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              <text>Payer, Pierre J.</text>
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              <text>jules SAC 08 (87)</text>
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                <text>Sex and the Penitentials: The Formation and Transmission of a Sexual Code, 550-1150</text>
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                <text>In the development of sexual codes in the Penitentials, treatment of a wide variety of sexual behavior became more and more sophisticated in reaction to actual practice.</text>
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              <text>Classen, Albrecht.</text>
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                <text>Surveys depictions of sexual activities and attitudes toward them in the literature of medieval Europe. Includes a brief life of Chaucer and recurrent comments on his works (see the Index), with a summary description of sexuality and scatology in MilT as a fabliau.</text>
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              <text>2 vols. xxvi, 930 pp.</text>
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              <text>vxl SAC 32:38.</text>
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              <text>Karras, Ruth Mazo.</text>
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              <text>Jacqueline Murray and Konrad Eisenbichler, eds. Desire and Discipline: Sex and Sexuality in the Premodern West (Toronto: University of Toronto Press, 1996), pp. 201-16.</text>
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              <text>vxl SAC 27:119</text>
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                <text>Karras surveys depictions of female commercialized sex in the English late Middle Ages. It is difficult, she suggests, to separate kinds and degrees of prostitution, because prostitution was regarded as an "extreme case" of the general sinfulness of female sexuality. Chaucerian examples include the Wife of Bath and the wives in ShT, CkT, and ManT.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 230-38.</text>
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Pardoner and His Tale</text>
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                <text>Shows that the BBC television adaptation of PardPT concentrates more on sexual predation than on death, and argues that this eliminates both the sexual and the contextual queerness of Chaucer's original, which requires of its audience "rigorously trained self-awareness that its contextual queerness makes difficult or impossible to feel secure in."</text>
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          <description/>
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              <text>vxl SAC 32:156.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sex, Sense, and Nonsense: The Anal Erotics of Early Modern Comedy</text>
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                <text>Stockton discusses the "critique of cynical reason" in CT as part of a larger psychoanalytical discussion of the role of comedy in the formation of the foundations of civilizations.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2813142">
              <text>Hopkins, Amanda, Robert Allen Rouse, and Cory James Rushton, eds.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2813143">
              <text>Rochester, N.Y.: D. S. Brewer, 2014.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2813144">
              <text>2014</text>
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          <elementTextContainer>
            <elementText elementTextId="2813145">
              <text>192 pp.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813146">
              <text>Rouse, Robert Allen, ed.</text>
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            <elementText elementTextId="2813147">
              <text>Rushton, Cory James, ed.</text>
            </elementText>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2813149">
              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813150">
              <text>mea; 2/16/2017 SAC 38:82</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2813141">
                <text>Sexual Culture in the Literature of Medieval Britain</text>
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              <elementText elementTextId="2813148">
                <text>Collection of essays explores British medieval sexuality and sexual expression in literature.  Examines fabliaux and romances of Chaucer, Gower, and Malory; alchemical texts; and satirical poetry of William Dunbar.  The Introduction (pp. 1-11) describes the essays included, and compares the "sexual landscape" of George R. R. Martin's "Song of Ice and Fire" and HBO's series "Game of Thrones" with articulations of medieval erotics and sexuality. For individual essays that pertain to Chaucer, search for Sexual Culture in the Literature of Medieval Britain under Alternative Title.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699817">
              <text>Delany, Sheila.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699818">
              <text>Minnesota Review, New Series 5 (1975): 104-15.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699819">
              <text>1975</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699820">
              <text>Writing Woman: Women Writers and Women in Literature Medieval to Modern.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2699823">
              <text>Wife of Bath and Her Tale.</text>
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        </element>
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          <elementTextContainer>
            <elementText elementTextId="2699824">
              <text>Minnesota Review, New Series 05 (1975)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699825">
              <text>jules - 26/9/94 SAC 1 (126)</text>
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          <element elementId="50">
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                <text>Sexual Economics, Chaucer's Wife of Bath and The Book of Margery Kempe</text>
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              <elementText elementTextId="2699821">
                <text>The Wife of Bath turned the sexual economics of her time to her advantage.  Margery Kempe could not so capitulate.  Religion became her way of asserting ownership of herself.</text>
              </elementText>
              <elementText elementTextId="2699822">
                <text>Reprinted in Sheila Delany, Writing Women: Women Writers and Women in Literature Medieval to Modern (Schocken, 1984), 76-92, and in Ruth Evans and Lesley Johnson, eds., Feminist Readings in Middle English Literature (Routledge, 1994), 72-87.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2804116">
              <text>Lancashire, Ian.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804117">
              <text>Chaucer Review 6.3 (1972): 159-70.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804118">
              <text>1972</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2804120">
              <text>Reeve and His Tale</text>
            </elementText>
            <elementText elementTextId="2804121">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2804122">
              <text>Language and Word Studies</text>
            </elementText>
            <elementText elementTextId="2804123">
              <text>Style and Versification</text>
            </elementText>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804124">
              <text>Chaucer Review 06 (1972)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804125">
              <text>mea; 7/15/2015 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2804115">
                <text>Sexual Innuendo in the 'Reeve's Tale'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2804119">
                <text>Shows that double entendre "invests the entire narrative action" of RvT, explicating individual puns and demonstrating the prevalence of the sexual implications of flour, milling, and grinding throughout the tale and in later works by John Heywood and Shakespeare. Not evident in the French source of RvT, these sexual innuendoes underlie its theme of "poetic justice."</text>
              </elementText>
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  <item itemId="270599" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787595">
              <text>Paglia, Camille.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787596">
              <text>New Haven, Conn.: Yale University Press, 1990.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787597">
              <text>1990</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787598">
              <text>xiv, 718 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2787600">
              <text>Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787601">
              <text>mea 4/15/2013 No SAC</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2787594">
                <text>Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2787599">
                <text>Expansive commentary on western art and literature, including the assertion (pp. 171-72) that Edmund Spenser established English literary tradition by "abandoning Chaucer and eradicating his influence," particularly his "populism."</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="268315" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763975">
              <text>Campbell, Emma.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763976">
              <text>Comparative Literature 55: 191-216,   2003.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763977">
              <text>2003</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763979">
              <text>Clerk and His Tale.</text>
            </elementText>
            <elementText elementTextId="2763980">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763981">
              <text>Comparative Literature 55 (2003)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763982">
              <text>vxl SAC 27: 212</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763974">
                <text>Sexual Poetics and the Politics of Translation in the Tale of Griselda</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763978">
                <text>Campbell applies Judith Butler's theories of performative gender identity and "cultural translation" to ClT and its sources in Petrarch and Boccaccio. In Chaucer's version, authority is translated to the vernacular and to oral discourse, challenging to Petrarch's version but nevertheless asserting masculine authority over feminine texts and bodies.</text>
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  </item>
  <item itemId="269275" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773830">
              <text>Goodspeed-Chadwick, Julie Elaine.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773831">
              <text>Readerly/Writerly Texts 11-12 (2004-05): 155-62.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773832">
              <text>2005</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773834">
              <text>Wife of Bath and Her Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773835">
              <text>Readerly/Writerly Texts 11-12 (2004-05)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773836">
              <text>vxl sac 30:201</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2773829">
                <text>Sexual Politics in 'The Wife of Bath's Prologue' and 'Tale': The Rhetorics of Domestic Violence and Rape</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2773833">
                <text>WBPT can be seen as Alison's "therapeutic" attempts to "educate the public at large" about domestic violence and rape. Although she succumbs at times to the rhetoric of "the woman as commodity" and misunderstands herself as "unrapeable," Alison vindicates women.</text>
              </elementText>
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          </element>
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  </item>
  <item itemId="269822" public="1" featured="0">
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              <text>Pugh, Tison.</text>
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              <text>New York: Palgrave Macmillan, 2008.</text>
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              <text>2008</text>
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            <elementText elementTextId="2779509">
              <text>xii, 220 pp.</text>
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              <text>Clerk and His Tale</text>
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          <elementTextContainer>
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              <text>The New Middle Ages.</text>
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            <elementText elementTextId="2779514">
              <text>vxl SAC 32:132.</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Sexuality and Its Queer Discontents in Middle English Literature</text>
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                <text>Pugh theorizes "the compulsory nature of queerness in creating heterosexuals," exploring how a number of masculine characters in Middle English literature are "rendered queerly normative due to external forces that reimagine their masculinity as little more than a phantastically inadequate performance." Individual chapters discuss the Dreamer in "Pearl," the Host in CT, Walter and the audience in ClT, the protagonist of "Amis and Amiloun," and that of "Eger and Grime." The discussion of the Host was previously published in 2006 (see SAC 30 [2008], no. 167).</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Adamson, Matthew, trans.</text>
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              <text>Princeton, N. J.: Princeton University Press, 1988.</text>
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            <elementText elementTextId="2706738">
              <text>1988</text>
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              <text>242 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>jules SAC 12 (61)</text>
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                <text>Sexuality and Medicine in the Middle Ages / by Danielle Jacquart and Claude Thomasset</text>
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              <elementText elementTextId="2706740">
                <text>Traces the history of the search for appropriate terminology for sexual matters and of concepts of physiology; medicine and the art of love in the troubadours, Andreas Capellanus, and "Roman de la Rose"; freedom; guilt; and disease.  Mentions Trotula of WBT.</text>
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                <text>Original French ed., 1985.</text>
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  </item>
  <item itemId="264013" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rudat, Wolfgang E. H.</text>
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        <element elementId="98">
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              <text>Journal of Evolutionary Psychology 3 (1982): 124-29.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1982</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Journal of Evolutionary Psychology 03 (1982)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2720179">
              <text>jules SAC 07 (187)</text>
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                <text>Sexuality and Self-Recognition in 'The Pardoner's Tale'</text>
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              <elementText elementTextId="2720176">
                <text>Treats the theme of homosexual advances and rejection in the conclusion of PardT.</text>
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        <element elementId="110">
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              <text>Turner, Marie.</text>
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        <element elementId="98">
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            <elementText elementTextId="2833815">
              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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            <elementText elementTextId="2833816">
              <text>[12 pp.]</text>
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          <elementTextContainer>
            <elementText elementTextId="2833817">
              <text>The Open Access Companion to the Canterbury Tales.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2833818">
              <text>Merchant and His Tale&#13;
Style and Versification&#13;
Language and Word Stduies&#13;
Manuscripts and Textual Studies</text>
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        </element>
        <element elementId="109">
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          <elementTextContainer>
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              <text>mea; 1/10/2021</text>
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        <element elementId="114">
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            <elementText elementTextId="2833820">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2833812">
                <text>Sexuality, Obscenity, and Genre in the "Merchant's Tale": The Case of Fabliau.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2833813">
                <text>Describes the generic features of the fabliau, and explores how and what extent the MerT fulfills and overturns these features in its plot, diction, biblical allusion, and courtly conventions, also commenting on interpolations in two manuscripts. Designed for pedagogical use, includes several questions for discussion and suggestions for further reading.</text>
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  <item itemId="268807" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2769026">
              <text>Burton, T. L., and John F. Plummer, eds.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769027">
              <text>Provo, Utah : Chaucer Studio Press, 2005.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769028">
              <text>2005</text>
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          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769029">
              <text>xix, 249 pp.</text>
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        <element elementId="112">
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            <elementText elementTextId="2769030">
              <text>Plummer, John F., ed.</text>
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        <element elementId="102">
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            <elementText elementTextId="2769032">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>vxl SAC 29:96</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2769025">
                <text>Seyd in Forme and Reverence : Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2769031">
                <text>Eighteen essays by various authors; a professional biography of Emerson Brown, Jr.; and a list of his academic publications. For individuial essays, search for Seyd in Forme and Reverence under Alternative Title.</text>
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  <item itemId="261458" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
            </element>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695197">
              <text>Kelly, Henry Ansgar.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695198">
              <text>Studies in the Age of Chaucer 13 (1991): 121-40.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695199">
              <text>1991</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2695201">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2695202">
              <text>Chaucer's Life.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2695203">
              <text>Studies in the Age of Chaucer 13 (1991)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2695196">
                <text>Shades of Incest and Cuckoldry: Pandarus and John of Gaunt</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2695200">
                <text>Provides historical evidence that if Pandarus was guilty of incest with Criseyde, he was also guilty of cuckolding Troilus.  Similarly, if Gaunt had cuckolded Chaucer, he would not have been able to able to marry Chaucer's wife's sister, Katherine Swynford, although the "sororal" relation between Katherine and Philippa Chaucer was posited only in the sixteenth century.  Includes Boniface IX's letter of dispensation for Gaunt and Katherine.</text>
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  <item itemId="274410" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2824888">
              <text>Selvin, Rhoda Hurwitt.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2824889">
              <text>Studia Neophilologica 37 (1965): 146-60.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2824890">
              <text>Studia Neophilologica 37 (1965)</text>
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                <text>Parallels between Mary and Constance exist not only in details but also in narrative strategy, since both women are subject to the complexities and contradictions of the exemplary mode. In addition, Constance is presented through metaphors of death, revealing the limits of law and the Man of Law's narrative capacity.</text>
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              <text>Troilus and Criseyde</text>
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                <text>Argues that Shakespeare's adaptations relied not only on understanding and knowing Chaucerian texts, but on his "memory of Chaucer " and Chaucerian ideas and practices, particularly his mingling of "sources and authorities" in TC.</text>
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              <text>Mann, Jill.</text>
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              <text>Piero Boitani, ed.  The European Tragedy of Troilus (Oxford: Clarendon Press, 1989), pp. 219-42.  First published in Cambridge Quarterly 18 (1989): 109-28.</text>
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              <text>The European Tragedy of Troilus.</text>
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                <text>Chaucer's dialogue, poetic "stage directions," and expansion of the wooing scene make his TC more "Shakespearean," or dramatic, than Shakespeare's treatment of the story.  Chaucer's heroine is brilliantly drawn to show her inner movement from true lover of Troilus to faithless mistress of Diomede; Shakespeare's Cressida changes as her "value," determined by outside forces, changes with the conditions of exchange in war.</text>
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                <text>Chaucer explores the change in Criseyde as an aspect of humanity; Shakespeare sees it as tied to Renaissance and late-medieval economic thought.</text>
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              <text>Plunkett, Michael.</text>
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Book of the Duchess&#13;
House of Fame</text>
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                <text>Shakespeare and Chaucer: Dream Visions and Dramatic Designs.</text>
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                <text>Suggests that in "Cymbeline," "The Tempest," and "The Taming of the Shrew," Shakespeare sets his work in conversation with the dream visions BD and HF, thereby allowing Shakespeare to claim a place in the Chaucerian line of English canon and to challenge Ben Jonson's arguably greater claim.</text>
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