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              <text>Fries, Maureen.</text>
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              <text>John F. Plummer, ed.  Vox Feminae: Studies in Medieval Woman's Songs (Kalamazoo: Medieval Institute, Western Michigan University, 1981), pp. 155-78.</text>
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              <text>1981</text>
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              <text>Vox Feminae: Studies in Medieval Woman's Songs.</text>
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              <text>Background and General Criticism.</text>
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              <text>Reeve and His Tale.</text>
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              <text>Merchant and His Tale.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Studies in Medieval Culture, no. 15.</text>
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              <text>jules SAC 05 (68)</text>
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                <text>The 'Other' Voice: Woman's Song, Its Satire and Its Transcendence in Late Medieval British Literature</text>
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                <text>The vernacular "woman's song" focuses passively on the beloved (not the speaker's feelings), powerless to control the beloved.  Such features serve as a context to analyze the "comic sex- and/or class-role reversal" in RvT, MerT, and Antigone's Song and Criseyde's "aube" in TC.</text>
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              <text>Reed, Thomas L.,Jr.</text>
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        <element elementId="98">
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              <text>Thomas L. Reed, Jr.  Middle English Debate Poetry and the Aesthetics of Irresolution (Columbia and London: University of Missouri Press, 1990), pp. 294-362.</text>
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              <text>1990</text>
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              <text>Middle English Debate Poetry and the Aesthetics of Irresolution.</text>
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              <text>Parliament of Fowls.</text>
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              <text>jules - 30/10/94 SAC 14 (252)</text>
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                <text>The 'Parlement of Foules'</text>
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                <text>Discusses irresolution, style, persona, the "experiential labyrinth," Chaucer's sources, and the relationship of PF to the contemporary political world.  The term "Parlement" evokes the university and law.  The chapter is divided into five parts:  "Genre and Structure:  Explicit and Implicit Debate"; "Experiential Realism"; "Recreational Irresolution"; "Social Referents, Audience, and  Occasion"; and "Philosophical Backgrounds."</text>
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            <elementText elementTextId="2747466">
              <text>Smarr, Janet.</text>
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        <element elementId="98">
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              <text>Chaucer Review 33 (1998): 113-22.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1998</text>
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            <elementText elementTextId="2747470">
              <text>Parliament of Fowls.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2747472">
              <text>Chaucer Review 33 (1998)</text>
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        <element elementId="109">
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              <text>jules SAC 22 - 306.</text>
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                <text>The 'Parlement of Foules' and 'Inferno' 5</text>
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                <text>Like "Inferno" 5, PF contains references to Earthly Paradise and Hell, the dream, and the fate of those who attend to private lusts.  Dante compares the plight of souls to that of several kinds of birds, including three of the four bird categories in PF.  The descriptions of the lovers painted on the wall in the Venus temple contain six additional names derived from "Inferno" 5, and like Dante's narrator, Chaucer's "I" is only an observer.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2700824">
              <text>Cowgill, Bruce Kent.</text>
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        <element elementId="98">
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            <elementText elementTextId="2700825">
              <text>Journal of English and Germanic Philology 74 (1975): 315-35.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1975</text>
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        <element elementId="102">
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            <elementText elementTextId="2700828">
              <text>Parliament of Fowls.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2700829">
              <text>Journal of English and Germanic Philology 74 (1975).</text>
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        <element elementId="109">
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              <text>jules - 7/10/94 SAC 1 (223)</text>
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              <elementText elementTextId="2700823">
                <text>The 'Parlement of Foules' and the Body Politic</text>
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                <text>Chaucer's unifying theme in PF is political rather than otherworldly.  It involves the contrast between an orderly world governed by natural law (the gate's first inscription and Scipio's "commune profit") and a chaotic world controlled by selfish and irresponsible leadership (the gate's second inscription and the cacophonous "foules").</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cooney, Helen.</text>
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              <text>Chaucer Review 32 (1998): 339-76.</text>
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        <element elementId="114">
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            <elementText elementTextId="2747436">
              <text>1998</text>
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            <elementText elementTextId="2747438">
              <text>Parliament of Fowls.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer Review 32 (1998)</text>
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              <text>jules SAC 22 - 303</text>
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                <text>The 'Parlement of Foules': A Theodicy of Love</text>
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                <text>PF offers an example of Chaucer's intertextuality.  The two "olde bokys" mentioned--Macrobius's commentary on "Somnium Scipionis" and Alain de Lille's "De planctu naturae"--inform the themes of suffering in love and the limitations of natural law in the poem.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2729092">
              <text>Baker, Donald C.</text>
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        <element elementId="98">
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              <text>Beryl Rowland, ed.  Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 428-45.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2729094">
              <text>1979</text>
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            <elementText elementTextId="2729095">
              <text>Companion to Chaucer Studies.</text>
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              <text>Parliament of Fowls.</text>
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              <text>jules SAC 03 (193)</text>
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                <text>The 'Parliament of Fowls'</text>
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                <text>Substantive criticism of PF really begins in 1935 with Bronson, who stated that the poem is a study of contrasts between man's views of love.  Later critics have elaborated this view, noting the polarities of the work:  the "Somnium" and the garden, "caritas" and passion, Africanus and Cytherea.</text>
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                <text>Reprinted from the first (1968) edition, with updated bibliography.</text>
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              <text>Lynch, Kathryn L.</text>
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              <text>Parliament of Fowls.</text>
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                <text>The 'Parliament of Fowls' and Late Medieval Voluntarism. Parts 1 and 2</text>
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                <text>Although PF clearly treats love and courtship, its most central or motivating problems is the relationship between choice and will or understanding.  Chaucer demonstrates a more thoroughly informed engagement with contemporary philosophy than critics have previously noted.</text>
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              <text>Aers, David.</text>
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                <text>The 'Parliament of Fowls': Authority, the Knower and the Known</text>
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                <text>It has been argued that the poem exhibits multiplicity and disharmony, though the poet shows a commitment to traditional forms of culture.  There is no such commitment in PF.  The multiplicity of authority and the "continuous self-reflexivity" does not permit the poem to be subsumed into a pattern of orthodox theodicy.</text>
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              <text>Theoria 45 (1975).</text>
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                <text>The 'certyn thyng' the narrator deludedly pursues through scholarly exploration is the necessity of undergoing experience (i.e., entering the gates "for better of for worse") to discover the meaning of love.  Nature's concern for the "commune profyt" shows this meaning:  the process of constant renewal out of disharmony and conflict.</text>
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              <text>Patterson, Lee.</text>
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                <text>The 'Parson's Tale' and the Quitting of the 'Canterbury Tales'</text>
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                <text>Comparison with contemporary documents show ParsT to be a manual for penitents; homiletic elements are minimal and the appeal is to reason rather than the emotions.  Despite numerous minor inconsistencies ParsT has a clear and effective structure.  Parallel passages in other tales indicate late composition.  ParsT and Ret, instead of reflecting back on the tales, represent a progressive withdrawal from fiction.</text>
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              <text>Jost, Jean E.</text>
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              <text>Proceedings of the Medieval Association of the Midwest 3 (1995): 94-109.</text>
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              <text>jules SAC 19 (1997) - 279</text>
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                <text>The 'Parson's Tale': Ending 'Thilke Parfit Glorious Pilgrymage That Highte Jerusalem Celestial'</text>
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                <text>ParsT critiques both the tales in CT and life, as well as concluding CT.</text>
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                <text>The tales present betrayals and sins through a variety of voices and genres, while ParsT creates a new tone to remedy and exonerate the betrayals in the tales and in life.</text>
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              <text>Windeatt, Barry.</text>
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              <text>English Miscellany 26-27 : 79-103, 1977-78.</text>
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              <text>Purificacion Fernandez Nistal and Jose Ma Bravo Gazalo, eds.  Proceedings of the VIth International Conference of the Spanish Society for Medieval English Language and Literature (Valladolid: Universidad de Valladolid, 1995), pp. 207-16.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2739219">
                <text>Assesses the Physician as a skillful practitioner and comments on PhyT, audience response to the tale, sources, arrangement of materials, and Chaucer's message.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2802185">
              <text>Middleton, Anne.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802186">
              <text>Chaucer Review 8.1 (1973): 9-32.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802187">
              <text>1973</text>
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            <elementText elementTextId="2802189">
              <text>Physician and His Tale</text>
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            <elementText elementTextId="2802190">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2802191">
              <text>Clerk and His Tale</text>
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            <elementText elementTextId="2802192">
              <text>Legend of Good Women</text>
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          <description/>
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            <elementText elementTextId="2802193">
              <text>Chaucer Review 08 (1973)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802194">
              <text>mea; 1/9/2015 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>The 'Physician's Tale' and Love's Martyrs: 'Ensamples Mo Than Ten' as a Method in the 'Canterbury Tales'</text>
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              <elementText elementTextId="2802188">
                <text>Studies aspects of PhyT that derive from hagiography, particularly its emphasis on Virginia as a "virgin martyr," not found in Chaucer's sources. As a result of Chaucer's various changes and genre modifications, the tale raises "grave questions of absolute and relative moral authority." Like other Chaucerian tales of victimization (especially ClT and those in LGW), PhyT challenges its audience to reassess moral categories and assumptions.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2715390">
              <text>Kempton, Daniel.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2715391">
              <text>Chaucer Review 19 (1984): 24-38.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715392">
              <text>1984</text>
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        <element elementId="102">
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            <elementText elementTextId="2715394">
              <text>Physician and His Tale.</text>
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            <elementText elementTextId="2715395">
              <text>Chaucer Review 19 (1984)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715396">
              <text>jules SAC 09 (185)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2715389">
                <text>The 'Physician's Tale': The Doctor of Physic's Diplomatic 'Cure'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2715393">
                <text>The Host's aversion to this tale is a clue to its interpretations:  the narrator, a typical medieval physician, reveals himself and his profession through his narration.  The death of Virginia is emblematic of the Physician's lack of concern for his patient's death.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2749689">
              <text>Finlayson, John.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2749690">
              <text>Neuphilologische Mitteilungen 99 (1998): 269-73.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749691">
              <text>1998</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749693">
              <text>Nun's Priest and His Tale.</text>
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            <elementText elementTextId="2749694">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749695">
              <text>Neuphilologische Mitteilungen 99 (1998)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749696">
              <text>jules SAC 22 - 270.</text>
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          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2749688">
                <text>The 'Povre Widwe' in the 'Nun's Priest's Tale' and Boccaccio's 'Decameron'</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749692">
                <text>The vivid details of Decameron 7.3 (the story of Friar Rinaldo)-the corrupt clergy, their obesity and sweating faces, their rich foods and wine, together with the simplicity of the widow's life-suggest that Boccaccio's work may have inspired NPT as a pointed satire of the clergy's failure (especially the Monk's) to meet the needs of lay people.</text>
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  </item>
  <item itemId="273255" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815412">
              <text>Lorrah, Jean.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815413">
              <text>DAI 30.02 (1969): 688A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815414">
              <text>1969</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815416">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2815417">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815418">
              <text>Dissertation Abstracts International 30 (1969)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815419">
              <text>mea; 06/08/2017 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2815411">
                <text>The 'Present Eternite' of Chaucer's 'Troilus and Criseyde'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2815415">
                <text>Describes how the Boethian concept of divine (fore)knowledge of eternity underlies various aspects of TC and explores how narrative devices, allusions, the treatment of time, and the epilogue evoke the "illusion of 'present eternite' for the reader in relation to the poem."</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
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  <item itemId="272491" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807471">
              <text>Albin, Andrew.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807472">
              <text>Chaucer Review 48.1 (2013): 91-112.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807473">
              <text>2013</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2807475">
              <text>Prioress and Her Tale</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807476">
              <text>Chaucer Review 48 (2013)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807477">
              <text>mea sac 37:133</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807470">
                <text>The 'Prioress's Tale,' Sonorous and Silent</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2807474">
                <text>Examines how song and sound create narrative meaning within PrT. Chaucer's choice of using the antiphon, "Alma redemptoris mater," reveals the "transformative force that sound bears." Discusses issues of performance, voice, and silences; aural reception and community; and societal conflicts between urban Jews and Christians.</text>
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  <item itemId="271701" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799211">
              <text>Friedman, Albert B.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799212">
              <text>Chaucer Review 9 (1974): 118-29.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799213">
              <text>1974</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2799215">
              <text>Prioress and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2799216">
              <text>Chaucer Review 09 (1974)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799217">
              <text>mea 10/15/2014 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2799210">
                <text>The 'Prioress's Tale' and Chaucer's Anti-Semitism</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2799214">
                <text>Challenges critics who absolve Chaucer of anti-Semitism by blaming the Prioress instead. Anti-Semitism was rife in Chaucer's society, and he was likely complicit in the bias. Yet, the topic is a critical distraction in discussions of PrT, which emphasizes the Prioress's reverence for the Mary and her dramatizes her "indulgence in pathos and sentimentality."</text>
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  <item itemId="267531" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2755959">
              <text>Tolmie, Sarah.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2755960">
              <text>Studies in the Age of Chaucer 22: 281-309. ,   2000.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2755961">
              <text>2000</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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                <text>The 'Prive Scilence' of Thomas Hoccleve</text>
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                <text>Assesses aspects of "Regement of Princes" to demonstrate Hoccleve's poetic subtlety, especially the ways he capitalizes on the idea that as a member of the "emergent administrative class," he had "restricted information." Discusses Pandarus of TC as a precursor to the old man of Regement.</text>
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              <text>Notes and Queries 232 (1987): 456.</text>
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                <text>The 'Prologue' to Chaucer's 'Legend of Good Women' in Cambridge Library MS Gg.4.27 and Johns Urry's 'Works' of Chaucer</text>
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                <text>Bradshaw was not the first to cite the LGW text in Gg.4.27.  Urry used line 58 from this manuscript for line 56 of the Speght text.</text>
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              <text>Paul Strohm and Thomas J. Heffernan, eds.  Studies in the Age of Chaucer, Proceedings, No. 1, 1984 (Knoxville, Tenn.: New Chaucer Society, 1985), pp. 23-47.</text>
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              <text>Studies in the Age of Chaucer, Proceedings, No. 1 (1984)</text>
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                <text>Discusses bawdy words, obscenities, and euphemisms in Chaucer,exposing fallacies in overzealous scholarly search for obscene puns.</text>
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                <text>Reprinted in "Contradictions: From Beowulf to Chaucer:  Selected Studies of Larry D. Benson," ed. Theodore M. Andersson and Stephen A. Barney (Aldershot. Hant: Scolar; Brookfield, VT: Ashgate, 1995).</text>
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              <text>Goodall, Peter.</text>
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        <element elementId="114">
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              <text>1980</text>
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              <text>Reeve and His Tale.</text>
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              <text>Miller and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>The 'Reeve's Tale,' 'Le Meunier et les ii Clers' and the 'Miller's Tale'</text>
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                <text>Chaucer's improvements result from adapting source to the framework of CT--giving the tale to the highly individualized Reeve, whose emphasis upon "quitting" the Miller requires that Symkin become the strongest character in the tale.  The most successful changes occur in the fight scene, where Chaucer expedites the action by involving the second clerk and the wife.</text>
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              <text>Frank, Robert Worth, Jr.</text>
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          <elementTextContainer>
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              <text>Stanley Weintraub and Philip Young, eds. Directions in Literary Criticism: Contemporary Approaches to Literature (University Park: Pennsylvania State University Press, 1973), pp. 53-69.</text>
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        <element elementId="114">
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            <elementText elementTextId="2802967">
              <text>1973</text>
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            <elementText elementTextId="2802968">
              <text>Directions in Literary Criticism: Contemporary Approaches to Literature.</text>
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              <text>Style and Versification</text>
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          <elementTextContainer>
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              <text>mea; 3/9/2015 No SAC</text>
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                <text>The 'Reeve's Tale' and the Comedy of Limitation</text>
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                <text>Reads RvP as a "confession of old age" and RvT as a "tribute" to unrestrained passion and an extension of the concern with love in KnT and MilT. Compares RvT with its analogues, and comments on its characterizations, the straightforwardness of its comedy, its style, and its thematic concerns with "space and place" and with the "inescapable reality of the real world."</text>
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              <text>Brewer, Derek S.</text>
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            <elementText elementTextId="2807960">
              <text>Chaucer Review 5.4 (1971): 311-17.</text>
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        <element elementId="114">
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          <elementTextContainer>
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              <text>1971</text>
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              <text>Manuscripts and Textual Studies</text>
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              <text>Chaucer Review 05 (1971)</text>
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              <text>mea; 2/23/2016 No SAC</text>
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                <text>The 'Reeve's Tale' and the King's Hall, Cambridge</text>
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                <text>Explores the literary and historical implications of identifying "Soler Hall" in RvT (1.3990) as King's Hall, Cambridge. Favors the variant "Scoler."</text>
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