Chaucerian cacophony."</text>
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              <text>Stewart, James T. </text>
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              <text>Chaucer Review 53.3 (2018): 283-307.</text>
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              <text>mea; SAC 42:129</text>
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                <text>"They weren no thing ydel": Noblemen and Their Supporters in Chaucer's "Knights Tale."</text>
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                <text>Considers KnT alongside didactic texts of the period to clarify how chivalric loyalty controls and ties men together.</text>
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              <text>Ludwikowska, Joanna.</text>
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              <text>Early Modern Literary Studies 20, no. 1 (2018): 1-51. Open access journal at https://extra.shu.ac.uk/emls/journal/index.php/emls/index (accessed February 6, 2022).</text>
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              <text>Background and General Criticism&#13;
Clerk and His Tale&#13;
Physician and His Tale&#13;
Second Nun and Her Tale</text>
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              <text>mea; SAC 44:146</text>
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              <elementText elementTextId="2840892">
                <text>"They would not for a world transgresse the bounds of Civility": The "Otherness" of Early Modern Female Vices and Virtues Reassessed.</text>
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            <description>An account of the resource</description>
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                <text>Argues--with qualifications--that the Reformation did not have "any direct, significant influence on the changes in the discourse on female vices and virtues" in the early modern period. Focuses on social conditions, conduct literature, and fiction, using PhyT, SNT, ClT, and a range of other narratives as touchstones in describing the "prescription and practice" of female virtue and female vice "shared by pre-and post-Reformation social dialogue."</text>
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              <text>Adaptation 15 (2022): 7-21.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Recordings and Films&#13;
Facsimiles, Editions, and Translations&#13;
Man of Law and His Tale</text>
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                <text>Explores how the 2003 BBC adaptation of MLT and Patience Agbabi's "Telling Tales" (2004) "respond to the xenophobic and imperialist ideology of the original," challenging the relationship that MLT "posits between familial and national loyalties," reconfiguring "racial, familial, and religious identity," and confronting audiences with the importance of remembering as well as interrogating the past. Links the narratives with representations of Thomas Jefferson's "role as father and forebear" and Chaucer's as "father" of English poetry.</text>
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                <text>"Think of All the Differences!" Mixed Marriages in Transcultural Adaptations of Chaucer's "Man of Law's Tale."</text>
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              <text>Reedy, Elizabeth Katherine.</text>
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              <text>Dissertation Abstracts International 28.03 (19167): 1057A.</text>
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              <text>Dissertation Abstracts International 28 (19167)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 7/3/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819554">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2819547">
                <text>"This Litel Spot of Erthe": Time and "Trouthe" in Chaucer's "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Focuses on the tension in TC between the "two dimensions of human experience: the temporal and the eternal," examining the "paradoxical position" of humans as they seek to "discover and affirm" a stable and permanent world while existing as creatures who are "naturally temporal and frail."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2829349">
              <text>Grassnick, Ulrike.</text>
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        <element elementId="98">
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              <text>Simon Rosenberg and Sandra Simon, eds. Material Moments in Book Cultures: Essays in Honour of Gabriele Muller- Oberhauser (New York: Peter Lang, 2014), pp. 3–15.</text>
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            <elementText elementTextId="2829351">
              <text>Rosenberg, Simon, ed.&#13;
Smith, Sandra, ed. </text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2829352">
              <text>Material Moments in Book Cultures: Essays in Honour of Gabriele Muller- Oberhauser.</text>
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        <element elementId="102">
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              <text>Tale of Melibee&#13;
Tale of Sir Thopas&#13;
Nun's Priest and His Tale</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2829354">
              <text>SAC 41:249</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829355">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2830266">
                <text>"This litel tretys": Chaucer's Mirror for Princes "The Tale of Melibee."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830612">
                <text>Argues that as a mirror for princes Mel offers an "implicit critical view of Richard II," especially when read in the context of CT, which elsewhere provides a "complex analysis of advisers, advice, and the handling of counsel." Comments on the advice given in NPT as well as in Mel, and the contrast between literary parody in Th and "serious pragmatic literature" in Mel.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            <elementText elementTextId="2837252">
              <text>Mayrhofer, Sonja.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2837253">
              <text>Philological Quarterly 97 (2018): 515-29.</text>
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          <elementTextContainer>
            <elementText elementTextId="2837254">
              <text>Philological Quarterly 97 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Miller and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2837256">
              <text>SAC 43:153</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837257">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2837250">
                <text>"This sely jalous housbonde to bigyle": Reading and Performance in Chaucer's "The Miller's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2837251">
                <text>Links the characterizations of Nicholas and John in MilT to the genre fluidity of medieval literature and the interdependence of reading and performance. Focuses on Nicholas's "hyperliterate status," the "theatrical props of his learning implements," and his successful "performance of knowledge" in convincing John of an upcoming flood--perhaps an indication of Chaucer's awareness of the "power of bibliophiles." Considers John to be less foolish than often assumed.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2836636">
              <text>Caparrós, Marina Asián.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836637">
              <text>Sara Martin, David Owen, and Elisabet Pladevall-Ballester, eds. Persistence and Resistance in English Studies: New Research (Newcastle upon Tyne: Cambridge Scholars, 2018), pp. 109-18.</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2836638">
              <text>Martin, Sara, ed.&#13;
Owen, David, ed.&#13;
Pladevall-Ballester, Elisabet, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836639">
              <text>Persistence and Resistance in English Studies: New Research.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836640">
              <text>Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836641">
              <text>SAC 43:81</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836642">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2836634">
                <text>"This wol be doon at leyser parfitly": The Presence of Old Norse Substratum in "The Canterbury Tales."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2836635">
                <text>Exemplifies the "Scandinavian influence" on Middle English, offering morphological, syntactical, and lexical samples of this influence on CT.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="276950" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847911">
              <text>Greene, Darragh.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847912">
              <text>Comparative Drama 55 (2021): 166-84.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2847913">
              <text>Comparative Drama 55 (2021)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2847914">
              <text>Chaucer's Influence and Later Allusion&#13;
Friar and His Tale&#13;
Pardoner and His Tale</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847915">
              <text>SAC 46:77</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847916">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847909">
                <text>"Thou shalt knowen of oure Privetee / Moore than a maister of dyvynytee": Devils and Damnation in Chaucer's "Canterbury Tales" and Marlowe's "Doctor Faustus."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851965">
                <text>Argues "that Chaucer's treatment of devils, damnation, and hell" in CT "resonates" in "Doctor Faustus," focusing on the yeoman-devil and "the force and binding implications of illocutionary acts" in FrT, as well as on "interesting parallels" between the Pardoner and Faustus as "vain characters" who are "master rhetoricians" and "contemptuous of conventional morality." Contrasts Chaucer's and Marlowe's views of penitence--comic and tragic respectively.</text>
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  <item itemId="277519" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853640">
              <text>Wells, Marion A.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853641">
              <text>Marion A. Wells. Gender, Affect, and Emotion from Classical to Early Modern Literature: Afterlives of the Nightingale's Song (Cham: Palgrave Macmillan, 2023), pp. 145-94.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853642">
              <text>Gender, Affect, and Emotion from Classical to Early Modern Literature: Afterlives of the Nightingale's Song</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2853643">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2853644">
              <text>SAC 47:149</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853645">
              <text>2023</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2853638">
                <text>"Though me were looth": Translating Affect and the Maternal Body in Chaucer's "The Clerk's Tale."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2854085">
                <text>Argues that "Petrarch's Stoicization of Boccaccio's" story of Griselda "constucts an ideal of apatheia predicated on the forcible interruption of the . . . internal process of assent," and that Chaucer's re-vernacularization of the tale "uses the 'impurity' of translation . . . to smuggle in transgressive affects belonging to . . . forbidden 'wishes and feelings' . . . highlight[ing] the power of embodied maternity." Focuses on analogies between clothing and translation and on Griselda's swoon.</text>
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