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              <text>Machan, Tim William.</text>
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              <text>Norman, Okla. : Pilgrim Books, 1985.</text>
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              <text>Boece.</text>
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              <text>jules SAC 09 (221)</text>
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                <text>Techniques of Translation: Chaucer's "Boece"</text>
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                <text>Although in Bo Chaucer maintains fidelity to his source, he manipulates language through periphrastic derivatives, lexical and syntactic experimentation, combined translations, double and alternate translations, and doublets.  Bo as we have it was neither meant for the general public nor intended for circulation.  Includes notes, bibliography, index of lines, index of names and terms.</text>
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              <text>Mueller, Crystal L.</text>
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              <text>vxl SAC 31:163</text>
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                <text>Technologies of the Late Medieval Self: Ineffability, Distance, and Subjectivity in the 'Book of Margery Kempe'</text>
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                <text>Discusses CT, especially WBP, in a study of the construction of the "self" in the late medieval and early modern periods. Focuses on how a complex sense of the self is constructed in "The Book of Margery Kempe" and developed into the seventeenth century.</text>
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              <text>Yvernault, Martine.</text>
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              <text>Colette Stévanovitch, ed. Marges/Seuils: Le liminal dans la littérature médiévale anglaise (Nancy: AMAES, 2006), pp. 209-24.</text>
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                <text>Tel est vu qui croyait voir: Marges, bréches, et jeux optiques dans le Conte du Meunier de Chaucer</text>
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                <text>Yvernault focuses on the narrative imbalance in MilT caused by the intrusions of the margin through description of holes and through open and broken architectural structures.</text>
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              <text>Greenwood, Maria Katarzyna.</text>
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              <text>Leo Carruthers and Adrian Papahagi, eds. Paroles et silences dans la littérature anglaise au Moyen Age (Paris : Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2003), pp. 135-54.</text>
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              <text>Paroles et silences dans la littrature anglaise au Moyen Âge .</text>
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              <text>vxl SAC 27: 149</text>
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                <text>Tell It All or Not At All: Tact, Tactlessness and Good Advice in The Manciple's Tale, The Tale of Melibee and The Parson's Tale</text>
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                <text>ManT, Mel, and ParsT are hardly tales at all, but rather a joke, an allegory, and a sermon. Yet they provide interesting comparisons between speakers and listeners, ways of speaking and ways of holding back. Reading between the lines is needed before the wisdom of the works emerges.</text>
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              <text>Bugge, John</text>
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              <text>American Notes and Queries 14 (1976): 82-85.</text>
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                <text>Tell-Tale Context: Two Notes on Biblical Quotation in 'The Canterbury Tales'</text>
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                <text>The Prioress by omitting the passage which extolls King David in Psalm 8 betrays herself as ignorant of history.  The Friar in blending vv.8-9 of Psalm 10 omits passages which chastise the aggrandisement of the friars at the expense of the poor.  Chaucer says that the clergy should have followed the scriptures.</text>
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                <text>Making the improbable seem momentarily probable, Chaucer risks offending his audience by telling a bawdy story, but he excuses himself and blames the Miller for any breach of good taste.  Chaucer catches the reader off guard with the abrupt denouement.</text>
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Schachner, Erwin, illus.</text>
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              <text>Hawthorn Junior Biographies.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2824470">
              <text>Chaucer's Life</text>
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              <text>1965</text>
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                <text>Teller of Tales: The Story of Geoffrey Chaucer.</text>
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                <text>A biography of Chaucer designed for juvenile or young adult readers, including imagined scenes from his childhood, marriage, travels, and professional life, as well as commentary on his literary works. Includes a chronology of "Dates and Events," an index, and b&amp;w line sketches of late-medieval life.</text>
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              <text>Ginsberg, Warren.</text>
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              <text>viii, 250 pp.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Style and Versification&#13;
Canterbury Tales--General&#13;
Miller and His Tale&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Merchant and His Tale&#13;
Franklin and His Tale&#13;
Pardoner and His Tale&#13;
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mea; 2/19/2018</text>
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                <text>With special consideration of Ovid, Dante, and Boccaccio as models (not sources), explores the relationship between Chaucer's predecessors and CT while conducting in-depth investigation into Chaucer's reworking of the original texts both through the pilgrims' tales as translations and the pilgrims themselves as translators. Examines individual characters' narrative roles in FranT, WBT, ClT, MerT, PardT, and MilT, and focuses on Chaucer's use of interruption of speech and repetition as narrative conventions.</text>
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                <text>Tellers, Tales, and Translation in Chaucer's "Canterbury Tales."</text>
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              <text>Kiser, Lisa J.</text>
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              <text>Ithaca, N.Y.: Cornell Universisty Press, 1983.</text>
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              <text>Legend of Good Women.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 07 (27)</text>
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                <text>Telling Classical Tales: Chaucer and 'The Legend of Good Women'</text>
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                <text>Argues that LGW is important for source study:  it is a defense of Chaucer's own narrative poetry in the medieval perceptions of metaphor, allegory, and rhetoric.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2783149">
              <text>Benton, Andrea Gronstal.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A69.09 (2009): n.p.</text>
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            <elementText elementTextId="2783153">
              <text>Squire and His Tale.</text>
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              <text>Dissertation Abstracts International 69 (2009)</text>
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              <text>vxl sac 33:143</text>
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                <text>Telling Description: Convention, Coherence, and the Making of the Self in Middle English Romance</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2783152">
                <text>Benton contrasts SqT and the work of the "Gawain"-poet with popular romances as a way of understanding how romances employ descriptive passages as an essential "formal and conceptual" element.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2771381">
              <text>Grace, Dominick [M.]</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2771382">
              <text>Philological Quarterly 82 (2003): 367ı400.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2771383">
              <text>2003</text>
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        <element elementId="102">
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              <text>Tale of Melibee.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2771387">
              <text>Philological Quarterly 82 (2003).</text>
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              <text>vxl sac 29:246</text>
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                <text>Telling Differences : Chaucer's Tale of Melibee and Renaud de Louens' Livre de Mellibee et Prudence</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2771384">
                <text>Mel interprets and transforms its source. Chaucer's alterations, although slight, tend to undercut the allegorical reading, qualifying Prudence's authority and conclusions. Mel makes explicit concepts that are implicit in the original: the limitations of human knowledge and the difficulty of deciding on proper authoritative bases for reaching any decision.</text>
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              <name>Title</name>
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              <text>Kolve, V. A.</text>
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          <elementTextContainer>
            <elementText elementTextId="2783161">
              <text>xxxiii, 368 pp. b&amp;w illus.</text>
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          <elementTextContainer>
            <elementText elementTextId="2783162">
              <text>"Of Calendars and Cuckoldry (1): January and May in The Merchant's Tale."</text>
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            <elementText elementTextId="2783163">
              <text>"Of Calendars and Cuckoldry (2): The Sun in Gemini and The Merchant's Tale."</text>
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              <text>vxl sac 33:142</text>
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                <text>Telling Images: Chaucer and the Imagery of Narrative II</text>
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                <text>Reprints six of Kolve's essays on visual imagery and iconography in Chaucer and medieval literature and adds two new ones--both on MerT: "Of Calendars and Cuckoldry (1): January and May in The Merchant's Tale" (pp. 93-122) and "Of Calendars and Cuckoldry (2): The Sun in Gemini and The Merchant's Tale" (pp. 123-70). In the two new essays, Kolve provides visual background for January and May and for the pear-tree episode of MerT from medieval and early modern calendar traditions. He argues that these traditions underlie the characterizations in MerT and affirm the fabliau erotics of the conclusion, despite countervailing concerns with the Fall of Man. About forty-five black-and-white illustrations accompany the two essays.</text>
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            <elementText elementTextId="2821952">
              <text>Larson, Eric.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2821953">
              <text>Dissertation Abstracts International A77.09 (2016): n.p.</text>
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            <elementText elementTextId="2821954">
              <text>Dissertation Abstracts International 77 (2016)</text>
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          <name>Chaucer Subject</name>
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              <text>Facsimiles, Editions, and Translations</text>
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          <elementTextContainer>
            <elementText elementTextId="2821956">
              <text>SAC 40:100</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2821957">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2821950">
                <text>Telling New Tales: Modernizations of Chaucer in the Eighteenth Century..</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Investigates eighteenth-century modernizations of Chaucer's work (especially CT), with an eye toward the period's political issues and a consideration of those modernizers' contributions to later scholarly apparatus.</text>
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              <text>Weisberg, David.</text>
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              <text>Chaucer Review 27 (1992): 45-64.</text>
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              <text>Man of Law and His Tale.</text>
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                <text>Telling Stories about Constance: Framing and Narrative Strategy in the 'Canterbury Tales'</text>
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                <text>The individual tales in CT contain multiple voices and the same narrative strategies as the frame itself--i.e., the central narrative interrupted by intervening narratives "read as both a narrating act and a narracted event that compels the overarching narrative to completion."  MLT is a case in point.</text>
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                <text>Telling Stories, Saving Lives: The Value of 21st-Century Refugee Writing</text>
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                <text>Describes uses of "iconic extant narratives" in twenty-first-century refugee writing, using CT as a "key and core example," and focusing on how it adds "to the ethical potential" of three volumes of "Refugee Tales" (2016, 2018, and 2019) edited by David Herd and Anna Pincus, and Patience Agbabi's "Telling Tales" (2014), a "modern-day remix" of Chaucer's poem.</text>
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              <text>Lehmann, Elmar, and Bernd Lenz, eds.</text>
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              <text>Amsterdam and Philadelphia: B. B. Gruner, 1992.</text>
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              <text>jules SAC 17 (102)</text>
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                <text>Telling Stories: Studies in Honour of Ulrich Broich on the Occasion of His 60th Birthday</text>
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              <elementText elementTextId="2732108">
                <text>A festschrift with nineteen essays focusing on telling stories, a theme that plays an important role in the work of Ulrich Broich.  The subjects range from England to Japan, from Chaucer to Joyce, from genre to gender. For two essays that pertain to Chaucer, search for Telling Stories: Studies in Honour of Ulrich Broich under Alternative Title.</text>
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              <text>Hobbs, Donna Elaine.</text>
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              <text>Ph.D. Dissertation. University of Texas at Austin, 2012. Fully accessible via https://repositories.lib.utexas.edu/items/03d90e6c-1a6f-4e41-a8d3-732d1d740cff (accessed April 4, 2026).</text>
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            <elementText elementTextId="2854401">
              <text>xii, 292 pp.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Life</text>
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        <element elementId="114">
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          <elementTextContainer>
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              <text>2012</text>
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                <text>Telling Tales Out of School: Schoolbooks, Audiences, and the Production of Vernacular Literature in Late Medieval England.</text>
              </elementText>
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              <elementText elementTextId="2854398">
                <text>Describes literary works included in "the curriculum in fourteenth- and fifteenth-century English grammar schools," as background to understanding "the instruction of generations of schoolchildren" and "reading the Middle English literature created and read by those trained in these schools." Includes discussion of "The Book of Margery Kempe," Lydgate's "Fall of Princes," and TC, attending in the latter to letter writing and audience awareness as taught in grammar schoolbooks and to Criseyde’s control of "the story’s ending and the responses of readers through her final letter to Troilus."</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765409">
              <text>Rosenthal, Joel T.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>University Park : Pennsylvania State University Press, 2003.</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2765411">
              <text>2003</text>
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          <elementTextContainer>
            <elementText elementTextId="2765412">
              <text>xxvi, 217 pp.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2765414">
              <text>Chaucer's Life.</text>
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        </element>
        <element elementId="109">
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              <text>vxl SAC 27:15</text>
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              <elementText elementTextId="2765408">
                <text>Telling Tales: Sources and Narration in Late Medieval England</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2765413">
                <text>Provides close historical analysis of three groups of archives: proofs of age from the reigns of Richard II and Henry IV, depositions from the Scrope-Grosvenor controversy, and Margaret Paston's letters. Discussion of the depositions includes commentary on Chaucer's testimony.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2844851">
              <text>Turner, Marion.</text>
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        <element elementId="98">
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              <text>Times Literary Supplement November 19, 2021, pp. 14-15.</text>
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              <text>Times Literary Supplement November 19, 2021</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Wife of Bath and Her Tale&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
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              <text>SAC 45:118</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2844856">
              <text>2021</text>
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                <text>Telling Tales: Zadie Smith's New Incarnation of a Six-Hundred-Year-Old Heroine</text>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2850932">
                <text>Reviews a production of Zadie Smith's stage play "The Wife of Willesden" (Kiln Theatre), along with the edition of the play (London: Penguin, 2021), describing its relations with WBPT and mentioning other recent adaptations.</text>
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              <description>A name given to the resource</description>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816905">
              <text>Agbabi, Patience.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Edinburgh: Canongate, 2014.</text>
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            <elementText elementTextId="2816907">
              <text>viii, 124 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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mea; 2/19/2018&#13;
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                <text>Telling Tales.</text>
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                <text>Poetic adaptation of CT with modern multicultural  settings, details, and dialects.</text>
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              <text>Kooper, Erik.</text>
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                <text>Introduces Chaucer's life and works, emphasizing CT and its innovations of social tension and variety as reflections of changes in English society during Chaucer's lifetime. Also comments on the fragmentary nature of CT, compares the work with Boccacio's "Decameron," and summarizes its early reputation as evident in its manuscript history. Quotes most of MilP (in David Wright's verse translation of 1985), and includes a reproduction of the Ellesmere manuscript, fol. 34v, the opening of MilT.</text>
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              <text>Hanning, Robert W.</text>
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              <text>James M. Dean and Christian Zacher, eds.  The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp.108-25.</text>
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              <text>Idea of Medieval Literature.</text>
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                <text>Telling the Private Parts: 'Pryvetee' and Poetry in Chaucer's Canterbury Tales</text>
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                <text>"Pryvetee" assumes a spectrum of meanings and a range of functions in the overall scheme of CT.  Hanning examines a few of these functions, suggesting that at the center of the poem and Chaucer's art is a mysterious, antithetical, yet symbiotic relationship between "pryvetee" and poetry.</text>
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              <text>Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 59-73.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1986</text>
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              <text>jules SAC 10 (253)</text>
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                <text>Telling the Story in 'Troilus and Criseyde'</text>
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            <description>An account of the resource</description>
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                <text>The "texture" of TC--its nuances and suggestive detail--both enriches and "interferes with" the meaning conveyed by theme and structure.  Thus, by the end of TC readers may both admire and dislike the "trouthe" of the hero and heroine.  Overtly, TC "celebrates fidelity"; "covertly, it makes us feel...the claustrophobia which comes with fidelity rigidified, gone wrong."</text>
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              <text>Barron, Caroline.</text>
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              <text>In Linda Clark and Elizabeth Danbury, eds. "A Verray Parfit Praktisour": Essays Presented to Carole Rawcliffe (Woodbridge: Boydell, 2017), pp. 141-51. </text>
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              <text>Danbury, Elizabeth, ed.</text>
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              <text>"A Verray Parfit Praktisour": Essays Presented to Carole Rawcliffe.</text>
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              <text>Background and General Criticism&#13;
Reeve and His Tale</text>
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                <text>Telling Time in Chaucer's London.</text>
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                <text>Questions why there was "no great belfry housing a public clock in medieval London," arguing that something similar was raised in the 1350s at the parish church of St. Pancras in Soper Lane. Includes one reference to Chaucer: the cock crow rather than clock bells in RvT 1.4233.</text>
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              <text>Meyers, Alyssa.</text>
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        <element elementId="98">
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              <text>DAI A72.06 (2011): n.p.</text>
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          <name>Date</name>
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              <text>Dissertation Abstracts International 72 (2011).</text>
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              <text>mea sac 35:83.</text>
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                <text>Telling Time: Temporality and Narrative in Late Medieval English Literature</text>
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                <text>Explores use of temporality ("the experience of living in time") in CT and Gower's "Confessio Amantis," suggesting that CT is present-centered and considers the relationship of past to present, while Gower "focuses on the present as it becomes the future."</text>
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