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              <text>Adelman, Janet.</text>
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              <text>Dewey R. Faulkner, ed. Twentieth Century Interpretations of The Pardoner's Tale: A Collection of Critical Essays (Englewood Cliffs, NJ: Prentice-Hall, 1973), pp. 96-106.</text>
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              <text>Faulkner, Dewey R., ed.</text>
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              <text>Twentieth Century Interpretations of The Pardoner's Tale</text>
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              <text>Pardoner and His Tale</text>
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              <text>mea; 4/167/2023</text>
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              <text>1973</text>
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                <text>"That We May Leere Som Wit."</text>
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            <description>An account of the resource</description>
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                <text>Critical appreciation of PardT as "brilliantly constructed, simultaneously a parody of the very truths it purports to be about and a joke in which we are never quite sure of the butt"; pays particular attention to its "ragged structure" and how it "finally implicates us."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Ruszkiewicz, Dominika.</text>
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              <text>M. J. Toswell and Anna Czarnowus, eds. Medievalism in English Canadian Literature: From Richardson to Atwood (Cambridge: Brewer, 2020.), pp. 129-42</text>
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              <text>Medievalism in English Canadian Literature</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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              <text>SAC 45:47</text>
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        <element elementId="114">
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                <text>"That's what you get for being food": Margaret Atwood's Symbolic Cannibalism.</text>
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                <text>Comments on several "manifestation[s] of the medieval" in the writings of Margaret Atwood, focusing on her "response to the patriarchal standards and conventions of the courtly tradition." Identifies connections with Chaucer's motif of "enditynge," the open-endedness of his narratives, and the Petrarchan "concept of the 'devouring' male gaze" in TC.</text>
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              <text>Maxwell, J. C.</text>
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              <text>Notes and Queries 211 (1966): 224.</text>
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              <text>Notes and Queries 211 (1966)</text>
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        <element elementId="102">
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              <text>Squire and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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              <text>mea; 10/22/2018</text>
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              <text>1966</text>
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                <text>"The Ancient Mariner" and "The Squire's Tale,"</text>
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                <text>Suggests that SqT 5.393-94 (description of the sun) may have inspired a detail in Coleridge's "Ancient Mariner," line 180.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Richmond, Andrew M.</text>
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        <element elementId="98">
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              <text>Neophilologus 99.2 (2015): 315-33.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2817874">
              <text>Neophilologus 99 (2015)</text>
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        <element elementId="102">
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            <elementText elementTextId="2817875">
              <text>Man of Law and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2817876">
              <text>SAC 39:147&#13;
mea; 2/26/2018</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2817877">
              <text>2015</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2817871">
                <text>Discusses MLT within an analysis of shipwrecks and depictions of seashores in Middle English romances.</text>
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              <elementText elementTextId="2825269">
                <text>"The broken schippus he ther fonde": Shipwrecks and the Human Costs of Investment Capital in Middle English Romance.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Olmert, K, Michael.</text>
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        <element elementId="98">
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              <text>Annuale Mediaevale 8 (1967): 70-94.</text>
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              <text>Annuale Mediaevale 08 (1967)</text>
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            <elementText elementTextId="2818796">
              <text>Canon's Yeoman and His Tale&#13;
Second Nun and Her Tale</text>
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        <element elementId="109">
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              <text>mea; 3/19/2018</text>
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              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>"The Canon Yeoman's Tale": An Interpretation.</text>
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            <description>An account of the resource</description>
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                <text>Considers CYPT to be "highly moralistic," a poem that addresses the "nature and the consequences of man's transgression against the will of God." Signaled by juxtaposition with SNPT and appropriate to placement near the end of CT, CYPT is anagogical, concerned with damnation and salvation; the Canon symbolizes Satan; alchemy, the antithesis of grace.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Gardner, John.</text>
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        <element elementId="98">
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              <text>Philological Quarterly 46 (1967): 1-17.</text>
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        <element elementId="100">
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              <text>Philological Quarterly 46 (1967)</text>
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              <text>Canon's Yeoman and His Tale&#13;
Style and Versification</text>
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              <text>mea; 7/6/2023</text>
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              <text>1967</text>
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                <text>"The Canon's Yeoman's Prologue and Tale": An Interpretation.</text>
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                <text>Characterizes the Canon's Yeoman as "a clever young man, almost too clever for his own good," a comic figure whose renunciation of the Canon and of alchemy is marked by shifting identities and ambiguities which indicate ironically the Yeoman's own inconsistencies and failure to understand fully his own actions and outlooks.</text>
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              <text>Herz, Judith Scherer.</text>
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              <text>Modern Philology 58 (1961): 231-37.</text>
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              <text>Modern Philology 58 (1961)</text>
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Language and Word Studies</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea; 9/10/21</text>
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          <name>Date</name>
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          <elementTextContainer>
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                <text>"The Canon's Yeoman's Prologue" and "Tale."</text>
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                <text>Claims that CYT "depends on the metaphor of alchemy for both characterization and structure," discussing the Canon's Yeoman as a "fearful, naive, but by no means static" character and exploring the use of vocabulary of literary romance in his materials in combination with varying attitudes to alchemy to produce a "complex sense of the whole personality."</text>
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              <text>Weigel, Bjoern.</text>
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              <text>In Wolfgang Benz and Brigitte Mihok, eds. Handbuch des AntiSemitismus: Judenfeindshaft in Geschichte und Gegenwart, Vol. 7, Literatur, Film, Theater und Kunst (Boston, Mass.: De Gruyter, 2014), pp. 49-52. </text>
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Mihok, Brigitte, ed.</text>
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                <text>"The Canterbury Tales" (Geoffrey Chaucer, 14. Jahrhundert).</text>
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            <description>An account of the resource</description>
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                <text>Describes the "religiös motivierte Xenophobien" (religiously motivated xenophobia) of PrT and comments on the degree to which it may be considered satirical.</text>
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              <text>Hatton, Thomas Jenison.</text>
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              <text>Dissertation Abstracts International 27.02 (1966): 456-57A.</text>
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              <text>Dissertation Abstracts International 27 (1966)</text>
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              <text>Knight and His Tale&#13;
Monk and His Tale&#13;
Wife of Bath and Her Tale&#13;
Franklin and His Tale</text>
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              <text>mea; 11/12/2018</text>
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            <elementText elementTextId="2820683">
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              <elementText elementTextId="2820676">
                <text>"The Canterbury Tales" and Late Fourteenth Century Chivalry: Literary Stylization and Historical Idealism.</text>
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                <text>Uses late-medieval literary and historical sources to define the Anglo-French ideal of a "perfect knight," and applies this understanding to KnT, MkT, WBT, and FranT.</text>
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              <name>Title</name>
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              <text>Muscatine, Charles.</text>
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        <element elementId="98">
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              <text>D. S. Brewer, ed. Chaucer and Chaucerians: Critical Studies in Middle English Literature (University: University of Alabama Press; London: Nelson, 1966), pp. 88-113.</text>
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        <element elementId="108">
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              <text>Chaucer and Chaucerians</text>
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              <text>Style and Versification&#13;
Canterbury Tales--General</text>
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              <text>mea; 9/17/2018</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2819825">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2819818">
                <text>"The Canterbury Tales": Style of the Man and Style of the Work.</text>
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          <element elementId="41">
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              <elementText elementTextId="2819819">
                <text>Describes and comments on Chaucer's characteristic style, explaining how "insouciance" and "naturalness" combine with forward narrative movement, mastery of meter, formal listings, etc. to demonstrate his "great technical range." Then explores how in CT he manipulates style to convey theme and character, assessing the styles of individual Tales as courtly or idealistic, realistic, mixed, pathetic and/or ironic.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2828463">
              <text>Cooper, Helen.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2828464">
              <text>Chaucer Review 52.2 (2017): 169-72.</text>
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            <elementText elementTextId="2828465">
              <text>Chaucer Review 52 (2017)</text>
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            <elementText elementTextId="2828466">
              <text>Background and General Criticism</text>
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        <element elementId="114">
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            <elementText elementTextId="2828468">
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            <name>Title</name>
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              <elementText elementTextId="2828461">
                <text>"The Chaucer Review": Then and Now.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2828462">
                <text>Traces the changes and continuities of fifty years of the journal "Chaucer Review.".</text>
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              <name>Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2844940">
              <text>Johnson, Hannah.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2844941">
              <text>Exemplaria 32.3 (2020): 187-205</text>
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            <elementText elementTextId="2844942">
              <text>Exemplaria 32.(2020)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2844943">
              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2844945">
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2844939">
                <text>Combines neighbor theory with Pauline notions of debt, payment, and the "dual commandment" to love God and neighbor, exploring usury, neighborly obligation, Christian-Jewish proximity, and market economy in "The Childe of Bristowe" and PrT--found together in London, British Library, MS Harley 2382. Emphasizes how in PrT, unlike in "Childe," "usury operates as a foundational imaginary" foreclosing any possibility of the Christian community conceiving of the Jews as neighbors or individuals.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850922">
                <text>"The Childe of Bristowe," "The Prioress's Tale," and the Possibility of Neighbor Love.</text>
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  <item itemId="275297" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Hart, James A.</text>
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          <name>Published</name>
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              <text>Texas Studies in Literature and Language 4 (1963): 525-29.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2834410">
              <text>Texas Studies in Literature and Language 04 (1963)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2834411">
              <text>General Prologue to the Canterbury Tales</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2834412">
              <text>mea/ 4/22/21</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2834413">
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            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2834406">
                <text>"The Droghte of March": A Common Misunderstanding.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2834407">
                <text>Provides climatological evidence that Chaucer's GP references (1.1-2) to drought in March and rain in April are realistic as well as symbolic.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Studies in the Age of Chaucer 41 (2019): 141-72.</text>
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              <text>Franklin and His Tale&#13;
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                <text>Traces the history and implications of the rhetorical analogy between the effects of "persistent speech" and water eroding or imprinting stone, from Ovid through medieval erotodidactic and religious writing to Boccaccio's Tale of Menedon and FranT, focusing on how "familiar wisdom might unfold new meanings in time." Chaucer's "sustained engagement" with the image in FranT complicates traditional uses by showing how Dorigen learns the "rewards and satisfactions of complaint" while Aurelius fails to "abandon the fantasy of 'emprentyng' his desires on Dorigen."</text>
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                <text>"The emprentyng of hire consolacioun": Engraving, Erosion, and Persistent Speech in "The Franklin's Tale."</text>
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              <text>Simpson, James.</text>
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              <text>Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 189-206.</text>
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            <elementText elementTextId="2827955">
              <text> Love, History and Emotion in Chaucer and Shakespeare</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>SAC 41:90</text>
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        <element elementId="114">
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            <elementText elementTextId="2827958">
              <text>2016</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2827952">
                <text>Treats the literary tradition of Troy as a war in which different versions of the story struggle to claim validity. Focuses on how Shakespeare seeks to "deface and disable the entire tradition," rendering it "unfit for any but the lowest human habitation" by adapting elements that derive from the "ephemera" of Dares and Dictys and by "breaking down the protected spaces" of TC.</text>
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            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2829940">
                <text>"The Formless Ruin of Oblivion": Shakespeare's "Troilus and Cressida" and Literary Defacement.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2821251">
              <text>Brantley, Jessica.</text>
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        <element elementId="98">
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            <elementText elementTextId="2821252">
              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 139-53.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2821253">
              <text> Chaucer: Visual Approaches.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Franklin and His Tale</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>SAC 40:245</text>
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        <element elementId="114">
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            <elementText elementTextId="2821256">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821249">
                <text>"The Franklin's Tale" and the Sister Arts.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821250">
                <text>Considers FranT as a commentary on the "sister arts" of poetry and painting, linked in the tale's engagement with rhetoric, to form Chaucer's "theory of the imagetext." Unlike later theorizations that differentiate the visual from the verbal, the thematic construction of FranT--particularly its evocation of artifice in representing the rocks and the garden--reflects a medieval fascination with the "artificiality of all representation."</text>
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  <item itemId="274187" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2823081">
              <text>Carney, Clíodhna.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2823082">
              <text>Hodder O'Connell and Brendan O'Connell, eds. Transmission and Generation in Medieval and Renaissance Literature: Essays in Honour of John Scattergood (Dublin: Four Courts, 2012), pp. 89-101.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2823083">
              <text>Hodder O'Connell, ed.&#13;
Brendan O'Connell, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2823084">
              <text>Transmission and Generation in Medieval and Renaissance Literature: Essays in Honour of John Scattergood.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2823085">
              <text>Franklin and His Tale&#13;
Squire and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2823086">
              <text>SAC 40:246</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823087">
              <text>2012</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823079">
                <text>"The Franklin's Tale": The Generous Father and the Spendthrift Son.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823080">
                <text>Regards the Squire as the "son-substitute" of the Franklin, and reads FranT, with a nod to Freud, as a projection of the narrator's idealized and decontextualized attitudes toward money, generosity, gentility, and virtue that reveals a subtle thematic concern with interactions between self-interest and group-interest.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840033">
              <text>Coley, David K.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840034">
              <text>Frank Grady, ed. The Cambridge Companion to "The Canterbury Tales" (Cambridge: Cambridge University Press, 2020), pp. 121-35.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2840035">
              <text>Cambridge Companion to The Canterbury Tales</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2840036">
              <text>Friar and His Tale&#13;
Summoner and His Tale</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2840037">
              <text>mea; SAC 44:167</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2840038">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2840031">
                <text>"The Friar's Tale" and "The Summoner's Tale" in Word and Deed.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851094">
                <text>Reappraises FrT and SumT and acknowledges the professional and personal animosity at the root of the tellers' relationship to each other. Argues for a wider sense of that relationship between the tales and their tellers, contending that this animosity "binds them closely to the economic concerns" of CT and, "more crucially, its social and linguistic ones."</text>
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  <item itemId="275427" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835464">
              <text>Mroczkowski, Przemysław.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835465">
              <text>In G. A. Bonnard, ed. English Studies Today. Second Series: Lectures and Papers Read at the Fourth Conference of the International Association of University Professors of English Held at Lausanne and Berne, August 1959 (Bern: Franke, 1961), pp. 107-20.</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2835466">
              <text>Bonnard, G. A., ed.</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835467">
              <text>English Studies Today. Second Series: Lectures and Papers Read at the Fourth Conference of the International Association of University Professors of English Held at Lausanne and Berne, August 1959.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2835468">
              <text>Friar and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2835469">
              <text>mea; 11/22/2021</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835470">
              <text>1961</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835462">
                <text>"The Friar's Tale" and Its Pulpit Background.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835463">
                <text>Reads FrT as an exemplum against greed that is informed by commonplaces drawn from sermon tradition, specifically the "pulpit practice of late medieval mendicants." Aligns details of the plot and rhetoric in FrT with parallels found in works by John Bromyard, William Peraldus, Caesarius of Heisterbach, Guillaume de Deguileville, and others.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817995">
              <text>Zedolik, John.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817996">
              <text>Studies in Philology 112.3 (2015): 490-503.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2817997">
              <text>Studies in Philology 112 (2015)</text>
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        </element>
        <element elementId="102">
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              <text>Merchant and His Tale&#13;
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mea; 2/26/2018</text>
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                <text>Treats control as a thematic device in MerT and in CT at large. January seeks to control May through literal enclosure, but is himself figuratively controlled by May and Damian, becoming a keeper kept. Conversely, the pilgrim narrator of CT relinquishes the closed form of the GP descriptions and gives control over to the other pilgrims, maintaining partial control by becoming a participant himself.</text>
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                <text>"The gardyn is enclosed al aboute": The Inversion of Exclusivity in the "Merchant's Tale."</text>
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              <text>McLaughlin, John C. </text>
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              <text>Philological Quarterly 38 (1959): 515-16.</text>
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              <text>Philological Quarterly 38 (1959)</text>
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              <text>Legend of Good Women&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; 10/28/2023</text>
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              <text>1959</text>
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                <text>"The Honour and the Humble Obeysaunce": "Prologue" to "The Legend of Good Women," L. 135, G-Text.</text>
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                <text>Suggests emending LGWP-G by reversing the order of lines 135 and 136 and making "obeysaunce" plural in 135.</text>
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              <text>Delasanta, Rodney.</text>
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        <element elementId="98">
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              <text>Chaucer Review 3.1 (1968): 29-36.</text>
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              <text>Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 08/20/2017</text>
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              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2815528">
                <text>"The Horsemen of the 'Canterbury Tales."</text>
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              <elementText elementTextId="2815529">
                <text>Describes three groups of equestrians among the Canterbury pilgrims: those who ride proud horses, those who "ride either poor or at least un-caparisoned horses," and "those whose characters seem compromised by their 'inefficiency' as horsemen." Gauges the moral implications of these associations in light of Christ's entry into Jerusalem on a "humble beast." Also comments on the pilgrims' clothing, and argues for greater attention to the Bible than the Church Fathers in exegetical criticism.</text>
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              <name>Title</name>
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              <text>House of Fame&#13;
Chaucer's Life</text>
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              <text>mea; 7/4/2024</text>
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            <name>Title</name>
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              <elementText elementTextId="2846337">
                <text>"The Hous of Fame" and the House of the Musicians.</text>
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            <description>An account of the resource</description>
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                <text>Proposes that the facade of the thirteenth-century "Maison des Musiciens" in Reims may have inspired Chaucer's description of the exterior of Fame's palace in HF 1189-1266, hypothesizing  how and when Chaucer may have seen the historical building.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Miller, Mark.</text>
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              <text>Frank Grady, ed. The Cambridge Companion to "The Canterbury Tales" (Cambridge: Cambridge University Press, 2020), pp. 59-72.</text>
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              <text>Cambridge Companion to The Canterbury Tales</text>
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              <text>Knight and His Tale</text>
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              <text>mea; SAC 44:199</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2840097">
                <text>Accounts for the "strangeness" of KnT, cataloguing various theoretical and interpretative approaches, beginning with Charles Muscatine's scholarly contributions and ending with Elizabeth Scala's "Desire in the Canterbury Tales." Links each of these approaches, in spite of their differences, with the formalist concerns of KnT and its differences from the "Thebaid" and the "Teseida."</text>
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                <text>"The Knight's Tale" and the Estrangements of Form.</text>
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              <text>Warren, Michelle R.</text>
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              <text>postmedieval 6.1  (2015): 79–93.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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mea 2/21/2018</text>
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                <text>"The last syllable of modernity": Chaucer in the Caribbean.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825711">
                <text>Reviews references to how Chaucer is represented and appropriated in Anglophone Caribbean literature and critical essays. Includes example of "fictional allusion" to CT in Jean Rhys's "Again the Antilles."</text>
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