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                  <text>Chaucer Bibliography Online</text>
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              <text>Lerer, Seth.</text>
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              <text>Chaucer Review 49.4 (2015): 474-98.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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mea; 2/21/2018</text>
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                <text>"The Tongue": Chaucer, Lydgate, Charles d'Orleans, and the Making of a Late Medieval Lyric.</text>
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                <text>The stanzas known as "The Tongue" in the Findern manuscript use source material from Lydgate's "Fall of Princes" and Chaucer's TC to create a coherent poem that is consistent with the manuscript's broader themes and is indebted to the literary legacy of Charles d'Orleans.</text>
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              <text>Trudeau, Lawrence J., ed.</text>
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              <text>Wife of Bath and Her Tale&#13;
Bibliographies, Reports, and Reference&#13;
Chaucer's Life</text>
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              <text>mea; 11/17/2025</text>
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              <text>2005</text>
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              <text>Poetry Criticism. Volume 58 (Detroit: Gale, 2005), pp. 227-373. (Detroit: Gale, 2005), pp. 227-373.</text>
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              <text>Poetry Criticism, no. 58.</text>
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                <text>"The Wife of Bath's Prologue" and "Tale."</text>
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                <text>Sketches the biography of Chaucer, and describes the place of WBPT in CT, summarizing its plot, major characters, major themes, and critical reception. Includes a selection of sixteen excerpts from previously printed critical studies (1970–2002), and a brief, annotated bibliography of suggestions for further study.</text>
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              <text>Linney, Romulus.</text>
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              <text>In Norman Bailey, Romulus Linney, and Dominick Cascio. Radio Classics (Minneapolis: Burgess, 1956), pp. 102-09.</text>
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              <text>Radio Classics.</text>
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              <text>Wife of Bath and Her Tale&#13;
Facsimiles, Editions, and Translations&#13;
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              <text>mea; 12/9/2023</text>
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              <text>1956</text>
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            <name>Title</name>
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                <text>"The Wife of Bath's Tale: From the Canterbury Tales of Geoffrey Chaucer."</text>
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                <text>Adaptation of WBT in archaized modern English prose as a script for presentation as a radio drama, with seven characters (King, Queen, The Young Knight, Old Woman, 1st Woman, 2nd Woman, and Wife of Bath as voice-over narrator). Duration: "Approximately 15 Minutes." Includes recurrent suggestions for laughter, background noises, and music; omits gentility speech.</text>
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              <text>Miller, Robert P.</text>
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              <text>ELH 32 (1965): 442-56.</text>
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              <text>Wife of Bath and Her Tale&#13;
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              <text>mea; 1/23/2019</text>
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              <text>1965</text>
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                <text>"The Wife of Bath's Tale" and Mediaeval Exempla.</text>
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                <text>Describes the "functional similarity" between medieval exempla of obedience and WBT and Gower's Tale of Florent, illustrating the similarity by discussing fair/foul transformation and inversion motifs in various exempla, and arguing that the three-stage pattern of conversion in them is inverted in the Wife's tale of the rapist knight whose "predicament" is a comic version of the "enforced celibacy of a young religious."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Espie, Jeff.</text>
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              <text>Comparative Drama 55 (2021): 283-306.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Manciple and His Tale&#13;
Language and Word Studies&#13;
Facsimiles, Editions, and Translations</text>
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                <text>"The Winter's Tale": Decorum, Distinction, and Shakespeare's Chaucer.</text>
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                <text>Suggests that Shakespeare's title, "The Winter's Tale," adapts a possessive form associated with Chaucerian narratives--the x's tale--" and identifies similarities between the play and ManT. Focuses on the works' attention to linguistic register--"linguistic distinctions between people of different types and stations"--and argues that Shakespeare asserts both "similarity to Chaucer" and "independence from him." Appends a coda on "lemman" and "ladies" in early printings of Chaucer.</text>
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              <text>Peden, Helen.</text>
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              <text>P. J. M. Marks and Stephen Parkin, eds. The Book by Design: The Remarkable Story of the World's Greatest Invention (Chicago: University of Chicago Press, 2023), pp. 204-13; 10 color illus.</text>
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              <text>Marks, P. J. M., ed.&#13;
Parkin, Stephen, ed.</text>
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              <text>Book by Design: The Remarkable Story of the World's Greatest Invention.</text>
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                <text>"The Works of Geoffrey Chaucer": William Morris's Ideal Book.</text>
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                <text>Summarizes the development of Morris's Kelmscott Press and describes the achievement of his aesthetic ideals in the Kelmscott Chaucer.</text>
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              <text>Niebrzydowski, Sue.</text>
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2024</text>
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                <text>"There came a hart in at the chamber door": Medieval Deer as Pets.</text>
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                <text>Surveys historical and literary evidence that deer were kept as pets in the Middle Ages, including discussion of deer parks and Nature's garden in PF, which "Chaucer's audience would almost certainly have understood as a deer park."</text>
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              <text>In Jacomien Prins and Maude Vanhaelen, eds. Sing Aloud Harmonious Spheres: Renaissance Conceptions of Cosmic Harmony (New York: Routledge, 2017), pp. 80-98. </text>
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              <text>Sing Aloud Harmonious Spheres: Renaissance Conceptions of Cosmic Harmony.</text>
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Parliament of Fowls&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>"Therout com so gret a noyse": The Harmony of the Spheres and Chaucerian Poetics.</text>
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                <text>Notes that Chaucer "uses musical references and metaphors in his poetry in order to discuss the art of writing poetry itself," and argues that in HF--and even in PF--Chaucer advances a "poetics of noise." Summarizes the "reception of the Pythagorean-Platonic conceptions" of cosmic harmony in late medieval England, and suggests that, while attempting to reaffirm harmony in "Temple of Glass," John Lydgate failed to "suppress Chaucerian cacophony."</text>
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              <text>Chaucer Review 53.3 (2018): 283-307.</text>
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                <text>"They weren no thing ydel": Noblemen and Their Supporters in Chaucer's "Knights Tale."</text>
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                <text>Considers KnT alongside didactic texts of the period to clarify how chivalric loyalty controls and ties men together.</text>
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              <text>Ludwikowska, Joanna.</text>
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              <text>Early Modern Literary Studies 20, no. 1 (2018): 1-51. Open access journal at https://extra.shu.ac.uk/emls/journal/index.php/emls/index (accessed February 6, 2022).</text>
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              <text>Background and General Criticism&#13;
Clerk and His Tale&#13;
Physician and His Tale&#13;
Second Nun and Her Tale</text>
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              <text>mea; SAC 44:146</text>
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              <elementText elementTextId="2840892">
                <text>"They would not for a world transgresse the bounds of Civility": The "Otherness" of Early Modern Female Vices and Virtues Reassessed.</text>
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            <description>An account of the resource</description>
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                <text>Argues--with qualifications--that the Reformation did not have "any direct, significant influence on the changes in the discourse on female vices and virtues" in the early modern period. Focuses on social conditions, conduct literature, and fiction, using PhyT, SNT, ClT, and a range of other narratives as touchstones in describing the "prescription and practice" of female virtue and female vice "shared by pre-and post-Reformation social dialogue."</text>
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              <text>Adaptation 15 (2022): 7-21.</text>
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              <text>Adaptation 15 (2022)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Recordings and Films&#13;
Facsimiles, Editions, and Translations&#13;
Man of Law and His Tale</text>
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              <text>O'Connell, Brendan.</text>
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                <text>Explores how the 2003 BBC adaptation of MLT and Patience Agbabi's "Telling Tales" (2004) "respond to the xenophobic and imperialist ideology of the original," challenging the relationship that MLT "posits between familial and national loyalties," reconfiguring "racial, familial, and religious identity," and confronting audiences with the importance of remembering as well as interrogating the past. Links the narratives with representations of Thomas Jefferson's "role as father and forebear" and Chaucer's as "father" of English poetry.</text>
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                <text>"Think of All the Differences!" Mixed Marriages in Transcultural Adaptations of Chaucer's "Man of Law's Tale."</text>
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              <text>Reedy, Elizabeth Katherine.</text>
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              <text>Dissertation Abstracts International 28.03 (19167): 1057A.</text>
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              <text>Dissertation Abstracts International 28 (19167)</text>
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              <text>Troilus and Criseyde</text>
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              <elementText elementTextId="2819547">
                <text>"This Litel Spot of Erthe": Time and "Trouthe" in Chaucer's "Troilus and Criseyde."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Focuses on the tension in TC between the "two dimensions of human experience: the temporal and the eternal," examining the "paradoxical position" of humans as they seek to "discover and affirm" a stable and permanent world while existing as creatures who are "naturally temporal and frail."</text>
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  <item itemId="274828" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2829349">
              <text>Grassnick, Ulrike.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2829350">
              <text>Simon Rosenberg and Sandra Simon, eds. Material Moments in Book Cultures: Essays in Honour of Gabriele Muller- Oberhauser (New York: Peter Lang, 2014), pp. 3–15.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2829351">
              <text>Rosenberg, Simon, ed.&#13;
Smith, Sandra, ed. </text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2829352">
              <text>Material Moments in Book Cultures: Essays in Honour of Gabriele Muller- Oberhauser.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Tale of Melibee&#13;
Tale of Sir Thopas&#13;
Nun's Priest and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829354">
              <text>SAC 41:249</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829355">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830266">
                <text>"This litel tretys": Chaucer's Mirror for Princes "The Tale of Melibee."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830612">
                <text>Argues that as a mirror for princes Mel offers an "implicit critical view of Richard II," especially when read in the context of CT, which elsewhere provides a "complex analysis of advisers, advice, and the handling of counsel." Comments on the advice given in NPT as well as in Mel, and the contrast between literary parody in Th and "serious pragmatic literature" in Mel.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2837252">
              <text>Mayrhofer, Sonja.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2837253">
              <text>Philological Quarterly 97 (2018): 515-29.</text>
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          </elementTextContainer>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2837254">
              <text>Philological Quarterly 97 (2018)</text>
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        <element elementId="102">
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            <elementText elementTextId="2837255">
              <text>Miller and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2837256">
              <text>SAC 43:153</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837257">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837250">
                <text>"This sely jalous housbonde to bigyle": Reading and Performance in Chaucer's "The Miller's Tale."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837251">
                <text>Links the characterizations of Nicholas and John in MilT to the genre fluidity of medieval literature and the interdependence of reading and performance. Focuses on Nicholas's "hyperliterate status," the "theatrical props of his learning implements," and his successful "performance of knowledge" in convincing John of an upcoming flood--perhaps an indication of Chaucer's awareness of the "power of bibliophiles." Considers John to be less foolish than often assumed.</text>
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  <item itemId="275569" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2836636">
              <text>Caparrós, Marina Asián.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836637">
              <text>Sara Martin, David Owen, and Elisabet Pladevall-Ballester, eds. Persistence and Resistance in English Studies: New Research (Newcastle upon Tyne: Cambridge Scholars, 2018), pp. 109-18.</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2836638">
              <text>Martin, Sara, ed.&#13;
Owen, David, ed.&#13;
Pladevall-Ballester, Elisabet, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2836639">
              <text>Persistence and Resistance in English Studies: New Research.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2836640">
              <text>Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836641">
              <text>SAC 43:81</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836642">
              <text>2018</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2836634">
                <text>"This wol be doon at leyser parfitly": The Presence of Old Norse Substratum in "The Canterbury Tales."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2836635">
                <text>Exemplifies the "Scandinavian influence" on Middle English, offering morphological, syntactical, and lexical samples of this influence on CT.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="276950" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847911">
              <text>Greene, Darragh.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2847912">
              <text>Comparative Drama 55 (2021): 166-84.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2847913">
              <text>Comparative Drama 55 (2021)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2847914">
              <text>Chaucer's Influence and Later Allusion&#13;
Friar and His Tale&#13;
Pardoner and His Tale</text>
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        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2847915">
              <text>SAC 46:77</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847916">
              <text>2021</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847909">
                <text>"Thou shalt knowen of oure Privetee / Moore than a maister of dyvynytee": Devils and Damnation in Chaucer's "Canterbury Tales" and Marlowe's "Doctor Faustus."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851965">
                <text>Argues "that Chaucer's treatment of devils, damnation, and hell" in CT "resonates" in "Doctor Faustus," focusing on the yeoman-devil and "the force and binding implications of illocutionary acts" in FrT, as well as on "interesting parallels" between the Pardoner and Faustus as "vain characters" who are "master rhetoricians" and "contemptuous of conventional morality." Contrasts Chaucer's and Marlowe's views of penitence--comic and tragic respectively.</text>
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  <item itemId="277519" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853640">
              <text>Wells, Marion A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853641">
              <text>Marion A. Wells. Gender, Affect, and Emotion from Classical to Early Modern Literature: Afterlives of the Nightingale's Song (Cham: Palgrave Macmillan, 2023), pp. 145-94.</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853642">
              <text>Gender, Affect, and Emotion from Classical to Early Modern Literature: Afterlives of the Nightingale's Song</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2853643">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853644">
              <text>SAC 47:149</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853645">
              <text>2023</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853638">
                <text>"Though me were looth": Translating Affect and the Maternal Body in Chaucer's "The Clerk's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854085">
                <text>Argues that "Petrarch's Stoicization of Boccaccio's" story of Griselda "constucts an ideal of apatheia predicated on the forcible interruption of the . . . internal process of assent," and that Chaucer's re-vernacularization of the tale "uses the 'impurity' of translation . . . to smuggle in transgressive affects belonging to . . . forbidden 'wishes and feelings' . . . highlight[ing] the power of embodied maternity." Focuses on analogies between clothing and translation and on Griselda's swoon.</text>
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  </item>
  <item itemId="274160" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822860">
              <text>Perry, Ryan.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822861">
              <text>Speculum 86 (2011): 419-54.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822862">
              <text>Speculum 86 (2011)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2822863">
              <text>Miller and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2822864">
              <text>SAC 40:215</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822865">
              <text>2011</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822858">
                <text>"Thynk on God, as we doon, men that swynke": The Cultural Locations of "Meditations on the Supper of Our Lord" and the Middle English Pseudo-Bonaventuran Tradition.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822859">
                <text>Describes the cultural landscape that underlies John's exhortation to Nicholas in MilT to "Awak, and thenk on Cristes passioun!" (1.3478 ff.), showing that John's extended and naïve address resonates with the "affective piety" encouraged in the Pseudo-Bonaventuran tradition rooted in the Latin "Meditationes vitae Christi." Chaucer pokes fun at his working-class carpenter, associating him with emotion-ridden "meditative modes" that had recently become popular among lay ("lewed") audiences in Chaucer's day, as is detailed here at length.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Notes and Queries 206 (1961): 246.</text>
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              <text>House of Fame&#13;
Language and Word Studies&#13;
Romaunt of the Rose</text>
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              <text>mea; 9/10/21</text>
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                <text>"Tidings" in the "Hous of Fame."</text>
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                <text>Offers evidence from Rom that "tidings" in HF means "tales" rather than "news."</text>
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              <text>Bertonèche, Caroline. Trans. Jonathan Fruoco. </text>
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Chaucerian Apocrypha</text>
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                <text>"Tis More Ancient Than Chaucer Himself": Keats and Romantic Polyphony.</text>
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                <text>Argues that the polyphonies of John Keats's poetry (as identified by Helen Vendler) are attributable to his engagements with Chaucer's works and Chaucerian apocrypha, reflecting a particular kind of "Englishness," underpinned by travel and encounters with French and Italian literatures.</text>
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              <text>Park, Hwanhee.</text>
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              <text>Comitatus 46 (2015): 99–116.</text>
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              <text>Prioress and Her Tale</text>
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2/29/2018</text>
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                <text>"To ben holden digne of reverence": The Tale-Telling Tactics of Chaucer's Prioress.</text>
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                <text>Invokes the medieval ideal (exemplified by "Ancrene Wisse") of establishing self-identity and authority by memorizing and performing texts. The Prioress does this by "over-identifying" with the clergeon. Briefly considering the anti-Semitism of the tale, argues that it may be read in the context of hagiographical tradition, where all "pagans" are usually denounced.</text>
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              <text>Ponce, Timothy.</text>
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        <element elementId="98">
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              <text>Sigma Tau Delta Review 13 (2016): 25-31.</text>
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              <text>Sigma Tau Delta Review 13 (2016)</text>
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              <text>Physician and His Tale</text>
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        <element elementId="109">
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              <elementText elementTextId="2830010">
                <text>"To hange upon a tree": A Didactic Catharsis of Crucifixion through Moral Subversion in Chaucer's "Physician's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830620">
                <text>Traces the Jewish and Christian understandings of crucifixion, arguing that the image underlies the "didactic nature" of PhyT where "repeated images of injustice" are "placed in dialogue with the symbolism of the cross," reminding the reader of "divine grace."</text>
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              <text>Leahy, Michael.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International C74.10 (2015): n.p.</text>
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              <text>Dissertation Abstracts International 74 (2015)</text>
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mea; 2/25/2018</text>
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        <element elementId="114">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2817585">
                <text>Considers the addition of medical terminology to the lexicons of medieval laypeople, with particular regard to its use in metaphor. Authors under consideration include Chaucer, Henryson, Rolle, and Kempe.</text>
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                <text>"To speke of phisik": Medical Discourse in Late Medieval English Culture.</text>
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              <text>Carson, Mother Angela, O.S.U.</text>
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        <element elementId="98">
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              <text>American Notes and Queries 6.09 (1968): 135-36.</text>
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              <text>American Notes and Queries 06 (1968)</text>
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              <text>Troilus and Criseyde&#13;
</text>
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              <text>mea; 09/02/1968. No SAC</text>
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          <element elementId="50">
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              <elementText elementTextId="2815587">
                <text>"To Synge a Fool a Masse."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2815588">
                <text>Explains Criseyde's comment about Troilus in TC 3.88 in light of the Feast of Fools, suggesting that it means she considers him neither a fool nor "too bold or irreverent."</text>
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