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              <text>Duprey, Annalese.</text>
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Merchant and His Tale&#13;
Franklin and His Tale</text>
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mea; 2/26/2018</text>
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                <text>Surveys how pity functions as a lover's emotional ploy that establishes a power relationship in CT. Focuses on MerT and FranT and explores to what extent May and Dorigen create agency for themselves by participating in the exchange of suffering for pity and love.</text>
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                <text>"Lo, pitee renneth soone in gentil herte": Pity as Moral and Sexual Persuasion in Chaucer."</text>
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              <text>Santoyo, Julio-Cesar, in collaboration  with José Luis Chamosa.</text>
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              <text>Chamosa, José Luis.</text>
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              <text>Historia de Traducción: Quince Apuntes </text>
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              <text>mea; 9/15/2018</text>
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                <text>"Los Cuentos de Canterbury": Primera Traducción, Primer Traductor.</text>
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                <text>Describes the life and achievements of Manuel Pérez y del Rio Cosa, the first translator of CT into Spanish; discusses the quality of the translation and its role in Spanish understanding of Chaucer.</text>
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Knight and His Tale</text>
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                <text>Maintains that Pearson's novel for juvenile readers "A Perfect, Gentle Knight" (2007) "earns the quotation that provides its title" from GP, 73, identifying echoes of the father–son relationship of Chaucer's Knight and Squire, even though the novel is more generally Arthurian in its allusions and references.</text>
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                <text>"Lost in Allegory: Grief and Chivalry in Kit Pearson's "A Perfect, Gentle Knight."</text>
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              <text>Taff, Dyani Johns.</text>
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              <text>Troilus and Criseyde</text>
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                <text>"Love that oughte ben secree": Secrecy and Alternate Endings in Chaucer's "Troilus and Criseyde."</text>
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                <text>Uses the competing discourses of secrecy resulting from the play of genres in TC to ask questions about the power dynamics, knowledge, and narrative in the text.</text>
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              <text>Yunck, John A.</text>
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              <text>Notes and Queries 205 (1960): 165-66.</text>
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Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; 3/31/22</text>
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                <text>"Lucre of Vileyne": Chaucer's Prioress and the Canonists.</text>
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                <text>Acknowledges the association of "lucre of vileyne" (PrT 7.491) with "turpe lucrum" (filthy lucre) found in the Vulgate 1 Timothy 3.8 and quoted in the Ellemere gloss, but specifies that the phrase, a "technical legal term" of canon law, was a matter of selling, distinct from usurious loaning.</text>
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              <text>Dissertation Abstracts International A76.11 (2015): n.p.</text>
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mea; 2/21/2018</text>
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                <text>Explores a Middle English scrapbook from the fifteenth and early sixteenth centuries that includes some Chaucerian love literature, and considers the book's role in a performance of gentility, particularly on the part of its women readers. </text>
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                <text>"Make Thereof a Game": The Interplay of Texts in the Findern Manuscript and Its Late Medieval Textual Community."</text>
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            <elementText elementTextId="2822324">
              <text>Readings in Medieval Textuality.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2822325">
              <text>Adam Scriveyn&#13;
Prioress and Her Tale&#13;
Style and Versification</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>SAC 40:329</text>
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        <element elementId="114">
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              <text>2016</text>
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                <text>"Makyng" and Middles in Chaucer's Poetry.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822321">
                <text>Explores ways that Chaucer plays with the "work of makyng" in Adam and Pr–ThL. Reinforces that Chaucer's "middleness," or ability to remain in the "process of making," is revealed in these rhyme royal works.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Nuttall, Jenni.</text>
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            <elementText elementTextId="2831722">
              <text>In Thomas A. Prendergast and Jessica Rosenfeld, eds. Chaucer and the Subversion of Form (Cambridge: Cambridge University Press, 2018), pp. 21-37.</text>
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        <element elementId="108">
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            <elementText elementTextId="2831723">
              <text>Chaucer and the Subversion of Form.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2831724">
              <text>Style and Versification&#13;
Book of the Duchess&#13;
Parliament of Fowls&#13;
Troilus and Criseyde&#13;
Legend of Good Women</text>
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        <element elementId="109">
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            <elementText elementTextId="2831725">
              <text>mea; SAC 42:60</text>
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        <element elementId="114">
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            <elementText elementTextId="2831726">
              <text>2018</text>
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              <elementText elementTextId="2831719">
                <text>"many a lay and many a thing": Chaucer's Technical Terms.</text>
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          <element elementId="41">
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              <elementText elementTextId="2831720">
                <text>Proposes that Chaucer's commitment to "technical experiment" in fixed-form verse is marked by skepticism and ambivalence in comparison to classical and contemporary European models. Several of Chaucer's poems--BD, LGW, PF, and TC--reveal a concern with "techne" that is unprecedented in English rhymed verse, but this is destabilized by an eclecticism and hybridity that skews toward unclassifiable forms. For Chaucer, "technical precision" is often at odds with emotional authenticity.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Zygogianni, Maria.</text>
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        <element elementId="98">
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            <elementText elementTextId="2849181">
              <text>Medieval Feminist Forum 58 (2022): 106-27.</text>
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            <elementText elementTextId="2849182">
              <text>Medieval Feminist Forum 58 (2022)</text>
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              <text>Merchant and His Tale&#13;
</text>
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            <elementText elementTextId="2849184">
              <text>SAC 46:237</text>
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        <element elementId="114">
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            <elementText elementTextId="2849185">
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2849179">
                <text>Examines May of MerT as a version of the motif of the healing woman, familiar "across medieval literary genres from romance to hagiography." The fabliau setting of the tale, however, inverts a range of "courtly and religious hierarchies" as May performs an "anti-healing miracle" and maintains control of her husband, her lover, her body, the "spaces of the tale."</text>
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              <elementText elementTextId="2850789">
                <text>"May medica": Divine Healing and the Garden in "The Merchant's Tale."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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              <text>Kinch, Ashby.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2823320">
              <text>postmedieval 3 (2012): 302-14.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2823321">
              <text>postmedieval 03 (2012)</text>
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        <element elementId="102">
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            <elementText elementTextId="2823322">
              <text>House of Fame</text>
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              <text>SAC 40:287</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2823324">
              <text>2012</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2823317">
                <text>"Mind like Wickerwork": The Neuroplastic Aesthetics of Chaucer's House of Tidings.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2823318">
                <text>Reads the House of Rumor in HF as "an echo object through which we can recover Chaucer's complex and dynamic view of human cognition." Reads the basket-like structure as Chaucer's "uncanny" anticipation of "neuroplasticity," the "capability of the brain to reorganize its neural circuitry in response to an external stimulus or a deficit in cognitive function." Emphasizes human volition in cognitive processes.</text>
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  <item itemId="276793" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2846609">
              <text>Hollander, John.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2846610">
              <text>Modern Language Notes 71.6 (1956): 397-99.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2846611">
              <text>Modern Language Notes 71 (1956)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Boece&#13;
Language and Word Studies</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2846613">
              <text>mea; 12/6/2024</text>
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          <name>Date</name>
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            <elementText elementTextId="2846614">
              <text>1956</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2846607">
                <text>"Moedes or Prolaciouns" in Chaucer's "Boece."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2846608">
                <text>Suggests that the insertion of "prolaciouns" in Bo 2.pr.1 was intended as a technical clarification of the preceding "moedes," potentially misleading to English readers who could read it as either "mood" or "mode." The insertion may evince the musical sophistication of Chaucer or, perhaps, of the English author of a translation pony Chaucer may have used.</text>
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  <item itemId="277123" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Chapman, Juliana.</text>
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        <element elementId="98">
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              <text>Chaucer Review 57 (2022): 368-90.</text>
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              <text>Chaucer Review 57 (2022)</text>
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              <text>Nun's Priest and His Tale&#13;
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              <text>SAC 46:264</text>
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        <element elementId="114">
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            <elementText elementTextId="2849357">
              <text>2022</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849351">
                <text>Examines music as a coequal to rhetoric and a branch of medieval philosophy to argue that Chaucer's beast fable traces and complicates three major tenets of Boethian and medieval music theory.</text>
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            <description>A name given to the resource</description>
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                <text>"Musicus animal" in the "Nun's Priest's Tale."</text>
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              <description>A name given to the resource</description>
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        <element elementId="110">
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            <elementText elementTextId="2845778">
              <text>Steadman, John M.</text>
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        <element elementId="98">
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            <elementText elementTextId="2845779">
              <text>Notes and Queries 203 (1958): 323.</text>
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              <text>Notes and Queries 203 (1958)</text>
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        <element elementId="102">
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            <elementText elementTextId="2845781">
              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 5/18/2024</text>
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        <element elementId="114">
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            <elementText elementTextId="2845783">
              <text>1958</text>
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              <elementText elementTextId="2845776">
                <text>"My modres gate" and "El Palo del Viejo."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845777">
                <text>Suggests that the "gate-metaphor" of PardT 6.729 derives from a Spanish proverb fused with Maximianus's "Elegy" I.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="273628" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
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              <text>Delasanta, Rodney K.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2818530">
              <text>Tennessee Studies in Literature 13 (1968): 117-32.</text>
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            <elementText elementTextId="2818531">
              <text>Tennessee Studies in Literature 13 (1968)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2818532">
              <text>Nun's Priest and His Tale&#13;
Monk and His Tale&#13;
Prioress and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818533">
              <text>mea; 3/15/2018</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818534">
              <text>1968</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2818527">
                <text>"Namoore of this": Chaucer's Priest and Monk.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2818528">
                <text>Reads NPT as the teller's attack on the "anti-monastic" Monk (as well as the "indifferent" Prioress), contrasting the "sacerdotal demeanor" of the two clerics and arguing that the NPT is opposed to MkT in both theme and technique, focusing on their depictions of Fortune and the Priest's mockery of the Monk's tragedies.</text>
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          <elementTextContainer>
            <elementText elementTextId="2839836">
              <text>Archer, Harriet.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839837">
              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds.  Rereading Chaucer and Spenser: Dan Geffrey with the New  Poete (Manchester: Manchester University Press, 2019), pp. 224-42.</text>
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            <elementText elementTextId="2839838">
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            <elementText elementTextId="2839840">
              <text>mea; SAC: 44:63</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2839841">
              <text>2019</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2839834">
                <text>"New matter framed upon the old": Chaucer, Spenser and Luke Shepherd's "New Poet."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851868">
                <text>Comments on the interdependence of innovation and imitation in Chaucer's poetry, and explores how Spenser's depictions of Chaucer and his poetry are part of the early modern concern with this dynamic, particularly evident in Luke Shepherd's reformist satire," Philogamus," as a form of "new" poetry.</text>
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            <elementText elementTextId="2849849">
              <text>Beichner, Paul E.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2849850">
              <text>Mediaeval Studies 18 (1956): 135-44.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2849851">
              <text>Mediaeval Studies 18 (1956)</text>
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            <elementText elementTextId="2849852">
              <text>Style and Versification&#13;
Summoner and His Tale&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2849853">
              <text>mea; 1/7/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849854">
              <text>1956</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849847">
                <text>"Non Alleluia Ructare."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849848">
                <text>Includes examination of the verbal play on praying and belching in SumT 3.1934, arguing that the pun is effective satire even when manuscripts (including the Ellesmere) substitute "but" for the onomatopoetic "buf." Considers other puns (non-Chaucerian) that function similarly.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829098">
              <text>Normandin, Shawn.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2829099">
              <text>Texas Studies in Literature and Language 58 (2016): 235-55.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2829100">
              <text>Texas Studies in Literature and Language 58 (2016)</text>
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        <element elementId="102">
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          <elementTextContainer>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2829102">
              <text>SAC 41:217</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2829103">
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830333">
                <text>Reads ClT closely as a "fundamentally enigmatic parable" that, as part of the "glossing group" of the CT, focuses on interpretation and hermeneutic resistance. Chaucer alternately abbreviates and amplifies his Petrarchan source "so that interpretive authority . . . will lie dormant and enigma will thrive." Simultaneously, the Clerk seeks subtly to mandate clerkly glossing in a "passive-aggressive" response to the Wife of Bath, emphasizing Griselda's inability and/or unwillingness to interpret words and events.</text>
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            <elementTextContainer>
              <elementText elementTextId="2830334">
                <text>"Non Intellegant": The Enigmas of the "Clerk's Tale."</text>
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              <description>A name given to the resource</description>
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              <text>Davis, Rebecca. </text>
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          <elementTextContainer>
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              <text>In Jamie C. Fumo, ed. Chaucer's "Book of the Duchess": Contexts and Interpretations (Cambridge: D. S. Brewer, 2018), pp. 51-69.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2833186">
              <text>Book of the Duchess: Contexts and Interpretations.</text>
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        <element elementId="102">
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          <elementTextContainer>
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              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>mea; SAC 42:186</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833189">
              <text>2018</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2833182">
                <text>"Noon other werke": The Work of Sleep in Chaucer's "Book of the Duchess." </text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2833183">
                <text>Examines the "metafictional import of sleep," as distinct from dreaming, in BD. Influenced by Machaut's "Livre de la fonteinne amoreuse," BD aligns sleep, as an embodied process, with the "werk" of elegy.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839677">
              <text>Nisse, Ruth.</text>
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          <elementTextContainer>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 166-83.</text>
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        <element elementId="108">
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            <elementText elementTextId="2839679">
              <text>Oxford Handbook of Chaucer</text>
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        <element elementId="109">
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              <text>mea; SAC 44:151</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839682">
              <text>2020</text>
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              <elementText elementTextId="2839675">
                <text>"O Hebraic People!": English Jews and the Twelfth-Century Literary Scene.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839676">
                <text>Surveys the extant Anglo-Hebrew authors, lost to Chaucer and his readers, which are, "nevertheless, a productive memory for his current readers." Catalogues a range of authors and genres, showing the flowering of the Jewish literary environment in Angevin England. Special emphasis is given to Berekhiah Ha-Nakdan, a Hebrew grammarian of the twelfth or thirteenth century, and his "Fox Fables."</text>
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              <text>Long, Mary Beth.</text>
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              <text>Studies in the Age of Chaucer 39 (2017): 159-89.</text>
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              <text>Studies in the Age of Chaucer 39 (2017)</text>
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              <text>Second Nun and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2829435">
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829436">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830317">
                <text>Considers the shift in "social and rhetorical roles" of Cecilia in SNT--from sweet wife to ardent polemical martyr--and argues that both are consistent with views of female speech in pastoral literature, particularly confessional manuals and hagiography. These "speaking behaviors" are "wholly congruent" with the Second Nun as Benedictine nun and teller of SNT.</text>
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              <elementText elementTextId="2830318">
                <text>"O sweete and wel beloved spouse deere": A Pastoral Reading of Cecilia's Post-Nuptial Persuasion in "The Second Nun's Tale."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Claridge, Alexandra.</text>
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            <elementText elementTextId="2841383">
              <text>Notes and Queries 265 (2020): 338-40.</text>
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              <text>Notes and Queries 265 (2020)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841385">
              <text>Wife of Bath and Her Tale&#13;
Language and Word Studies</text>
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              <text>mea; SAC 44:225</text>
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            <elementText elementTextId="2841387">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841380">
                <text>"Of Bath": A Middle English Idiomatic Epithet.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850809">
                <text>Presents connections between the "epithet 'of bath'" in relation to the Wife of Bath and a character in the fifteenth-century play "Lucidus and Dubius," who also refers to himself as "a childe of bathe." Suggests that this understanding "has the potential to offer new readings of Chaucer's Wife of Bath" in WBPT.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828155">
              <text>Li, Xingzhong.</text>
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        <element elementId="98">
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            <elementText elementTextId="2828156">
              <text>Don Chapman, Colette Moore, and Miranda Wilcox, eds. Studies in the History of the English Language VII: Generalizing vs. Particularizing Methodologies in Historical Linguistic Analysis (Berlin: De Gruyter Mouton, 2016), pp. 107-30.</text>
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            <elementText elementTextId="2828157">
              <text>Studies in the History of the English Language, no. 7.</text>
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              <text>Chapman, Don, ed.&#13;
Moore, Colette, ed.&#13;
Wilcox, Miranda, ed.</text>
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            <elementText elementTextId="2828159">
              <text>Generalizing vs. Particularizing Methodologies in Historical Linguistic Analysis</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828160">
              <text>Style and Versification</text>
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        <element elementId="109">
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              <text>SAC 41:99</text>
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        <element elementId="114">
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            <elementText elementTextId="2828162">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829951">
                <text>"Of harmes two, the lesse is for to chese": An Integrated OT-Maxent Approach to Syntactic Inversion in Chaucer's Verse.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830693">
                <text>Seeks to "account for constraints governing Chaucer's syntactic inversions with a purpose to uncover Chaucer's underlying metrical principles," employing a combination of "optimality theory" and "Maxent Grammars" and analyzing "every tenth line" of the pentameter verse in the Riverside edition of Chaucer's works.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2852446">
              <text>Green, Richard Firth, and R. F. Yeager, eds.</text>
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        <element elementId="98">
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              <text>Toronto: Pontifical Institute of Mediaeval Studies, 2022.</text>
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              <text>viii, 362 pp.</text>
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            <elementText elementTextId="2852449">
              <text>Background and General Criticism</text>
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              <text>SAC 47:76</text>
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        <element elementId="114">
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            <elementText elementTextId="2852451">
              <text>2022</text>
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        <element elementId="112">
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            <elementText elementTextId="2852452">
              <text>Yeager, R. F., ed.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2852444">
                <text>"Of latine and of othire lare": Essays in Honour of David R. Carlson.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Collects eighteen essays on widely varied topics in Middle English, Anglo-Latin, French, and book production. For two essays that pertain to Chaucer, search for under Alternative Title.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2845225">
              <text>Renevey, Denis.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2845226">
              <text>Studies in the Age of Chaucer 42 (2020): 351-64.</text>
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            <elementText elementTextId="2845227">
              <text>Studies in the Age of Chaucer 42 (2020): 351-64.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 45:172</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845230">
              <text>2020</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2845224">
                <text>Discloses how compilations of devotional literature such as "Disce mori" can help us to recognize a "female textual subjectivity," exploring the work's makeup as compilation, and commenting on how "references [in it] to passages and characters from secular-lovebestsellers"--including TC--"assume a familiarity" with such works andindicate a pervasive "femin ization of the self."</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2851938">
                <text>"Olde feble wymmen with perseuerance ouercome many longe pilgrimages": Mapping the Feminine in "Disce mori."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818953">
              <text>Isaacs, Neil D.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>American Notes and Queries 5.6 (1967): 85-86.</text>
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          <elementTextContainer>
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              <text>American Notes and Queries 05 (1967)</text>
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              <text>Troilus and Criseyde&#13;
Language and Word Studies</text>
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        <element elementId="109">
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              <text>mea; 4/2/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2818958">
              <text>1967</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2818951">
                <text>"On six and sevene" ("Troilus" IV, 622).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2818952">
                <text>Explores the ambiguities of betting terminology and suggests that Pardarus's use of such terminology in TC 4.622 means that he is urging Troilus generally to "take his chances."</text>
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