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                  <text>Chaucer Bibliography Online</text>
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              <text>Saito, Shun'ichi.</text>
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              <text>Bulletin of the Daito Bunka University: The Humanities 21 (1983): 67-71.</text>
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              <text>1983</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Bulletin of the Daito Bunka University: The Humanities 21 (1983)</text>
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              <text>jules SAC 11 (140)</text>
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                <text>The Apology of Chaucer</text>
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            <description>An account of the resource</description>
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                <text>Examines the meaning and Chaucer's attitude in CT 1(A).725-42 and his faith in words as compared to Shakespeare's.</text>
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              <text>Wimsatt, James I.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 66 (1967): 26-44.</text>
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              <text>Journal of English and Germanic Philology 66 (1967)</text>
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              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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              <text>mea; 4/8/2018</text>
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              <text>1967</text>
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                <text>The Apotheosis of Blanche in "The Book of the Duchess."</text>
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            <description>An account of the resource</description>
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                <text>Argues that in BD Chaucer "heavily inlays the Black Knight's long description of his lady with imagery of the Blessed Virgin" and "that the effect produced by such imagery is an apotheosis not inconsonant with the traditional apotheosis of the English elegiac lament." Considers the rhetorical features of Chaucer's description of Blanche in light of its sources and analogues.</text>
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              <text>Beach, Charles Franklyn.</text>
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              <text>Anthony Giffone and Marlene San Miguel Groner, eds. Proceedings, Northeast Regional Meeting of the Conference on Christianity and Literature, 2003, Farmingdale State University of New York (Farmingdale, N.Y.: Farmingdale State University, 2004), pp. 5-10.</text>
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              <text>2004</text>
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              <text>Proceedings, Northeast Regional Meeting of the Conference on Christianity and Literature, 2003, Farmingdale State University of New York.</text>
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              <text>Groner, Marlene San Miguel, ed.</text>
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              <text>Prioress and Her Tale</text>
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              <text>mea; 11/6/2013 No SAC</text>
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                <text>The Appearance of Pity, Love, and Reverence: Chaucer's Prioress and Her Tale</text>
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                <text>Comments on various assessments of the Prioress as a figure of false appearances and suggests that Chaucer undercuts PrT through the reference to Hugh of Lincoln, which ironically evokes the twelfth-century Hugh, bishop of Lincoln, who defended Jews.</text>
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              <text>Somerville, Elizabeth S.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 28.08 (1968): 3158-59A.</text>
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              <text>Dissertation Abstracts International 28 (1968).</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>mea; 3/15/2018</text>
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              <text>1968</text>
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              <elementText elementTextId="2818567">
                <text>The Application of an Ontological Perspective to the Literary Interpretation of Works Drawn from Several Periods.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Illustrates how literary works "can be read existentially from the point of view of the reader's ontological concern with them," discussing James Joyce's "Clay," William Blake's "The Little Black Boy," and WBPT. Reads WBT as a "reflection of the meaning of Alice's own experience in marriage" and "her transcendence of her Martian-Venerian nature."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hanna, Ralph, [III].</text>
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              <text>Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia 53: 163-72,   2000.</text>
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        <element elementId="114">
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            <elementText elementTextId="2757138">
              <text>2000</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia 53 (2000)</text>
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                <text>The Application of Thought to Textual Criticism in All Modes-With Apologies to A. E. Housman</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2757139">
                <text>Examines variants in WBP 3.115-17 (especially "wight" versus "wright") to identify flaws in applying cladistic theory to manuscript stemmatics. Cladistic analysis underlies the Canterbury Tales Project.</text>
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              <text>Dwyer, Richard A.</text>
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        <element elementId="98">
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              <text>Chaucer Review 8 (1974): 221-40.</text>
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        <element elementId="114">
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              <text>1974</text>
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              <text>Canterbury Tales--General</text>
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              <text>Chaucer Review 08 (1974)</text>
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        <element elementId="109">
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              <text>mea 10/17/2014 No SAC</text>
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              <elementText elementTextId="2799288">
                <text>The Appreciation of Handmade Literature</text>
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                <text>Savors the indeterminacies of manuscript transmission, treating them as a form of "anonymous or indeterminate revision" in contrast with strict, modern notions of authorial revision. Exemplifies the variety found in manuscripts of "Piers Plowman," CT (tales out of context, spurious tales, conflations, etc.), and various Middle English lyrics; then examines at greater length the rich variety of thirteen versions (in 150 manuscripts) of French translations of Boethius's "Consolation of Philosophy."</text>
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              <text>Ussery, Huling E.</text>
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              <text>Physician and His Tale&#13;
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                <text>The Appropriateness of "The Physician's Tale" to Its Teller.</text>
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                <text>Maintains that the PhyT was "specifically adapted especially to the Physician as teller," arguing that the opening of the Tale and  its rhetoric reflect the arts training common to late-medieval physicians, that various details reflect the teller's "professional interest in medicine," and that these details are found in portions of the Tale original to Chaucer.</text>
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              <text>Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Man of Law and His Tale&#13;
Miller and His Tale&#13;
Parson and His Tale.</text>
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                <text>The April Date as a Structural Device in "The Canterbury Tales."</text>
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                <text>Argues that the astrological data in GP and MLH establish the date of the beginning of the Canterbury pilgrimage as April 17, the same day as the departure of Noah's ark, evoking notions of sinfulness and salvific baptism, reinforced by imagery of springtime, echoed in the Flood imagery of MilT, and brought to fulfillment in the pilgrimage imagery of ParsPT.</text>
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              <text>Tradition and Innovation in Chaucer.</text>
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                <text>The Archaic and the Modern</text>
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                <text>Characterizes several differences between the archaic (prescientific) and modern mindsets:  literal vs. relative, oral vs. literate, mythic vs. scientific.  Includes a brief discussion of Chaucer's mixture of the two.</text>
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              <text>Lammers, John H.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>James Joyce Quarterly 25 (1988)</text>
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              <text>jules SAC 12 (158)</text>
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                <text>The Archetypal Molly Bloom, Joyce's Frail Wife of Bath</text>
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                <text>Compares and contrasts Molly Bloom and Chaucer's Wife of Bath as archetypes.</text>
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              <text>Saito, Mother Masako, R.S.C.J.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 25.03 (1964): A1897.</text>
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              <text>Dissertation Abstracts International 25 (1964)</text>
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              <text>Canterbury Tales--General</text>
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        <element elementId="109">
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        <element elementId="114">
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            <elementText elementTextId="2826346">
              <text>1964</text>
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              <elementText elementTextId="2826339">
                <text>The Archetype of Bondage: Five Clusters of Imagery in the "Canterbury Tales."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2826340">
                <text>Explores the archetypal imagery of bondage and liberation from bondage in five "clusters" in CT: chivalric prison, animal confinement, "juridical bondage with its emphasis on 'wit,' entrapment, and hell and purgatory.</text>
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              <text>Chaucer Review 57 (2022)</text>
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              <text>Background and General Criticism&#13;
Manuscripts and Textual Studies&#13;
Chaucer's Life</text>
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              <elementText elementTextId="2848676">
                <text>The Archival Iceberg: New Sources for Literary Life-Records.</text>
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                <text>Highlights the amount of potential material in The National Archives as compared to more traditional repositories for high-value manuscripts. Considers approaches to find and use this material with new examples for Chaucer, Gower, and Skelton.</text>
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              <text>Kernan, Anne.</text>
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            <elementText elementTextId="2796275">
              <text>1974</text>
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              <text>Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2796279">
              <text>ELH 41 (1974).</text>
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                <text>The Pardoner's interruption of the WBP causes shifts in her tone and subject, but also alerts us to parallels between the two characters: wide travels, sermon-like autobiographical prologues, and tales which feature central characters who are "unconscious" projections of their tellers (Old Man and Loathly Lady). The two pilgrims are "exemplars of 'cupiditas'," and the Wife's sterility is evident in her distortions of orthodoxy.</text>
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              <text>Treatise on the Astrolabe&#13;
Facsimiles, Editions, and Translations</text>
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                <text>The Armchair Science Reader.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2843368">
                <text>Includes a modern English translation (pp. 294-95) of the opening of Astr, lines 1-64</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>DiCicco, Mark.</text>
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            <elementText elementTextId="2750573">
              <text>Notes and Queries 244: 14-16,   1999.</text>
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        <element elementId="114">
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              <text>Tale of Sir Thopas.</text>
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        <element elementId="100">
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              <text>Notes and Queries 244 (1999)</text>
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        <element elementId="109">
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              <text>jules SAC 23 (200)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750571">
                <text>The Arming of Sir Thopas Reconsidered</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2750575">
                <text>Reads the arming scene of Th as burlesque: the absence of plate armor indicates Thopas's poverty and low standing.</text>
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          <elementTextContainer>
            <elementText elementTextId="2728633">
              <text>Brewer, Derek.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2728634">
              <text>Edward Vasta and Zacharias P. Thundy, ed.  Chaucerian Problems and Perspectives: Essays Presented to Paul E. Beichner, C. S. C. (Notre Dame, Ind.: University of Notre Dame Press, 1979), pp. 221-43.</text>
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        <element elementId="114">
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              <text>1979</text>
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              <text>Chaucerian Problems and Perspectives: Essays Presented to Paul E. Beichner, C. S. C.</text>
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              <text>Tale of Sir Thopas.</text>
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        <element elementId="109">
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                <text>The Arming of the Warrior in European Literature and in Chaucer</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2728637">
                <text>Recognition of the arming of the warrior "topos" guides us to many formal arming passages:  in the Babylonian epic, the "Iliad," The Bible, the "Aeneid," Irish literature, "Beowulf," the "Chanson de Roland," "Erec et Enide," the Arthurian series, fourteenth-century English romances, rhymed and alliterative.  Elaborations of the "topos" and the order followed are familiar from the "Iliad" onwards.  The "Gawain"-poet finally naturalized the topos, and, in Th, Chaucer effectively killed it.</text>
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              <name>Title</name>
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              <text>Papica, Raymund.</text>
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              <text>Dissertation Abstracts International 78 (2017)</text>
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        <element elementId="114">
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            <elementText elementTextId="2837149">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2837142">
                <text>The Armor Network: Medieval Prostheses and Degenerative Posthuman Bodies.</text>
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            <elementTextContainer>
              <elementText elementTextId="2851136">
                <text>Studies "depictions of armor" in CT, Malory's "Le Morte D'Arthur," and Spenser's "The Faerie Queene," "exploring how these works help us understand medievalism in contemporary media," and investigating "how armored bodies function as a way to think through the problematics of posthuman transformations."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Drimmer, Sonja.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2835960">
              <text>Philadelphia: University of Pennsylvania Press, 2019.</text>
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            <elementText elementTextId="2835961">
              <text>352 pp.; b&amp;w and color illus.</text>
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              <text>Manuscripts and Textual Studies</text>
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              <text>SAC 43:27</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2835964">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835957">
                <text>The Art of Allusion: Illuminators and the Making of English Literature, 1403-1476.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851021">
                <text>Examines the importance of visual images in late medieval manuscripts, and the significance of manuscript illuminators in the development and spread of English literary culture. Discusses illuminated manuscripts of Chaucer's CT, and illustrated works of Gower and Lydgate.</text>
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  <item itemId="273829" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820159">
              <text>Nist, John.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820160">
              <text>Tennessee Studies in Literature 11 (1966): 1-10.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2820161">
              <text>Tennessee Studies in Literature 11 (1966)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2820162">
              <text>Troilus and Criseyde&#13;
Canterbury Tales--General&#13;
Wife of Bath and Her Tale&#13;
Pardoner and His Tale&#13;
Prioress and Her Tale</text>
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          <name>Source</name>
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              <text>mea; 9/19/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820164">
              <text>1966</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2820157">
                <text>The Art of Chaucer: "Pathedy."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852059">
                <text>Coins the term "pathedy" to describe Chaucer's "serene middle ground" between tragedy and comedy, applying the term to the "quality of love" that characterizes Troilus in TC and to the tragicomic contradictions and essential humanity of several of the Canterbury pilgrims--the Wife of Bath, the Pardoner, the Prioress, and more. In his art, Chaucer balances pathos and ridicule.</text>
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  <item itemId="273689" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819018">
              <text>Burlin, Robert B.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819019">
              <text>Neophilologus 51 (1967): 55-73.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2819020">
              <text>Neophilologus 51 (1967)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2819021">
              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Knight and His Tale</text>
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          </elementTextContainer>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819022">
              <text>mea; 4/8/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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                <text>The Art of Chaucer's Franklin.</text>
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                <text>Describes the Franklin's grasping "imitation of noble ways" in FranPT and in his GP description. The genre and rhetoric of the Tale are outdated, absurd, and/or obtrusive, while its depictions of ideals of marriage, gentility, and patience are either excessive or hollow, indicating that there is "something foolish and misdirected" in the tale-teller and his Tale. Considers adaptations of material from St. Jerome and echoes from the tales of the Wife of Bath, Clerk, and Knight.</text>
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              <text>Schlauch, Margaret.</text>
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              <text>D. S. Brewer, ed. Chaucer and Chaucerians: Critical Studies in Middle English Literature (University: University of Alabama Press; London: Nelson, 1966), pp. 140-63.</text>
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              <text>Style and Versification&#13;
Sources,, Analogues, and Literary Relations&#13;
Treatise on the Astrolabe&#13;
Parson and His Tale&#13;
Tale of Melibee&#13;
Boece&#13;
Equatorie of the Planetis</text>
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                <text>The Art of Chaucer's Prose.</text>
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                <text>Describes and comments on the range and subtleties of Chaucer's prose styles, with recurrent comments on his stylistic adaptation of sources. Treats the "plain" style of Astr, the "heightened" homiletic style of ParsT, the "eloquent" style of Mel, and the "rhythmical" style of the cadenced (cursus) prose in Bo. Also suggests that the style of Equat "strengthens" the case for Chaucer's authorship.</text>
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              <text>Smoot, Maxine Bixby.</text>
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              <text>Dissertation Abstracts International 35 (1975): 6735A</text>
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              <text>Style and Versification.</text>
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              <text>jules - 20/9/94 SAC 1 (28)</text>
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                <text>The Art of Chaucer's Verse</text>
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                <text>Chaucer artfully uses meter to support meaning.  The tensions between meter and speech rhythm, enjambment and run-on lines, rhyme and alliteration, and denotation and onomatopoeia all display his technical virtuosity.</text>
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              <text>Nolan, Barbara.</text>
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              <text>Donald M. Rose, ed.  New Perspectives in Chaucer Criticism (Norman Okla.: Pilgrim Books, 1981), pp. 203-22.</text>
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        <element elementId="114">
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              <text>New Perspectives in Chaucer Criticism.</text>
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              <text>jules SAC 05 (212</text>
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                <text>The Art of Expropriation: Chaucer's Narrator in 'The Book of the Duchess'</text>
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              <elementText elementTextId="2724439">
                <text>In BD Chaucer skillfully breaks with French poetic practice to produce a new kind of poetry.  The enigmatic narrator does not participate in established conventions; an insomniac amateur reader, he does not fully understand the matter he presents.</text>
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              <text>Booth, Wayne.</text>
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        <element elementId="98">
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              <text>New York: Poseidon, 1992.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2795074">
              <text>1992</text>
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              <text>349 pp.</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>mea; 11/12/2013 No SAC</text>
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                <text>Notes Chaucer's attention to "loss of sexual power" in the process of aging, commenting on two brief passages in modern translation: WBP (3.198-203) and RvP (1.3879-382, 3887-98).</text>
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              <text>Shields, J. Scott.</text>
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                <text>Suggests that efforts to create "verse-narratives" in the manner of Dante and Chaucer might be useful tools in the teaching of writing.</text>
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