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              <text>Sadlek, Gregory M.</text>
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              <text>Monika Fludernik and Miriam Nandi, eds. Idleness, Indolence and Leisure in English Literature (New York: Palgrave Macmillan, 2014), pp. 17-39. </text>
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              <text>Fludernik, Monika, ed.&#13;
Nandi, Miriam, ed.</text>
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              <text> Idleness, Indolence and Leisure in English Literature.</text>
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              <text>Troilus and Criseyde&#13;
Legend of Good Women&#13;
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Second Nun and Her Tale</text>
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              <text>mea; 2/23/22</text>
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                <text>"Otium," "Negotium," and the Fear of "Acedia" in the Writings of England's Late Medieval Ricardian Poets.</text>
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                <text>Offers background to late-medieval English literary notion of "otium" (idleness) and explores tensions between leisure and productivity in works by Chaucer, Gower, Langland, and the "Gawain" poet, particularly their representations of the morality of leisure and labor in aristocratic love (treating LGWP and TC) and in the daily lives of clerics and seculars (treating GP and SNP).</text>
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              <text>Robinson, James.</text>
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              <text>Neil Roberts, Mark Wormald, and Terry Gifford, eds. Ted Hughes, Nature and Culture (Cham: Palgrave Macmillan, 2018), pp. 143–59.</text>
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              <text>Roberts, Neil, ed.&#13;
Wormald, Mark, ed.&#13;
Gifford, Terry, ed. </text>
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              <text>Ted Hughes, Nature and Culture.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Wife of Bath and Her Tale</text>
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            <description>An account of the resource</description>
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                <text>Assesses the lifelong development of Ted Hughes's attitudes toward Chaucer in published and archival materials, including comments on Hughes's view of Chaucer as the "perfect model of a public poet" and as a "presiding presence" in his relationship with Sylvia Plath. Also assesses Plath's appreciation of Chaucer's works, especially the character of the Wife of Bath.</text>
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                <text>"Our Chaucer": Ted Hughes, Sylvia Plath and the Politics of Medieval Reading.</text>
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              <text>Phillips, Helen.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 36-51.</text>
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              <text>Style and Versification&#13;
Miiller and His Tale&#13;
Reeve and His Tale&#13;
Prioress and Her Tale&#13;
Nun's Priest and His Tale</text>
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2024</text>
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                <text>"Out, Harrow" and "Alas!": Chaucer, Shouts and Narrative.</text>
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                <text>Addresses shouting in Chaucer's narratives, focusing on "the hue and cry," which, "strikingly frequent," engages "with questions about the reliability of narratives, and also with problems of rape and sexual consent, misogynistic narratives and fictions of social class." Surveys cries of alarm and exclamations of misdeeds in Chaucer's works, with particular attention to NPT, MilT, RvT, and PrT.</text>
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              <text>Hoffman, Richard L.</text>
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              <text>Notes and Queries 209 (1964): 49-50.</text>
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              <text>Manuscripts and Textual Studies&#13;
Sources, Analogues, and Literary Relations&#13;
Miller and His Tale</text>
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              <text>mea; 10/30/2019</text>
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                <text>"Ovid's" "ictibus agrestis" and the "Miller's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Conjectures that the source of a recurrent glosses to MilT at 1.3381-82 (variously 3383) attributed to Ovid by the glossators resulted from a misreading of Ovid's "Fasti" 2.193.</text>
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              <text>Rowland, Beryl.</text>
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              <text>Mediaeval Studies 27 (1965): 322-25.</text>
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                <text>"Owles and Apes" in Chaucer's "Nun's Priest's Tale," 3092.</text>
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                <text>Aligns Chaucer's juxtaposition of owls and apes in NPT 7.3092 with the "moral obliquity" of the two animals in medieval art and sculpture, identifying origins in patristic commentary.</text>
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              <text>Dase, Kyle, and Nicole Atkings.</text>
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              <text>Digital Medievalist 14, special issue (2021). 29 pp.</text>
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                <text>"Pacience Is an Heigh Vertu": Managing the Canterbury Tales Project via Textual Communities.</text>
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                <text>Describes the use of the online text-editing platform Textual Communities in ongoing developments of the Canterbury Tales Project, clarifying advantages and limitations of using such a platform, and offering advice for future changes to the project and similar endeavors</text>
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              <text> Approaches to Teaching the Middle English "Pearl."</text>
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                <text>"Pearl" as a Gateway into Middle English Poetry: Comparative Approaches.</text>
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                <text>Clarifies how students' experiences with grief or loss can be useful in overcoming modern resistance to reading "Pearl," and suggests comparative study of the poem with other texts in Middle English, including BD. Offers discussion questions for comparing such poems: for BD, comparing Pearl and Blanche, the Pearl-dreamer and the Black Knight, and the descriptive and narrative techniques of the two works.</text>
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                <text>"Penelopees Trouthe": Female Faithfulness in Late Medieval English Literature.</text>
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Parliament of Fowls</text>
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                <text>Presents Chaucer's and Langland's representations of the natural world, reading "Langland's treatment of nature alongside Chaucer's as an expression of a continuous though diverse tradition of humanism." Chapter 1 focuses on nature in PF.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Connects LGW with the "Livre du Chevalier de la Tour Landry" and the "Menagier de Paris." Suggests that the domestic sphere of "Livre du Chevalier de la Tour Landry" and the "Menagier de Paris" offers a place for productive, satisfying love; however, love that is illegible and destructive is revealed in LGW.</text>
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              <elementText elementTextId="2830307">
                <text>"Pite renneth soone in gentil herte": Ugly Feelings and Gendered Conduct in Chaucer's "Legend of Good Women."</text>
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  <item itemId="277146" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Marshall, Simone Celine.</text>
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            <elementText elementTextId="2849543">
              <text>Romantic Textualities: Literature and Print Culture, 1780–1840 23 (2020): 218-36; 7 illus.; 3 appendices.</text>
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            <elementText elementTextId="2849544">
              <text>Romantic Textualities: Literature and Print Culture, 1780–1840 23 (2020)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849545">
              <text>Book of the Duchess&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2849546">
              <text>SAC 46:289</text>
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        <element elementId="114">
          <name>Date</name>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2849540">
                <text>"Poetical Works of Geoffrey Chaucer" in the Nineteenth Century: Social Influences on Editorial Practice.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850780">
                <text>Analyzes the text of BD found in the 1807 collected edition "The Poetical Works of Geoffrey Chaucer," showing "that it is fair to consider the work a new edition," based on John Urry's 1721 edition of BD and loosely following Thomas Tyrwhitt's critique of Urry. Attends to verb forms, pronouns, and punctuation, observing that the 1807 edition is evidently the first printed edition to use the title "Book of the Duchess."</text>
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  <item itemId="273727" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2819324">
              <text>Sanders, Barry.</text>
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        <element elementId="98">
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              <text>Notes and Queries 212 (1967): 325.</text>
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            <elementText elementTextId="2819326">
              <text>Notes and Queries 212 (1967)</text>
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            <elementText elementTextId="2819327">
              <text>Language and Word Studies&#13;
Canon's Yeoman and His Tale</text>
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          <name>Source</name>
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            <elementText elementTextId="2819328">
              <text>mea; 4/13/2018</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2819329">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2819322">
                <text>"Point": "Canon's Yeoman's Tale" 927.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819323">
                <text>Corrects a line number in the citation of CYT in the "OED" definition of "point," and comments on Chaucer's punning use of the term.</text>
              </elementText>
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          </element>
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  </item>
  <item itemId="274663" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2827985">
              <text>Mahler, Andreas.</text>
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        <element elementId="98">
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            <elementText elementTextId="2827986">
              <text>Andrew James Johnston, Russell West- Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 32-45.</text>
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            <elementText elementTextId="2827987">
              <text>Love, History and Emotion in Chaucer and Shakespeare</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2827988">
              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827989">
              <text>SAC 41:318</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827990">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2827983">
                <text>"Potent Raisings": Performing Passion in Chaucer and Shakespeare.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2827984">
                <text>&lt;p&gt;Maintains that Chaucer in TC and Shakespeare in "Troilus and Cressida" present love as detached from history or topicality, depicting it through irresolvable plural discourses--Platonic, Petrarchan, courtly love-sickness, and more--and thereby "performing it aesthetically, without any particular truth value but its own."&lt;/p&gt;</text>
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  <item itemId="275558" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
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            <elementText elementTextId="2836544">
              <text>Burrow, John.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2836545">
              <text>Medium Aevum 87.1 (2018): 142-50.</text>
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            <elementText elementTextId="2836546">
              <text>Medium Aevum 87 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2836547">
              <text>Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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            <elementText elementTextId="2836548">
              <text>SAC 43:73</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2836549">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2836542">
                <text>"Pronomination" in the Poetry of Chaucer, Gower, and Skelton.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2836543">
                <text>Defines "pronominatio" and traces its background in medieval rhetorical handbooks; then surveys instances in the works of Chaucer, Gower, and Skelton, analyzing individual uses that convey either praise or censure given to characters by associating them with classical or biblical exemplars. For example, Chaucer's Troilus is "Ector the secounde" (TC, I2.158), the mother in PrT a "newe Rachel" (7.627), etc.</text>
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  <item itemId="276626" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2845266">
              <text>Weiskott, Eric.</text>
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        <element elementId="98">
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            <elementText elementTextId="2845267">
              <text>Notes and Queries 266 (2021): 253-55.</text>
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            <elementText elementTextId="2845268">
              <text>Notes and Queries 266 (2021)</text>
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        <element elementId="102">
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            <elementText elementTextId="2845269">
              <text>Style and Versification&#13;
Proverbs</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845270">
              <text>SAC 45:177</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2845271">
              <text>2021</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2845264">
                <text>"Proverbs" and Chaucer's Metrical Practice.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850729">
                <text>Argues that Prov, although attributed to Chaucer in medieval manuscripts and in the Riverside Chaucer, contains verse forms not found elsewhere in Chaucer's oeuvre.</text>
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          </element>
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  <item itemId="276731" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Galway, Margaret. </text>
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        <element elementId="98">
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            <elementText elementTextId="2846126">
              <text>Notes and Queries 202 (1957): 371-74</text>
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        <element elementId="100">
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            <elementText elementTextId="2846127">
              <text>Notes and Queries 202 (1957)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2846128">
              <text>Chaucer's Life</text>
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            <elementText elementTextId="2846129">
              <text>mea; 7/3/2024</text>
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          <name>Date</name>
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            <elementText elementTextId="2846130">
              <text>1957</text>
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          <element elementId="50">
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              <elementText elementTextId="2846123">
                <text>"Pullesdon" in the "Life-Records of Chaucer."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846124">
                <text>Reconsiders the toponym "Pullesdon" as a location in archival records that pertain to Chaucer,  Philippa, and their patrons Lionel and Elizabeth, exploring possibilities for the location and implications concerning Philippa and Elizabeth.</text>
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  <item itemId="274920" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2830961">
              <text>Biggins, Dennis.</text>
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        <element elementId="98">
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            <elementText elementTextId="2830962">
              <text>English Studies 44 (1963): 278.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2830963">
              <text>English Studies 44 (1963)</text>
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          <name>Chaucer Subject</name>
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              <text>Summoner and His Tale</text>
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          <name>Source</name>
          <description/>
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              <text>mea; 4/24/2020</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2830966">
              <text>1963</text>
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              <elementText elementTextId="2830959">
                <text>"Pulling Finches and Woodcocks": A Comment.</text>
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                <text>Comments on the ambiguity of the phrase "a finch eek koude he pulle," a detail in the GP description of the Summoner (CT 1.652).</text>
              </elementText>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821291">
              <text>Rust, Martha.</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 195-217.</text>
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              <text>Chaucer: Visual Approaches.</text>
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        <element elementId="102">
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              <text>Parliament of Fowls&#13;
Manuscripts and Textual Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>SAC 40:303</text>
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        <element elementId="114">
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            <elementText elementTextId="2821296">
              <text>2016</text>
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          <element elementId="50">
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                <text>"Qui bien aime a tarde oblie": Lemmata and Lists in the "Parliament of Fowls."</text>
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                <text>Interprets red-ink underlining of lovers' and birds' names in the text of PF in Bodley 638 and Fairfax 16 as a "visual appeal to memory" that activates pedagogical frameworks of language acquisition from medieval grammar school curricula. Viewing these MS notations as "virtual lemmata" establishes the prospect of a "mental commentary" performed on Chaucer's text by fifteenth-century gentry readers and encouraged by PF's bookish persona. </text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            <elementText elementTextId="2821267">
              <text>Stanbury, Sarah.</text>
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        <element elementId="98">
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            <elementText elementTextId="2821268">
              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 39-58.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2821269">
              <text> Chaucer: Visual Approaches.</text>
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        </element>
        <element elementId="102">
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            <elementText elementTextId="2821270">
              <text>Shipman and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2821271">
              <text>SAC 40:258</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821272">
              <text>2016</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821265">
                <text>"Quy la?": The Counting-House, the "Shipman's Tale," and Architectural Interiors.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2821266">
                <text>Considers the counting-house in ShT in light of the late medieval concern with "architectural privacy" and "new formations of sociability" in the bourgeois household. Contextualizes gendered space in ShT in relation to mercantile labor, developments in home design, and matters of perspective in painting and manuscript illumination. </text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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            <elementText elementTextId="2853387">
              <text>Lynch, Andrew.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2853388">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 4 (2023): 159-74.</text>
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          <elementTextContainer>
            <elementText elementTextId="2853389">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 04 (2023)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2853390">
              <text>Canterbury Tales--General&#13;
Man of Law and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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          <elementTextContainer>
            <elementText elementTextId="2853391">
              <text>SAC 47:114</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853392">
              <text>2023</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853385">
                <text>"Refugee Tales" (UK) Meets Chaucer's "Canterbury Tales": An Australian'sHistorical Perspective.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2853386">
                <text>Asks "[w]hat kind of stories could let . . . refugees be admitted to the category 'Australian,' in a more inclusive version of [the] actual and potential inhabitants" of the nation? Explores how and to what extent CT might be a useful model for inclusiveness, assessing cultural and ideological underpinnings of Chaucer's works (especially MLT), and observin their reflections and refractions in the stories included in "Refugee Tales," edited by David Herd and Anna Pincus (first 3 vols., 2016–21).</text>
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  <item itemId="274155" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822819">
              <text>Hunter, Brooke.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2822820">
              <text>Exemplaria 23 (2011): 126-46.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2822821">
              <text>Exemplaria 23 (2011)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2822822">
              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Boece</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2822823">
              <text>SAC 40:208</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822824">
              <text>2011</text>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822817">
                <text>"Remenants" of Things Past: Memory and the "Knight's Tale." </text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2822818">
                <text>Argues that "two medieval methods of memorializing" are in tension in KnT: "celebration" of chivalric loss, and Boethian remembrance. Theseus's admonitions to remember Arcite "leave little room" for "healthy" mourning and reveal the limits of Theseus's and the Knight's outlooks. Boethian memory, especially as presented in Nicholas Trevet's commentary on the "Consolation" (and in Bo), enfigured in the imagery of the tale (especially the temples), insists upon the need for memory to be "modeled imaginatively" in artful mnemonics, although eventually extinguished from "the minds of the living," a second death.</text>
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  <item itemId="273543" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817839">
              <text>Blackwell, Alice.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817840">
              <text>Medieval Perspectives 76 (2015): 163–80.</text>
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        <element elementId="100">
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            <elementText elementTextId="2817841">
              <text>Medieval Perspectives 76 (2015)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817842">
              <text>Reeve and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2817843">
              <text>SAC 39:143&#13;
2/26/2018</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817844">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2825054">
                <text>"Right in his cherles termes wol I speke": Chaucer's Self-Defeating Reeve and His Self-Destructing Tale.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2825158">
                <text>Although the Reeve claims a moral high ground by telling a story that deals out justice to its dishonest miller, this revenge does not accord with the moral virtue of justice nor with the amoral fabliau genre, undermining the Reeve's sanctimony and raising unanswered questions about the degree of consent given by the omen who become instruments of the clerks' revenge</text>
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