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              <text>Pichaske, David Richard.</text>
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              <text>Ph.D. Dissertation. Ohio University, 1968. Dissertation Abstracts International 30 (1970): 3953A.</text>
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              <text>Nun's Priest and His Tale</text>
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                <text>The Reynardian Tradition in Medieval and Renaissance English Literature.</text>
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                <text>Distinguishes between "the Aesopic and the Reynardian" fable traditions, their uses in the sermon tradition, and their impact on various medieval and Renaissance English literary works, including NPT.</text>
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              <text>Adams, George R.</text>
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              <text>English Notes 3 (Spring 1969): 3-14.</text>
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              <text>Canon's Yeoman and His Tale</text>
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                <text>The Canon's Yeoman: Alchemist, Confidence Man, Artist.</text>
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            <description>An account of the resource</description>
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                <text>Item not seen. Listed in Lorrayne Y. Baird, A Bibliography of Chaucer, 1964-1973 (Boston: G. K. Hall, 1977): item 1252.</text>
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              <text>Reiss, Edmund.</text>
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              <text>Medievalia et Humanistica 1 (1970): 161-74.</text>
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              <text>Caanterbury Tales--General&#13;
Book of the Duchess&#13;
Style and Versification</text>
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                <text>Number Symbolism and Medieval Literature.</text>
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                <text>Includes brief comments (pp. 168-69) on Chaucer's use of the number 29 in GP and ParsP, and, in BD, on the use of 8 (Octovyen) and references to Argus (the "Arab mathematician Al-Kwārizm") and number symbolism.</text>
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              <text>Whitebook, Budd Bergovoy.</text>
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              <text>Ph.D. Dissertation. Yale University, 1971. Dissertation Abstracts International 32.06 (1971). Full-text available from ProQuest Dissertations and Theses Global; accessed September 14, 2023.</text>
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              <text>Knight and His Tale&#13;
Troilus and Criseyde</text>
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                <text>Individuals: Eccentricity and Inwardness in English and French Romance, 1170-1400.</text>
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                <text>Distinguishes two kinds of medieval romance hero: those who "are defined by institutional virtues" and those defined by "personal attributes and experiences." Treats characters from various romances, examining Palamon, Arcite, and Theseus of KnT in light of the first criterion, and arguing that Troilus reflects the "new possibilities" of the second, even though in TC Chaucer abandons "two restricting elements" of romance: the "importance of adventure" and the "narrator's detachment from the hero."</text>
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              <text>Li, Chi-fang Sophia.</text>
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              <text>Ph.D. Dissertation. University of Warwick, 2008. Abstract accessible at http://wrap.warwick.ac.uk/1091/; accessed September 20, 2023.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale</text>
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              <text>mea; 9/20/2023</text>
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                <text>Thomas Dekker and Chaucerian Re-imaginings.</text>
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                <text>"This study aims to offer a new literary biography of Thomas Dekker (c. 1572-1632) and demonstrates the ways in which he refashions his principal source, Geoffrey Chaucer." Includes attention to Dekker's uses of ClT, WBT, and ideas of "game" and "play" derived from CT.</text>
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              <text>Miller, Ralph N.</text>
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              <text>Studies in Medieval Culture 7.2 (1964): 65-68.</text>
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Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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              <text>mea; 9/13/2023</text>
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                <text>Explores why Chaucer alludes to the "story of Procne and Philomena" at the awakening of Pandarus in Book 2 of TC even though he does not cite the tale when the "nightingale sings to Criseyde" later in the Book, commenting on readers' expectations and on possibly analogous references to nightingales and swallows in Boccaccio's Filostrato, Dante's Commendia, and bestiaries. Suggests several ways of reading Chaucer's bird allusions (and lack thereof) in TC, and closes with a coda on the preponderance of Chaucer's generally commonplace or realistic uses of flora and fauna.</text>
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              <text>Schelp, Hanspeter.</text>
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              <text>Germanisch-Romanische Monatsschrift, New Series, 15 (1965): 251-61.</text>
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Sources, Analogues, and Literary Relations</text>
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              <text>1965</text>
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                <text>Die Tradition der "Alba" und die Morgenszene in Chaucer's "Troilus and Criseyde" III, 1415ff.</text>
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            <elementTextContainer>
              <elementText elementTextId="2843087">
                <text>Assesses the morning-scene in TC 3.1415ff. in light of source-and analogue materials in Ovid's "Amores," Boccaccio's "Filostrato," and elsewhere, arguing that Chaucer combines elements from various genres and forms ingeniously to produce something unique and timeless.</text>
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              <text>LaGuardia, Eric.</text>
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              <text>François Jost, ed. Actes du IVe Congrès de l'Association Internationale de Littérature Comparée, Fribourg 1964 (The Hague: Mouton, 1966), II: 844-54.</text>
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              <text>Jost, François, ed</text>
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General Prologue to the Canterbury Tales&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; 9/13/2023</text>
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                <text>Figural Imitation in English Renaissance Poetry.</text>
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              <elementText elementTextId="2843078">
                <text>Distinguishes between medieval and Renaissance versions of poetic "figural imitation." In the former, identified by Erich Auerbach, the "poetic image participates in two modes of reality at the same time: historical and absolute": in the latter, it participates in the world of nature and an ideal. Draws contrasting examples from Dante and from English Renaissance writers, with a brief commentary on GP, the Wife of Bath, and the pilgrimage as examples of the transition from medieval to Renaissance, particularly in relations between the "authority of experience and the authority of tradition."</text>
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              <text>Bight, J. C.&#13;
Birch, P. M.</text>
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              <text>Sydney: Brooks, 1967.</text>
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              <text>48 pp.; illus.</text>
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              <text>Australian High School English</text>
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              <text>Essell, illus.</text>
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              <text>mea; 9/13/2023</text>
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            <elementText elementTextId="2843076">
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                <text>Four essays on Chaucer.</text>
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                <text>Item not seen. A WorldCat record indicates that the four essays, addressed to high school students, consider CT under the following titles: "Chaucer, Society and the General Prologue," "Chaucer and Medieval Thought," "Chaucer and Medieval Tradition," and "Chaucer and His Pilgrims." Illustrated by "Essell."</text>
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              <text>Rodax, Yvonne</text>
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              <text>Chapel Hill: University of North Carolina Press, 1968.</text>
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Style and Versification&#13;
Prioress and Her Tale&#13;
Nun's Priest and His Tale</text>
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        <element elementId="109">
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              <text>mea; 9/13/2023</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2843066">
              <text>1968</text>
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              <elementText elementTextId="2843059">
                <text>The Real and the Ideal in the Novella of Italy, France and England: Four Centuries of Change in the Boccaccian Tale.</text>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2852085">
                <text>Includes (pp. 8-28) impressionistic appreciation of CT for its fusions of realism and idealism in poetic narrative, discussing it as a prelude to assessment of the Boccaccian tradition of novella writing. Treats PrT and NPT as the two best of the tales, with the others failing to quite meet their standard in one way or another--especially the prose tales for their lack of style. The GP bursts with life, but lacks a "rich and mysterious vein which shines intermittently throughout the tales." Generally, CT benefits from a "double vision which reveals things not only as they are but as they ought to be; Chaucer is a "true poet, modestly making light of the celestial afflatus for the most part, but allowing it to flow into musical and pictorial patterns."</text>
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              <text>White, Beatrice.</text>
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              <text>In F. R. H. Du Boulay and Caroline M. Barron, eds. The Reign of Richard II: Essays in Honour of May McKisack (London: Athlone, 1971), pp. 58-74.</text>
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              <text>Du Boulay, F. R. H., ed.&#13;
Barron, Caroline M., ed.</text>
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            <elementText elementTextId="2843055">
              <text>The Reign of Richard II: Essays in Honour of May McKisack</text>
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            <elementText elementTextId="2843056">
              <text>Background and General Criticism&#13;
General Prologue to the Canterbury Tales&#13;
Canterbury Tales--General</text>
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              <text>mea; 8/7/2023</text>
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            <elementText elementTextId="2843058">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2843050">
                <text>Poet and Peasant.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2843051">
                <text>Surveys a wide range of representations of peasants and links with poverty in medieval poetry, with particular emphasis on works by Langland, Chaucer, and Gower, as well as a number of their near-contemporaries. Contrasts Langland's Piers with Chaucer's Plowman as "spiritual experience" and "correct rhetorical exercise, too good to be true," respectively, and comments on peasantry and poverty in NPT, FrT, ClT, MLP, and WBT.</text>
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              <text>Eliason, Norman E.</text>
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            <elementText elementTextId="2843044">
              <text>In O. B. Hardison, Jr., ed. Medieval and Renaissance Studies: Proceedings of the Southeastern Institute of Medieval and Renaissance Studies, Summer, 1969 (Chapel Hill: University of North Caroline Press, 1971), pp. 103-21</text>
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              <text>Hardinson, O. B., Jr., ed.</text>
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          <elementTextContainer>
            <elementText elementTextId="2843046">
              <text>Medieval and Renaissance Studies: Proceedings of the Southeastern Institute of Medieval and Renaissance Studies, Summer, 1969</text>
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              <text>Style and Versification&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; 8/7/2023</text>
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            <elementText elementTextId="2843049">
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              <elementText elementTextId="2843041">
                <text>Chaucer's Fifteenth-Century Successors.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2843042">
                <text>Explores the emphases and nuances of early critical praise and imitation of Chaucer's poetry among writers such as John Lydgate, Stephen Hawes, the author of "The Book of Curtysye," and others. Focuses on their assessments of the "craftsmanship" of Chaucer's rhetoric, diction, and meter (including discussion of final "-e"), and their failure to match successfully the "aptness, conciseness, freshness, and polish" of his poetry.</text>
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              <text>Ortego, Philip Darraugh.</text>
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          <elementTextContainer>
            <elementText elementTextId="2843028">
              <text>Bulletin of Bibliography and Magazine Notes 27 (1970): 72-76.</text>
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            <elementText elementTextId="2843029">
              <text>Bulletin of Bibliography and Magazine Notes 27 (1970)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Bibliographies, Reports, and Reference</text>
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          <elementTextContainer>
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              <text>1970</text>
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                <text>A Bibliography of Chaucer's French Sources.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2843026">
                <text>A topical, alphabetical listing of critical studies that pertain to Chaucer's French sources, compiled from previous bibliographies, with brief annotations added. The one-page introduction comments on the status of France and French in Chaucer's age.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2843019">
              <text>Reilly, Robert.</text>
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        <element elementId="98">
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              <text>University of Portland Review 20.3 [for 21.1] (1969): 23-36.</text>
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            <elementText elementTextId="2843021">
              <text>University of Portland Review 20 (1969)&#13;
University of Portland Review 21 (1969)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde&#13;
Backrgound and General Criticism</text>
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              <text>mea; 8/7/2023</text>
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            <elementText elementTextId="2843024">
              <text>1969</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2843017">
                <text>The Narrator and His Audience: A Study of Chaucer's Troilus.</text>
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          <element elementId="41">
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              <elementText elementTextId="2843018">
                <text>Considers love in TC in light of medieval understandings of "caritas" and "cupiditas," identifying several specifically Christian details in the poem, and assessing tensions between its Christianity and the "religion" of courtly love. Argues that the Narrator "accentuates tensions between the two religions," setting himself up as "sort of anti-pope," but unable to detach himself emotionally from his protagonists. In the end, Chaucer speaks in "propria persona" resolving the tensions produced by the Narrator's ambiguities.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cook, James W.</text>
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              <text>American Notes and Queries 7 (1968): 53-54.</text>
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            <elementText elementTextId="2843013">
              <text>American Notes and Queries 07 (1968)</text>
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            <elementText elementTextId="2843014">
              <text>Nun's Priest and His Tale&#13;
Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 8/7/2023</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2843016">
              <text>1968</text>
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              <elementText elementTextId="2843009">
                <text>The Nun's Priest and the Hebrew Pointer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2843010">
                <text>Surmises that, as a satiric response to the anti-Semitism of PrT, NPT may reflect Chaucer's possible knowledge of a twelfth-century "Anglo-Jewish collection of 107 animal fables," the "Mishle Shu' alim," generally attributed to Berechiah Ben Natron ai Krespin Ha-Nakdan, "also called Benedict le Puncteur of Oxford."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Coles, E. R.</text>
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        <element elementId="98">
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            <elementText elementTextId="2843004">
              <text>University of Portland Review 20.2 (1968): 35-41.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2843005">
              <text>University of Portland Review 20 (1968)</text>
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            <elementText elementTextId="2843006">
              <text>Chaucer's Retraction&#13;
Parson and His Tale</text>
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        <element elementId="109">
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              <text>mea; 8/7/2023</text>
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            <elementText elementTextId="2843008">
              <text>1968</text>
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              <elementText elementTextId="2843001">
                <text>Chaucer's Retraction and the Parson.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2843002">
                <text>Comments on ParsT as a "literary embodiment of the attitude" the Parson expressed in the GP "as well as the attitude Chaucer reveals" in Ret, suggesting that "the Chaucer of the Retraction is also the Parson of the Tales, by means of whom he satisfies both his artistic and literary consciences."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2842994">
              <text>Donaldson, E. Talbot.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2842995">
              <text>In Speaking of Chaucer (London: Athlone, 1970), pp. 102-18. Published originally in Ilva Cellini and Giorgio Melchiori, eds. Lectures and Papers Read at the Sixth Conference of the International Association of University Professors of English Held at Venice, August 1965 (Rome: Edizioni di Storia e Letteratura, 1966).</text>
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          <elementTextContainer>
            <elementText elementTextId="2842996">
              <text> Lectures and Papers Read at the Sixth Conference of the International Association of University Professors of English Held at Venice, August 1965</text>
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        <element elementId="112">
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          <elementTextContainer>
            <elementText elementTextId="2842997">
              <text>Cellini, Ilva, ed.&#13;
Melchiori, Giorgio, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2842998">
              <text>Mansuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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            <elementText elementTextId="2842999">
              <text>mea; 8/7/2022</text>
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            <elementText elementTextId="2843000">
              <text>1966&#13;
1970</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842992">
                <text>The Psychology of Editors of Middle English Texts.</text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842993">
                <text>Describes illusions of objectivity in recension, the genetic method of textual editing, cleverly though earnestly articulating that subjectivity--or "common sense"--is needed in the process of editing. Challenges the principle of grouping manuscript by shared error only and asserts that coincidence of error can and does occur. Denies the notion of a perfect original text and undermines the use and understanding of the label "authoritative" for individual manuscripts. Draws examples from editions of Chaucer (including Donaldson's own) and comments on the strengths and weaknesses of Manly and Rickert's "The Text of the Canterbury Tales" (1940).</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2842981">
              <text>Harrington, David V.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2842982">
              <text>Discourse: A Review of the Liberal Arts 8 (1965): 80-89.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2842983">
              <text>Discourse: A Review of the Liberal Arts 08 (1965)</text>
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            <elementText elementTextId="2842984">
              <text>Nun's Priest and His Tale</text>
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              <text>mea; 8/7/2023</text>
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            <elementText elementTextId="2842986">
              <text>1965</text>
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              <elementText elementTextId="2842979">
                <text>The Undramatic Character of Chaucer's Nun's Priest.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842980">
                <text>Argues that the satire in NPT is "better interpreted as general satire of Chaucer's age" than attributed to the character of the Nun's Priest. So-called "dramatic" readings of the tale falter because, for example, its "gentle satire of courtliness is not generally appropriate for a cleric," and "ridicule of pedantry . . . has little dramatic bearing on other actors" in CT. Because the Nun's Priest is something of a "nonentity," the art of NPT is better attributed to Chaucer than to its teller.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2842973">
              <text>Grennen, Joseph E.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2842974">
              <text>Classica et Mediaevalia 26 (1965): 306-33.</text>
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          <elementTextContainer>
            <elementText elementTextId="2842975">
              <text>Classica et Mediaevalia 26 (1965)</text>
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        <element elementId="102">
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            <elementText elementTextId="2842976">
              <text>Canon's Yeoman and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 8/7/2023</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842978">
              <text>1965</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2842971">
                <text>Chaucer and the Commonplaces of Alchemy.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842972">
                <text>Shows that "clichés of thought and expression" abound in medieval alchemical treatises, and explains how Chaucer's uses of these "topoi" or commonplaces "contribute to the meaning" of CYPT. Tabulates commonplaces of alchemical behavior, preparation, and procedure and describes how they function, respectively, in CYP and in the first and second sections of Prima Pars in CYT. Suggests that evidence "works against the ascription of a single source" for CYPT.</text>
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              <text>Donaldson, E. Talbot</text>
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              <text>Ventures: Magazine of the Yale Graduate School 5 (1965): 16-23. Reprinted in "Speaking of Chaucer," pp. 154-63.</text>
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              <text>Ventures: Magazine of the Yale Graduate School 05 (1965)</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Miller and His Tale</text>
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              <text>mea; 8/7/2023</text>
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              <text>1965&#13;
1970</text>
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              <elementText elementTextId="2842963">
                <text>The Myth of Courtly Love.</text>
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                <text>Challenges the idea that adultery in inherent to courtly love and attributes the notion to critics' failure to recognize the humor of Andrea Capellanus. Cites various examples of courtly love in medieval literature, and includes comments on Absolon as lover in MilT and the love in TC.</text>
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              <text>Bateson, F. W.</text>
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              <text>New York: Anchor, 1965.</text>
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              <text>[xiii], 259 pp.</text>
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Style and Versification&#13;
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            <elementText elementTextId="2842962">
              <text>1965</text>
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                <text>A Guide to English Literature.</text>
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                <text>Briskly surveys English literature and studies of it from the Middle English period to 1960, providing introductions to individual historical periods and lists of editions and criticism for individual authors and topics. Chaucer figures largely in "The Approach to Medieval Literature" (pp. 12-30) as a precursor to a standard of "correctness" in literary and linguistic matters (including prosody) and as a poet who capitalizes on oral recitation in his fabrications of a "pseudo-audience," "pseudo-narrators," and "pseudo-sources." Also comments on Chaucer's works as reflections of the impact of the Black Death, the collapse of villeinage, and themes of love and plenitude. A brief reading list (pp. 40-42) is highly selective and opinionated.</text>
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            <elementText elementTextId="2842949">
              <text>Bartel, Neva A.</text>
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        <element elementId="98">
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              <text>Ball State Teachers College Forum 6.3 (1965): 45-50.</text>
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Ball State University Forum 06 (1965)</text>
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              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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              <text>mea; 8/7/2023</text>
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            <elementText elementTextId="2842954">
              <text>1965</text>
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                <text>Child  of Night.</text>
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              <elementText elementTextId="2842948">
                <text>Comments on amplification as a factor in the "powerful dramatic force" of TC and explores, book by book, the poem's themes of "sight and blindness, the words 'bind' and 'bridle'," references to "sea and ships as opposed to references to fishing," and "references to the bells," disclosing "how Criseyde represents . . . carnal appetites and Troilus, spiritual appetites."</text>
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              <text>Siddiqui, M. Naimudden.</text>
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        <element elementId="98">
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              <text>Osmania Journal of English Studies [4], Shakespeare Memorial Number (1964): 105-14.</text>
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              <text>Osmania Journal of English Studies 04 (1964)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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              <text>mea; 8/7/2023</text>
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            <elementText elementTextId="2842946">
              <text>1964</text>
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              <elementText elementTextId="2842939">
                <text>"Troilus and Cressida"--Treatment of Theme by Chaucer and Shakespeare.</text>
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                <text>Argues that in "Troilus and Cressida" Shakespeare "does not seem to have used" TC "as his main or direct source," adducing differences in theme, plot, and characterization.</text>
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  <item itemId="276339" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Marken, Ronald.</text>
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        <element elementId="98">
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              <text>Discourse: A Review of the Liberal Arts 7 (1964): 381-87.</text>
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              <text>Discourse: A Review of the Liberal Arts 07 (1964)</text>
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              <text>Chaucer's Influence&#13;
Troilus and Criseyde</text>
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              <text>mea; 8/7/2023</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2842938">
              <text>1964</text>
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              <elementText elementTextId="2842931">
                <text>Chaucer and Henryson: A Comparison.</text>
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            <elementTextContainer>
              <elementText elementTextId="2842932">
                <text>Treats Henryson's "Testament of Cresseid" as a sequel to TC, examining how its attitude and tone differ from Chaucer's work, largely as a result of differing styles, techniques, opinions, and points of view. Henryson's style and tone are harsher, and he is more critical of humanity, especially Criseyde and "womankind."</text>
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  <item itemId="276338" public="1" featured="0">
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            <elementText elementTextId="2842925">
              <text>Brown, Peter.</text>
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        <element elementId="98">
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              <text>Peter Brown, ed. A Companion to Medieval English Literature and Culture c. 1350--c.1500 (Oxford: Blackwell, 2007), pp. 307-21</text>
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              <text>Companion to Medieval English Literature and Culture</text>
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            <elementText elementTextId="2842928">
              <text>Background and General Criticism&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; 8/1/2023</text>
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        <element elementId="114">
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            <elementText elementTextId="2842930">
              <text>2007</text>
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                <text>Images.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842924">
                <text>Explores relations between the late-medieval debate on religious images and imagery in literature, including detailed assessment  of the portrait of Chaucer that is included in manuscripts of Thomas Hoccleve's "Regiment of Princes." Assesses the function of the portrait as "analogous to the use of images in religious meditation" and comments on "strong affinities" between the portrait and the old man of the prologue to the "Regiment."</text>
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