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                  <text>Chaucer Bibliography Online</text>
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              <text>Gray, Douglas.</text>
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              <text>Piero Boitani and Anna Torti, eds.  Literature in Fourteenth-Century England (Tubingen: Gunter Narr; Cambridge: D.S. Brewer, 1983), pp. 83-98.</text>
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              <text>1983</text>
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              <text>Literature in Fourteenth-Century England.</text>
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              <text>Lyrics and Short Poems.</text>
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              <text>mea SAC 07 (71)--additional</text>
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                <text>Songs and Lyrics</text>
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            <description>An account of the resource</description>
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                <text>Characterizes the nature and conventions of Middle English lyrics, looking briefly at representative examples.  Includes discussion of Chaucer as both a representative lyricist and one who breaks boundaries in his short poems.</text>
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              <text>Skelton, Logan.</text>
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              <text>[Baton Rouge, La.]: Centaur, 2003.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2795566">
              <text>2003</text>
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              <text>Sound recording; 1 CD (approx. 69 min.).  1 booklet; 19 pp.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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              <text>"Chaucer Songs."</text>
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          <name>Contributor</name>
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              <text>Frohnmayer, Philip.</text>
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              <text>Buyse, Leone.</text>
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          <name>Chaucer Subject</name>
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              <text>Recordings and Films</text>
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              <text>Lyrics and Short Poems</text>
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              <text>mea 12/6/2013 No SAC</text>
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                <text>Songs of Logan Skelton, Vol. 1</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Performance of music composed by Logan Skelton, including "Chaucer Songs," a "set of six songs with a textless interlude" set to poems by Chaucer (from MercB, from Bal Compl, BD 1223-44, Purse, from Lady, and PF 680-92). Sung by Philip Frohnmayer; piano by Skelton, with Leone Buyse on flute.</text>
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              <text>Enske, Fred van, trans.</text>
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            <elementText elementTextId="2794056">
              <text>Maastricht: Boekenplan, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794057">
              <text>2010</text>
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            <elementText elementTextId="2794058">
              <text>153 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Facsimiles, Editions, and Translations</text>
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              <text>mea 10/18/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2794054">
                <text>Sonnetten en Rodelen die Engeland Las: Nieuwe Woorden in Oude Vormen van Engelse Dichters</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2794059">
                <text>Item not seen; reported in WorldCat, with the note: "Engelse gedichten van Chaucer tot de Beatles met vertaling" [English poetry from Chaucer to the Beatles with translation]. In Dutch and English.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2723943">
              <text>Atkinson, Michael.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2723944">
              <text>Southern Review (Adelaide) 13 (1980): 72-78.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2723945">
              <text>1980</text>
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            <elementText elementTextId="2723947">
              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2723948">
              <text>Southern Review (Adelaide) 13 (1980)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2723949">
              <text>jules SAC 05 (155)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2723942">
                <text>Soul's Time and Transformation: The Wife of Bath's Tale</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2723946">
                <text>WBT is a tale of transformations best understood by applying to it Jung's concept of anima.  The knight's quest is really a search for understanding of his inner self, the feminine psyche.  The transformation of the hag at the end mirrors his own inner transformation as he accepts submission and affirms the power of the feminine psyche.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2850487">
              <text>Pierce, Ingrid.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2850488">
              <text>Ph.D. Dissertation. Purdue University, 2018. Dissertation Abstracts International A79.10. Abstract accessible via ProQuest Dissertations &amp; Theses Global and at https://docs.lib.purdue.edu/dissertations/AAI10809958/; accessed August 19, 2025.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2850489">
              <text>Background and General Criticism&#13;
House of Fame&#13;
Paarliament of Fowls</text>
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        </element>
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              <text>mea; 8/19/2025</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2850491">
              <text>2018</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2850492">
              <text>Dissertation Abstracts International 79</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2850485">
                <text>Sound and Hearing in Middle English Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851999">
                <text>Item not seen. From the abstract: "My dissertation argues that numerous fourteenth-century texts connect listening with ethics in a phenomenon I call "auditory poetics." I analyze human agency surrounding the creation and reception of sound in medieval writing. . . . The texts analyzed in my dissertation [include] Chaucer's" HF and PF.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hooke, Della.</text>
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              <text>Landscape History 41 (2020): 29-49.</text>
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              <text>Landscape History 41 (2020)</text>
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              <text>Canterbury Tales--General&#13;
Knight and His Tale</text>
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              <text>SAC 46:193</text>
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            <elementText elementTextId="2848860">
              <text>2020</text>
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                <text>Surveys literary representations of sounds in various landscapes found in late medieval literature, including mention of the tournament in KnT and description of the tale-telling, singing, and music-making among the Canterbury pilgrims.</text>
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                <text>Sound in the Landscape, a Study of the Historical Literature. Part 2: The Medieval Period--the Eleventh to Fifteenth Century (and Beyond).</text>
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              <text>Yager, Susan.</text>
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            <elementText elementTextId="2806526">
              <text>Style and Versification</text>
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              <text>General Prologue to the Canterbury Tales</text>
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            <elementText elementTextId="2806528">
              <text>mea SAC 37:44</text>
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                <text>Addresses Chaucer's Host as both character and rhetorical device. The Host's speech is characterized, in GP, by pauses, asides, and delayed rhyme, creating Lydgate (or "broken-backed") lines and a prosaic tone. The Host's speech also displays his egotism and occasional mockery of the pilgrims.</text>
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            <elementText elementTextId="2799804">
              <text>Millichap, Joseph R.</text>
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        <element elementId="98">
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            <elementText elementTextId="2799805">
              <text>University of Dayton Review 10.3 (1974): 3-6.</text>
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        <element elementId="114">
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            <elementText elementTextId="2799806">
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              <text>Sources, Analogues, and Literary Relations</text>
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          <elementTextContainer>
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              <text>University of Dayton Review 10 (1974)</text>
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                <text>Contrasts ShT with analogous tales (Boccaccio's "Decameron" 8.1; Sercambi's "Novelle" 19) to demonstrate how the "pervasive irony" of the tale reveals moral censure of the characters and their actions.</text>
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              <text>Farrell, Thomas J.</text>
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        <element elementId="98">
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            <elementText elementTextId="2764166">
              <text>Chaucer Review 37: 346-64,   2003.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2764167">
              <text>2003</text>
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              <text>Clerk and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer Review 37 (2003)</text>
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              <text>vxl SAC 27: 214</text>
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                <text>Source or Hard Analogue? Decameron X, 10 and the Clerk's Tale</text>
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                <text>Farrell argues that clear differentiation among types of analogues may enable us to analyze Chaucer's works with more subtlety. A "source" is a work we are certain Chaucer knew; a "hard analogue" is a work that was available to him; a "soft source" has only remote parallels. Although the Decameron is a hard source for ClT, Chaucer did not necessarily draw from it.</text>
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            <elementText elementTextId="2742329">
              <text>Edwards, Robert R.</text>
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        <element elementId="98">
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              <text>Modern Philology 94 (1996): 141-62.</text>
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        <element elementId="114">
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              <text>1996</text>
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            <elementText elementTextId="2742333">
              <text>Franklin and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Modern Philology 94 (1996)</text>
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              <text>jules SAC 18 (1996), 198</text>
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              <elementText elementTextId="2742328">
                <text>Source, Context, and Cultural Translation in the 'Franklin's Tale'</text>
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            <description>An account of the resource</description>
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                <text>Although the influence of Boccaccio's "Filocolo" on TC is uncertain, examination of various manuscripts of "Filocolo" suggests that Chaucer uses the love questions of "Filocolo" 4 as a source of FranT.  Moreover, translating the culture of Book 4 into FranT enables Chaucer to interrogate the world of FranT.</text>
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              <name>Title</name>
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              <text>Cooper, Helen.</text>
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        <element elementId="98">
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              <text>Studies in the Age of Chaucer 19 (1997): 183-210.</text>
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        <element elementId="114">
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Canterbury Tales--General.</text>
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          <elementTextContainer>
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              <text>Studies in the Age of Chaucer 19 (1997).</text>
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              <text>jules SAC 21 - 39</text>
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                <text>Sources and Analogues of Chaucer's 'Canterbury Tales': Reviewing the Work</text>
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                <text>An advance first chapter of a proposed revision of Bryan and Dempster's 'Sources and Analogues' (1941), in process under the editorship of Robert Correale and Mary Hamel.  Cooper evaluates the relation of CT to other medieval storytelling collections, arguing that Boccaccio's "Decameron" was Chaucer's model.  The dialogic CT shares features with several medieval debate poems, especially the "Dialogue of Solomon and Marcolphus."</text>
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                <text>  Its taletelling competition owes a debt to "puys," societies that held literary contests.  Cooper distinguishes between CT and the tradition of tale-tales told about pilgrimages, but notes evidence of historical pilgrims' amusing themselves with storytelling.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Correale, Robert M., and Mary Hamel, eds.</text>
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              <text>Woodbridge, Suffolk; and Rochester, N. Y. : D. S. Brewer, 2002.</text>
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            <elementText elementTextId="2760051">
              <text>2002</text>
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            <elementText elementTextId="2760052">
              <text>xii, 623 pp.</text>
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              <text>Hamel, Mary, ed.</text>
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            <elementText elementTextId="2760055">
              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Canterbury Tales--General</text>
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              <text>Chaucer Studies, no. 28.</text>
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            <elementText elementTextId="2760058">
              <text>vxl SAC 26: 47</text>
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              <elementText elementTextId="2760048">
                <text>Sources and Analogues of the Canterbury Tales : Vol. 1</text>
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                <text>An anthology of the sources and analogues to selections from CT. Each section comments on source-and-analogue relations, edits the materials in a form close to what Chaucer might have known, and provides facing-page translations of non-English material. Sections include the frame (Helen Cooper), RvT (Peter G. Beidler), CkT (John Scattergood), FrT (Peter Nicholson), ClT (Thomas J. Farrell and Amy W. Goodwin), SqT (Vincent DiMarco), FranT (Robert R. Edwards), PardPT (Mary Hamel), Mel (William R. Askins), MkT (Thomas H. Bestul), NPT (Edward Wheatley), SNPT (Sherry L. Reames), and ParsT (Richard Newhauser). The volume includes an index of names and titles.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Correale, Robert M., and Mary Hamel, eds.</text>
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            <elementText elementTextId="2770098">
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              <text>xvi, 824 pp.</text>
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              <text>Hamel, Mary, ed.</text>
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                <text>Identifies and comments on various parallels between lines 36 and 74 of the "Invocacio ad Mariam" in SNP and St. Bernard's praise of Mary in Dante's "Paradiso," XXXIII, treating portions of it as "free translation," although perhaps influenced by other works of Marian theology and literature.</text>
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                <text>Sources of Chaucer's Corones Two.</text>
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                <text>In sociolinguistic terms, Burnley examines orthography among literary scribes of Chaucer's day to find that spelling was far from standardized.</text>
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                <text>The book presents hypothetical source texts for Bo, seeking to reconstruct as closely as possible what was accessible to Chaucer when he translated Boethius into Middle English. Provides an edition of Boethius's Latin original and, on facing pages, Jean de Meun's French translation of the Latin.</text>
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                <text>Accompanying notes include selections from Nicholas Trevet's Latin commentary and various interlinear glosses "from the Remigian tradition," i.e., those attributed to Remigius himself and "later expansions thereof." The introduction surveys critical discussions of the sources of Bo, describes pertinent manuscript traditions, and explains textual methods. Includes collations for the Latin and French texts and a bibliography.</text>
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                <text>Nine essays by various authors, addressing topics such as Julian of Norwich, Margery Kempe, the "Ancren Riwle," the Paston daughters, Malory's Guenivere, and several works by Chaucer.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2812435">
                <text>Sovereignty and Old Wife</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2812439">
                <text>Compares WBT with its analogues to show that Chaucer's alterations of the plot "redefine such central concepts as 'honor' and 'sovereignty' in feminine terms," consistent with the gender of its teller. By emphasizing moral precept instead of pleasure, the poet reasserts the traditional function of the Irish story more than do analogous English versions.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2779954">
              <text>Strohm, Paul.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779955">
              <text>Lisa H. Cooper and Andrea Denny-Brown, eds. Lydgate Matters: Poetry and  Material Culture in the Fifteenth Century (New York: Palgrave Macmillan, 2008), pp. 57-70.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779956">
              <text>2008</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779957">
              <text>Lydgate Matters: Poetry and  Material Culture in the Fifteenth Century.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779959">
              <text>General Prologue to the Canterbury Tales</text>
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            <elementText elementTextId="2779960">
              <text>Knight and His Tale</text>
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            <elementText elementTextId="2779961">
              <text>Chaucer's Life</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833641">
              <text>vxl SAC 32:170.</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2779953">
                <text>Sovereignty and Sewage</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2779958">
                <text>Strohm assesses historical implications of the concern with civic and personal cleansing in Lydgate's "Troy Book" and comments on Chaucer's imagery of cleansing in GP, his  concern with civic orderliness in KnT, and his personal experiences with sovereignty and civic planning as Clerk of Works.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712591">
              <text>Bollard, J. K.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712592">
              <text>Leeds Studies in English 17 (1986): 41-59.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712593">
              <text>1986</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712595">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2712596">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2712597">
              <text>Leeds Studies in English 17 (1986)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712598">
              <text>jules SAC 10 (151)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2712590">
                <text>Sovereignty and the Loathly Lady in English, Welsh and Irish</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2712594">
                <text>WBT, Gower's "Tale of Florent," the "Wedding of Sir Gawain and Dame Ragnell," and "The Marriage of Gawain" (from the Percy Folio) are sufficiently different from the Irish tales of the transformed hag to raise doubts about the transmission of this story from Irish to Middle English.  Chaucer's treatment of ballad and romance motifs differs from Gower's.</text>
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  <item itemId="273664" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818817">
              <text>Peck. Russell A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818818">
              <text>Chaucer Review 1.4 (1967): 253-71.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818819">
              <text>Chaucer Review 01 (1967)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818820">
              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818821">
              <text>mea; 3/19/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818822">
              <text>1967</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818815">
                <text>Sovereignty and the Two Worlds of the "Franklin's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818816">
                <text>Suggests that FranT is an exposé of "bourgeois sentimentality," and argues that its "central theme" is the "difficulty of perceiving truth in a world of illusions." Self-deceived, the Franklin mistakes his own desires for reality. He projects a false sense of gentility and, in his Tale, distorts the proper ideal of sovereignty in marriage. The characters of FranT are similarly self-deceived, and "allusions to the Creator and his creation" highlight their illusions and failure to understand proper hierarchical order. Contrasts FranT with Boccaccio's "Filocolo," considering the "regenerative" potential of its seasonal imagery triggered by Dorigen's confrontation with reality.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="274923" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2830985">
              <text>Cavalcanti, Leticia Niederauer Tavares.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2830986">
              <text>Dissertation Abstracts International 23.07 (1963): 2522-23.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2830987">
              <text>Dissertation Abstracts International 23 (1963)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2830988">
              <text>Background and General Criticism&#13;
Language and Word Studies</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2830989">
              <text>mea; 4/24/2020</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2830990">
              <text>1963</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830983">
                <text>Sovereignty in Love or Obedience in Marriage: An Analysis of the Sovereignty-Obedience Theme and Its Relationship to the Characterization of Women in the Major Works of Geoffrey Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830984">
                <text>Summarizes the "antagonistic and contradictory views on women" held by the medieval Church, and explores Chaucer's views of women by examining his uses of the motifs of sovereignty and obedience in marriage from BD through CT, focusing on three types: the "traditional sovereign lady of the courtly romance," the "conventional authoritarian lady" of allegorical poetry, and the "victim of men and fortune, apparently Chaucer's own invention."</text>
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  <item itemId="270817" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789893">
              <text>Nakley, Susan.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789894">
              <text>Chaucer Review 44 (2010): 368-96.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789895">
              <text>2010</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2789897">
              <text>Man of Law and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789898">
              <text>Chaucer Review 44 (2010).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789899">
              <text>vxl sac 34:212</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2789892">
                <text>Sovereignty Matters: Anachronism, Chaucer's Britain, and England's Future's Past</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789896">
                <text>The "temporal disorder" and "internationalism" of MLT--combined with its examination of competing familial and institutional loyalty--depict sovereignty as a redemptive governmental form capable of healing the ills of late medieval England, including "its language . . . and its institutions of marriage, Church, and law."</text>
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  <item itemId="269573" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776934">
              <text>Biebel-Stanley, Elizabeth M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776936">
              <text>2007</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776937">
              <text>English Loathly Lady Tales: Boundaries, Traditions, Motifs.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776939">
              <text>Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2776940">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776941">
              <text>vxl SAC 31:198</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826020">
              <text>S. Elizabeth Passmore and Susan Carter, eds. The English "Loathly Lady" Tales: Boundaries, Traditions, Motifs (Kalamazoo, Mich.: Medieval Institute Publications, 2007), pp. 73-82.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2776933">
                <text>Sovereignty Through the Lady: 'The Wife of Bath's Tale' and the Queenship of Anne of Bohemia</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825861">
                <text>Rooted in Irish analogues, the sovereignty theme is anchored in the queen figure in WBT. The theme reflects "women's integral role in governance," a "wishful vision of a movement toward more egalitarian society," and Anne of Bohemia's role in the court of Richard II.</text>
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          </element>
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