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              <text>Dyer, Christopher.</text>
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              <text>Cambridge and New York: Cambridge University Press, 1989.</text>
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              <text>1989</text>
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              <text>xvi, 297 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>jules SAC 14 (75)</text>
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                <text>Standards of Living in the Later Middle Ages: Social Change in England, c. 1200-1520</text>
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                <text>Bridging the social and economic histories of medieval England, Dyer examines the inequalities of English society as inherent rather than as economically shaped among the upper classes, townsmen, and peasants.  GP offers criticism of a simplistic social model "in a complex and sinful world."</text>
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              <text>Bishop, Kathleen A., ed.</text>
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              <text>Newcastle upon Tyne: Cambridge Scholars, 2010.</text>
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              <text>x, 317 pp.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>vxl sac 34:114</text>
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                <text>Standing in the Shadow of the Master? Chaucerian Influences and Interpretations</text>
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                <text>Thirteen essays by various authors, most of them concerned with the influence of Chaucer's work or his reception. For individual essays, search for Standing in the Shadow of the Master? under Alternative Title.</text>
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              <text>Fein, Susanna.</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 89-114.</text>
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              <text>Chaucer: Visual Approaches.</text>
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              <text>Pardoner and His Tale&#13;
Shipman and His Tale</text>
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                <text>Standing under the Cross in the "Pardoner's" and "Shipman's Tales."</text>
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                <text>Argues that PardT and ShT, juxtaposed but not linked in the Ellesmere manuscript, implicitly embed Crucifixion imagery toward a critique of materialist values. By positioning the "human incapacity to 'see' spiritually against glimmering signs of God's real presence," PardT alludes ironically to the mass and Christ's torture, while ShT sexualizes familiar iconography of Mary and John at the Commendation of Jesus. </text>
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              <text>Stanley, E. G.</text>
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              <text>Arno Esch, ed. Chaucer und Seine Zeit: Symposion für Walter F. Schirmer (Tübingen: Niemeyer, 1968), pp. 121-48.</text>
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              <text>Chaucer und Seine Zeit</text>
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              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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              <text>mea; 11/01/2017</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1968</text>
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                <text>Stanza and Ictus: Chaucers Emphasis in Troilus and Criseyde."</text>
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                <text>Examines Chaucer's stanzaic and metrical dexterity in TC, discussing how and with what effects he bridges stanza breaks and how he creates emphasis through repetitions, rhyme pairs, caesuras, enjambment, narratorial disavowals, and shifting of climax within rhyme royal. Acknowledges the role of reading aloud in perceiving such emphases and suggests that "special and pivotal emphasis" resides in the final lines of stanzas, particularly in the metrically stressed syllable that precedes the caesura in final lines.</text>
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              <text>Ellis, Mark Spencer.</text>
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              <text>Linda Cookson and Bryan Loughrey, ed. Critical Essays on The Pardoner's Prologue and Tale (Harlow: Longman, 1990), pp. 29-45.</text>
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              <text>1990</text>
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              <text>Critical Essays on The Pardoner's Prologue and Tale.</text>
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              <text>Pardoner and His Tale</text>
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                <text>State of Mind--Action--Moral Judgement</text>
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                <text>Argues that PardPT challenges modern readers' "conventional notions about character and events" and "undermines some fundamental assumptions about social morality." Anonymity, loaded rhymes, and, above all, a consistent lack of decision-making and individuality establish the disturbing amorality of the narrative.</text>
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              <text>Thaisen, Jacob.</text>
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          <name>Published</name>
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              <text>Kwartalnik Neofilologiczny 56.3 (2009): 205-21.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Kwartalnik Neofilologiczny (Warsaw) 56 (2009).</text>
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              <text>vxl sac 33:20</text>
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                <text>Statistical Comparison of Middle English Texts: An Interim Report</text>
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                <text>Using available electronic transcriptions of manuscripts of WBP and MilT tests the reliability of a statistical model ("interpolated, modified Kneser-Ney smoothed 3-gram backoff model") for determining various linguistic and scribal features of the manuscripts. Thaisen compares statistical data with results from more traditional methods to call for further investigation of the use of statistics and electronic transcriptions in manuscript study.</text>
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              <text>Tr&amp;Lit 8.2: 157-75, 1999.</text>
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          <name>Date</name>
          <description/>
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            <elementText elementTextId="2760769">
              <text>1999</text>
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            <elementText elementTextId="2760771">
              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Translation and Literature 08 (1999)</text>
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              <text>vxl SAC 26: 67</text>
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                <text>Statius in English, 1648-1767</text>
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                <text>Surveys various translations of Statius into English and comments briefly on how Chaucer's use of Statius is reflected in later English tradition.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Benson, C. David.</text>
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              <text>Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 267-87.</text>
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            <elementText elementTextId="2828325">
              <text>Medieval Women and Their Objects</text>
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              <text>Second Nun and Her Tale</text>
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              <text>SAC 41:259</text>
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        <element elementId="114">
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            <elementText elementTextId="2828328">
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                <text>Statues, Bodies, and Souls: St. Cecilia and Some Medieval Attitudes toward Ancient Rome.</text>
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            <description>An account of the resource</description>
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                <text>Discusses SNT as Chaucer's only hagiographical work to evaluate the medieval perception of art. Contrasts the medieval devotion to earthly relics in relation to St. Cecilia's desire to shed the physical and enter the spiritual, while paralleling her life with artistic representations of her cult.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Comparative Drama 55 (2021): 185-210.</text>
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              <text>Comparative Drama 55 (2021)</text>
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            <elementText elementTextId="2848003">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:93</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2848005">
              <text>2021</text>
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            <name>Title</name>
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              <elementText elementTextId="2847998">
                <text>Stealing Shives: "Titus Andronicus" as Chaucerian Anti-Romance.</text>
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              <elementText elementTextId="2847999">
                <text>Identifies narrative, linguistic, and thematic similarities between Chaucer's KnT, MilT, and RvT and Shakespeare's "Titus Andronicus," and argues that the brutal treatment of Lavinia in Shakespeare's play resonates with the aspects of courtly love depicted and refracted in Chaucer's three tales and in TC, thereby "blurring the lines" between "violent 'Roman'" and "courtly' Romance.'"</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Swinford, Dean.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2823353">
              <text>Modern Philology 111 (2013): 1–22.</text>
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          <elementTextContainer>
            <elementText elementTextId="2823354">
              <text>Modern Philology 111 (2013).</text>
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        <element elementId="102">
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            <elementText elementTextId="2823355">
              <text>House of Fame&#13;
Language and Word Studies</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823356">
              <text>SAC 40:291</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823357">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823350">
                <text>Stellification and Poetic Ascent in the "House of Fame."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2823351">
                <text>Focuses on HF, 584–92, clarifying the meaning and implications of "stellifye," arguing that the narrator's fear of stellification reflects Chaucer's concerns about social and poetic ascent, and describing how the allusion to Ganymede evokes a complex, sexualized representation of "the possibilities and pitfalls engendered through [a] quest for poetic fame."</text>
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  <item itemId="266345" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2743484">
              <text>Robinson, Peter.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2743485">
              <text>Norman Blake and Peter Robinson, eds. The Canterbury Tales Project Occasional Papers, Volume II (London: King's College, Office for Humanities Communications, 1997), pp. 69-132.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743486">
              <text>1997</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743487">
              <text>The Canterbury Tales Project Occasional Papers, Volume II.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743490">
              <text>Manuscripts and Textual Studies.</text>
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            <elementText elementTextId="2743491">
              <text>Canterbury Tales--General.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2743492">
              <text>jules SAC 21 - 34</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743483">
                <text>Stemmatic Analysis of the Fifteenth-Century Witnesses to the Wife of Bath's Prologue</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2743488">
                <text>Analyzes textual variants of WBP, using the data and computer analysis available on Robinson's "The Wife of Bath's Prologue on CD-ROM".  Corroborates Manly and Rickert's A, B, C, and D groupings and their affiliations, suggests two more (E, F) that are affiliated, and identifies several independent lines of descent.</text>
              </elementText>
              <elementText elementTextId="2743489">
                <text>Confirms the preeminence of Hengwrt and describes the implications of characteristic variants of each manuscript grouping.  Clarifies the two exemplars of Ellesmere and describes in detail the source and transmission of the so-called added passages.</text>
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  <item itemId="262994" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710460">
              <text>Brown, Carole Koepke.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710461">
              <text>Dissertation Abstracts International 47 (1987): 3030A.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710462">
              <text>1987</text>
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              <text>Franklin and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2710465">
              <text>Dissertation Abstracts International 47 (1987)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2710466">
              <text>jules SAC 11 (191)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2710459">
                <text>Step Parallelism in Chaucer's 'Franklin's Tale': Meaning Through Structure</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2710463">
                <text>That theme relates to numerical structures is apparent not only in "Sir Gawain and the Green Knight" but also in FranT,where each of the three parts reveals a pattern of A ("a major trouthe"), B (complaint), and C (helpful human intervention).  Thus, Boethian order in society is restored through "gentilesse."</text>
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  <item itemId="269903" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780340">
              <text>Steiner, Wendy.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780341">
              <text>Rosemary Feal, ed. Profession 2008 (New York: Modern Language Association, 2008), pp. 24-32.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780342">
              <text>2008</text>
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        <element elementId="108">
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            <elementText elementTextId="2780343">
              <text>Profession 2008.</text>
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        <element elementId="112">
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            <elementText elementTextId="2780344">
              <text>Feal, Rosemary, ed.</text>
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            <elementText elementTextId="2780346">
              <text>Wife of Bath and Her Tale</text>
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              <text>Recordings and Films</text>
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            <elementText elementTextId="2780348">
              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2833602">
              <text>vxl SAC 32:216.</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2780339">
                <text>Steppin' Out: On Making an Animated Opera Called 'The Loathly Lady'</text>
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          <element elementId="41">
            <name>Description</name>
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Style and Versification</text>
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                <text>The section entitled "Authentic Languages" includes a sub-section on Chaucer that raises questions about modern ability to gauge the authenticity of the northern literary dialect in RvT.</text>
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Former Age</text>
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                <text>An extended essay in "thinking beyond anthropocentrality" by appreciating "lithic" ontology and "geophilia" ("geology without dispassion"), an example of posthumanist, object-oriented consideration that seeks to dislodge assumptions about human/nonhuman binaries. Explores the imagery of, and stories about, rocks, stones, and gems in scriptural, classical, and medieval traditions as they differ from and are, at times, similar to modern geophysical understanding and instrumental views about nature. Includes commentary on Form Age and CT, especially FranT, where Dorigen perceives "lithic agency" in the black rocks.</text>
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              <text>Letterature e Civiltà</text>
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                <text>Storia della Letteratura Inglese: La Tradizione Letteraria dell'Inghilterra Medioevale.</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>2022</text>
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            <elementTextContainer>
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                <text>Examines the frequent mention of Griselda's face in ClT, as compared to his sources, and simultaneously argues that Chaucer's version highlights Griselda's interiority and how she maintains her patience.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850791">
                <text>Stories Said and Not: Patience and Accommodation in the "Clerk's Tale."</text>
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          <elementTextContainer>
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              <text>Dinkler, Michal Beth.</text>
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              <text>Religion and Literature 47, no. 1 (2015): 221-35.</text>
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              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816972">
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mea; 2/19/2018</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816973">
              <text>2015</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2816967">
                <text>Within the framework of examining Chaucer and Dostoevsky, discusses critical approaches to literary examples in relationship to teaching the Bible as literature.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Stories, Secular and Sacred: What's at Stake.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729004">
              <text>Sadler, Frank.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729005">
              <text>West Georgia College Review 10 (1978): 13-18.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729006">
              <text>1978</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Troilus and Criseyde.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729009">
              <text>West Georgia College Review 10 (1978)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729010">
              <text>jules SAC 03 (184)</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2729003">
                <text>Storm Imagery in 'Troilus and Criseyde'</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2729007">
                <text>The storm imagery in TC reinforces the emotional turmoil revealed in the narrative.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694658">
              <text>Fischer, Andreas.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694659">
              <text>Rudiger Ahrens, ed.  Anglistentag 1989 Wurzburg.  Proceedings of the Conference of the German Association of University Professors of English, no. 9  (Tubingen:  Niemeyer, 1990), pp. 310-19.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694660">
              <text>1990</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694661">
              <text>Anglistentag 1989 Wurzburg.</text>
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            <elementText elementTextId="2694662">
              <text>Proceedings of the Conference of the German Association of University Professors of English, no. 09.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694664">
              <text>Franklin and His Tale.</text>
            </elementText>
            <elementText elementTextId="2694665">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2694657">
                <text>Story and Discourse in Sir Gawain and The Franklin's Tale</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2694663">
                <text>Observes similarities of form and theme in FranT and Sir Gawain and the Green Knight, particularly the focus on trawthe/trouthe in each, arguing that they transcend the romance genre.  Contrasts FranT with Menedon's Question in Boccaccio's Filocolo to clarify that Dorigen is Chaucer's protagonist.</text>
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              <description>A name given to the resource</description>
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          <elementTextContainer>
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              <text>Welsh, Andrew.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753889">
              <text>Robert Boenig and Kathleen Davis, eds. Manuscript, Narrative, Lexicon: Essays on Literary and Cultural Transmission in Honor of Whitney F. Bolton (Lewisburg, Penn.: Bucknell University Press; and London: Associated University Presses, 2000), pp. 76-95.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753890">
              <text>2000</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753891">
              <text>Manuscript, Narrative, Lexicon: Essays on Literary and Cultural Transmission in Honor of Whitney F. Bolton.</text>
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          </elementTextContainer>
        </element>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753893">
              <text>Physician and His Tale.</text>
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              <text>Manciple and His Tale.</text>
            </elementText>
            <elementText elementTextId="2753895">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753896">
              <text>jules SAC 24 (289)</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753887">
                <text>Story and Wisdom in Chaucer : The Physician's Tale and The Manciple's Tale</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753892">
                <text>Examines how narrative and sententiousness interact in The Physician's Tale and The Manciple's Tale as examples of Chaucer's explorations of the nature of this interaction. PhyT is a "story in search of a moral," while  ManT is a "collection of morals in search of a story." The two Tales enable us to see Chaucer's interest in the "clash and contest" of these two kinds of discourse. Welsh contrasts the tales with their analogues in Gower's Confessio Amantis.</text>
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              <description>A name given to the resource</description>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800667">
              <text>Johnson, Kij.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800668">
              <text>Jonathan Strahan, ed. Eclipse Four: New Science Fiction and Fantasy (San Francisco: Night Shade Books, 2011), pp. 51-62.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800669">
              <text>2011</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800670">
              <text>Eclipse Four: New Science Fiction and Fantasy.</text>
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          <name>Contributor</name>
          <description/>
          <elementTextContainer>
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              <text>Strahan, Jonathan, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800673">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2800674">
              <text>House of Fame</text>
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              <text>Legend of Good Women</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea SAC 36:55</text>
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            <description>A name given to the resource</description>
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                <text>Story Kit</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2800672">
                <text>Experimental retelling of the story of Dido and Aeneas that opens with references to HF and LGW, among other works.</text>
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          </element>
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