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                <text>"Rokkes Blake": Metonymy, Metaphor and Metaphysics in "The Franklin's Tale."</text>
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                <text>Explores the functions and implications of the black rocks in FranT both as a symbol of universal evil and as a narrative device, arguing that the rocks have particularly rich and pervasive significations, anticipating the postmodern device of a "free floating signifier."</text>
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              <text>Nakley, Susan.</text>
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                <text>"Rowned she a pistel": National Institutions and Identities According to Chaucer's Wife of Bath.</text>
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                <text>Establishes how WBT's treatment of sovereignty and of civic and domestic institutions "redefine[s] English nobility as a national form of identity" that crosses class and gender boundaries. Further argues that Chaucer's anachronistic use of Dante in the old woman's sermon creates a sense of nobility based not on heritage but on "shared ethical standards of virtuous living" and "civic responsibility."</text>
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              <text>Kaul, Mythili.</text>
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              <text>English Studies 103, no. 4 (2022): 555-73.</text>
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                <text>Observes several points of similarity and difference between the marital relations depicted in WBPT and FranT on the one hand and in "The Taming of the Shrew" and "The Merry Wives of Windsor" on the other.</text>
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                <text>"Rule, Supremacy and Sway": "The Taming of the Shrew," "The Merry Wives of Windsor," the "Wife of Bath's Prologue," "Tale" and the "Frankeleyn's Tale."</text>
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              <text>Neuphilologische Mitteilungen 67 (1966): 117-22.</text>
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Pardoner and His Tale&#13;
Monk and His Tale</text>
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                <text>"Sampsoun" in the Canterbury Tales: Chaucer Adapting a Source.</text>
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                <text>Argues that a possible source for the references to "Sampsoun" in PardT 6.549-61 and for aspects of the account of Samson in MkT 7.2914-94 is "Livre du Chevalier de la Tour-Landry."</text>
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              <text>Boje, Johannes Gerhardus.</text>
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              <text>Open access Ph.D. dissertation (University of Pretoria, 2019). Available at https://repository.up.ac.za/handle/2263/74353 (accessed December 1, 2021).</text>
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              <text>mea; SAC 44:12</text>
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                <text>"Save oure tonges difference": Reflections on Translating Chaucer's "Canterbury Tales" into Afrikaans.</text>
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                <text>Reflects on "the process and outcome of an Afrikaans translation" of CT and includes a complete translation in an appendix, matching Chaucer's verse and prose, completed over the course of sixty years. The study explores translation theory and practical application and concludes that, drawing on the "vast resources of the target language," translation "throws new light on the source text."</text>
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                <text>Discusses briefly the Wife of Bath's use of mercantile language to help launch an assessment of such language in women's writing from Margery Kempe and the Paston women to Aphra Behn.</text>
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                <text>"Sche evyr desyryd mor and Mor": The Appropriation of Mercantile Language and Practice in Fifteenth to Seventeenth-Century English Women's Writing.</text>
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House of Fame&#13;
Parson and His Tale</text>
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                <text>"Scientia Vera?" Holcot and Chaucer on Astrological Determinism, Magic, Talismans, and Omens.</text>
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                <text>Suggests that Robert Holcot's commentary on the Book of Wisdom is the immediate source of HF, 991–1017 and 1259–70, and ParsT, 603–7, describing the authors' shared skepticism about the "limits of human knowledge" and discussing specific echoes between their works.</text>
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              <text>Style and Versification&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 44:106</text>
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                <text>"Seinte Loy": A Metrical Non-Problem in Chaucer's "General Prologue."</text>
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                <text>Explores the orthography and meter of "seint(e)" in GP, 120, and elsewhere in Chaucer's poetry, claiming that "the line is a metrical non-problem," despite the tradition of reading it as irregular, in need of emendation, or troubling because of the presence (or lack) of -e in manuscripts.</text>
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              <text>Kanai, Noriko.</text>
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              <text>Baiko Studies in Language and Culture (Society for the Study of International Languages and Cultures of Baiko Gakuin University) 6 (2015): 72-80.</text>
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              <text>Baiko Studies in Language and Culture (Society for the Study of International Languages and Cultures of Baiko Gakuin University) &#13;
&#13;
&#13;
Baiko Studies in Language and Culture  06 (2015)</text>
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              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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mea; 2/29/2018</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825127">
                <text>Focuses on the legend of Dido in LGW and compares its representation of Dido in Virgil's "Aeneid," Ovid's "Heroides," and HF. Argues that Dido in LGW desires Aeneas more actively than in other versions and that LGW presents her positively as conforming to nature as opposed to social norms. In Japanese, with English abstract.</text>
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                <text>"Sely Dido": A Study of Dido in the Legend of Dido.</text>
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              <text>Azevedo, Natanael Duarte.</text>
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              <text>Graphos: Revista da Pós-Graduaçao em Letras 15.2 (2013): 122-49.</text>
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              <text>Graphos: Revista da Pós-Graduaçao em Letras 15 (2013)</text>
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            <elementText elementTextId="2839136">
              <text>Parson and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; 5/2/22</text>
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        <element elementId="114">
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            <elementText elementTextId="2839138">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2839131">
                <text>"Seven": A Manipulaçao do Perverso em Nome da Lei.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2839132">
                <text>Explores the uses of the Seven Deadly Sins in David Fincher's movie, "Seven" (1995), comparing his treatment of the sins with that of Thomas Aquinas; includes discussion of how, in the film, attrition rather than contrition is involved, exemplifying the importance of the latter in ParsT as an antecedent to Fincher's work.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Yvernault, Martine.</text>
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              <text>Médiévales Anglaises 38 (2020): 119-37.</text>
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            <elementText elementTextId="2841368">
              <text>Médiévales Anglaises 38 (2020)</text>
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            <elementText elementTextId="2841369">
              <text>Man of Law and His Tale&#13;
Style and Versification</text>
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              <text>mea; SAC 44:223</text>
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        <element elementId="114">
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            <elementText elementTextId="2841371">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841365">
                <text>Focuses on the forms and role of antitheses in MLT.</text>
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                <text>"She seyd she was so mazed in the see": Sens et limites de l'errance dans le "Conte du juriste" de Chaucer.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fruoco, Jonathan.</text>
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              <text>Mélanges de Science Religieuses, 76.4 (2019): 5-18.</text>
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              <text>Mélanges de Science Religieuses, 76 (2019)</text>
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              <text>Pardoner and His Tale&#13;
General Prologue to the Canterbury Tales</text>
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                <text>"Si l'or doit rouiller, que deviendra le fer?": Chaucer et les représentations du Pardonneur dans les "Contes de Canterbury."</text>
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                <text>Examines the depiction of the Pardoner in PardT as a reflection of Chaucer's own ideas about spirituality. Contends that Chaucer's portraits of the religious pilgrims in GP showcase several types of spirituality and argues that the poet seems to enjoy detailing both the vices and the virtues of members of the clergy.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Brookhouse, Christopher</text>
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              <text>Notes and Queries 210 (1965): 293-94.</text>
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              <text>Notes and Queries 210 (1965)</text>
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              <text>Tale of Sir Thopas&#13;
Style and Versification</text>
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          <name>Source</name>
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            <elementText elementTextId="2823713">
              <text>1/13/2019</text>
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        <element elementId="114">
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                <text>"Sir Thopas," 901-2.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823708">
                <text>Shows that the humor of applying the phrase" flower of chivalry" to Sir Thopas (Tho 7.901-2) results from Chaucer's change of a "traditionally metaphoric phrase into a literal one."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Raybin, David.</text>
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              <text>Studies in the Age of Chaucer 39 (2017): 225-48.</text>
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              <text>Studies in the Age of Chaucer 39 (2017)</text>
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              <text>Tale of Sir Thopas&#13;
Manuscripts and Textual Studies</text>
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              <text>SAC 41:248</text>
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                <text>"Sir Thopas": A Story for Young Children.</text>
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                <text>Contends that Th is an entertaining, nonpedagogical story written for children, the earliest example in English literature. Explores how details of the tale might appeal to a young audience and posits that its manuscript layout was "calculated to appeal" to youth. Labels Part 7 of CT the "Children's Group," in which Chaucer explores how an adult "might choose to speak to children."</text>
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            <elementText elementTextId="2839759">
              <text>Rijser, David.</text>
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            <elementText elementTextId="2839760">
              <text>NRC Handelsbad Book Supplement, February 7, 2020, pp. 4-5.</text>
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              <text>Chaucer's Life</text>
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            <elementText elementTextId="2839762">
              <text>mea; SAC 44:9</text>
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        <element elementId="114">
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            <elementText elementTextId="2839763">
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850885">
                <text>Traces the known facts about Chaucer's life and career, thereby showing him to be a man of wide-ranging interests, immersed in the opening world of the early European Renaissance. Claims that Chaucer is a cosmopolite, far removed from the narrow, backward-looking insularity of his present-day compatriots, the Brexiteers.</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2851684">
                <text>"Slecht nieuws voor Brexiteers [Bad News for Brexiteers].</text>
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              <text>Fontecedro, Emanuela Andreoni.</text>
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        <element elementId="98">
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              <text>Italica 88 (2011): 335-52.</text>
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            <elementText elementTextId="2839160">
              <text>Italica 88 (2011)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2839161">
              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Parliament of Fowls</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2839162">
              <text>mea; 5/3/22</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2839163">
              <text>2011</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2839156">
                <text>"Somnium Scipionis": Emulazione nell "Africa" del Petrarca e Input dei  "Dream Poems" di Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2839157">
                <text>Considers intertextual relations between Petrarch's "Africa" and Cicero's "Somnium Scipionis"  as dream visions, focusing on the medieval poet's developments of the ancient poet's concern with fame and contempt for the world. Closes with comments on how, in HF and PF, Chaucer follows Petrarch, emphasizes poetic fame, and incorporates concern with love.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2817700">
              <text>Archer, Jayne Elizabeth, Richard Marggraf Turley, and Howard Thomas.</text>
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        <element elementId="98">
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            <elementText elementTextId="2817701">
              <text>Chaucer Review 50.1-2 (2015): 1–29.</text>
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        <element elementId="100">
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            <elementText elementTextId="2817702">
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            <elementText elementTextId="2817703">
              <text>Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Reeve and His Tale&#13;
Chaucerian Apocrypha</text>
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        <element elementId="109">
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            <elementText elementTextId="2817704">
              <text>SAC 39: 125&#13;
mea, 2/26/2018</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2817705">
              <text>2015</text>
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        <element elementId="112">
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            <elementText elementTextId="2817706">
              <text>Marggraf Turley, Richard &#13;
Thomas, Howard</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2825166">
                <text>Proposes connections between the CT--especially Chaucer's Plowman, the apocryphal Plowman's Tale, and RvT--and ideas about food supply. Provides an overarching argument that anxieties about farming and the politics of how food was distributed in late fourteenth-century England tie together many of the tales and pilgrims' words.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2825998">
                <text>"Soper at oure aller cost": The Politics of Food Supply in the "Canterbury Tales."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Shuffelton, George.</text>
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        <element elementId="98">
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 149-66.</text>
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          <name>Chaucer Subject</name>
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              <text>Recordings and Films&#13;
Canterbury Tales--General</text>
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              <text>SAC 40:23</text>
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        <element elementId="114">
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            <elementText elementTextId="2821054">
              <text>2016</text>
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              <text>Chaucer on Screen.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821048">
                <text>"Sorry, Chaucer": Mixed Feelings and Hyapatia Lee's "Ribald Tales of Canterbury."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2821049">
                <text>Assesses Hyapatia Lee's "Ribald Tales of Canterbury" as "quasi-medieval erotica" and a conventional example of pornography from the "golden age" of porn films (1970s and early 1980s). Then discusses evidence from the film and from an autobiography that Lee, as screenwriter and star, sought to assert "feminine displacement of Chaucer's male authority."</text>
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              <name>Title</name>
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              <text>O'Connell, Brendan.</text>
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        <element elementId="98">
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            <elementText elementTextId="2817865">
              <text>Medium Aevum 84.1 (2015): 16–39.</text>
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              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2817868">
              <text>SAC 39:146&#13;
mea; 2/26/2018</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2817869">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825157">
                <text>Unlike Constance in Trevet and Gower, Custance in MLT does not speak with her would-be rapist; further, she immediately struggles with him and receives divine aid in overcoming him. Asserts that Chaucer's treatment of this scene demonstrates knowledge of the law concerning self-defense and justifiable homicide.</text>
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              <elementText elementTextId="2825995">
                <text>"Struglyng wel and mightily": Resisting Rape in the "Man of Law's Tale."</text>
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              <text>Greene, Darragh.</text>
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            <elementText elementTextId="2849270">
              <text>Religion &amp; Literature 54 (2022): 141-62.</text>
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            <elementText elementTextId="2849271">
              <text>Religion &amp; Literature 54 (2022)</text>
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              <text>Pardoner and His Tale&#13;
General Prologue to the Canterbury Tales&#13;
Ho.use of Fame</text>
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              <text>SAC 46:250; rev. mea 1/2/2025</text>
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        <element elementId="114">
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            <elementText elementTextId="2849274">
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                <text>"Substaunce into Accident": Transubstantiation and Relics in Chaucer's "Pardoner's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Focuses on CT and PardT, specifically. Discusses the Pardoner's fabrication of relics and the "preposterous" transformation of "accident into substance," a reversal of the trope used in PardT, the narrative voice in both GP and PardT, and deception and fakery in HF.</text>
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            <elementText elementTextId="2829774">
              <text>Flannery, Mary C.</text>
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              <text>Forum for Modern Language Studies 50.2 (2014): 168-81.</text>
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              <text>Forum for Modern Language Studies 50 (2014)</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 41:312</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2014</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830293">
                <text>Explores Chaucer's idea of "gossip" in TC (and elsewhere), especially as it relates to literature and Criseyde's reputation, examining more extensively Henryson's emphasis on malice rather than idle speech and its relationship with "literary notoriety" in "Testament of Cresseid."</text>
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              <elementText elementTextId="2830294">
                <text>"Sum men Sayis . . .": Literary Gossip and Malicious Intent in Robert Henryson's "Testament of Cresseid."</text>
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  <item itemId="274167" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2822918">
              <text>Lewis, Franklin D.</text>
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        <element elementId="98">
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              <text>Wali Ahmadi, ed. Converging Zones: Persian Literary Tradition and the Writing of History; Studies in Honor of Amin Banini (Costa Mesa, Calif.: Mazda, 2012), pp. 200-219.</text>
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              <text>Wali Ahmadi, ed.</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2822921">
              <text>Converging Zones: Persian Literary Tradition and the Writing of History; Studies in Honor of Amin Banini.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2822922">
              <text>Man of Law and His Tale&#13;
Source, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2822923">
              <text>SAC 40:222</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822924">
              <text>2012</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822916">
                <text>"Tale of the Righteous Woman (whose Husband Had Gone on a Journey": A Poetic Translation from the "Elahi-Nameh" of Farid Al-Din Attar.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822917">
                <text>Translates into modern English verse (unrhymed iambic pentameter) the initial tale of Farid Al-Din Attar's story collection "Elahi-Nameh" (Persian, twelfth century), an analogue to MLT.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="274254" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823628">
              <text>Arntz, Sister Mary Luke, S.N.D.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823629">
              <text>American Notes and Queries 3.10 (1965): 151-52.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2823630">
              <text>American Notes and Queries 03 (1965)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2823631">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Parliament of Fowls</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2823632">
              <text>mea; 1/11/2019</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823633">
              <text>1965</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823626">
                <text>"That Fol of Whos Folie Men Ryme."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823627">
                <text>Suggests that in TC 1.531-32 Troilus is referring to Tristan as a much-rhymed-about fool in love, adducing evidence of general familiarity with Tristan's foolishness in John Gower, Robert Mannyng, and PF.</text>
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  <item itemId="273497" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2817460">
              <text>Brewer, Charlotte.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2817461">
              <text>Review of English Studies 66, no. 276 (2015): 744–65.</text>
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            <elementText elementTextId="2817462">
              <text>Review of English Studies 66 (2015)</text>
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            <elementText elementTextId="2817463">
              <text>Language and Word Studies&#13;
Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2817464">
              <text>SAC 39:97&#13;
mea; 2/23/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817465">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2817458">
                <text>"That Reliance on the Ordinary": Jane Austen and the "Oxford English Dictionary."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2817459">
                <text>Argues that while quotations of Austen in the revised OED have increased in number overall, those of female authors are still extraordinarily low when compared to the canonical literary male authors: Shakespeare (c. 33,000), Walter Scott (c. 15,000), Milton (c. 12,000), and Chaucer (c. 11,000).</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Harrington, Marjorie.</text>
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        <element elementId="98">
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              <text>Chaucer Review 50.3-4 (2015): 315-67.</text>
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              <text>Chaucer Review 50 (2015)</text>
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              <text>Background and General Criticism</text>
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              <text>39:24&#13;
mea; 2/19/2018</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816752">
              <text>2015</text>
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            <name>Title</name>
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              <elementText elementTextId="2816745">
                <text>"That swevene hath Daniel unloke": Interpreting Dreams with Chaucer and the Harley Scribe.</text>
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            <description>An account of the resource</description>
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                <text>Examines Chaucer's use of dream visions and the "Somniale" tradition as contrasted with that of the Harley scribe. While Chaucer is suspicious, the Harley scribe uses the tradition as a source of knowledge. Includes an edition and translation of London, British Library, MS Royal 12.C.xii "Somniale Danielis."</text>
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