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              <text>Kanno, Masahiko.</text>
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              <text>Hiroshima Studies in English Language and Literature 29 (1979): 54-68.</text>
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              <text>Friar and His Tale.</text>
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              <text>jules SAC 03 (66)</text>
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                <text>Subtlety in Chaucer's expression--a dual view</text>
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                <text>The simile applied to the Friar--"His nekke 'whit' was 'as the flour-de-lys'"--functions externally and internally.  The outward sign of his neck is symbolic of his inner degraded state of mind, which shows physiognomically a mark of licentiousness or depravity.</text>
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                <text>Reprinted in Kanno's Studies in Chaucer's Words Tokyo: Eihosha, 1996), pp. 3-13.</text>
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              <text>Chance, Jane.</text>
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              <text>Wayne G. Hammond and Christina Scull, eds. The Lord  of the Rings, 1954-2004: Scholarship in Honor of Richard E. Blackwelder (Milwaukee, Wis.: Marquette University Press, 2006),  pp. 153-68.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>vxl SAC 32:48.</text>
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                <text>Subversive Fantasist: Tolkien on Class Difference</text>
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                <text>In his fiction, Chance contends, Tolkien subverts traditional class distinctions, and his studies of Chaucer reflect a similar sensibility.</text>
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              <text>Kordecki, Lesley.</text>
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              <text>Exemplaria 11: 53-77,   1999.</text>
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              <text>House of Fame.</text>
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              <text>jules SAC 23 (231)</text>
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                <text>Subversive Voices in Chaucer's House of Fame</text>
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                <text>To find his own poetic voice, Chaucer's dreamer in HF impersonates the non-canonical subjectivities and voices of women and animals in the form of Dido, the eagle, and the monster-woman Fame. By doing so, he turns away from masculine literary authority to explore alternative authority based on orality and the natural world.</text>
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              <text>Mairey, Aude.</text>
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              <text>Dominique Valérian, foreword. Succéder au Moyen Age: LIIIe Congrès de la SHMESP (Rome, 26-29 mai 2022). Congrès des Médiévistes de l'Enseignement Supérieur (53e: 2022: Rome, Italie) (Paris: Editions de la Sorbonne, 2023), pp. 214-31.</text>
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                <text>Succéder à Chaucer dans l'Angleterre du XVe siècle.</text>
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                <text>Affiliates the success, succession, and monumentalization of Chaucer in fifteenth-century literature with Lancastrian ascendancy and status, quoting and analyzing excerpts from Hoccleve, Lydgate, and Caxton.</text>
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              <text>Sanders, Barry.</text>
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              <text>Boston: Beacon Hill, 1995.</text>
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              <text>xv, 328 pp.</text>
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              <text>"Chaucer Punches the First Joke Home."</text>
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                <text>A history of laughter in Western literature, focusing on the relation between laughter and literature, and surveying ancient, medieval, and modern traditions. In his Introduction, Sanders credits Chaucer with associating the roles of the feminine (Alison of MilT and the Wife of Bath) and the oral in comic literature.  In chapter six, "Chaucer Punches the First Joke Home" (pp. 165-92), he treats MilT as the "first 'joke' in the English language," aimed in envy by the Miller at his rival, the Reeve, and a dramatization of Carnival in tension with Lent.  In CT, Chaucer fuses laughing, joking, and storytelling, and MilT provides the first "punch line" in English--comic, aggressive, and timely, and converting "invidia" (envy) into "caritas" (charity).</text>
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              <text>Barney, Stephen A.</text>
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                <text>The words "sodeny(ly)" and "proces" are keys to Chaucer's narrative skill.  In both his serious and his comical narratives there are sudden changes in events, sudden shifts in emotions.  He usually makes the sudden seem humorous, ridiculous, or contemptible.</text>
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              <text>Myra Seaman, Eileen A. Joy, and Nicola Masciandaro, eds. Dark Chaucer: An Assortment (Brooklyn, N. Y.: Punctum Books, 2012), pp. 181-90.</text>
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              <text>Dark Chaucer: An Assortment.</text>
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              <text>Prioress and Her Tale</text>
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                <text>Imagines the singing clergeon of PrT as a sort of zombie whose zombie faith is echoed by the Prioress.</text>
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              <text>Orlemanski, Julie.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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                <text>Suffering Bodies in the "Knight's Tale."</text>
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                <text>Explores "mortal embodiment" in KnT, particularly in the descriptions of Arcite's lovesickness, injuries, and death, contrasting their physicality with the metaphysical perspective of Theseus's final speech. Designed for pedagogical use, includes several questions for discussion.</text>
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              <text>Klassen, Norm.</text>
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              <text>Holly Faith Nelson, Lynn R. Szabo, and Jens Zimmermann, eds. Through a Glass Darkly: Suffering, the Sacred, and the Sublime in Literature and Theory ([Waterloo, Ont.]: Wilfrid Laurier University Press, 2010), pp. 39-53.</text>
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              <text>"Surprised by Joy: Chaucer's Tonal Achievement in 'Parliament of Fowls,' 92-294."</text>
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              <text>Tradition and Formation: Claiming an Inheritance: Essays in Honour of Peter C. Erb.</text>
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              <text>vxl sac 34:293</text>
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                <text>Suffering in the Service of Venus: The Sacred, the Sublime, and Chaucerian Joy in the Middle Part of the 'Parliament of Fowls'</text>
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                <text>Without a shift in tone, Chaucer both appreciates and censures the fruitless love depicted in the Temple of Venus in PF. By fusing "joy and judgment," he evokes paradoxically the "deeper joy" of beauty.</text>
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                <text>Revised version of "Surprised by Joy: Chaucer's Tonal Achievement in 'Parliament of Fowls,' 92-294." In Michel Desjardins and Harold Remus, eds. Tradition and Formation: Claiming an Inheritance: Essays in Honour of Peter C. Erb (Kitchener, Ont.: Pandora Press, 2008), pp. 213-28.</text>
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              <text>Hasan, Masoodul.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2775269">
              <text>xi, 331 pp.</text>
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            <elementText elementTextId="2775271">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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              <text>vxl SAC 31:42</text>
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              <elementText elementTextId="2775265">
                <text>Sufism and English Literature: Chaucer to the Present Age - Echoes and Images</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825941">
                <text>Surveys British literary responses to "some aspects of the Muslim spiritual system," identifying instances in which British literature was influenced by Sufi mysticism or reflects awareness of it. Includes summary (pp. 37-39) of parallels between Middle Eastern narratives and Chaucer's CT and PF; also mentions his "general awareness of Muslim people and their faith" in MLT and SqT.</text>
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          <elementTextContainer>
            <elementText elementTextId="2754240">
              <text>Brunetti, Giuseppe.</text>
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        <element elementId="98">
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              <text>Padova : Unipress, 1988.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2754242">
              <text>1988</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2754243">
              <text>99 pp.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2754245">
              <text>Canterbury Tales--General.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2754249">
              <text>Miller and His Tale.</text>
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        <element elementId="104">
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              <text>Pubblicazioni del dipartimento di lingue e letterature anglo-germaniche, Universit di Padova, no. 2.</text>
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              <text>jules SAC 24 (200)</text>
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              <elementText elementTextId="2754239">
                <text>Sui Canterbury Tales</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2754244">
                <text>Assesses CT as a web of Tales and voices, focusing on KnT, MilT as a response to KnT, the Marriage Group, and Chaucer's Italian sources, especially Boccaccio. Includes sections on the adaptations of KnT in Shakespeare, in Fletcher's "Two Noble Kinsmen," and in Dryden's modernization.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wenzel, Siegfried, ed.</text>
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        <element elementId="98">
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              <text>Athens: University of Georgia Press, 1984.</text>
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        <element elementId="114">
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            <elementText elementTextId="2718001">
              <text>1984</text>
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            <elementText elementTextId="2718005">
              <text>The Chaucer Library.</text>
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              <text>jules SAC 08 (191)</text>
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                <text>Summa virtutum de remediis anime</text>
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              <elementText elementTextId="2718002">
                <text>The anonymous "Summa," dating from the middle of the thirteenth century, is the ultimate source of the "remedia" sections of Chaucer's ParsT.  This critical edition, based on one of the nine surviving manuscripts, is accompanied by a translation facing the Latin.</text>
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                <text>The introduction deals with the contents, background, date, authorship, correspondences between the "Summa" and Chaucer's "remedia," relations of the manuscripts, and principles on which the edition is based.  The edition demonstrates close verbal parallels for most of Chaucer's lines on the "remedia."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2737163">
              <text>Woodward, Daniel,and Maria Fredericks.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2737164">
              <text>Martin Stevens and Daniel Woodward, eds.  The Ellesmere Chaucer: Essays in Interpretation (San Marino, Calif.: Huntington Library; Tokyo: Yushodo, 1995): pp. 29-39.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2737165">
              <text>1995</text>
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              <text>The Ellesmere Chaucer: Essays in Interpretation.</text>
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              <text>Fredericks, Maria.</text>
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                <text>Summary of Anthony G. Cains's Report on the Preparation of the Ellesmere Manuscript for the New Facsimile, the Repair (and History of Repair) of the Manuscript, and Its Rebinding</text>
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                <text>Considers conservation necessary for the photography, new discoveries concerning the history of the manuscript and of its two bindings, repairs made during the present rebinding,and the process of rebinding the manuscript in an "early-fifteenth-century-English-style."</text>
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              <text>White, Beatrice.</text>
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                <text>Sundry Ways of Love, Medieval Style</text>
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                <text>Accounts of love from chronicles and letters show that historical love in the Middle Ages was as rich, varied, and earthy as even Chaucer could imagine.</text>
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              <text>Boitani, Piero.</text>
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              <text>The Tragic and the Sublime in Medieval Literature.</text>
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              <text>Parliament of Fowls.</text>
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              <text>jules SAC 13 (216)</text>
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                <text>Sunset, Flowers, and Leaves: Tradition and Tragic Images</text>
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                <text>Examines human beings, nature, and poetic tropes in certain classical writers, in Dante, and in Chaucer's PF and TC.</text>
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              <text>Taylor, Willene P.</text>
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              <text>Xavier University Studies 9.1 (1970): 1-18.</text>
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              <text>Legend of Good Women</text>
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              <text>mea; 04/17/2017 No SAC</text>
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                <text>Supposed Antifeminism in Chaucer's 'Troilus and Criseyde' and Its Retraction in 'The Legend of Good Women'</text>
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                <text>Argues that both TC (particularly the Epilogue) and LGW evince Chaucer's "good-natured humor" which is "never vicious" but rather "shows a warm and compassionate understanding of the foibles of human beings, regardless of their sex." LGW is a "mock palinode" to TC.</text>
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              <text>DiMarco, Vincent.</text>
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              <text>English Studies 78 (1997): 330-33.</text>
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        <element elementId="114">
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              <text>Squire and His Tale.</text>
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              <text>English Studies 78 (1997)</text>
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              <text>jules SAC 21 - 223</text>
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                <text>Supposed Satiric Pointers in Chaucer's 'Squire's Tale'</text>
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              <elementText elementTextId="2745479">
                <text>Replies to M. C. Seymour's identification of seven satiric loci in SqT arguing that Chaucer's manipulations of convention may be seen as innovation rather than parody.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2694386">
              <text>Bergan, Brooke.</text>
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              <text>Chaucer Review 26 (1991): 1-16.</text>
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              <text>1991</text>
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            <elementText elementTextId="2694391">
              <text>Chaucer Review 26 (1991)</text>
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              <text>mea</text>
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              <elementText elementTextId="2694385">
                <text>Surface and Secret in the Knight's Tale</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2694389">
                <text>In KnT, Chaucer manipulates devices of genre and rhetoric to achieve a highly sophisticated subtext of opacity and of perversion of order.</text>
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              <text>Stévanovitch, Colette, and René Tixier, eds.</text>
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                <text>Surface et profondeur: Mélanges offerts à Guy Bourquin à l'occasion de son 75e anniversaire</text>
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                <text>For two essays that pertain to Chaucer, search for Surface et profondeur under Alternative Title.</text>
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              <text>Kellogg, Alfred L.</text>
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              <text>Speculum 35 (1960): 275-79.</text>
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              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/30/22</text>
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              <text>1960</text>
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                <text>Susannah and the "Merchant's Tale."</text>
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                <text>Argues that Daniel 13.20 is a source of or influence on details of MerT 5.2138-48, and suggests that pictorial representations of Susannah and the Elders and details from the alliterative poem "Susannah" reveal ironic dimensions in Chaucer's scene of January and May in a closed garden.</text>
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              <text>Zeikowitz, Richard E.</text>
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              <text>Tison Pugh and Marcia Smith Marzec,eds. Men  and Masculinities in Chaucer's "Troilus and Criseyde" (Cambridge: D.S. Brewer, 2008), pp. 148-60.</text>
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              <text>Troilus and Criseyde</text>
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              <text>vxl SAC 32:326.</text>
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                <text>Sutured Looks and Homoeroticism: Reading Troilus and Pandarus Cinematically</text>
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                <text>Zeikowitz articulates the "largely unnarrated 'ocular logic' of the exchanges between Troilus and Pandarus" in Book 1 of TC and "teases out the subtle homoeroticism underlying their interaction." The essay focuses on  the cinematic technique of "suturing," whereby the audience is drawn into a character's perspective without initially being aware of the point of view.</text>
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              <text>Wada, Yoko.</text>
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          <elementTextContainer>
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              <text>Hisayuki Sasamoto et al., eds. Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday (Osaka: Osaka Kyoiku Tosho, 1999), pp. 209-20 (in Japanese).</text>
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        <element elementId="114">
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            <elementText elementTextId="2750809">
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            <elementText elementTextId="2750810">
              <text>Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday.</text>
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              <text>jules SAC 23 (188)</text>
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                <text>Swears 'By St. So-and-So' : The Pardoner Cut into Pieces</text>
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                <text>Assesses the swearing by St. Ronyon in PardP and explores its dark ironies.</text>
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          <elementTextContainer>
            <elementText elementTextId="2698350">
              <text>Scanlon, Larry.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698351">
              <text>R. A. Shoaf, ed. Chaucer's Troilus and Criseyde: "Subgit to alle Poesye": Essays in Criticism.  Medieval &amp; Renaissance Texts &amp; Studies, no. 104. Pegasus Paperbacks, no. 10 (Binghamton, N.Y.: Medieval &amp; Renaissance Texts &amp; Studies, 1992), pp. 211-23.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2698352">
              <text>1992</text>
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          <elementTextContainer>
            <elementText elementTextId="2698353">
              <text>Chaucer's Troilus and Criseyde:  "Subgit to alle Poesye": Essays in Criticism.</text>
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              <text>Troilus and Criseyde.</text>
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              <elementText elementTextId="2698349">
                <text>Sweet Persuasion: The Subject of Fortune in Troilus and Criseyde</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2698354">
                <text>Explains Fortune as a figure that embodies historical flux and affirms aristocratic privilege.  In TC, references to Fortune do not provide a philosophical norm against which to test the attitudes of the characters; the references assert politically the "inevitability of patriarchal power."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2788496">
              <text>Kern-Stähler, Annette.</text>
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        <element elementId="98">
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              <text>Anglistik 21.2 (2010): 171-79.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2788498">
              <text>2010</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="100">
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            <elementText elementTextId="2788501">
              <text>Anglistik 21 (2010).</text>
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        <element elementId="109">
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              <text>vxl sac 34:71</text>
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                <text>Sweet Poison and Its Antidote: Troilus and Criseyde and the 'Disce mori'</text>
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          <element elementId="41">
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                <text>Assesses the location and implications of one stanza from TC (1.400-406) as quoted in the "Disce mori," a fifteenth-century manual of religious instruction addressed to "Dame Alice." The quotation indicates that some may have read TC as a warning against secular love.</text>
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              <text>Cowgill, Bruce Kent.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Philological Quarterly 74 (1995): 343-57.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>1995</text>
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              <text>Second Nun and Her Tale.</text>
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            <elementText elementTextId="2739819">
              <text>Canon's Yeoman and His Tale.</text>
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            <elementText elementTextId="2739820">
              <text>Former Age.</text>
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          </elementTextContainer>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2739821">
              <text>Philological Quarterly 74 (1995)</text>
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        <element elementId="109">
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              <text>jules SAC 19 (1997) - 268</text>
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                <text>Sweetness and Sweat: The Extraordinary Emanations in Fragment Eight of the 'Canterbury Tales'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2739815">
                <text>By emphasizing the contrast between excessive sweat in CYT and its absence in SNT, Chaucer indicates the disjunction between carnal and spiritual.</text>
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              <elementText elementTextId="2739816">
                <text>  In addition, Cecilia's "bath of flambes" suggests the purifying water of baptism as opposed to the "watres corosif" of CYT.</text>
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              <elementText elementTextId="2739817">
                <text>  Finally, Chaucer capitalizes on the similitude of "sweten" (to sweat) and "sweten" (to sweeten), wordplay also used in Form Age.</text>
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