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              <text>Barootes, B. S. W. </text>
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              <text>Chaucer Review 53.1 (2018): 102-11. </text>
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              <text>Troilus and Criseyde&#13;
Manuscripts and Textual Studies&#13;
Language and Word Studies&#13;
Style and Versification</text>
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              <text>mea; SAC 42:214</text>
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                <text>"In fourme of speche in change": Final -"e" in "Troilus and Criseyde" Book II, Lines 22-28.</text>
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                <text>Examines the use of final -"e" in the fourth stanza of Book II of TC, and the ways in which early copyists paid attention to Chaucer's use of the letter.</text>
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              <text>North, Richard.</text>
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              <text>Carlos Prado-Alonso and Rodrigo Pérez Lorido, eds. Of ye Olde Englisch Langage and Textes: New Perspectives on Old and Middle English Languages and Literature (Frankfurt: Peter Lang, 2020), pp. 301-22.</text>
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              <text>Prado-Alonso, Carlos, ed.&#13;
Lorido, Rodrigo Pérez, ed.</text>
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              <text>Of ye Olde Englisch Langage and Textes: New Perspectives on Old and Middle English Languages and Literature</text>
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              <text>Knight and His Tale</text>
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              <text>SAC 45:106</text>
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                <text>"In hethenesse": Chaucer's Knight and Sultan Muhammad V of Granada.</text>
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                <text>Reconstructs a career for the Knight, based on the GP description and details from KnT, MkT, and historical sources. Maintains that Chaucer had met the Knight, perhaps in France, and that the Knight was some fifteen years younger than usually thought, having served under Sultan Muhammad V of Granada at Algeciras in 1369, not in the Christian conquest of the port in 1344.</text>
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              <text>Liendo, Elizabeth.</text>
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              <text>Philological Quarterly 96.4 (2017): 405-24.</text>
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              <text>Book of the Duchess</text>
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              <text>SAC 41:274</text>
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                <text>Seeks to understand BD as an exploration of (male) grief beyond its presumed historical occasion and to relate the subject and structure of the poem by explicating the recurring references to literal and metaphorical nakedness--especially that of Alcyone and the Man in Black.</text>
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                <text>"In hir bed al naked": Nakedness and Male Grief in Chaucer's "Book of the Duchess."</text>
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              <text>Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester University Press, 2018), pp. 201-17.</text>
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              <text>Contemporary Chaucer across the Centuries.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Recordings and Films</text>
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              <text>D'Arcens, Louise.</text>
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                <text>"In remembrance of his persone": Transhistorical Empathy and the Chaucerian Face.</text>
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            <description>An account of the resource</description>
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                <text>Explores the possibilities of "transhistorical feeling" for assessing what "Chaucer's 'persone', and especially his face" mean to "post-medieval audiences." Argues that "intersubjective" perception of "geniality" in visual and verbal Chaucer portraits--medieval to modern--is crucial to his "afterlife," citing numerous examples, and&#13;
exploring in detail the depictions of Chaucer in Pier Paolo Pasolini's 1972 film "I racconti di Canterbury" and Bill Bailey's performance as Chaucerian narrator in "Pubbe Gagge," part of his 2001 "Bewilderness" tour.</text>
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              <text>Strowe, Anna.</text>
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              <text>Ph.D. Dissertation. University of Massachusetts Amherst, 2014. Abstract accessible via https://scholarworks.umass.edu/entities/publication/c185a069-4396-4774-bd76-b36534c2c6bc (accessed April 4, 2026).</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>mea; 4/4/2026</text>
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                <text>"Io Scrittore": Authorial Construction in the Italian Medieval Renaissance Novella and Its Translation into English.</text>
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                <text>Explores "the construction and transmission of the concept of authorship in the Italian novella in late-medieval and early modern Italy and England," Chapter four considers "how English writers and translators worked with the Italian genre, adapting it for their own purposes . . . , mov[ing] from the work of Geoffrey Chaucer through the major novella collections of the late sixteenth-century."</text>
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              <text>Machulak, Erica R.</text>
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              <text>Dissertation Abstracts International A80.06 (2017): n.p.</text>
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              <text>Dissertation Abstracts International 80 (2017)</text>
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              <text>SAC 41:45</text>
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                <text>Suggests that authors including Chaucer, Langland, Hoccleve, and Johannes de Caritate employed Aristotelian and pseudo-Aristotelian sources (many derived from Arabic sources) in the course of exploring types of literary and cultural authority.</text>
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                <text>"Is he a clerk, or noon?" Arabic Sources, Vernacular Aristotelianism, and Authorial Responses to the Evolving Social and Intellectual Context of Later Middle English Literature.</text>
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              <text>Lee, Sun Young.</text>
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              <text>Feminist Studies in English Literature 25.3 (2017): 35-66. </text>
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              <text>Feminist Studies in English Literature 25 (2017)</text>
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        <element elementId="102">
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              <text>Physician and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:158</text>
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                <text>"Is ther no remedye?" A Question of Battered Women's Agency in Chaucer's "Physician's Tale."</text>
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                <text>Considers how PhyT prompts attention to "issues of female victimization and women's agency in litigation process," exploring Chaucer's alterations of his source material in Livy and the "Roman de la Rose," and examining how his tale evokes late medieval legal process through the plea of Virginia, her father's "judicial discretion," and the response of the "peple" to the proceedings before the corrupt Apius. Includes attention to the terminology of "rape" and the 1382 Statute of Rapes.</text>
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              <text>Rand, Thomas A.</text>
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              <text>American Notes and Queries 32 (2019): 75-77.</text>
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ANQ: American Notes and Queries 32 (2019)</text>
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              <text>Summoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:234</text>
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        <element elementId="114">
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            <elementText elementTextId="2841452">
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Identifies several previously unnoticed biblical allusions in SumT: "narratives of divine wrath against false prophets, gift giving in apostolic ministry, and miraculous healing, all of which enrich the tale's comic irony and sharpen the satiric attack."</text>
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              <elementText elementTextId="2851056">
                <text>"Is There Oght Elles?": Further Biblical Allusion in "The Summoner's Tale."</text>
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            <elementText elementTextId="2836653">
              <text>Harris, Carissa M.</text>
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              <text>Studies in the Age of Chaucer 41 (2019): 239-66</text>
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            <elementText elementTextId="2836655">
              <text>Studies in the Age of Chaucer 41 (2019)</text>
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            <elementText elementTextId="2836656">
              <text>Language and Word Studies&#13;
Manuscripts and Textual Studies&#13;
Canterbury Tales--General</text>
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              <text>SAC 43:83</text>
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            <elementText elementTextId="2836658">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2836651">
                <text>"It is a brotherhood": Obscene Storytelling and Fraternal Community in Fifteenth-Century Britain and Today.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2836652">
                <text>Describes similarities between medieval and modern uses of obscenity to establish homosocial identity and assert power, using evidence from CT manuscripts to clarify the "sexually explicit status" of the late medieval verb "swyven."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2854153">
              <text>Ito, Masayoshi.</text>
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        <element elementId="98">
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              <text>John Gower, The Medieval Poet (Tokyo: Shinozaki Shorin, 1976), pp. 80-100.</text>
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            <elementText elementTextId="2854155">
              <text>John Gower, The Medieval Poet</text>
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            <elementText elementTextId="2854156">
              <text>Sources, Analogues, and Literary Relations&#13;
Legend of Good Women</text>
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        <element elementId="109">
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            <elementText elementTextId="2854157">
              <text>mea; 2/13/2026</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2854158">
              <text>1976&#13;
1974</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2854151">
                <text>"Jason and Medea"--A Story of Golden Love.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2854152">
                <text>Explores Gower's development of his Tale of Jason and Medea in light of its sources and multiple analogues, emphasizing its success as a "beautiful love story." Includes points of comparison with Chaucer's version in LGW. Originally published in Japanese: John Gower's Jason and Medea--A Story of Golden Love. Bulletin of the Faculty of Education (Shizuoka University) 25 (1974): 78-89.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2845739">
              <text>Pratt, Robert A.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 57.3 (1958): 416-23.</text>
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        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2845741">
              <text>Journal of English and Germanic Philology 57 (1958)</text>
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        </element>
        <element elementId="102">
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            <elementText elementTextId="2845742">
              <text>Knight and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2845743">
              <text>mea; 5/18/2024</text>
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              <text>1958</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2845737">
                <text>"Joye after wo" in the "Knight's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845738">
                <text>Traces the unifying theme of joy after woe in KnT, "brought about both by the plot and by Boethian Destiny," focusing on Arcite's achievement of "welfare" and Palamon's "wele" after both start in sorrow. Theseus similarly replaces Egeus's saturnine sorrow with Jupiter's joy</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2841979">
              <text>Hanssen, Ken R.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2841980">
              <text>Chaucer Review 55, no. 1 (2020): 70-87.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2841981">
              <text>Chaucer Review 55 (2020)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2841982">
              <text>Parliament of Fowls</text>
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        <element elementId="109">
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            <elementText elementTextId="2841983">
              <text>mea; SAC 44:306</text>
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        <element elementId="114">
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            <elementText elementTextId="2841984">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841977">
                <text>"Kek kek! kokkow! quek quek!": The Glorious Cacophony of Chaucer's "Parliament of Fowls."</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841978">
                <text>Argues that the "ongoing negotiations between experience and authority, flesh and spirit, nature and the  divine, are fluid, bidirectional, and mutually dependent" in PF. The poem depicts a cacophonous set of voices and demonstrates that the "formulation of any higher good depends on our ability to have clashing ideas."</text>
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  <item itemId="275707" public="1" featured="0">
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              <description>A name given to the resource</description>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2837791">
              <text>Warren, Michael J.</text>
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        <element elementId="98">
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            <elementText elementTextId="2837792">
              <text>Michael J. Warren. Birds in Medieval English Poetry: Metaphors, Realities, Transformations (Rochester, N.Y.: D. S. Brewer, 2018), pp. 179-218.</text>
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              <text>Birds in Medieval English Poetry: Metaphors, Realities, Transformations</text>
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        <element elementId="102">
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            <elementText elementTextId="2837794">
              <text>Parliament of Fowls</text>
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        <element elementId="114">
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            <elementText elementTextId="2837796">
              <text>2018</text>
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              <elementText elementTextId="2837789">
                <text>"Kek Kek": Translating Birds in "The Parliament of Fowls."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2837790">
                <text>Argues that PF--a poem about which voices do and do not count"--"magines the potential for translatability between species." Engages scholastic discussions about the nature of "vox," and raises questions about phonetic and semantic translation, "biotranslation," allegory, meaning, and taxonomies, focusing on the representation of bird-sounds in PF, line 499, but commenting also on speaking birds elsewhere in the poem and in Chaucer's other works, especially SqT.</text>
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House of Fame&#13;
Manciple and His Tale&#13;
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                <text>"Kek, kek": Translating Birds in Chaucer's "Parliament of Fowls."</text>
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                <text>Explores the bird-talk and "interspecies communication" in PF as they dramatize the potentials and limitations of allegory, translation, "biotranslation," the "writeability" of bird sounds, and the relations between human and nonhuman subjectivities. Includes comments on SqT and HF, with mention of ManT and NPT.</text>
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                <text>"Kultour" Meets "Cul": More Wordplay in Chaucer's "Miller's Tale."</text>
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                <text>Analyzes Criseyde's "speaking face" in TC, along with similar depictions of suggestive facial beauty in BD, PhyT, and Shakespeare's "Troilus and Cressida." Attends most closely to Criseyde's "ascaunce" look in TC 1.288-94.</text>
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                <text>"Language in her eye": The Expressive Face of Criseyde/Cressida."</text>
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                <text>"[A]pproaches the Canterbury Tales through the lens of humor theory, responding to a much-noted gap in existing scholarship by focusing primarily on the structures and mechanisms of humor in the text."</text>
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                <text>"Later Medieval: Chaucer."</text>
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Nun's Priest and His Tale</text>
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                <text>Explains that Pertelote's reference to "lawriol" (7.2963) should be glossed as a vomit-inducer rather than a bowel laxative.</text>
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Sources, Analogues, and Literary Relations</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Le Bone Florence of Rome": A Critical Edition and Facing Translation of a Middle English Romance Analogous to Chaucer's "Man of Law's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Edits "Le Bone Florence of Rome," accompanied by a facing-page translation that maintains the twelve-line, tail-rhyme stanzas of the original, with end-of-text explanatory notes, textual notes, and several appendices. Introduction includes commentary on French sources and on textual considerations, as well as discussion of analogous narratives (including MLT), with emphasis on the motif of the virtuous "tried heroine" (as distinct from the "calumniated" or "exiled" heroine) and the lack of a "villainess" in "Florence."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Olson, Paul A.</text>
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              <text>Dissertation Abstracts 19.10 (1959): 2603.</text>
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              <text>Ph. D. Dissertation. Princeton University, 1957. </text>
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              <text>Dissertation Abstracts 19 (1959)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Manciple and His Tale&#13;
Shipman and His Tale&#13;
Merchant and His Tale</text>
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        <element elementId="109">
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              <text>1/26/2025</text>
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              <text>1957&#13;
1959</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850018">
                <text>"Le Jaloux" and History: A Study in Mediaeval Comic Convention.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852107">
                <text>Places the medieval "Jaloux tale" in "its philosophic and historical framework," rooted in the marriage controversies of Sts. Augustine and Jerome with the Pelagians, Manichee, and Jovinians Traces the tradition in French humanists of the twelfth and thirteenth centuries, and in Chaucer's tales of deceived husbands--those of the Miller, Reeve, Manciple, Shipman, and Merchant--where they are used comically.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <elementText elementTextId="2828390">
              <text>Stallcup, Stephen.</text>
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              <text>Dorsey Armstrong, Ann W. Astell, and Howell Chickering, eds. Magistra doctissima: Essays in Honor of Bonnie Wheeler (Kalamazoo: Medieval Institute Publications, 2016), pp. 43-58.</text>
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              <text>Magistra doctissima</text>
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              <text>Knight and His Tale&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
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              <text>SAC 41:184</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2828395">
              <text>2013</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829962">
                <text>"Lectio difficilior" and All That: Another Look at Arcite's Injury.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830679">
                <text>Explores textual and lexical ambiguities in the scene of Arcite's mortal fall in KnT (I.2684–91), discussing "furie" (forty manuscripts read some form of fire), "pighte," and "pomel" (neither of which is lexically certain). Suggests that emending "heed" to "stede" at line 2689 resolves the ambiguities of the latter two.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2822116">
              <text>Bammesberger, Alfred.</text>
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        <element elementId="98">
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              <text>Lituanus: Lithuanian Quarterly Journal 58.1 (2012): 5-8.</text>
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              <text>Lituanus: Lithuanian Quarterly Journal 58 (2012)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2822119">
              <text>Language and Word Studies&#13;
Knight and His Tale</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2822121">
              <text>2012</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2822114">
                <text>"Lietuvà," "Lithuania," and Chaucer's "Lettow."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822115">
                <text>Explores the etymology and pronunciations of "Lithuania" in English, including an explanation of why Chaucer renders it "Lettow" in the GP description of the Knight (CT 1.54).</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2816303">
              <text>Burrow, J. A.</text>
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        <element elementId="98">
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              <text>Notes and Queries 213 (1968): 326-27.</text>
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        <element elementId="100">
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              <text>Notes and Queries 213 (1968)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Tale of Sir Thopas&#13;
Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 11/21/2017</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816308">
              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2816301">
                <text>"Listeth lords": "Sir Thopas," 712 and 833.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2816302">
                <text>Dialectical analysis of "listeth" in Middle English indicates that in using the term to mean "listen" in Tho (particularly at 7.833) Chaucer alters his source and strikes for his London audience the "right jarring note" since that meaning was "no longer acceptable" in their dialect.</text>
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  <item itemId="275958" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2839844">
              <text>Barr, Helen.</text>
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          <name>Published</name>
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              <text>Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds.   Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 37-59.</text>
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          <name>Alternative Title</name>
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              <text> Rereading Chaucer and Spenser</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
House of Fame</text>
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              <text>mea; SAC 44:65</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2019</text>
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                <text>"Litle herd gromes piping in the wind": "The Shepheardes Calender," "The House of Fame" and "La Compleynt."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851100">
                <text>Close reading of lines 33-41 (and E. K.'s commentary) of the February eclogue of Spenser's "Shepheardes Calender" exemplifies the "truancy of literary resonance" and discloses resonant intertextual play among the comic variety of HF, the monovocality of the anonymous lyric "La Compleynt," E. K.'s commentary, the eclogues themselves, and Spenser'' literary ambitions.</text>
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