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                  <text>Chaucer Bibliography Online</text>
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              <text>Robertson, Elizabeth.</text>
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              <text>Studies in the Age of Chaucer 23: 143-80,   2001.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Studies in the Age of Chaucer 23 (2001)</text>
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              <text>jules SAC 25 (189)</text>
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                <text>The 'Elvyssh' Power of Constance : Christian Feminism in Geoffrey Chaucer's The Man of Law's Tale</text>
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                <text>Through various alignments of Muslim and Christian characters and transgressions of social and gender boundaries, Chaucer "defamiliarizes" essentialist categories of race, class, gender, and especially religion in MLT. In particular, Chaucer depicts in Constance an ineffable ideal of Christianity--an unusual feminine alternative to dominant hierarchical orthodoxy, perhaps inspired by Lollardy but not congenial to many Lollard tenets. Chaucer's depictions of race and religion are similar to Wolfram von Eschenbach's in "Parzival."</text>
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                <text>For revised version, see "Nonviolent Christianity and the Strangeness of Female Power in Geoffrey Chaucer's Man of Law's Tale."</text>
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              <text>Markot, Margaret Lindsey.</text>
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              <text>Dissertation Abstracts International 48 (1988): 1777A.</text>
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              <text>1988</text>
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              <text>House of Fame.</text>
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              <text>Legend of Good Women.</text>
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              <text>Dissertation Abstracts International 48 (1988)</text>
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              <text>jules SAC 12 220)</text>
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                <text>The 'Entente' of the Narrator: A Poet Speaks to His Audience in Chaucer's Versions of the Dido and Aeneas Legend</text>
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                <text>Treatments of Dido and Aeneas in HF and LGW indicate that Chaucer develops a narrator-character who mediates actively between subject and audience in a more modern way than do his sources.</text>
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              <text>Farrell, Thomas J.</text>
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              <text>Chaucer Review 24 (1990): 329-36.</text>
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              <text>1990</text>
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              <text>Clerk and His Tale.</text>
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              <text>Chaucer Review 24 (1990)</text>
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              <text>jules SAC 14 (197)</text>
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                <text>The 'Envoy de Chaucer' and the 'Clerk's Tale'</text>
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                <text>Rather than belonging to Chaucer, the Envoy belongs entirely and appropriately to the Clerk.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Shigeo, Hisashi.</text>
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        <element elementId="98">
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              <text>The Meiji Gakuin Review (March, 1979): 137-69.</text>
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              <text>1979</text>
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              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2728914">
              <text>The Meiji Gakuin Review (March, 1979)</text>
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              <text>jules SAC 03 (173)</text>
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              <elementText elementTextId="2728908">
                <text>The 'epilogue' of 'Troilus and Criseyde' reconsidered</text>
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                <text>The "epilogue" of TC apparently reveals Chaucer's denial of worldly love.  However, it should be interpreted as the poet's complexity and uncertainty in his attitude towards "love," one of his major themes.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wheatley, Thomas Edward.</text>
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        <element elementId="98">
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            <elementText elementTextId="2785446">
              <text>Dissertation Abstracts International 53 (1992): 805A-06A.</text>
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              <text>1992</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Nun's Priest and His Tale</text>
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              <text>Dissertation Abstracts International 53 (1992)</text>
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              <text>mea 1/24/2013 No SAC</text>
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                <text>The 'Fabulae' of Walter of England, the Medieval Scholastic Tradition, and the British Vernacular Fable</text>
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                <text>The "forms of allegory" found in Walter of England's Latin "Fabulae," as well as its "structure and vocabulary of scholastic presentation, profoundly influenced the fables of Geoffrey Chaucer, John Lydgate, and Robert Henryson." Discusses NPT, Lydgate's "Iospes Fabules," and Henryson's "Morall Fabillis."</text>
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              <text>Baswell, Christopher C.,and Paul Beekman Taylor.</text>
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              <text>Speculum 63 (1988): 293-311.</text>
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              <text>Taylor, Paul Beekman.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Speculum 63 (1988).</text>
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              <text>jules SAC 12 (231)</text>
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                <text>The 'Faire Queene Eleyne' in Chaucer's 'Troilus'</text>
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                <text>Borrowing from classical, mythographical, and iconographic sources, Chaucer uses Helen of Troy in TC both as a character and as a model to parallel and emphasize Criseyde's calm detachment and ultimate infidelity, leading to betrayal of Troilus and disaster for Troy.</text>
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              <text>Perryman, Judith C.</text>
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              <text>Neophilologus 68:1 (1984): 121-33.</text>
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              <text>Knight and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Neophilologus 68 (1984)</text>
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                <text>The 'False Arcite' of Chaucer's 'Knight's Tale'</text>
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                <text>Analyzes the use Chaucer made of Boccaccio's "Teseida" in characterization in KnT.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2786083">
              <text>Green, Richard Firth.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>V. J. Scattergood and J. W. Sherborne, eds. English Court Culture in the Later Middle Ages (London: Duckworth, 1983), pp. 87-108.</text>
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              <text>1983</text>
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          <description/>
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            <elementText elementTextId="2786086">
              <text>English Court Culture in the Later Middle Ages</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786088">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2786089">
              <text>Legend of Good Women</text>
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            <elementText elementTextId="2786090">
              <text>Envoy to Scogan</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea 2/20/2013 No SAC</text>
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              <elementText elementTextId="2786082">
                <text>The 'Familia Regis' and the 'Familia Cupidinis'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2786087">
                <text>Surveys evidence for the existence of "courts of love" in late medieval French and English culture, considering historical evidence such as Charles VI's "cour amoureuse," and the literary evidence of the love debate, the "demande d'amour," the flower versus the leaf, etc. Draws examples from a range of literature, including Chaucer's LGWP, TC, and Scog. Although the evidence for courts of love is "far from unambiguous," it may indicate that the court society itself was "closed, predominantly masculine . . . self-consciously literary," and perhaps rather "preening."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2733753">
              <text>Fleming, John V.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2733754">
              <text>Piero Boitani and Anna Torti, eds.  Interpretation: Medieval and Modern (Cambridge: D. S. Brewer, 1993), pp. 189-200.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2733755">
              <text>1993</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2733756">
              <text>Interpretation: Medieval and Modern.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2733758">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2733759">
              <text>Sources, Analogues, and Literary Relations.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2733760">
              <text>jules SAC 17 (253)</text>
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              <elementText elementTextId="2733752">
                <text>The 'Fides Interpres,' or From Horace to Pandarus</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2733757">
                <text>The narrator's fidelity and infidelity to sources are a major theme of TC, reflecting a tradition of translation theory and practice that extends back to Horace and is heavily influenced by Boethius.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706241">
              <text>Allen, Valerie.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706242">
              <text>Review of English Studies, n.s., 40 (1989): 531-37.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706243">
              <text>1989</text>
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            <elementText elementTextId="2706245">
              <text>Gentilesse.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706246">
              <text>Review of English Studies 40 (1989)</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706247">
              <text>jules SAC 13 (254)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2706240">
                <text>The 'Firste Stok' in Chaucer's 'Gentilesse': Barking up the Right Tree</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2706244">
                <text>The "first stok" of Gent 1 refers to God as the father of "gentilesse" of Gent 8, to Christ as its exemplar and model.  The genealogical image operates as metaphor, pun, and paradox in the poem.</text>
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  <item itemId="273176" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814581">
              <text>Grund, Peter J.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814582">
              <text>Review of English Studies 65, no. 271 (2014): 575-95.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814583">
              <text>2014</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814585">
              <text>Canon's Yeoman and His Tale</text>
            </elementText>
            <elementText elementTextId="2814586">
              <text>Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814587">
              <text>Review of English Studies 65 (2014)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814588">
              <text>mea; 3/03/2017 sac 38:191</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2814580">
                <text>The 'Forgotten' Language of Middle English Alchemy: Exploring Alchemical Lexis in the 'MED' and the 'OED'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2814584">
                <text>Differentiates "literary" uses of alchemical terms from those of alchemical treatises and shows that Chaucer's CYT is one of the seven most frequent alchemical sources in the seventy citations within the "MED."</text>
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  <item itemId="263859" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2718699">
              <text>Hamel, Mary.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2718700">
              <text>Chaucer Review 17 (1983): 316-31.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2718701">
              <text>1983</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2718703">
              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2718704">
              <text>Franklin and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2718705">
              <text>Chaucer Review 17 (1983)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2718706">
              <text>jules SAC 07 (23</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2718698">
                <text>The 'Franklin's Tale' and Chretien de Troyes</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2718702">
                <text>Although Chretien's "Cliges" is not a major source for FranT, thematic and verbal correspondences suggest that Chaucer used it in a complex fashion.</text>
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  <item itemId="263750" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717669">
              <text>Lane, Robert C.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717670">
              <text>Anne C. Hargrove and Maurine Magliocco, eds. Portraits of Marriage in Literature (Macomb: Western Illinois University, 1984), pp. 107-24.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717671">
              <text>1984</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717672">
              <text>Portraits of Marriage in Literature.</text>
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          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717673">
              <text>Hargrove, Anne C.,</text>
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              <text>Magliocco, Maurine,ed.</text>
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            <elementText elementTextId="2717675">
              <text>ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2717677">
              <text>Franklin and His Tale.</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 08 (166)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2717668">
                <text>The 'Franklin's Tale': Of Marriage and Meaning</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2717676">
                <text>The marriage speech of Averagus and Dorigen is of pivotal importance in understanding the dynamics of their marriage. Human interaction does not guarantee valid or shared meaning.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707496">
              <text>Harwood, Britton J.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707497">
              <text>Review of English Studies 39 (1988): 413-17.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707498">
              <text>1988</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2707501">
              <text>General Prologue to the Canterbury Tales.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2707502">
              <text>Review of English Studies 39 (1988).</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707503">
              <text>jules SAC 12 (138)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>The 'Fraternitee' of Chaucer's Guildsmen</text>
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          <element elementId="41">
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              <elementText elementTextId="2707499">
                <text>The haberdasher, carpenter, weaver, dyer, and tapestry maker of the GP must each have belonged to his own "communitas," or mystery, and the five could not (by law and custom) be members of a sixth company.  Harwood shows that the "fraternitee" was probably a religious society of which the guildsmen were honorary members, and which they had joined, as members of lesser companies, so that they could have contact with the wealthy and controlling merchant class.</text>
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              <elementText elementTextId="2707500">
                <text>Their lives could signify membership in the Fraternity of Tailors and Linen Armorers of Saint John the Baptist.  If so, their hoods would have been scarlet.</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712720">
              <text>Herzman, Ronald B.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712721">
              <text>Anthony Pellegrini, ed. The Early Renaissance: Virgil and the Classical Tradition (Binghamton: Center for Medieval and Early Renaissance Studies, State University of New York, 1985), pp. 1-17.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712722">
              <text>1985</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712723">
              <text>The Early Renaissance: Virgil and the Classical Tradition.</text>
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        </element>
        <element elementId="112">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712724">
              <text>Pellegrini, Anthony,ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2712726">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2712727">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712728">
              <text>jules SAC 10 (165)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2712719">
                <text>The 'Friar's Tale': Chaucer, Dante, and the 'Translatio Studii'</text>
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          <element elementId="41">
            <name>Description</name>
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              <elementText elementTextId="2712725">
                <text>In FrT, Chaucer humorously uses references to Dante's story of Frate Alberigo.  In reference to "Inferno," canto 33, to reverse Dante's pattern of punishment and sin, Chaucer specifically names Dante; and Chaucer's description of Satan is fashioned on Dante's version in "Inferno," canto 34.</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740095">
              <text>Farrell, Thomas J.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740096">
              <text>David G. Allen and Robert A. White, eds.  Subjects on the World's Stage: Essays on British Literature of the Middle Ages and the Renaissance  (Newark: University fo Delaware Press, 1995), pp. 38-53.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740097">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740098">
              <text>Subjects on the World's Stage: Essays on British Literature of the Middle Ages and the Renaissance.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740100">
              <text>Troilus and Criseyde.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740101">
              <text>jules SAC 19 (1997) - 304</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2740094">
                <text>The 'Fyn' of the 'Troilus'</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2740099">
                <text>Uses of the word "fyn" by Criseyde, Pandarus, and the narrator invite the reader to consider the teleology of the various parts of the work.</text>
              </elementText>
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  <item itemId="270501" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786596">
              <text>Moseley, Charles.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786597">
              <text>Linda Cookson and Bryan Loughrey, ed. Critical Essays on The General Prologue to The Canterbury Tales (Harlow: Longman, 1989), pp. 105-18.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786598">
              <text>1989</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786599">
              <text>Critical Essays on The General Prologue to The Canterbury Tales.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786601">
              <text>General Prologue to the Canterbury Tales</text>
            </elementText>
            <elementText elementTextId="2786602">
              <text>Canterbury Tales--General</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786603">
              <text>mea 3/8/2013 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2786595">
                <text>The 'General Prologue' as Prologue</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2786600">
                <text>Surveys the narrative techniques of the GP as they set up and anticipate those of the entire CT:  the suggestiveness of pilgrimage and frame narrative, the impressionistic variety of the pilgrims and their juxtapositions, the naïve but subjective narrative persona and his reliance on memory, the emphasis on chance, disorderliness, and varieties of love.</text>
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          </element>
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  <item itemId="265085" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730517">
              <text>Keenan, Hugh T.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730518">
              <text>Neuphilologische Mitteilungen 79 (1978): 36-40.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730519">
              <text>1978</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730521">
              <text>Franklin and His Tale.</text>
            </elementText>
            <elementText elementTextId="2730522">
              <text>General Prologue to the Canterbury Tales.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730523">
              <text>Neuphilologische Mitteilungen 79 (1978)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730524">
              <text>jules SAC 02 (167)</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2730516">
                <text>The 'General Prologue' to the 'Canterbury Tales,' Lines 345-346: The Franklin's Feast and Eucharistic Shadows</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2730520">
                <text>The "snow" of food and drink in the Franklin's house evokes manna, which was like hoarfrost in the Bible, and therefore snow in medieval references.  The result is eucharistic parody, discrediting the Franklin's feast.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746825">
              <text>Horobin, S. C. P.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746826">
              <text>Neuphilologische Mitteilungen 99 (1998): 411-17.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746827">
              <text>1998</text>
            </elementText>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746830">
              <text>Manuscripts and Textual Studies.</text>
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            <elementText elementTextId="2746831">
              <text>Canterbury Tales--General.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746832">
              <text>Neuphilologische Mitteilungen 99 (1998)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746833">
              <text>jules SAC 22 - 42</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746824">
                <text>The 'Hooked G' Scribe and His Work on Three Manuscripts of the 'Canterbury Tales'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746828">
                <text>The similar scribal features of three manuscripts of CT (Devonshire; Trinity College, Cambridge R.3.3; and Bodleian Rawlinson Poetry 223) have sometimes been attributed to a group of scribes and supervisors.  This attribution has been used to support the "bookshop theory" (concerning centralized and commercial production of literary manuscripts).</text>
              </elementText>
              <elementText elementTextId="2746829">
                <text>The coherent linguistic forms of these three manuscripts (and of associated manuscripts of Gower and Lydgate), however, point to their being the work of a single scribe, likely an emigre to London from Kent.</text>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729195">
              <text>Shook, Laurence K.</text>
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          </elementTextContainer>
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              <text>Beryl Rowland, ed.  Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 414-27.</text>
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              <text>Companion to Chaucer Studies.</text>
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              <text>House of Fame.</text>
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              <text>jules SAC 03 (204)</text>
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                <text>The 'House of Fame'</text>
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            <description>An account of the resource</description>
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                <text>HF is a poem about the art of poetry, for to be one of "Love's folk" was, in the medieval view, to be a poet also.</text>
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                <text>Revised from the first (1968) edition, with updated bibliography.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2809778">
              <text>Kiernan, Kevin Sean.</text>
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        <element elementId="98">
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              <text>DAI 32.02 (1971): 921A.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2809780">
              <text>1971</text>
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              <text>Troilus and Criseyde</text>
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              <text>Sources, Analogues, and LIterary Relations</text>
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        <element elementId="100">
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              <text>Dissertation Abstracts International 32 (1971)</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 07/09/2016 No SAC</text>
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              <elementText elementTextId="2809777">
                <text>The 'In-Eched' Method of Narration in Chaucer's 'Troilus'</text>
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            <name>Description</name>
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              <elementText elementTextId="2809781">
                <text>Describes the shifts in perspective and changes in the point of view of the narrator in TC, arguing that they guide the reader to the outlook that concludes the poem, particularly through allusions to the biblical book of Ecclesiastes.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713515">
              <text>Frantzen, Allen J.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2713516">
              <text>Julian  N. Wasserman and Robert J. Blanch, eds. Chaucer in the Eighties (Syracuse, N.Y.: Syracuse University Press, 1986), pp. 105-19.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2713517">
              <text>1986</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2713518">
              <text>Chaucer in the Eighties.</text>
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              <text>Troilus and Criseyde.</text>
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        <element elementId="109">
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            <elementText elementTextId="2713521">
              <text>jules SAC 10 (247)</text>
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          <element elementId="50">
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              <elementText elementTextId="2713514">
                <text>The 'Joie and Tene' of Dreams in 'Troilus and Criseyde'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2713519">
                <text>Four dreams help structure TC:  Criseyde's about Pandarus and about the eagle; Troilus's about his fall and about the boar.  The dreams reveal character:  Criseyde's dreams cause no narrative conflict; Troilus's become an essential part of his story.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2699573">
              <text>Cowgill, Bruce Kent.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2699574">
              <text>Philological Quarterly 54 (1975): 670-79.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699575">
              <text>1975</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2699577">
              <text>Knight and His Tale.</text>
            </elementText>
            <elementText elementTextId="2699578">
              <text>General Prologue to the Canterbury Tales.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699579">
              <text>Philological Quarterly 54 (1975)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2699580">
              <text>jules - 23/9/94 SAC 1 (101)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2699572">
                <text>The 'Knight's Tale' and the Hundred Years' War</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2699576">
                <text>The tournament described in Part IV is archaic.  Chaucer's purpose is to dissociate the Knight from the ideals of his age and thus align the tale with its narrator's portrait in the GP as an implicit reproval of the Hundred Years' War.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712476">
              <text>Brown, Emerson,Jr.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2712477">
              <text>Chaucer Review 21 (1986): 133-41.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712478">
              <text>1986</text>
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        <element elementId="102">
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            <elementText elementTextId="2712480">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2712481">
              <text>Chaucer Review 21 (1986)</text>
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        <element elementId="109">
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              <text>jules SAC 10 (139)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2712475">
                <text>The 'Knight's Tale', 2639: Guilt by Punctuation</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2712479">
                <text>A comma at the end of line 2639 suggests that Emetreus has treacherously struck Palamon.  Editorial punctuation could be contrary to Chaucer's intention, which may have been to leave the sense ambiguous.  We need an edition of Chaucer without modern pointing imposed.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2815637">
              <text>Fifield, Merle.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2815638">
              <text>Chaucer Review 3.2 (1968): 95-106.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2815639">
              <text>Chaucer Review  03 (1968)</text>
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        <element elementId="102">
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              <text>Knight and His Tale</text>
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            <elementText elementTextId="2815641">
              <text>mea; 09/14.2017</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815642">
              <text>1968</text>
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              <elementText elementTextId="2815635">
                <text>The 'Knight's Tale': Incident, Idea, Incorporation.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2815636">
                <text>Identifies five structural units in the narrative of the KnT and reads them as a unified, seriatim manifestation of a world that is "tyrannized by mutability," resistant to individual and corporate efforts to find or impose order, and sensible only through acceptance of Fortune.</text>
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