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              <text>Dean, Christopher.</text>
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              <text>Notes and Queries 211 (1966): 90-92.</text>
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              <text>Notes and Queries 211 (1966)</text>
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              <text>Knight and His Tale&#13;
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                <text>The "Place" in "The Knight's Tale."</text>
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                <text>Assesses the five uses of "place" as a locational noun in the description of the tournament in KnT, arguing that it has a "precise technical meaning," i.e., the "grassy ground of the arena within the lists." This meaning is also found in Middle English descriptions of theatrical performance.</text>
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              <text>Murton, Megan.</text>
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              <text>Chaucer Review 52.3 (2017): 318-40.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>The "Prioress's Prologue": Dante, Liturgy, and Ineffability.</text>
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                <text>Argues that the use of Dante's "Paradiso" 53 in the initial presentation of faith in PrT reflects Chaucer's sophisticated engagement with the ways humans try to articulate transcendent truth.</text>
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              <text>Mediaeval Studies 24 (1962): 388-91.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>The "Prioress's Tale" and "Granella" of "Paradiso."</text>
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            <description>An account of the resource</description>
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                <text>Assesses parallels between the "greyn" of PrT 7.662 and the three grains of legend that Seth laid upon the tongue of Adam when the latter was buried; suggests that the ambiguities of Chaucer's presentation indicate his artistic purpose.</text>
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              <text>Steiner, Emily.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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              <text>The Open Access Companion to the Canterbury Tales.</text>
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              <text>Prioress and Her Tale&#13;
Style and Versification</text>
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                <text>The "Prioress's Tale": Relating to the Past, Imagining the Past, Using the Past.</text>
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                <text>Explores the relations between emotion and identity in PrPT, observing that the presence of Jews "amps up its emotional charge," particularly how it "provokes--and coopts--a huge range of emotions in the service of Christian piety." Considers the saints' life genre, the age of the clergeon, song, performance, and rhyme royal as intensifiers. Designed for pedagogical use, includes several questions for discussion.</text>
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              <text>Olson, Paul A.</text>
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              <text>Studies in Philology 59 (1962): 1-17.</text>
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              <text>Studies in Philology 59 (1962)</text>
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Miller and His Tale</text>
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                <text>The "Reeve's Tale": Chaucer's "Measure for Measure."</text>
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                <text>Characterizes Oswald the Reeve as a guiler beguiled and a "judge who unwittingly judges himself by his own principles," examining aspects of GP (Miller and Reeve), MilPY, and RvPT for the ways that Oswald's retributive assault on Robin lacks disinterestedness and backfires, fails to demonstrate the justice that should inhere in his occupation of reeve, and unjustly and inappropriately impugns the Miller.</text>
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              <text>Knox, Philip.</text>
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              <text>D.Phil. Dissertation. University of Oxford, 2015. Dissertation Abstracts International C75.01. A redacted version (without illus.) is fully accessible via https://ora.ox.ac.uk/objects/uuid:d55e2158-a9ee-4bf2-b8e4-98d7e0c6a598. Abstract available via ProQuest Dissertations &amp; Theses International.</text>
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              <text>v, 281 pp.; 10 illus. </text>
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              <text>Dissertation Abstracts International C75.01.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Boece&#13;
Physician and His Tale&#13;
House of Fame&#13;
Legend of Good Women&#13;
Romaunt of the Rose</text>
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              <text>mea; 4/18/2025</text>
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                <text>The "Romance of the Rose" in Fourteenth-Century England.</text>
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                <text>Traces "the afterlife of the 'Romance of the Rose' in fourteenth-century England, arguing that the RR "exercised its influence on fourteenth-century English literature in two principal ways": 1) "the development of a self-reflexive focus on how meaning is produced and transmitted" and 2) concern with authorial intention and "responsibility for the meaning of a text." Includes attention to Bo, PhyT, HF, LGWP, and Rom, as well as works by Langland, Gower, the Gawain-poet, and select fifteenth century authors.</text>
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              <text>Romaunt of the Rose&#13;
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                <text>Frames Rom "in a lineage of narrative fiction going back to the twelfth-century predecessors of the two authors [Guillaume de Lorris and Jean de Meun] and attempts to describe their respective innovations." Includes and interprets various texts before Rom to discuss the progressions of this two-author model, demonstrating Rom's influence in the texts that follow.</text>
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Sources, Analogues, and Literary Relations&#13;
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            <description>An account of the resource</description>
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                <text>Provides textual evidence to confirm that the three portions of the Middle English Rom--A, B, and C--derive from different manuscript groupings of their French source, the "Roman de la Rose," corroborating arguments that the three portions were translated by different writers, with only A, in all likelihood, being by Chaucer.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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                <text>The "Second Nun's Tale": Language Politics and Translation.</text>
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            <description>An account of the resource</description>
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                <text>Approaches SNPT as translations of source materials, assessing Chaucer's assignment of his early life of St. Cecilia to the Second Nun as narrator, the implications of rhyme royal, and the thematic and formal concerns of transformation, idleness, and religious orthodoxy. Designed for pedagogical use, includes several questions for discussion.</text>
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              <text>Appleman, Philip.</text>
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              <text>Notes and Queries 201 (1956): 372-73.</text>
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Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Objects to Robert L. Chapman's argument that the ShT was originally intended for the Shipman, not the Wife Bath, comparing Chaucer's tale with Boccaccio's "Decameron" 8.1 as examples of the "Lover's Gift Regained" motif, and showing that Chaucer's version is "an important contribution to the characterization" and "personality" of the Wife.</text>
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              <description>A name given to the resource</description>
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              <text>Modern Language Notes 71.1 (1956): 4-5. </text>
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Wife of Bath and Her Tale&#13;
Merchant and His Tale</text>
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                <text>The "Shipman's Tale" Was Meant for the Shipman.</text>
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            <description>An account of the resource</description>
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                <text>Challenges claims that the first-person feminine pronouns of ShT 7.11-19 indicate that the tale was originally intended to be told by the Wife of Bath, reading the lines as if they were presented in a "miming male" voice, and suggesting that the tale is particularly appropriate to the Shipman as a response to the Merchant, dramatization of antagonism between their two linked professions.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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              <text>The Open Access Companion to the Canterbury Tales.</text>
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            <description>An account of the resource</description>
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                <text>Encourages readers to keep track of the money in ShT, assessing the coded actions of gifting, receiving, and reciprocating in the Tale, analyzing the merchant's response to Don John's request for 100 franks (7.281-96), and suggesting that the readers come up with their own assessments of the merchant and whether he deserved the trick played upon him. Includes several classroom projects and questions for discussion.</text>
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              <text>Craun, Edwin.</text>
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              <text>Amy N. Vines and Lee Templeton, eds. New Directions in Medieval Mystical and Devotional Literature: Essays in Honor of Denise N. Baker (Bethlehem, Pa.: Lehigh University Press, 2023), pp. 55-72.</text>
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              <text>Reeve and His Tale&#13;
Canon's Yeoman and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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                <text>The "Stalke" and the "Balke": Cherry-Picking the Ethics of Reproof in "The Canterbury Tales."</text>
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                <text>Shows that aspects of the late medieval "pastoral program" of obligating "all Christians to admonish their neighbors about their sins" underlies the Reeve's reproval of the Miller and the Canon's Yeoman's of the Canon. In these cases, distortions of proper admonishment, including deployment of "stalke"/"balke" imagery, indicate that the reprovers are guilty of "revengeful public correction."</text>
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              <text>Notes and Queries 202 (1957): 278-79.</text>
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              <text>Manuscripts and Textual Studies&#13;
Troilus and Criseyde</text>
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                <text>The "Suttell and Dissayvabull" World of Chaucer's Troilus.</text>
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                <text>Identifies "Boethian sentiments" in an eight-line stanza appended to TC in St. John's, Cambridge, MS L.1, fol. 119v.</text>
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              <text>Rogers, Franklin R.</text>
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              <text>Manuscripts and Textual Studies&#13;
Canterbury Tales--General&#13;
Chaucerian Apocrypha</text>
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            <name>Title</name>
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              <elementText elementTextId="2843585">
                <text>The "Tale of Gamelyn" and the Editing of the "Canterbury Tales."</text>
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              <elementText elementTextId="2843586">
                <text>Analyzes the dialect forms and textual variants of the "Tale of Gamelyn" in four of the twenty-five CT manuscripts that contain it (Ha4 Cp La Pw), arguing that, in "Gamelyn," these manuscripts evince a textual tradition and editorial practice which "bridge the gap between groups 'c' and 'd' of the 'Canterbury Tales' manuscripts."</text>
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              <text>Vázquez, Nila.</text>
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              <text>Lewiston, Maine: Mellen, 2009.</text>
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        <element elementId="114">
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            <elementText elementTextId="2783406">
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              <text>vi, 466 pp.</text>
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            <elementText elementTextId="2783409">
              <text>Chaucerian Apocrypha</text>
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            <elementText elementTextId="2783410">
              <text>Facsimiles, Editions, and Translations</text>
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              <text>vxl sac 33:203</text>
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                <text>The "Tale of Gamelyn" of the "Canterbury Tales": An Annotated Edition</text>
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              <elementText elementTextId="2783408">
                <text>Edition of the "Tale of Gamelyn," including a description of manuscripts, diplomatic transcriptions of ten manuscripts, a critical edition with collated variants, and critical apparatus. Also includes a Modern English translation of "Gamelyn" and a glossary of the Middle English text.</text>
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              <text>Fein, Susanna.</text>
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              <text>Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 15-38.</text>
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              <text>Medieval Women and Their Objects</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The "Thyng Wommen Loven Moost": The Wife of Bath's Fabliau Answer.</text>
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            <description>An account of the resource</description>
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                <text>Argues that the power of WBT, though it is commonly regarded as a lai," comes from an underlying subversion by the use of fabliau, which makes the tale a "hybrid story." The "question of what women most want" has surprising affinities with the extravagantly obscene fabliaux "Les quatre souhaiz de saint Martin" and "Les trois dames qui troverent un vit"--not only in Alisoun's fabliau-like asides about friars and Midas's wife, but even in its narrative core.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Williams, George.</text>
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              <text>Modern Language Review 57 (1962): 173-78.</text>
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            <elementText elementTextId="2834677">
              <text>Modern Language Review 57 (1962)</text>
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              <text>Troilus and Criseyde&#13;
Manuscripts and Textual Studies</text>
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              <elementText elementTextId="2834673">
                <text>The "Troilus and Criseyde" Frontispiece Again.</text>
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                <text>Argues that several prominent figures in the "Troilus" frontispiece (Cambridge, Corpus Christi College, MS 61) represent John of Gaunt; his second wife, Constance of Castile and Laon; his mistress, Katherine Swynford; his first wife, Blanche of Castile; and perhaps her father, Henry of Lancaster. Comments on previous scholarship, as well as historical details and the dating of the poem.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Bradley, Sister Ritamary, C. H. M.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 55 (1956): 324-30.</text>
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            <elementText elementTextId="2846483">
              <text>Journal of English and Germanic Philology 55 (1956)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Wife of Bath and Her Tale&#13;
Style and Versification</text>
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              <text>mea; 12//5/2024</text>
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              <elementText elementTextId="2846479">
                <text>The "Wife of Bath's Tale" and the Mirror Tradition.</text>
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                <text>Comments on how "the medieval mirror and wisdom metaphor is utilized" in WBP and helps to characterize the Wife, ironically, as a figure of comic "worldly prudence" rather than true wisdom. Cites other examples from CT of ironic characterization "built basically on a contrast between exemplary or mirror values and realistic details."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kang, Ji-Soo.</text>
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              <text>Medieval English Studies 05 (1997): 145-70.</text>
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              <text>Cook and His Tale.</text>
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              <text>jules SAC 22 - 207.</text>
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                <text>The (In)completeness of the Cook's Tale</text>
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                <text>Explores medieval theories of narrative closure in Matthew of Vendome, Geoffrey of Vinsauf, Brunetto Latini, and John of Garland to argue that if "inconclusiveness" is a thematic goal, the end of a work is the "natural place to accent it." As an ending to the degenerative movement of fragment 1, CkT is an appropriate conclusion to several thematic patterns: characterization of females, male competition, geography, social strata, and the theme of love and courtesy.</text>
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              <text>Pockell, Leslie, ed.</text>
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            <elementText elementTextId="2795555">
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              <text>xiv, 128 pp.</text>
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              <text>Merciles Beaute</text>
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              <text>mea 12/6/2013 No SAC</text>
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                <text>Includes the first third of MercB in normalized Middle English.</text>
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              <text>Pockell, Leslie, ed.</text>
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              <text>New York: Warner, 2001.</text>
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            <elementText elementTextId="2795450">
              <text>2001</text>
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              <text>xii, 189 pp.</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>Facsimiles, Editions, and Translations</text>
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                <text>Includes the first eighteen lines of GP in Middle English.</text>
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            <elementText elementTextId="2789210">
              <text>Luebering, J. E.</text>
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        <element elementId="98">
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              <text>New York: Britannica Educational Publishing in association with Rosen Educational Services, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2789212">
              <text>2010</text>
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          <name>Physical Description</name>
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              <text>351 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>vxl sac 34:141</text>
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                <text>The 100 Most Influential Writers of All Time</text>
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            <description>An account of the resource</description>
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                <text>Includes an introduction (pp. 58-61) to Chaucer and his works.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2754904">
              <text>Strohm, Paul.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2754905">
              <text>Asa Briggs and Daniel Snowman, eds. Fins de Sicle: How Centuries End, 1400-2000. (New Haven and London: Yale University Press, 1996), pp. 7-37.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2754906">
              <text>1996</text>
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              <text>Fins de Sicle: How Centuries End, 1400-2000.</text>
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              <text>Chaucer's Life.</text>
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        <element elementId="109">
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              <text>jules SAC 24 (190)</text>
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                <text>The 1390s: The Empty Throne</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2754908">
                <text>Explores how late-medieval English people regarded their age: as a time growing old and verging on cataclysm, especially as reflected in social unrest and the deposition of Richard II. Includes a number of references to and quotations from Chaucer and contemporary authors and historical records.</text>
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            <elementText elementTextId="2796427">
              <text>Marshall, Simone Celine.</text>
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        <element elementId="98">
          <name>Published</name>
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        <element elementId="114">
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                <text>The 1807 Edition of the Poetical Works of Geoffrey Chaucer</text>
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                <text>Taking its editor's preface as a cue, an examination of this edition, which has heretofore been labeled a reprint of John Bell's 1782 edition, reveals that it is in fact "a considerable re-evaluation of Chaucer's works."</text>
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