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              <text>Jimura, Akiyuki, and Hisayuki Sasamoto, trans.</text>
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              <text>Hiroshima: Keisuisha, 2020.</text>
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              <text>276 pp.</text>
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              <text>Jimura, Akiyuki, trans. &#13;
Sasamoto, Hisayuki, trans.</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Legend of Good Women&#13;
Lyrics and Short Poems</text>
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              <text>mea; SAC 44:17</text>
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                <text>"The Legend of Good Women" and Short Poems.</text>
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                <text>Using the Riverside edition, translates LGW, ABC, Pity, Lady, Mars, Ven, Ros, Adam, Purse, Wom Unc, Compl d'Am, and MercB into Japanese, with introductory and supplementary notes. Includes brief timeline and description of Chaucer's life. In Japanese.</text>
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              <text>Hartwell, Michael J.</text>
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              <text>Jennifer York Stock, ed. Literature Criticism from 1400 to 1800, Vol. 283 (Farmington, Mich.: Gale, 2019), pp. 85-304.</text>
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              <text>Literature Criticism from 1400 to 1800, Vol. 283.</text>
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              <text>Legend of Good Women&#13;
Bibliographies, Reports, and Reference</text>
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              <text>mea; SAc 44:303</text>
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                <text>"The Legend of Good Women": Geoffrey Chaucer.</text>
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                <text>Reprints seventeen critical studies of LGW published between 1904 and 2003, several excerpted from larger works. The introduction by Hartwell summarizes the plot of LGW, with little commentary on LGWP, and comments on the plots and sources of the individual legends, major themes, and critical reception. Includes a selected bibliography of Chaucer's works and editions, and annotated suggestions for further reading about LGW.</text>
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              <text>Crane, Susan.</text>
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              <text>Studies in the Age of Chaucer 39 (2017): 3-29.</text>
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              <text>The Presidential Address. The New Chaucer Society. Twentieth International Congress, July 11-14, 2016. Queen Mary University of London, Mile End.</text>
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                <text>"The lytel erthe that here is": Environmental Thought in Chaucer's "Parliament of Fowls."</text>
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            <description>An account of the resource</description>
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                <text>Argues that PF offers an "innovative model of species uncertainty" that aligns with posthumanist rejection of human specialness. The poem evokes and challenges the dualism of Scipio's dream, offering alternatives in the animism of the tree catalogue and the totemism of the avian hierarchy. None of the three ontologies stands authoritatively and their uncertainties are reinforced by the multisensory details of PF, the performability of the poem's ending, and the antirationalism of the dream vision.</text>
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              <name>Title</name>
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            <elementText elementTextId="2854177">
              <text>Ito, Masayoshi.</text>
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              <text>John Gower, The Medieval Poet (Tokyo: Shinozaki Shorin, 1976), pp. 25-38.</text>
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              <text>John Gower, The Medieval Poet</text>
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              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 2/13/2026</text>
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          <name>Date</name>
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              <text>1976&#13;
1958</text>
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                <text>"The Man of Law’s Tale" vs. "Tale of Constance."</text>
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                <text>Compares the aesthetic virtues and limitations of MLT in comparison with Gower's Tale of Constance, observing how Gower's account is more proportionate than Chaucer’s, even though the latter exhibits more complex characterization, humor, and “universal interest.” Originally published in Japanese: Two Stories of Constance--Chaucer and Gower. Shiron (Tohoku University) 1 (1958): 60-73.</text>
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              <text>Trudeau, Lawrence J., ed.</text>
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              <text>Poetry Criticism. Volume 155 (Detroit: Gale, 2014), pp. 187-343.</text>
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              <text>Miller and His Tale&#13;
Bibliographies, Reports, and Reference</text>
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                <text>"The Miller's Prologue" and "Tale."</text>
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                <text>Describes the place of MilPT in CT, summarizing its plot, major characters, major themes, and critical reception. Includes a selection of seventeen excerpts from previously printed critical studies (1956–2006), and a brief, annotated bibliography of suggestions for further study</text>
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              <text>Nolan, Maura.</text>
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              <text>Frank Grady, ed. The Cambridge Companion to "The Canterbury Tales" (Cambridge: Cambridge University Press, 2020), pp. 73-88.</text>
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              <text>Cambridge Companion to The Canterbury Tales</text>
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Reeve and His Tale</text>
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                <text>"The Miller's Tale" and the Art of "Solaas."</text>
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                <text>Offers a "step by step" reading of MilT "as it unfolds its argument.: Focuses on the crafting of the fabliau that refers to common elements of the genre and to Chaucer's specific context. Argues that the "artful carelessness of the Miller" is an "ideal" that the Reeve demonstrates cannot be maintained.</text>
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              <text>Cawthorne, Natalie.</text>
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          <name>Published</name>
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            <elementText elementTextId="2840354">
              <text>Dissertation Abstracts International 81C (2019): n.p.</text>
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          <elementTextContainer>
            <elementText elementTextId="2840355">
              <text>Dissertation Abstracts International 81 (2019): n.p.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2840356">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840357">
              <text>mea; SAC 44:68</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2840358">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2840351">
                <text>"The Mindsweeper Tales": A Creative and Critical Approach to Reinventing the Medieval Framed Story-Collection as a Modern Novel.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2840352">
                <text>Presents a novel modeled on CT that emulates Chaucer's frame-narrative collection of stories, "reinventing" his setting at a modern murder trial, and using a variety of narrative forms to represent the tales of the jury. The accompanying analysis comments on parallels in form and theme.</text>
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  <item itemId="277302" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2851396">
              <text>Langenfelt, Gösta.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851397">
              <text>English Studies 36 (1955): 222-27.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2851398">
              <text>English Studies 36 (1955)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851399">
              <text>Boece&#13;
Former Age</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851400">
              <text>mea; 11/14/2025</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851401">
              <text>1955</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851394">
                <text>"The Noble Savage" until Shakespeare.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851395">
                <text>Cites Bo and quotes portions of "The Former Age" as evidence of medieval transmission of ancient ideas about "about the happy age before the coming of civilization."</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="276196" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841775">
              <text>Sasla, Naomi.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2841776">
              <text>Literary Imagination 21, no. 1 (2019): 1-18.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2841777">
              <text>Literary Imagination 21 (2019)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841778">
              <text>Nun's Priest and His Tale&#13;
Canterbury Tales--General</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841779">
              <text>mea; SAC 44:279</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841780">
              <text>2019</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841773">
                <text>"The Nun's Priest's Tale: An Analysis of Thematic Structure and Reflective Structure</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841774">
                <text>Argues that the various parts of NPT, an "expanded fable," are unified by a thematic exploration of true and false knowledge, then identifies instances where the tale mirrors "some elements of theme, structure, and style" of other parts of CT.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="275295" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834392">
              <text>Fish, Stanley E.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834393">
              <text>CLA Journal 5 (1962): 223-28.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834394">
              <text>CLA Journal 05 (1962)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834395">
              <text>Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834396">
              <text>mea; 4/22/21</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834397">
              <text>1962</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2834390">
                <text>"The Nun's Priest's Tale" and Its Analogues.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2834391">
                <text>Identifies three aspects of NPT that differ from those found in its analogues ("Roman du Renart" and "Reinhart Fuch"), arguing that Chaunticleer' s belief in dreams, the frugal poverty of the widow, and the limited role of the fox produce a "shifting panoramic view of a sympathetic skepticism" about the human condition rather the "restricted pointedness of an exemplum."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="277282" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850685">
              <text>Moore, Benjamin.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850686">
              <text>Iowa Journal of Literary Studies 10, no. 1 (1989): 40–49.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850687">
              <text>Iowa Journal of Literary Studies 10 (1989)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850688">
              <text>Nun's Priest and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850689">
              <text>mea; 11/8/2025</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850690">
              <text>1989</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851253">
                <text>Asserts that the Nun's Priest "necessarily represents and embodies patriarchal Christianity" and, using Catherine Belsey's notion of an "interrogative text" (1980), argues that narrative and formal "inconsistencies" and "contradiction" in NPT cause "us to question both Christian doctrine and the Priest's patriarchal authority."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851254">
                <text>"The Nun's Priest's Tale" as an Interrogative Text: Chaucer's Invitation to Examine Patriarchal Christianity.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="274033" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821821">
              <text>Dekker, Kees.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821822">
              <text>Scottish Language 35 (2016): 1-42.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821823">
              <text>Scottish Language 35 (2016)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821824">
              <text>Language and Word Studies&#13;
Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821825">
              <text>SAC 40:85</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821826">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821819">
                <text>"The Other Junius" in Oxford, Bodleian Library MS Junius 74: Francis Junius and a Scots Glossary by Patrick Young</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821820">
                <text>Reviews seventeenth-century lexicographical interest in Scots dialect, and includes information about the extent to which Junius used Gavin Douglas's "Eneados" to understand Chaucer's vocabulary.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="276821" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846835">
              <text>Seaton, Ethel.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846836">
              <text>Medium Ævum 25 (1956): 168-74.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846837">
              <text>Medium Ævum 25 (1956)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846838">
              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
Parliament of Fowls&#13;
Chaucer's Complaint to His Purse</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846839">
              <text>mea; 12/9/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846840">
              <text>1956</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846833">
                <text>"The Parlement of Foules" and Lionel of Clarence.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846834">
                <text>Argues that complex acrostic anagrams in PF reveal that it was written on the occasion of negotiations for a marriage between Lionel of Clarence and Violanta Visconti; identifies French analogues to this intricate practice, and helping to date Chaucer's poem. Also finds the names "Henry Bolingbroke" and "Mary Bohun" embedded in "Chaucer's Complaint to His Purse."</text>
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          </element>
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              <text>Davis, Deborah Ann.</text>
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              <text>Ph.D. Dissertation. Texas Women's University, 1984. Fully Accessible at https://twu-ir.tdl.org/items/668fcba6-645b-4fcf-a8e3-1ef1c6f4ff36; accessed November 14, 2023.</text>
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              <text>viii, 387 pp.</text>
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Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Legend of Good Women</text>
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              <text>mea; 12/7/2023</text>
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          <description/>
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                <text>"The Pattern of His Fancies": The Rhetoric of Chaucer's Dream Visions in the Works of F. Scott Fitzgerald.</text>
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                <text>Argues from internal and external evidence "that there is the strong possibility" that Chaucer's dream visions (BD, HF, PF, and LGWP) influenced five early works by F. Scott Fitzgerald: "The Offshore Pirate" (1920), "The Ice Palace (1920), "The Diamond as Big as the Ritz" (1922), "The Vegetable; Or, From President To Postman" (1923), and "The Great Gatsby" (1925). Focuses on aspects of structure, style, and theme.</text>
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              <text>Hines, Jessica.</text>
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              <text>Exemplaria 34 (2022)</text>
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Sources, Analogues, and Literary Relations</text>
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              <text>Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 34 (2022): 130-47.</text>
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                <text>"The pitous pite deserveth": Justice, Violence, and Pity in the "Prioress's Tale" and "The Jew and the Pagan.'</text>
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            <description>An account of the resource</description>
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                <text>Compares the "structures of feeling" in PrT and Gower's "Tale of the Jew and the Pagan," particularly their interrelations of pity, violence, justice, antisemitism, and affective response. Suggests that the two authors reworked their versions at the same time, and that, while Gower's version is attentive "to how pity might ease the abuses of a law and justice gone awry," Chaucer had greater "distrust of pity."</text>
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              <text>Aronstein, Susan, and Peter Parolin.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 33-44. </text>
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              <text>Chaucer on Screen</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 40:9</text>
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        <element elementId="114">
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          <description/>
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            <description>A name given to the resource</description>
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                <text>"The Play's the Thing": The Cinematic Fortunes of Chaucer and Shakespeare.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820946">
                <text>Argues that Shakespeare's works have more often been adapted to the screen than Chaucer's works because the latter have widely been considered to be "guarded by experts." Comments on the Troilus frontispiece, Jonathan Myerson's animated adaptation of CT, and Brian Helgeland's "A Knight's Tale."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Bayiltmis Ogutcu, Oya.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2829701">
              <text>Mirabilia 18.1 (2014): 235-46.</text>
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        <element elementId="100">
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            <elementText elementTextId="2829702">
              <text>Mirabilia 18 (2014)</text>
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              <text>Parliament of Fowls</text>
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        <element elementId="109">
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              <text>SAC 41:300</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2829705">
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829698">
                <text>"The Pleasure of the Text": "The Parliament of Fowls" as the Site of Bliss for Chaucer and His Readers.</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830592">
                <text>Using concepts derived from Roland Barthes, argues that PF is both a "text of pleasure with its reflection of courtly culture" and a "text of bliss with its unconcluded conclusion."</text>
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            </elementTextContainer>
          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Pitard, Derrick. </text>
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              <text>Valerie B. Johnson and Kara L. McShane, eds. Negotiating Boundaries in Medieval Literature and Culture: Essays on Marginality, Difference, and Reading Practices in Honor of Thomas Hahn (Boston: De Gruyter; Kalamazoo: Medieval Institute, 2022), pp. 323-45.</text>
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              <text>Negotiating Boundaries in Medieval Literature and Culture</text>
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          <name>Chaucer Subject</name>
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              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Second Nun and Her Tale</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847588">
                <text>Argues that the "modes of religious expression" in PrT are "vernacular" insofar as they are simultaneously canny and naïve. Using romance discourse to express religious orthodoxy, the Prioress challenges patriarchal "Latinate institutions," evident by contrast with Richard Rolle's works, but she reduplicates the violence of both romance and orthodoxy. Compares the Prioress's challenge to those of the Wife of Bath, and contrasts her violent orthodoxy with that of the Second Nun. </text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"The Prioress's Tale" and Vernacular Devotion.</text>
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              <description>A name given to the resource</description>
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          <description/>
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              <text>Elliott, Charles.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826601">
              <text>Notes and Queries 209 (1964): 167-70.</text>
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        <element elementId="100">
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          <elementTextContainer>
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              <text>Notes and Queries 209 (1964)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Manuscripts and Textual Studies&#13;
Reeve and His Tale&#13;
Language and Word Studies</text>
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          <name>Source</name>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2826605">
              <text>1964</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2826598">
                <text>"The Reeve's Prologue and Tale" in the Ellesmere and Hengwrt Manuscripts.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826599">
                <text>Compares and contrasts the uses of northern dialectical words and forms in the Ellesmere and Hengwrt manuscript versions of RvT, assessing J. R. R. Tolkien's evaluations of them (1934), and extending the discussion beyond northern forms to corroborate further the superiority of the Hengwrt.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834359">
              <text>Copland, M.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834360">
              <text>Medium Aevum 31 (1962): 14-32.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2834361">
              <text>Medium Aevum 31 (1962)</text>
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          <name>Chaucer Subject</name>
          <description/>
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              <text>Reeve and His Tale&#13;
Miller and His Tale&#13;
Style and Versification</text>
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              <text>mea; 4/22/21</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1962</text>
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                <text>"The Reeve's Tale": Harlotrie or Sermonyng?</text>
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                <text>Assesses the "aesthetic status" of RvT, gauging its "crude vulgarity" in relation to its "moral coherence" where social/sexual pretentions are punished commensurately. Argues that Malyne is "notably pathetic," that the parson is the "evil genius of the tale," and that assigning the tale to the puritanical Reeve is stylistically and thematically decorous. Comments on contrasts between RvT and MilT as well as the "quarrel" of the tellers.</text>
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              <text>Sutherland, Ronald, ed.</text>
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        <element elementId="98">
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              <text>Oxford; Basil Blackwell, 1967; &#13;
Berkeley: University of California Press, 1968.</text>
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              <text>xxxix, 202 pp.</text>
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              <text>Romaunt of the Rose&#13;
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                <text>"The Romaunt of the Rose" and "Le Roman de la Rose": A Parallel-Text Edition.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2816240">
                <text>Facing-page edition of Rom (based on Thynne's edition) and its sources passage in the "Roman de la Rose," with the text of the latter drawn from various manuscripts that provide readings closest to Rom. Includes textual notes and an Introduction which explores the text of Rom, its three fragments, and the "construction" of this edition.</text>
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              <text>Copland, Murray.</text>
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            <elementText elementTextId="2820381">
              <text>Medium Aevum 35.1 (1966): 11-28.</text>
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            <elementText elementTextId="2820382">
              <text>Medium Aevum 35 (1966)</text>
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        <element elementId="102">
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              <text>Shipman and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Friar and His Tale&#13;
Summoner and His Tale</text>
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              <text>mea; 10/21/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820385">
              <text>1966</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2820379">
                <text>Compares ShT with Boccaccio's "Decameron" 8.1 and 8.2 in order to "see the two writers more minutely for what they are," arguing for Chaucer's "clear, almost measurable superiority" in matters of atmosphere, vitality, characterization, and moral subtlety. Also comments at length on Chaucer's other fabliaux, particularly MilT, RvT, FrT, and SumT.</text>
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              <elementText elementTextId="2825001">
                <text>"The Shipman's Tale": Chaucer and Boccaccio.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818472">
              <text>Burrow, John.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2818473">
              <text>Chaucer Review 49.4 (2015): 499-511.</text>
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        <element elementId="100">
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            <elementText elementTextId="2818474">
              <text>Chaucer Review 49 (2015)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818475">
              <text>Chaucerian Apocrypha</text>
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        <element elementId="109">
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            <elementText elementTextId="2818476">
              <text>SAC 39:236&#13;
mea; 3/1/2018</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818477">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825255">
                <text>"The Tale of Beryn": An Appreciation.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825639">
                <text>One scribe included the "Tale of Beryn" in his copy of CT. The Prologue presents Chaucer's pilgrims after they arrive at Canterbury, and the tale is appropriate to its teller, a merchant. Argues that the "Beryn" author was "an intelligent and attentive reader of Chaucer."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834049">
              <text>Fedewa, Kate L.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834050">
              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834051">
              <text>[8 pp.]</text>
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          <description/>
          <elementTextContainer>
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              <text>The Open Access Companion to the Canterbury Tales.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834053">
              <text>Tale of Melibee</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>mea; 1/10/2021</text>
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          <description/>
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            <elementText elementTextId="2834055">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"The Tale of Melibee": Local Government, Power, Lordship, and Resources.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2834048">
                <text>Approaches Mel as a mirror for princes, concerned with the power of lordship and the value and function of proverbs and didactic literature. Includes several classroom projects and questions for discussion.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Konagaya, Yataka.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2824290">
              <text>Studies in English Literature 42 (1965): 13-18.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2824291">
              <text>Studies in English Literature 42 (1965)</text>
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        <element elementId="102">
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            <elementText elementTextId="2824292">
              <text>Tale of Melibee&#13;
Chaucer's Life</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2824293">
              <text>mea; 1/22/2019</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2824294">
              <text>1965</text>
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            <elementTextContainer>
              <elementText elementTextId="2824287">
                <text>"The Tale of Melibeus" and Chaucer.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2824288">
                <text>Distinguishes between Chaucer the poet and Chaucer the pilgrim, and considers the "singularities" of Mel as clues to the "author's intention," reading the Tale as a self-aware "travesty" of Chaucer's relation with his wife, Philippa.</text>
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