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              <text>Krummel, Miriamne Ara.</text>
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              <text>The Medieval Postcolonial Jew, in and out of Time (Ann Arbor: University of Michigan Press, 2022), pp. 185-229; illus.</text>
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              <text>Medieval Postcolonial Jew, in and out of Time</text>
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              <text>Manuscripts and Textual Studies&#13;
Prioress and Her Tale</text>
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              <text>SAC 46:48</text>
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                <text>Repressing a Perpetually Resurfacing Temporality: Four Authorial Orphans and the Fifteenth-Century "The Legend of the Litel Clergeon" and the Jews."</text>
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                <text>Interprets four manuscript versions of ClT (here retitled "The Legend of the Litel Clergeon and the Jews") that occur outside the context of CT, "excise" Chaucer's authorship, and adjust their temporalities, addressing "their own distinct identities, through scribal marginalia, nota marks, rubrication, jottings, and distinctive vocabulary choices." Treats British Library, MSS Harley 1704, Harley 2251, and Harley 2382; and Bodleian Library, MS Rawlinson C.86.</text>
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              <text>Barefield, Laura D.</text>
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              <text>Dissertation Abstracts International 59 (1999): 2489A.</text>
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              <text>1999</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Dissertation Abstracts International 59 (1999)</text>
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              <text>jules SAC 22 - 208.</text>
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                <text>Reproducing the Past: Gender and History in Later Middle English Romance and Popular Chronicle</text>
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                <text>At the crux of chronicle and romance, Geoffrey of Monmouth's "Historia" provides much of the basis for later literature. The work emphasizes women not only as child bearers but also as speakers who could uphold or deny legitimacy. Barefield discusses Nicholas Trevet, Mary of Woodstock, MLT, the prose Brut, and "Sir Gawain and the Green Knight"</text>
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              <text>Arner, Timothy.</text>
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              <text>Comparative Literature 69.2 (2017): 160-80.</text>
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              <text>Comparative Literature 69 (2017)</text>
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              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea;SAC 42:208</text>
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                <text>Republican Chaucer: Lucan, Lucrece, and the "Legend of Good Women." </text>
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                <text>Shows that Lucan's "Bellum civile," the medieval "accessus" tradition, and "vitae Lucani" together depict the Roman poet as a "violated female," victimized by his "tyrannical emperor," and abruptly silenced, arguing that this legacy influenced LGW (particularly LGWP, the account of Lucrece, and the abrupt ending of the poem), reflecting its critique of "the loss of discursive and political liberty under the absolutist rule of Richard II."</text>
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              <text>Madsen, Deborah L.</text>
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              <text>New York: St. Martin's Press, 1994.</text>
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        <element elementId="114">
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              <text>1994</text>
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              <text>177 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>Book of the Duchess.</text>
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              <text>mea SAC 18 (1996) - 107</text>
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                <text>Rereading Allegory: A Narrative Approach to Genre</text>
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              <elementText elementTextId="2735749">
                <text>Defines allegory by structural features of plot rather than by content, surveying theory and history of the genre from the classics to contemporary criticism.  Briefly considers BD and PF as allegories.</text>
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              <text>Stenner, Rachel, Tamsin Badcoe, and Gareth Griffith, eds.</text>
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              <text>Manchester: Manchester University Press, 2019.</text>
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              <text>xi, 252 pp.</text>
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              <text>Stenner, Rachel, ed.&#13;
Badcoe, Tamsin, ed.&#13;
Griffith, Gareth, ed.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 44:98</text>
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                <text>Rereading Chaucer and Spenser: Dan Geffrey with the New Poete.</text>
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                <text>Twelve essays on Spenser's knowledge of and uses of Chaucer as source or inspiration. The introduction by the editors summarizes earlier critical studies, describes the essays, and asserts that the essays together "characterise the relationships between Chaucer and Spenser as involving intervention rather than imitation, as temporally disruptive, and both playfully and materially bound to the conceptual and physical spaces of the text as object." The volume includes a "select bibliography" of works on Chaucer and Spenser, and an index. For individual essays, search for Rereading Chaucer and Spenser under Alternative Title.</text>
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              <text>Palmer, R. Barton.</text>
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              <text>David Galef, ed. Second Thoughts: A Focus on Rereading (Detroit: Wayne State University Press, 1998), pp. 169-95.</text>
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              <text>Second Thoughts: A Focus on Rereading.</text>
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              <text>Galef, David,ed.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 22 - 285</text>
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                <text>Rereading Guillaume de Machaut's Vision of Love: Chaucer's 'Book of the Duchess' as 'Bricolage'</text>
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                <text>Argues that in reading BD medieval audiences would also have reread Machaut's "Fonteinne Amoureuse" and recalled other works by Chaucer's predecessor. Chaucer's derivative version of the account of Ceyx and Alcyone "thematizes the story as a rereading," and, drawn from sections in Machaut spoken by women, the Black Knight's complaints feminize him, a radical "translation."</text>
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              <text>Shikii, Kumiko.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Sella (Tokyo) 13 (1983): 85-97.</text>
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              <text>1984</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 07 (237)</text>
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                <text>Researches in 'Troilus and Criseyde' in Japan</text>
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                <text>TC scholarship is reviewed.  It is important to read TC in terms of the Christian view of life.</text>
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                <text>In Japanese.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2753470">
              <text>Ishizaka, Ko.</text>
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              <text>Kansai University Studies in English Language and Literature: 137-44,   2000.</text>
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        <element elementId="114">
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            <elementText elementTextId="2753472">
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              <text>House of Fame.</text>
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            <elementText elementTextId="2753476">
              <text>Kansai University Studies in English Language and Literature (2000)</text>
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        <element elementId="109">
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            <elementText elementTextId="2753477">
              <text>jules SAC 24 (355)</text>
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                <text>Residue in the Mind in Chaucer's The House of Fame</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753473">
                <text>Discusses the "images" of several scenes in HF, following V. A. Kolve's article "Chaucer and the Visual Arts" (1975).</text>
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                <text>In Japanese.</text>
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              <text>Piercy, Hannah.</text>
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              <text>Woodbridge: D. S. Brewer, 2023.</text>
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              <text>xi, 275 pp.</text>
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        <element elementId="104">
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          <elementTextContainer>
            <elementText elementTextId="2853205">
              <text>Studies in Medieval Romance.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2853206">
              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Law and His Tale&#13;
Wife of Bath and Her Tale&#13;
Merchant and His Tale&#13;
Franklin and His Tale</text>
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        <element elementId="109">
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              <text>SAC 47:94</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2853208">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853200">
                <text>Resistance to Love in Medieval English Romance: Negotiating Consent, Gender and Desire.</text>
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            <description>An account of the resource</description>
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                <text>Anatomizes the motif of resistance to love "across the chronology and variety of medieval English romance, from twelfth-century Anglo-Norman lais to fifteenth-century prose works," exploring "ways in which it reinforces or subverts contemporary cultural constructions of consent, gender, and desire," with attention to issues of race, class, and religious faith. Includes discussion of TC, FranT, MLT, and WBT, with comments on KnT and MerT. Narrows and focuses the author's 2021 Ph.D. thesis (Durham University), "Unwillingness to Love in Medieval English Romance: Consent, Coercion, and the Conventions of the Genre."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746241">
              <text>Ross, Valerie A.</text>
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        <element elementId="98">
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              <text>AEstel 4 (1996): 29-56.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2746243">
              <text>1996</text>
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        <element elementId="102">
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            <elementText elementTextId="2746245">
              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2746246">
              <text>AEstel 04 (1996)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746247">
              <text>jules SAC 21 - 301</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2746240">
                <text>Resisting Chaucerian Misogyny: Reinscribing Criseyde</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2746244">
                <text>Examines feminist and antifeminist readings Criseyde, arguing that--like Chaucer, who appropriates his sources, and like his narrator, who constantly negotiates and repositions himself in relation to Lollius--Criseyde performs, mimes, and parodies gendered behavior and language, appropriating them for her own purposes.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2841586">
              <text>Swenson, Haylie.</text>
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        <element elementId="98">
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            <elementText elementTextId="2841587">
              <text>Will Rogers and Christopher Michael Roman, eds. Medieval Futurity: Essays for the Future of a Queer Medieval Studies (Kalamazoo: Medieval Institute Publications, 2020), pp. 189-96.</text>
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            <elementText elementTextId="2841588">
              <text>Medieval Futurity</text>
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              <text>Squire and His Tale</text>
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              <text>mea; SAC 44:252</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841591">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841584">
                <text>Resisting Sex and Species in "The Squire's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841585">
                <text>Reassesses the role and value of the falcon and the mechanical horse in SqT. Demonstrates through these depictions that SqT creates "interspecies and intrasexual relationships of care outside of the gendered human norms of chivalric romance."</text>
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  <item itemId="267305" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2753579">
              <text>Cooper, Helen.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2753580">
              <text>Studies in the Age of Chaucer 22: 425-33,   2000.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753581">
              <text>2000</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2753583">
              <text>Monk and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2753584">
              <text>Studies in the Age of Chaucer 22 (2000)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>jules SAC 24 (307)</text>
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                <text>Responding to the Monk</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753582">
                <text>Critical response to essays on MkT by Ann W. Astell, Terry Jones, Henry Ansgar Kelly, Stephen Knight, and Richard Neuse.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2768988">
              <text>Hansen, Elaine Tuttle.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768989">
              <text>Studies in the Age of Chaucer 27 (2005): 277-87.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768990">
              <text>2005</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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              <text>Colloquium: Administrative Perspectives on Chaucer Studies.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2768993">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768994">
              <text>Studies in the Age of Chaucer 27 (2005)</text>
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              <text>vxl 29:117</text>
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                <text>Response : Chaucerian Values</text>
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            <description>An account of the resource</description>
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                <text>Expresses concerns about contemporary higher education--from "prevailing careerism to the overall decline in literary reading"--and encourages "Chaucerian values" among university administrators.</text>
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              <text>Steiner, Emily.</text>
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              <text>Flannery, Mary C. Flannery, ed.&#13;
Walter, Katie C., ed.</text>
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              <text>Legend of Good Women&#13;
Chaucer's Retraction&#13;
Background and General Criticism</text>
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              <text>mea; 11/08/2022; also SAC 37: 158 and 67</text>
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            <description>An account of the resource</description>
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                <text>Responds to the nine essays in this volume, exploring relations among inquisition, innovation, creativity, and imagination. Discusses LGWP as a poem that "seeks its inventiveness in law at the same time that it invites its readers to enjoy the inquisition of the poet" and thereby "generates an authorship that feels modern, rather than pre-modern." Parallels the inquisitorial list of Chaucer's works in LGWP with the confessional one in Ret.</text>
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              <text>Jagot, Shazia.</text>
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              <text>Postmedieval: A Journal of Medieval Cultural Studies 13 (2022): 621-24.</text>
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              <text>Squire and His Tale</text>
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                <text>Response Essay: Islamicate Fictionalities and Transcultural Inter/connections</text>
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            <description>An account of the resource</description>
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                <text>Responds to essays included in a special issue of "postmedieval," and comments on SqT, identifying ways that the work and its brass steed--"belong to a world of the "sıra" in ways that reflect the entangled and often diffuse ways that fictional motifs moved not only within and across the Islamicate, but into western European imaginations."</text>
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              <text>Solberg, Emma Margaret.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 2.2 (2021): 134-53.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 02 (2021)</text>
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              <text>Background and General Criticism&#13;
General Prologue to the Canterbury Tales&#13;
Book of the Duchess</text>
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                <text>Response to "#MeToo, Medieval Literature, and Trauma-Informed Pedagogy."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850949">
                <text>Responds to earlier essays in NCSPP, adding comments on the sexual biases of the opening of GP, comparison of the Man in Black of BD and Marie de France's Guigemar, Chauce''s (and others') self-deprecation as a form of (sexualized) power, and thoughts on "cancelling Chaucer" as a form of curricular experimentation.</text>
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          <elementTextContainer>
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              <text>Bradbury, Jill Marie, Geoffrey Clegg, Stephanie L. Kerschbaum,&#13;
Pamela Kincheloe, and Tonya Stremlau.</text>
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              <text>Clagg, Geoffrey &#13;
Kerschbaum, Stephanie L. &#13;
Kincheloe, Pamela&#13;
Stremlau, Tonya</text>
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              <text>Background and General Criticism</text>
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                <text>A group of "deaf/Deaf/hard of hearing scholars with wide-ranging expertise in literary studies, rhetoric, disability studies, and Deaf Studies" express "deep reservations" about Robinson's essay.</text>
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                <text>Response to Carol L. Robinson, "Go Ask Alisoun: Geoffrey Chaucer and Deafland (Deafness as Authority)."</text>
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              <text>Shutters, Lynn.</text>
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              <text>Studies in the Age of Chaucer 44 (2022): 359-60.</text>
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              <text>Studies in the Age of Chaucer 44 (2022)</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851781">
                <text>Responds to two essays concerned with sexual consent in medieval literature, including Leah Schwebel, "Chaucer and the Fantasy of Retroactive Consent." SAC 44 (2022): 337–45. Suggests that we might read RvT "as an incel revenge fantasy."&#13;
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              <text>Studies in the Age of Chaucer 44 (2022): 315-16.</text>
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              <text>Studies in the Age of Chaucer 44 (2022)</text>
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              <text>Canon's Yeoman and His Tale</text>
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                <text>Response to Micah James Goodrich and Alice Raw.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851788">
                <text>Comments on issues of complaint and consent in two essays included in this volume of SAC, linking the medieval past with the present. Includes response to Micah James Goodrich, "The Yeoman's Canon: On Toxic Mentors."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Butterfield, Ardis.</text>
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                <text>Response: The "Book of the Duchess," Guillaume de Machaut, and the Image of the Archive</text>
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                <text>Considers how technologies of memory inform reflections on composition, literary relationships, and the elegiac project in BD, engendering a "focused commentary" on the "work of recollection." In this, BD participates in a discursive field shared by several works by Machaut, particularly the "Prologue."</text>
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                <text>Responses to Ockhamist Theology in the Poetry of the 'Pearl'-Poet, Langland, and Chaucer</text>
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                <text>In TC and "several important" tales of CT, Chaucer expresses more "confidence in human nature" than do Langland or the "Pearl"-poet in their works. He indicates the human need for divine Providence and assurance that "God will not use his absolute power to overrule or contradict the covenant with man."  In this way, he steers a middle ground between the "extremes of the Ockhamists and the Augustinians" in the late-medieval nominalist-realist debate.</text>
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              <text>Bower, Hannah Louise.</text>
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              <text>Chaucer Review 57 (2022): 32-67.</text>
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                <text>Restless Rewritings: The Politics of Enigma and Exposure in the "Squire's Tale."</text>
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                <text>Considers the role of spectacle in SqT, comparing the poetic strategies for inscribing spectacle to Richard Maidstone's approach in "Concordia."</text>
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              <text>Levine, Robert.</text>
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              <text>1986</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Neuphilologische Mitteilungen 87 (1986)</text>
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              <text>jules SAC 10 (254)</text>
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                <text>Restraining Ambiguities in Chaucer's 'Troilus and Criseyde'</text>
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                <text>The allusion to Thesiphone (TC 1.6) may resonate with passages in Statius and Boccaccio that connect the Fury with "discordant, perverse, sterile, potentially demonic sexuality" (p. 561).  The allusion in TC links Criseyde's possible childlessness with "sterile love" but should not push readers to assume a sexual encounter between Criseyde and Pandarus.</text>
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              <text>Gibson, Gail McMurray.</text>
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              <text>John P. Hermann and John J. Burke, eds.  Signs and Symbols in Chaucer's Poetry (University: University of Alabama Press, 1981), pp. 102-12.</text>
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                <text>In the Noah's Flood motif of MilT, the audience delightedly and ruefully recognizes the consequences of the perversion of God's order.  In addition to visual or other sensory images (the runaway mare in RvT) Chaucer employs also dramatic icons, as in ShT, a "parodic enactment of Christ's Resurrection appearance to Mary Magdalen."</text>
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              <text>Karen A. Ritzenhoff and Katherine A. Hermes, eds. Sex and Sexuality in a Feminist World (Newcastle upon Tyne: Cambridge Scholars Press, 2009), pp. 26-51.</text>
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                <text>Retelling Chaucer's Wife of Bath for Modern Children: Picture Books and Evolving Feminism</text>
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                <text>Modern adapters of Chaucer interfere with the transmission of Chaucer by infusing their own values. In each era, the versions written for children bear witness to what aspects of feminism have reached popular culture.</text>
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