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                  <text>Chaucer Bibliography Online</text>
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              <text>Hahn, Thomas, ed.</text>
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        <element elementId="98">
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              <text>Special Issue of Exemplaria 2 (1990):1-353.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1990</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Exemplaria 02 (1990)</text>
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              <text>jules SAC 14 (83)</text>
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                <text>Reconceiving Chaucer: Literary Theory and Historical Interpretation</text>
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                <text>A collection of seventeen essays arising out of a conference entitled "History/Text/Theory:  Reconceiving Chaucer," held at the University of Rochester on 21-23 April 1988.  The essays use the discourses of modern literary theory to reconsider the study of Chaucer as a field of academic inquiry.</text>
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                <text>For individual essays that pertain to Chaucer, search under t=exemplaria 02.</text>
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              <text>Dyches, Jeanne, and Brandon L. Sams.</text>
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              <text>Changing English: Studies in Culture and Education 25 (2018): 370-83.</text>
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              <text>Sams, Brandon L.</text>
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              <text>Changing English: Studies in Culture and Education 25 (2018)&#13;
Changing English 25 (2018)</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>mea; SAC 42:144</text>
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                <text>Reconciling Competing Missions of English Education: A Story of Pedagogical Realism.</text>
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                <text>Offers "pedagogical realism" as an approach to reconciling the "goals of social justice" with canonical "curricula standards" in English instruction, illustrating how to use the motif of rape in teaching WBT.</text>
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              <text>Ramirez Arlandi, Juan.</text>
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              <text>Margarita Gimenez Bon and Vickie Olsen, eds. Proceedings of the 9th International Conference of the Spanish Society for Medieval Language and Literature. (Vitoria-Gasteiz: Dpto. Filologia Inglesa, 1997): pp. 247-52.</text>
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              <text>1997</text>
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          <name>Alternative Title</name>
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              <text>Proceedings of the 9th International Conference of the Spanish Society for Medieval Language and Literature.</text>
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              <text>Proceedings of the Ninth International Conference of the Spanish Society for Medieval Language and Literature.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>jules SAC 21 - 175</text>
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                <text>Reconsiderations on the Theme of Marriage in 'The Canterbury Tales</text>
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            <description>An account of the resource</description>
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                <text>Investigates varying presentations of marriage in the Marriage Group of CT, concluding that the "true idea of marriage is the result of combining the features that different characters exhibit."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Youmans, Gilbert.</text>
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              <text>C. B. McCully and J. J. Anderson, eds. English Historical Metrics (Cambridge and New York: Cambridge University Press, 1996), pp. 185-209.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1996</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2743814">
              <text>English Historical Metrics.</text>
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              <text>Style and Versification.</text>
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        <element elementId="109">
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              <text>jules SAC 21 - 65</text>
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            <name>Title</name>
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              <elementText elementTextId="2743810">
                <text>Reconsidering Chaucer's Prosody</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2743815">
                <text>Reexamines Halle and Keyser's three principles of the iambic line as applied to Chaucer's verse, arguing that the verse is better explained by a prototypical hierarchy of stresses than by a pattern of alternating weak and strong stresses.  Kiparsky's Monosyllabic Word Constraint Principle better explains Chaucer's (and Shakespeare's and Milton's) inversions for meter than does Halle and Keyser's Stress Maximum Principle.</text>
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              <text>Evans, Deanna Delmar.</text>
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              <text>Studies in Scottish Literature 35-36 (2007): 444-54.</text>
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              <text>Studies in Scottish Literature 35-36 (2007)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Tale of Sir Thopas</text>
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              <text>mea; 3/8/2019</text>
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          <name>Date</name>
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                <text>Reconsidering Dunbar's "Sir Thomas Norny" and Chaucer's Tale of "Sir Thopas."</text>
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                <text>Critiques the appropriateness of the label "Scottish Chaucerian" for William Dunbar, focusing on relations between Chaucer's Th and Dunbar's "Sir Thomas Norny," observing that there is "no reason to assume" direct influence and identifying differences between the poems in genre, authorial intent, characterization, uses of allusion, and occasions for composition.</text>
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              <description>A name given to the resource</description>
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              <text>Lawton, Lesley.</text>
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              <text>Miranda: Revue pluridisciplinaire du monde anglophone 12 (2016): 1-21. Open access journal at http://journals.openedition.org/miranda/8646 (accessed February 6, 2022).</text>
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              <text>Miranda: Revue pluridisciplinaire du monde anglophone 12 (2016)</text>
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              <text>Clerk and His Tale</text>
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        <element elementId="109">
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              <text>mea;  SAC 44:239</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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                <text>Reconsidering the Use of Gender Stereotypes in Medieval Romance: Figures of Vulnerability and of Power.</text>
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                <text>Explores how medieval romances convey stereotypes that "often appear as a feature of tales of identity in which the male subject position of active self-affirmation is partly developed in relation to female figures" of vulnerability. Includes comments on how, in ClT, "Griselda's Christ-like and Job-like qualities give her a masculine authority and an actively complicit role in her testing which disturbs the gender politics of wifely submission to a husband's will."</text>
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              <text>Bychowski, M. W.</text>
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                <text>The repeated rhymes "trouthe"/"routhe," "serve"/"disserve," and "mente"/"entente" accentuate the poem's development.  The first two pairs underscore the perversion of "fin amours."  Troilus asks for his lady's "routhe" in exchange for his "trouthe," but her "untrouthe" causes him "routhe."  He ideally deserves better for his service.  Repetition of "mente"/"entente" illustrates the disharmony between conscious and unconscious motives.</text>
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                <text>Chaucer makes the best of recurring rhyme pairs such as 'joye'/'Troye', 'gladnesse'/'destresse', and 'pleasaunce'/'remembraunce' to describe the mutability of worldly happiness in TC.</text>
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              <text>Essays Commemorating the Retirement of Professor Sachiho Tanaka. (Tokyo: Kirihara Shoten, 1988), pp. 123-39.</text>
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              <text>xv, 278 pp.; 24 b&amp;w illus.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
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Boece&#13;
Facsimiles, Editions, and Translations&#13;
Troilus and Criseyde&#13;
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                <text>Theorizes "recursivity"--an alternative to "originality"--as a trope in fifteenth- and sixteenth-century English literary history, arguing that much often considered to be "original" or "revolutionary" in modernity is better understood as remaking and reasserting literary forms that came before, especially codicological forms. Recurrent attention to Chaucer's influence, including discussion of the role of Bo in the embedded philosophy of Caxton's "Boecius," the cultural impact of sixteenth-century editions of Chaucer's works (single or collected), and intertextualities among Spenser, Lydgate, and Chaucer, particularly invocations to the book (TC 5.1786-92) and lodestar imagery (TC 5.1392 and KnT 1.2059).</text>
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              <text>Paul Strohm and Thomas J. Heffernan, eds.  Studies in the Age of Chaucer, Proceedings, No. 1, 1984 (Knoxville, Tenn.: New Chaucer Society, 1985), pp. 105-15.</text>
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                <text>Chaucer plays with sources, including echoes of his own works in KnT, LGWP, SqT, MerT, PF, and Anel.</text>
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                <text>Red-Lining and Blue-Penciling 'The Kingis Quair'</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2806758">
                <text>Examines the unique witness to the text of "Kingis Quair" (Bodleian MS Arch. Selden B.24), assessing what the two scribal practices of the manuscript indicate about the composition, reception, and meaning of the poem. Includes discussion of the codicological and thematic relations "Kingis Quair" and Chaucer's works that appear in the same manuscript.</text>
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  <item itemId="262552" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706127">
              <text>Pulsiano, Phillip.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706128">
              <text>Julian N. Wasserman and Lois Roney, eds.  Sign, Sentence, Discourse:  Language in Medieval Thought and Literature (Syracuse, N. Y.:  Syracuse University Press, 1989), pp. 153-74.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706129">
              <text>1989</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706130">
              <text>Sign, Sentence, Discourse: Language in Medieval Thought and Literature.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706132">
              <text>Troilus and Criseyde.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706133">
              <text>jules SAC 13 (242)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2706126">
                <text>Redeemed Language and the Ending of 'Troilus and Criseyde'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2706131">
                <text>TC explores the "breakdown of language as a vehicle for truth and...knowledge."  According to Augustine, language can be redeemed in the Incarnation.  Chaucer conveys the "idea of language as a mirror of the divine, and through language we participate in the divine."</text>
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  <item itemId="265449" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734188">
              <text>Robinson, Peter</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734189">
              <text>George P. Landow and Paul Delany, eds. The Digital Word: Text-based Computing in the Humanities (Cambridge, Mass.: MIT Press, 1993), pp. 271-91.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734190">
              <text>1993</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734191">
              <text>The Digital Word: Text-based Computing in the Humanities.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734193">
              <text>Facsimiles, Editions, and Translations.</text>
            </elementText>
            <elementText elementTextId="2734194">
              <text>Wife of Bath and Her Tale.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734195">
              <text>jules SAC 18 (1996) - 23</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2734187">
                <text>Redefining Critical Editions</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2734192">
                <text>Critiques print-based critical editions of CT and "Piers Plowman," arguing that they are based on spelling- and punctuation-normalized texts that disguise so-called accidentals and may confuse the difference between accidentals and substantive variants. Recommends production of electronic editions and describes efforts to do so with WBP.</text>
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  <item itemId="272482" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807383">
              <text>Schwebel, Leah.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807384">
              <text>Chaucer Review 47.3 (2013): 274-99.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807385">
              <text>2013</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807387">
              <text>Clerk and His Tale</text>
            </elementText>
            <elementText elementTextId="2807388">
              <text>Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807389">
              <text>Chaucer Review 47 (2013)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807390">
              <text>mea sac 37:122</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807382">
                <text>Redressing Griselda: Restoration through Translation in the 'Clerk's Tale'</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807386">
                <text>Chaucer's modification of Petrarch's Griselda material return ClT closer to Boccaccio's original version of the story. By working with multiple versions of the story, Chaucer places himself in the pantheon of Italian writers.</text>
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  </item>
  <item itemId="266933" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749708">
              <text>Taylor, Paul Beekman.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749709">
              <text>Paul Beekman Taylor. Chaucer Translator (Lanham, Md., New York, and Oxford: University Press of America, 1998), pp. 105-18.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749710">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749711">
              <text>Chaucer Translator.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749713">
              <text>Monk and His Tale.</text>
            </elementText>
            <elementText elementTextId="2749714">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749715">
              <text>jules SAC 22 - 268.</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749707">
                <text>Redressing Nero's Array</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749712">
                <text>Assesses Chaucer's alterations of his sources (Jean de Meun and Boethius) in the Nero account of MkT. Through selection and emphasis, especially emphasis on clothing, Chaucer "forges a link between the emperor's name and his deeds," associating Nero with knitting (Latin "nere") and cutting (French "nairon"). In Chaucer, Nero's name is his fortune.</text>
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  </item>
  <item itemId="275168" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2833002">
              <text>Ramírez-Arlandi, Juan.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833003">
              <text>In Salvador Peña and Juan Jesús Zaro, eds. Traducir a los clásicos: Entornos y transformaciones (Granada: Comares, 2018), pp. 187-204.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2833004">
              <text>Peña, Salvador, ed. &#13;
Zaro, Juan Jesús, ed. </text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833005">
              <text>Traducir a los clásicos: Entornos y transformaciones.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833006">
              <text>Pardoner and His Tale&#13;
Facsimiles, Editions, and Translations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833007">
              <text>mea; SAC 42:161</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833008">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2833000">
                <text>Reescritura y traducción de los clásicos medievales ingleses en Argentina: Patricio Gannon y "The Pardoner's Tale" de Geoffrey Chaucer.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2833001">
                <text>Analyzes the Spanish translation of PardT by Patricio Gannon published in 1944 in Argentina, a version that used as a source text John S. P. Tatlock's and Percy MacKaye's modernized version (1912). Studies the degree of rewriting in Gannon's version and the contextual aspects surrounding it through a "post-translation studies" lens.</text>
              </elementText>
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  </item>
  <item itemId="273873" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820516">
              <text>Schmidt, Philip.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820517">
              <text>Southern Folklore Quarterly 30 (1966): 249-55.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820518">
              <text>Southern Folklore Quarterly 30 (1966)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820519">
              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820520">
              <text>mea; 10/23/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820521">
              <text>1966</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820514">
                <text>Reexamination of Chaucer's Old Man of the "Pardoner's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820515">
                <text>Considers theories of the nature of the Old Man in PardT, suggesting that he might be thought to combine feature of the Good Angel and the Bad Angel of medieval mystery and morality plays insofar as he seems to be "extra-human," advising and endangering the rioters simultaneously.</text>
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          </element>
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  </item>
  <item itemId="266314" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
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                <text>Assembles references to Chaucer's character and literary reputation recorded in English books 1475-1640, the dates of the Short Title Catalog. Entries include author, title, publisher, and STC and University Microfilm (UMD) numbers and establish the context for fifty citings.</text>
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                <text>References to the 'Canterbury Tales'</text>
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                <text>Listings of references to Chaucer and his work published 1475-1640, updating Caroline Spurgeon's "Five Hundred Years of Chaucer Criticism and Allusion, 1357-1900."</text>
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              <text>Boswell, Jackson Campbell,and Sylvia Wallace Holton.</text>
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              <text>Chaucer Review 29 (1994): 93-109.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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                <text>References to Troilus, Criseyde, and Pandaras</text>
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                <text>Catalogues thirty-one previously unlisted references to Troilus, Criseyde, and Pandaras published 1475-1640.  Part of a work in progress:  an updating of the "Short-Title Catalogue of Books Printed ... 1475-1640" and of Caroline Spurgeon's "Five Hundred Years of Chaucer Criticism and Allusion, 1357-1900."</text>
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              <name>Title</name>
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            <elementText elementTextId="2747735">
              <text>Krier, Theresa M.</text>
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              <text>Gainesville: University Press of Florida, 1998.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>jules SAC 22 - 73</text>
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          <element elementId="50">
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                <text>Refiguring Chaucer in the Renaissance</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2747739">
                <text>Ten essays by various authors on the sixteenth- and seventeenth-century reception of Chaucer, as reflected in editing practice, growth of the canon, and poetic imitation and emulation. In "Introduction:  Receiving Chaucer in Renaissance England," Krier theorizes the "gratitude" expressed in Renaissance culture for the "generosity" of Chaucer and his works, focusing on Francis Thynne's "Animadversions." For nine essays that pertain to Chaucer, search for Refiguring Chaucer in the Renaissance under Alternative Title.</text>
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            <elementText elementTextId="2736684">
              <text>Pigg, Daniel F.</text>
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        <element elementId="98">
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              <text>Chaucer Review 29 (1994): 65-73.</text>
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        <element elementId="114">
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              <text>1994</text>
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              <text>Prioress and Her Tale.</text>
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              <text>Chaucer Review 29 (1994)</text>
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              <text>jules SAC 18 (1996) - 229</text>
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                <text>Refiguring Martyrdom: Chaucer's Prioress and Her Tale</text>
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            <description>An account of the resource</description>
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                <text>PrT expresses the notion of spiritual or "white" martyrdom popular in the Middle Ages.  Unlike physical martyrdom, white martyrdom was a mental act, often involving the preservation of virginity.  Through the character of the little boy, the Prioress suggests her own struggle with evil and chastity, thereby adding complexity to her own voice as a pilgrim.</text>
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              <text>Lee, Sun Young.</text>
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              <text>Dissertation Abstracts International A79.09 (2018): n.p.</text>
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              <text>Dissertation Abstracts International 79 (2018)</text>
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              <text>Pardoner and His Tale&#13;
Summoner and His Tale</text>
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            <elementText elementTextId="2837505">
              <text>2018</text>
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                <text>Refiguring Moderation in Eating and Drinking in Late Fourteenth-and Fifteenth-Century Middle English Literature.</text>
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                <text>Includes discussion of "Chaucer's critique of the rhetoric of moderation in the speech of the Pardoner and the Friar John [in SumT] . . . , who attempted to assert their clerical superiority and cover up their gluttony by preaching moderation."</text>
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