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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2694207">
              <text>Felch, Susan M.</text>
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        <element elementId="98">
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              <text>Medieval Perspectives 6 (1991): 144-53.</text>
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              <text>1991</text>
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              <text>Canterbury Tales--General</text>
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              <text>Medieval Perspectives 06 (1991)</text>
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              <text>mea</text>
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                <text>Rehearsing 'Everich a Word': Chaucer's Linguistic Investigations in The Canterbury Tales</text>
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                <text>The realist-nominalist debate underlies Chaucer's language, which, through multiple discourses and by analogy, embodies social order.  By withholding his authority, Chaucer delegates responsibility for moral decisions to his readers.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2801270">
              <text>Wang, Laura.</text>
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              <text>Carolynn Van Dyke, ed. Rethinking Chaucerian Beasts (New York: Palgrave Macmillan, 2012), pp. 131-42.</text>
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              <text>2012</text>
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              <text>Rethinking Chaucerian Beasts.</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Style and Versification</text>
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              <text>mea SAC 36:158</text>
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                <text>Reimagining Natural Order in 'The Wife of Bath's Prologue'</text>
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                <text>Classical and medieval antifeminist texts disparagingly compare women and animals. In WBP, Alisoun "redeploys animal similes" to claim the privileges of animal-like status because she is naturally crafty and sly, impatient, and cannot be held responsible. Alisoun also "animalizes" Jankyn by comparing him to a lion and sheep, "deflating notions of masculine supremacy" and celebrating humans' animal nature.</text>
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              <text>Rotkiewicz, Vincent.</text>
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              <text>Postmedieval 9 (2018): 88-99.</text>
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              <text>Postmedieval 09 (2018)</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 43:174</text>
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        <element elementId="114">
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              <text>2018</text>
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              <elementText elementTextId="2837375">
                <text>Reimagining Revolt: 1381, Feminine Authority, and the Wife of Bath.</text>
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                <text>Reads the Peasants' Revolt of 1381 as an inspiration for the relationship between textual authority, bibliophobia, and violence in WBPT. Compares Alisoun to rioters who destroyed writings they deemed threatened their personal rights. Argues that the Wife's tale shows how to resolve similar conflicts nonviolently.</text>
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            <elementText elementTextId="2736429">
              <text>Johnson, Lesley.</text>
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        <element elementId="98">
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            <elementText elementTextId="2736430">
              <text>Ruth Evans and Lesley Johnson, eds.  Feminist Readings in Middle English Literature: The Wife of Bath and All Her Sect (London and New York: Routledge, 1994), pp. 195-220.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1994</text>
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            <elementText elementTextId="2736432">
              <text>Feminist Readings in Middle English Literature: The Wife of Bath and All Her Sect.</text>
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              <text>Clerk and His Tale.</text>
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        <element elementId="109">
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              <text>jules SAC 18 (1996) - 202</text>
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                <text>Reincarnations of Griselda: Contexts for the 'Clerk's Tale'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Literary and historical contexts modify the presentation of the Griselda story in its many versions, reflecting a broad range of views on women and marriage.  Chaucer's version raises questions about the exemplary value of Griselda in religious and political contexts, challenging the way her story had traditionaly been told.  Nonetheless, the responses of the Host and the Merchant contribute to her "continuing life" as "an icon of the ideal wife."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2783527">
              <text>Campbell, Laura J.</text>
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        <element elementId="98">
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              <text>Neophilologus 93 (2009): 325-38.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2783529">
              <text>2009</text>
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        <element elementId="102">
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            <elementText elementTextId="2783531">
              <text>Romaunt of the Rose.</text>
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          <elementTextContainer>
            <elementText elementTextId="2783532">
              <text>Neophilologus 93 (2009).</text>
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        <element elementId="109">
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              <text>vxl sac 33:191</text>
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                <text>Reinterpretation and Resignification: A Study of the English Translation of Le Roman de la Rose</text>
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            <description>An account of the resource</description>
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                <text>James Holmes's "mapping technique" applied to Rom reveals a systematic reinterpretation of the French text's ambiguous language.</text>
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          <elementTextContainer>
            <elementText elementTextId="2725955">
              <text>Fulk, R. D.</text>
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        <element elementId="98">
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            <elementText elementTextId="2725956">
              <text>Journal of English and Germanic Philology 78 (1979): 485-93.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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              <text>1979</text>
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              <text>Manciple and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2725960">
              <text>Journal of English and Germanic Philology 78 (1979)</text>
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              <text>jules SAC 04 (110)</text>
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                <text>Reinterpreting the Manciple's Tale</text>
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                <text>ManT--a warning to the Cook with whom the Manciple quarrels--supports three main themes:  the insignificance of social rank (9.105-270), the danger inherent in anger (271-91), and the foolishness of a wanton tongue (292-362).</text>
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              <text>Forni, Kathleen.</text>
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            <elementText elementTextId="2764051">
              <text>Chaucer Review 37: 253-64, 2003.</text>
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        <element elementId="114">
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              <text>Knight and His Tale.</text>
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              <text>Chaucer Review 37 (2003)</text>
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              <text>vxl SAC 25:10</text>
            </elementText>
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              <elementText elementTextId="2764049">
                <text>Reinventing Chaucer: Helgeland's A Knight's Tale</text>
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                <text>Despite inaccuracies and major differences from Chaucer's KnT, Helgeland's film "A Knight's Tale" does maintain a "Chaucer effect" that has secured the poet's "iconic status" since the Renaissance. Yet anachronisms abound; rock music replaces chant; and the central premise of the plot-that patents of nobility are necessary to compete-is inaccurate.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774585">
              <text>Currie, Joy M.</text>
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        <element elementId="98">
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              <text>Mediaevalia 24 (2003): 299-324.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Mediaevalia 24 (2003)</text>
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              <text>vxl sac 30:277</text>
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                <text>Rejecting Natural Law and Society's Dissolution in Chaucer's Troilus</text>
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                <text>Currie explores the hypocrisy and factionalism that underlie the characters' ostensible concerns with natural law and the common good in TC, arguing that Chaucer exposes the negative consequences (individual and social) of breaches of natural law. Chaucer's Troy reflects the London of his day.</text>
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            <elementText elementTextId="2848492">
              <text>Leary, Amanda Elise.</text>
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              <text>Ph.D. Dissertation. Purdue University, 2021.&#13;
Dissertation Abstracts International A85.01(E)</text>
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              <text>Dissertation Abstracts International A85.01(E)</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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              <text>SAC 46:154</text>
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        <element elementId="114">
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          <description/>
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              <text>2021</text>
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                <text>Relational Chaucer: Intersubjective Identity and Ricoeurian Narrative Hermeneutics.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2848491">
                <text>Uses Paul Ricoeur's "theory of narrative identity" to explore various aspects of Chaucer's poetry, including issues of female agency in FranT, ClT, and TC; racialized narratives and white identity in CT; Chaucer's "talking-animal poetry"; and "poetic subjectivity" in his dream poems and in the Host's question to Chaucer as narrator, "What man artow?", in ThP.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846787">
              <text>Owen, Charles A., Jr.</text>
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        <element elementId="98">
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              <text>Modern Language Notes 71.2 (1956): 84-87.</text>
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            <elementText elementTextId="2846789">
              <text>Modern Language Notes 71 (1956)</text>
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              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
Pardoner and His Tale&#13;
Physician and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 12/9/2024</text>
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          <description/>
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              <text>1956</text>
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                <text>Relationship between the Physician's Tale and the Parson's Tale.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851956">
                <text>Observes similarities in imagery, diction, and impact of portions of ParsT (Chaucer's interpolation in "lachesse" as a subset of Sloth) and PhyT (digression on governesses), exploring possible sources (especially St. Augustine), possible occasions of composition, and relative chronology.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Malo, Robyn.</text>
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        <element elementId="98">
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              <text>Toronto: University of Toronto Press, 2013.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2807453">
              <text>2013</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2807454">
              <text>ix, 298 pp.</text>
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        <element elementId="102">
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            <elementText elementTextId="2807456">
              <text>Pardoner and His Tale</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea SAC 37:130</text>
            </elementText>
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                <text>Relics and Writing in Late Medieval England</text>
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            <description>An account of the resource</description>
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                <text>Emphasizes "relic discourse" in England from the twelfth to sixteenth centuries. Chapter 4, "Relic Discourse in the 'Pardoner's Prologue and Tale' and 'Troilus and Creiseyde,' discusses how the Pardoner's performance "reveals the workings of relic discourse," and how parody is revealed in TC.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2785840">
              <text>Shepherd, Geoffrey.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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              <text>Derek Brewer, ed. Geoffrey Chaucer. Writers and their Background (London: G. Bell, 1974), pp. 262-89.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2785842">
              <text>1974</text>
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        <element elementId="108">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785843">
              <text>Geoffrey Chaucer. Writers and their Background.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2785845">
              <text>Background and General Criticism</text>
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            <elementText elementTextId="2785846">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>mea 02/06/2013 No SAC</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2785844">
                <text>Surveys the range of religious and philosophical concerns and attitudes of late fourteenth-century England, and gauges Chaucer's investment in them. More moral than dogmatic, Chaucer "never discloses his commitment in religion" and "offers few judgements," although, as a story-teller, he is concerned with causation and its relations with human freedom, a "theological preoccupation of his time," most clearly treated in TC.  Includes commentary on the relative Aristotelianism and Augustinianism of Duns Scotus, Ockham, Bradwardine, and Wyclif, discovering Chaucer and the latter to be "curiously complementary."</text>
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            <elementText elementTextId="2699485">
              <text>Quinn, Esther C.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>George D. Economou, ed.  Geoffrey Chaucer: A Collection of Original Articles (New York: McGraw Hill, 1976), pp. 55-73.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699487">
              <text>1976</text>
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              <text>Geoffrey Chaucer: A Collection of Original Articles.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2699490">
              <text>Canterbury Tales--General.</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>jules - 23/9/94 SAC 1 (92)</text>
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                <text>Religion in Chaucer's 'Canterbury Tales': A Study of Language and Structure</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>All aspects of CT--the pilgrims themselves and the characters,themes, and language of each tale--unite to present the pilgrimage to Canterbury as a representation of the conceptual pilgrimage of all Christians.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Boitani, Piero, and Anna Torti, eds.</text>
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              <text>Cambridge : D. S. Brewer, 1990.</text>
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              <text>Torti, Anna, ed.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 14 (57)</text>
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                <text>Twelve essays by various hands. For four essays that pertain to Chaucer, search for Religion in the Poetry and Drama of the Late Middle Ages in England under Alternative Title.</text>
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              <text>Wright-Bushman, Katy, and Hannah Zdansky.</text>
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              <text>Religion and Literature 46 (2014)</text>
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              <text>mea; 3/03/2017 sac 38:197</text>
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                <text>Addresses both Chaucer's motivation and the meaning behind the poet's crediting the divine in Ret.</text>
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              <text>Sisk, Jennifer L.</text>
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              <text>SAC 32 (2010): 151-77.</text>
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        <element elementId="114">
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>Studies in the Age of Chaucer 32 (2010).</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>vxl sac 34:265</text>
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                <text>Religion, Alchemy, and Nostalgic Idealism in Fragment VIII of the Canterbury Tales</text>
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                <text>Through its "nostalgic" recollection of an idealized "bygone era," CYPT "casts a shadow" on the reformist thinking of SNT. Like many advocates of ecclesiastical reform, the Nun idealizes the primitive Church, but the Canon's Yeoman's performance undercuts the idea that worldly decline can be reversed. Sisk clarifies late medieval notions of the primitive Church and attitudes toward alchemy.</text>
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              <text>Rodríguez Mesa, José Francisco.</text>
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          <elementTextContainer>
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              <text>Ana Laura Rodríguez Redondo and Eugenio Contreras Domingo, eds. Focus on Old and Middle English Studies (Madrid: Universidad Complutense de Madrid, 2011), pp. 159-73.</text>
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        <element elementId="114">
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806096">
              <text>Focus on Old and Middle English Studies.</text>
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          <elementTextContainer>
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              <text>Canterbury Tales--General</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea SAC 37:21</text>
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                <text>Religious 'in itinere' Frame Stories: Roles in Sercambi's 'Novelle' and Chaucer's 'Canterbury Tales'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2806097">
                <text>Studies Sercambi's "Novelle" and CT against the background of historical writing, and classical and medieval traditions of "narratio brevis," including the oriental models, in particular the frame stories "in itinere." Analyzes features of short stories from the perspective of the Sociocritic School, which sees them as a subversion of the macro-story of religious pilgrimage and the morals and religion of the late fourteenth century.</text>
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              <text>Roman, Christopher Michael.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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              <text>[5 pp.]</text>
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              <text>The Open Access Companion to the Canterbury Tales.</text>
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              <text>mea; 1/1/2021</text>
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                <text>Religious Debate and Polemic in the "Retraction."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2833876">
                <text>Considers Ret in light of the medieval humility topos, penitential practice, and Lollard reform, raising questions about Chaucer's intentions in his works and the extent of our ability to perceive them. Designed for pedagogical use, includes several questions for discussion.</text>
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          <elementTextContainer>
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              <text>Sachs, Arieh.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Mediaeval Studies 26 (1964): 231-56.</text>
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          <elementTextContainer>
            <elementText elementTextId="2842739">
              <text>Mediaeval Studies 26 (1964)</text>
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              <text>Parson and His Tale&#13;
Language and Word Studies&#13;
Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea; 7/6/2023</text>
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              <text>1964</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2842735">
                <text>Religious Despair in Mediaeval Literature and Art.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842736">
                <text>Includes comments on "wanhope" and "accidia" in ParsT as examples of the "straight homiletic approach" to condemning religious despair.</text>
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  <item itemId="275828" public="1" featured="0">
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              <name>Title</name>
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              <text>Yunck, John A.</text>
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        <element elementId="98">
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              <text>ELH 27 (1960): 249-61.</text>
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        <element elementId="100">
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            <elementText elementTextId="2838778">
              <text>ELH 27 (1960)</text>
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              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/31/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838781">
              <text>1960</text>
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                <text>Religious Elements in Chaucer's "Man of Law's Tale."</text>
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                <text>Compares Chaucer's heroine in MLT with her predecessor in Trevet, arguing that Custance's passivity, her prayers, and her divinely-aided escape from the "renegade knight" combine with other religious features of the tale to make it "a romantic homily on the virtues of complete submission to divine providence, worked out against the harshest vicissitudes which folktale could provide." </text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Barr, Helen.</text>
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              <text>SAC 32 (2010): 39-65.</text>
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              <text>2010</text>
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              <text>Prioress and Her Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2790143">
              <text>Studies in the Age of Chaucer 32 (2010).</text>
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              <text>vxl sac 34:247</text>
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                <text>Religious Practice in Chaucer's Prioress's Tale: Rabbit and/or Duck?</text>
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                <text>Both PrP and PrT express "affective devotional piety," while simultaneously they are "swollen with reference to targets of Wycliffite polemic." As a result, their Marian generic affiliations and the "collocational patterns" of their diction can and do provoke distinctly orthodox and heterodox responses that are equally valid and probably sequentially evident to Chaucer's audience. Barr includes significant attention to liturgical concerns, the phrase "by rote" (in contrast to "in herte"), and the interpretive process of "inferencing."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2743051">
              <text>Oka, Saburo.</text>
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              <text>Studies in Medieval English Language and Literature 11 (1996): 1-20.</text>
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              <text>1996</text>
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              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2743056">
              <text>Studies in Medieval English Language and Literature 11 (1996)</text>
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              <text>jules SAC 20 (1998), 272</text>
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                <text>Religious Sentiments in Chaucer's 'Troilus'</text>
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                <text>The love triangle of TC (Troilus, Criseyde, and Diomede) is mirrored in a narrative triangle, in turn reflecting a Trinitarian religious outlook.  Chaucer's narrative anxiety parallels his anxiety that his religious message may not be fully understood.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2845053">
              <text>Donaghey, Brian, Noel Harold Kaylor, Jr., Philip Edward Phillips, and Paul E. Szarmach, eds., with assistance from Kenneth C. Hawley.</text>
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              <text>Tempe: Arizona Center for Medieval &amp; Renaissance Studies, 2019.</text>
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              <text>xxviii, 496 pp.</text>
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              <text>Medieval and Renaissance Texts and Studies, no. 505&#13;
Arizona Studies in the Middle Ages and Renaissance, no. 40.</text>
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              <text>Kaylor, Noel Harold Jr., ed.&#13;
Phillips, Philip Edward, ed.&#13;
Szarmach, Paul E. Szarmach, ed. &#13;
Hawley, Kenneth C. </text>
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              <text>Boece&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Laater Allusion&#13;
Bibliographies, Reports, and Reference</text>
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              <text>SAC 45:148</text>
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              <text>2019</text>
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              <elementText elementTextId="2845051">
                <text>Remaking Boethius: The English Language Translation Tradition of "The Consolation of Philosophy."</text>
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              <elementText elementTextId="2851925">
                <text>Compiles extensive, authoritative information about each of the English translations of Boethius's "Consolation of Philosophy" from Alfred the Great to H. R. James (1897)--complete translations (including Bo), partial versions, abridgments, selections, versions spurious or lost, etc. Individual sections include a biography of the translator, particulars of the translation (influences, audiences, and links with earlier translations), samples, and a bibliography (manuscripts, editions, and secondary sources). The section on Chaucer's Bo is augmented by a separate section on "An Early Adaptation of Chaucer's translation . . ." that addresses "The Boke of Coumfort of Bois" (after c. 1450).</text>
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            <elementText elementTextId="2737508">
              <text>Haydock, Nickolas A.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 56 (1995): 1348A.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2737510">
              <text>1995</text>
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            <elementText elementTextId="2737513">
              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
            </elementText>
            <elementText elementTextId="2737515">
              <text>House of Fame.</text>
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            <elementText elementTextId="2737516">
              <text>Parliament of Fowls.</text>
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        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2737517">
              <text>Dissertation Abstracts International 56 (1995)</text>
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              <text>jules SAC 19 (1997) - 56</text>
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                <text>Remaking Chaucer: Influence and Interpretation in Late Medieval Literature</text>
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            <description>An account of the resource</description>
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                <text>The works of Chaucer's contemporaries (Clanvowe, Lydgate, Dunbar) and later admirers (e.g., Henryson) show varying responses, especially to HF and PF.</text>
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                <text>Analysis of HF as printed by Caxton reveals how change in context influenced the text.</text>
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              <text>Spellman, Mary Alice.</text>
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            <elementText elementTextId="2773298">
              <text>DAI A67.04 (2006): n.p.</text>
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          <name>Date</name>
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            <elementText elementTextId="2773299">
              <text>2006</text>
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              <text>Background and General Criticism.</text>
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          <elementTextContainer>
            <elementText elementTextId="2773302">
              <text>Dissertation Abstracts International 67 (2006).</text>
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              <text>vxl sac 30:147</text>
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                <text>Rembrandt's Humor: Scatology, Satire, Burlesque, and Irony in Six Etchings</text>
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                <text>Spellman compares Rembrandt's "The Monk in the Cornfield" to Chaucerian satires of clergy.</text>
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